4US043
411 MUSIC GROUP 411 COMPILATIONS Minimal Tension Vol 1Minimal hybrid orchestral cues featuring synth pads & pulses under tense strings & piano melodies that moderately build in intensity creating anticipation and suspense. |
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1. INSTANT HESITATION 00:01:40 UNDERSCORE TENSION WITH A PERSISTENT DRIVE THAT GENERATES CONFLICT AND CHALLENGE.
21. INSTANT HESITATION 00:00:30 :30
41. INSTANT HESITATION 00:01:40 NO BASS
42. INSTANT HESITATION 00:01:40 NO DRUMS
43. INSTANT HESITATION 00:01:40 NO FX
44. INSTANT HESITATION 00:01:40 NO PERCUSSION
45. INSTANT HESITATION 00:01:40 NO STRINGS
46. INSTANT HESITATION 00:01:40 NO SYNTH
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2. BLEED IN BATTLE 00:01:49 BROODING AND DARK TENSION, A LOW SYNTH UNDERBELLY CARRIES MYSTERIOUS AND DRIVING STRINGS WITH A HEROIC ORCHESTRAL CLIMAX.
22. BLEED IN BATTLE 00:00:30 :30
47. BLEED IN BATTLE 00:01:49 NO BASS
48. BLEED IN BATTLE 00:01:49 NO DRUMS
49. BLEED IN BATTLE 00:01:49 NO DRUMS AND PERCUSSION
50. BLEED IN BATTLE 00:01:49 NO HORNS
51. BLEED IN BATTLE 00:01:49 NO MALLETS
52. BLEED IN BATTLE 00:01:49 NO PERCUSSION
53. BLEED IN BATTLE 00:01:49 NO STRINGS
54. BLEED IN BATTLE 00:01:49 NO SYNTH
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3. DEADLOCK 00:01:55 MEASURED AND DILIGENT TENSION WITH A CLOCK-LIKE PACE. DRUMS AND STRINGS HOLD THE TEMPO WHILE SYNTHS PROVIDE DARKNESS.
23. DEADLOCK 00:00:30 :30
55. DEADLOCK 00:01:55 NO BASS
56. DEADLOCK 00:01:55 NO DRUMS
57. DEADLOCK 00:01:55 NO DRUMS AND PERCUSSION
58. DEADLOCK 00:01:55 NO MALLETS
59. DEADLOCK 00:01:55 NO PERCUSSION
60. DEADLOCK 00:01:55 NO PIANO
61. DEADLOCK 00:01:55 NO STRINGS
62. DEADLOCK 00:01:55 NO SYNTH
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4. GIVING UP ON YOU 00:01:41 DARK SYNTHS AND STRINGS BLEND WITH ACOUSTIC GUITAR TO CREATE A LIGHT TENSION UNDERSCORE THAT LEANS EMOTIONAL.
24. GIVING UP ON YOU 00:00:30 :30
63. GIVING UP ON YOU 00:01:41 NO DRUMS
64. GIVING UP ON YOU 00:01:41 NO DRUMS AND PERCUSSION
65. GIVING UP ON YOU 00:01:41 NO GUITAR
66. GIVING UP ON YOU 00:01:41 NO PERCUSSION
67. GIVING UP ON YOU 00:01:41 NO STRINGS
68. GIVING UP ON YOU 00:01:41 NO SYNTH
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5. UNEASY MESSENGER 00:01:55 DARK UNDERSCORE, SYNTH AND PERCUSSION DRIVE A PERSISTENT TEMPO WHILE STRINGS AND PIANO ADD TENSION
25. UNEASY MESSENGER 00:00:30 :30
69. UNEASY MESSENGER 00:01:55 NO BASS
70. UNEASY MESSENGER 00:01:55 NO DRUMS
71. UNEASY MESSENGER 00:01:55 NO DRUMS AND BASS
72. UNEASY MESSENGER 00:01:55 NO DRONE
73. UNEASY MESSENGER 00:01:55 NO HARP
74. UNEASY MESSENGER 00:01:55 NO PIANO
75. UNEASY MESSENGER 00:01:55 NO STRINGS
76. UNEASY MESSENGER 00:01:55 PIANO; HARP; AND DRONE
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6. UNAFRAID 00:01:46 ETHNIC INSPIRED SYNTH PROVIDES A CLOCK-LIKE DRIVE FOR MYSTERIOUS BUILDING TENSION.
26. UNAFRAID 00:00:30 :30
77. UNAFRAID 00:01:46 HARP; PIANO; AND STRINGS
78. UNAFRAID 00:01:46 NO BASS
79. UNAFRAID 00:01:46 NO DRUMS
80. UNAFRAID 00:01:46 NO DRUMS AND PERCUSSION
81. UNAFRAID 00:01:46 NO GUITAR
82. UNAFRAID 00:01:46 NO HARP
83. UNAFRAID 00:01:46 NO PERCUSSION
84. UNAFRAID 00:01:46 NO PIANO
85. UNAFRAID 00:01:46 NO STRINGS
86. UNAFRAID 00:01:46 NO SYNTH
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7. HARSH REALITIES 00:01:22 LOW AND DARK SYNTHS BROOD TENSION WHILE PIANO AND PADS PROVIDE MYSTERY AND INTRIGUE.
27. HARSH REALITIES 00:00:30 :30
87. HARSH REALITIES 00:01:22 DRONE AND SYNTH
88. HARSH REALITIES 00:01:22 NO DRUMS
89. HARSH REALITIES 00:01:22 NO DRONE
90. HARSH REALITIES 00:01:22 NO PIANO
91. HARSH REALITIES 00:01:22 NO SYNTH
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8. ALLEGED DISPUTE 00:01:40 HARP, PERCUSSION AND STRINGS DRIVE A FLOWING 3/4 METER FORWARD AS TENSION BUILDS.
28. ALLEGED DISPUTE 00:00:30 :30
92. ALLEGED DISPUTE 00:01:40 HARP; STRINGS; AND PIANO
93. ALLEGED DISPUTE 00:01:40 NO BASS
94. ALLEGED DISPUTE 00:01:40 NO DRUMS
95. ALLEGED DISPUTE 00:01:40 NO DRUMS AND PERCUSSION
96. ALLEGED DISPUTE 00:01:40 NO HARP
97. ALLEGED DISPUTE 00:01:40 NO HORNS
98. ALLEGED DISPUTE 00:01:40 NO PERCUSSION
99. ALLEGED DISPUTE 00:01:40 NO PIANO
100. ALLEGED DISPUTE 00:01:40 NO STRINGS
101. ALLEGED DISPUTE 00:01:40 NO SYNTH
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9. DRAGGED OUT 00:01:48 ELECTRIC GUITAR, PIANO AND DRUMS ALL GIVE A HUMAN TOUCH TO LIGHT, SLOW AND REFLECTIVE TENSION UNDERSCORE.
29. DRAGGED OUT 00:00:30 :30
102. DRAGGED OUT 00:01:48 DRUMS AND BASS
103. DRAGGED OUT 00:01:48 NO DRUMS AND BASS
104. DRAGGED OUT 00:01:48 NO GUITAR
105. DRAGGED OUT 00:01:48 NO PIANO
106. DRAGGED OUT 00:01:48 NO STRINGS
107. DRAGGED OUT 00:01:48 NO SYNTH
108. DRAGGED OUT 00:01:48 PIANO; STRINGS; AND SYNTH
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10. LAST CHANCE 00:01:49 A COMPELLING PIANO OSTINATO KEEPS THE TENSION MOUNTING AND TIME PUSHING CONSTANTLY FORWARD TO AN ORCHESTRAL CLIMAX.
30. LAST CHANCE 00:00:30 :30
109. LAST CHANCE 00:01:49 NO BRASS
110. LAST CHANCE 00:01:49 NO DRUMS
111. LAST CHANCE 00:01:49 NO DRONE
112. LAST CHANCE 00:01:49 NO PIANO
113. LAST CHANCE 00:01:49 NO STRINGS
114. LAST CHANCE 00:01:49 PIANO AND DRONE
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11. NIGHT PATROL 00:01:47 ELECTRIC PIANO RHYTHMIC PATTERN FEELS DETERMINED AND DARK AS THE ORCHESTRA AND DRUMS BUILD FROM TENSION TO CONFIDENCE.
31. NIGHT PATROL 00:00:30 :30
115. NIGHT PATROL 00:01:47 KEYS; STRINGS; AND SYNTH
116. NIGHT PATROL 00:01:47 NO DRUMS
117. NIGHT PATROL 00:01:47 NO KEYS
118. NIGHT PATROL 00:01:47 NO PIANO AND BRASS
119. NIGHT PATROL 00:01:47 NO STRINGS
120. NIGHT PATROL 00:01:47 NO SYNTH
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12. HOURGLASS TORTURE 00:01:46 PERCUSSION AND HARP TICK OFF THE CLOCK-LIKE RHYTHM AS STRINGS, PIANO AND SYNTHS BUILD THE TENSION.
32. HOURGLASS TORTURE 00:00:30 :30
121. HOURGLASS TORTURE 00:01:46 NO BASS
122. HOURGLASS TORTURE 00:01:46 NO DRUMS
123. HOURGLASS TORTURE 00:01:46 NO DRUMS AND BASS
124. HOURGLASS TORTURE 00:01:46 NO FX
125. HOURGLASS TORTURE 00:01:46 NO KEYS
126. HOURGLASS TORTURE 00:01:46 NO STRINGS
127. HOURGLASS TORTURE 00:01:46 NO SYNTH
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13. ANCIENT RUINS 00:01:50 CLOCK BELLS CHIME OFF THE TIME AS HARP AND PIANO PROVIDE THE LEAD TO A NEUTRAL TENSION.
33. ANCIENT RUINS 00:00:30 :30
128. ANCIENT RUINS 00:01:50 KEYS; MALLETS; AND STRINGS
129. ANCIENT RUINS 00:01:50 NO BRASS
130. ANCIENT RUINS 00:01:50 NO DRUMS
131. ANCIENT RUINS 00:01:50 NO KEYS
132. ANCIENT RUINS 00:01:50 NO MALLETS
133. ANCIENT RUINS 00:01:50 NO STRINGS
134. ANCIENT RUINS 00:01:50 NO SYNTH
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14. PERSISTENT ORDERS 00:02:11 A TRIPLET METER KEEPS THE MOOD LIGHT AND FLOWING AS CLOCK ELEMENTS CROSS IN AND OUT AS THEY BUILD TO CONFRONTATION.
34. PERSISTENT ORDERS 00:00:30 :30
135. PERSISTENT ORDERS 00:02:11 KEYS AND SYNTH
136. PERSISTENT ORDERS 00:02:11 NO BASS
137. PERSISTENT ORDERS 00:02:11 NO DRUMS
138. PERSISTENT ORDERS 00:02:11 NO DRUMS AND BASS
139. PERSISTENT ORDERS 00:02:11 NO GUITAR
140. PERSISTENT ORDERS 00:02:11 NO KEYS
141. PERSISTENT ORDERS 00:02:11 NO STRINGS
142. PERSISTENT ORDERS 00:02:11 NO SYNTH
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15. DISCONNECTED 00:01:55 DIRTY ELECTRIC PIANO PROVIDES THE BRODDING UNDERBELLY OF THIS ORCHESTRAL TENSION UNDERSCORE THAT REEKS OF CRIME AND BETRAYAL.
35. DISCONNECTED 00:00:30 :30
143. DISCONNECTED 00:01:55 DRUMS AND BASS
144. DISCONNECTED 00:01:55 KEYS; STRINGS; AND SYNTH
145. DISCONNECTED 00:01:55 NO BRASS
146. DISCONNECTED 00:01:55 NO BASS
147. DISCONNECTED 00:01:55 NO DRUMS
148. DISCONNECTED 00:01:55 NO DRUMS AND BASS
149. DISCONNECTED 00:01:55 NO KEYS
150. DISCONNECTED 00:01:55 NO STRINGS
151. DISCONNECTED 00:01:55 NO SYNTH
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16. WE NEED THE ANTIDOTE 00:02:09 TICK-TOCK CLOCK RHYTHM ELEMENTS ACCOMPANY EMOTIONAL STRINGS THAT TURN DETERMINED AND PERSISTENT
36. WE NEED THE ANTIDOTE 00:00:30 :30
152. WE NEED THE ANTIDOTE 00:02:09 DRUMS AND BASS
153. WE NEED THE ANTIDOTE 00:02:09 NO BRASS
154. WE NEED THE ANTIDOTE 00:02:09 NO BASS
155. WE NEED THE ANTIDOTE 00:02:09 NO DRUMS
156. WE NEED THE ANTIDOTE 00:02:09 NO DRUMS AND BASS
157. WE NEED THE ANTIDOTE 00:02:09 NO FX
158. WE NEED THE ANTIDOTE 00:02:09 NO KEYS
159. WE NEED THE ANTIDOTE 00:02:09 NO STRINGS
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17. THREATENING GLARE 00:01:45 A NEUTRAL AND THIN TEXTURE BUILDS TO A MYSTERIOUS CLIMACTIC ENDING.
37. THREATENING GLARE 00:00:30 :30
160. THREATENING GLARE 00:01:45 NO DRUMS
161. THREATENING GLARE 00:01:45 NO KEYS
162. THREATENING GLARE 00:01:45 NO STRINGS
163. THREATENING GLARE 00:01:45 NO SYNTH 1
164. THREATENING GLARE 00:01:45 NO SYNTH 2
165. THREATENING GLARE 00:01:45 SYNTHS ONLY
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18. AGAINST FORTUNE 00:01:45 LOW BROODING SYNTH GROOVE SUPPORTS A BUILDING DRIVING RHYTHM IN STRINGS AND PIANO THAT GROWS FROM TENSE TO AGGRESSIVE CHALLENGE.
38. AGAINST FORTUNE 00:00:30 :30
166. AGAINST FORTUNE 00:01:45 DRUMS AND BASS
167. AGAINST FORTUNE 00:01:45 NO BASS
168. AGAINST FORTUNE 00:01:45 NO DRUMS
169. AGAINST FORTUNE 00:01:45 NO DRUMS AND BASS
170. AGAINST FORTUNE 00:01:45 NO FX
171. AGAINST FORTUNE 00:01:45 NO KEYS
172. AGAINST FORTUNE 00:01:45 NO STRINGS
173. AGAINST FORTUNE 00:01:45 NO SYNTH
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19. HOLD YOUR BREATH 00:01:49 LIGHT NEUTRAL-TENSE ORCHESTRAL TEXTURE WITH HARP AND PIANO CREATES A TENSE BACKGROUND TO A DEEPER DARKNESS.
39. HOLD YOUR BREATH 00:00:30 :30
174. HOLD YOUR BREATH 00:01:49 NO DRUMS
175. HOLD YOUR BREATH 00:01:49 NO DRUMS AND FX
176. HOLD YOUR BREATH 00:01:49 NO FX
177. HOLD YOUR BREATH 00:01:49 NO KEYS
178. HOLD YOUR BREATH 00:01:49 NO STRINGS
179. HOLD YOUR BREATH 00:01:49 NO SYNTH
180. HOLD YOUR BREATH 00:01:49 SYNTHS ONY
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20. CAUTIOUS DISTRUST 00:01:54 AMBIENT SYNTHS WITH TICKING CLOCK PERCUSSION FEATURING UNNERVED PIANO, A SIMPLE MOOD OF DARK SADNESS.
40. CAUTIOUS DISTRUST 00:00:30 :30
181. CAUTIOUS DISTRUST 00:01:54 NO DRUMS
182. CAUTIOUS DISTRUST 00:01:54 NO KEYS
183. CAUTIOUS DISTRUST 00:01:54 NO SYNTH 1
184. CAUTIOUS DISTRUST 00:01:54 NO SYNTH 2
185. CAUTIOUS DISTRUST 00:01:54 SYNTHS ONLY