1. BACH TWO PART INVENTION NO 1 00:01:06 A LIVELY TWO-PART INVENTION COMPOSED BY JOHANN SEBASTIAN BACH AND FIRST IN HIS COLLECTION OF FIFTEEN. ORIGINALLY WRITTEN FOR PIANO AND HERE PLAYED ON THE SONOROUS TONES OF THE MARIMBA.

3. BACH PRELUDE NO 1 00:03:26 THE PRELUDE NO 1 FROM THE FAMOUS CELLO SUITE COMPOSED BY JOHANN SEBASTIAN BACH IS PERFORMED HERE AS A CALM AND CONTEMPLATIVE MARIMBA CUE IN A RELAXED SETTING.

4. BACH GIGUE 00:02:10 BACHÕS PLAYFUL GIGUE FROM HIS 6TH CELLO SUITE HAS A DANCELIKE QUALITY, PLAYED ENTIRELY ON THE MARIMBA.

5. CHOPIN NOCTURNE NO 19 00:03:28 IN THIS PERFORMANCE OF THE FAMOUS AND MELANCHOLIC NOCTURNE NO 19 COMPOSED BY FREDERIC CHOPIN AN UNDERLYING REPEATED MARIMBA SUPPORTS THE SAD VIBRAPHONE MELODY ABOVE.

6. CHOPIN PRELUDE NO 15 00:04:14 THE FAMOUS ÔRAINDROPÕ PRELUDE COMPOSED BY FREDERIC CHOPIN HAS PERSISTENT NOTES REPEATED ON THE MARIMBA WITH A MELANCHOLIC TUNE ON THE VIBRAPHONE.Ê THE PROCESSIONAL STYLE LEADS TO A DARK CLIMAX BEFORE FALLING AWAY AND ARRIVING AT A FINAL RESTING PLACE.

7. DEBUSSY ARABESQUE 00:04:48 IN DEBUSSYÕS WELL-KNOWN ARABESQUE, THE MARIMBA STARTS ITS FLOWING CURVED LINE BEFORE THE COLOURFUL VIBRAPHONE ENTERS.Ê THE MUSIC IMBUES ÔTHE LAWS OF BEAUTY AND NATURE ITSELFÕ.

8. DEBUSSY CLAIR DE LUNE 00:04:22 HERE IN THGE CLASSIC CLAIR DE LUNE COMPOSED BY CLAUDE DEBUSSY, THE VIBRAPHONE PLAYS THE ÔMOONLIGHTÕ MELODY ACCOMPANIED BY THE MARIMBA.Ê A GLOCKENSPIEL PICKS OUT HIGH ACCENTED MOMENTS AND THERE IS AN INTERESTING PASSAGE ON BOWED VIBRAPHONE.

9. ELGAR NIMROD 00:03:28 A SERENE RENDITION OF ÔNIMRODÕ COMPOSED BY EDWARD ELGAR PLAYED ON MARIMBA AND BASS MARIMBA WITH CONTINUED ROLLED NOTES TO CREATE A RIPPLING BED OF HARMONY.

10. SATIE GYMNOPEDIE NO 1 00:02:54 IN THE ICONIC GYMNOPEDIE NO 1 COMPOSED BY ERIK SATIE, A DOUBLE BASS AND VIBRAPHONE PLAY A SAD SLOW WALTZ WITH THE GLOCKENSPIEL TAKING THE MEMORABLE AND WISTFUL MELODY.