1. ALLOY 00:00:58 A STRAIGHT AHEAD, HIGH ENERGY HEAVY METAL TRACK WITH SHREDDING GUITAR USING A CLASSIC HUMBUCKER LOADED STRAT WITH MODERN US STYLE AMP MODELLING.Ê

3. ALLOY 00:00:15 A STRAIGHT AHEAD, HIGH ENERGY HEAVY METAL TRACK WITH SHREDDING GUITAR USING A CLASSIC HUMBUCKER LOADED STRAT WITH MODERN US STYLE AMP MODELLING.Ê

6. ALLOY 00:00:57 A STRAIGHT AHEAD, HIGH ENERGY HEAVY METAL TRACK WITH SHREDDING GUITAR USING A CLASSIC HUMBUCKER LOADED STRAT WITH MODERN US STYLE AMP MODELLING.Ê

7. BRONZE 00:01:41 A MOODY AND RHYTHMICALLY MATHEMATICAL MODERN HEAVY METAL CUE IN 6/4 TIME WITH ATMOSPHERIC SYNTHS AND A DISSONANT LEAD GUITAR MELODY ACHIEVED BY DEPLOYING HIGH GAIN US STYLE AMP MODELS AND ACCENTUATING THE DROPPED D TUNING.Ê

9. BRONZE 00:00:15 A MOODY AND RHYTHMICALLY MATHEMATICAL MODERN HEAVY METAL CUE IN 6/4 TIME WITH ATMOSPHERIC SYNTHS AND A DISSONANT LEAD GUITAR MELODY ACHIEVED BY DEPLOYING HIGH GAIN US STYLE AMP MODELS AND ACCENTUATING THE DROPPED D TUNING.Ê

12. BRONZE 00:01:41 A MOODY AND RHYTHMICALLY MATHEMATICAL MODERN HEAVY METAL CUE IN 6/4 TIME WITH ATMOSPHERIC SYNTHS AND A DISSONANT LEAD GUITAR MELODY ACHIEVED BY DEPLOYING HIGH GAIN US STYLE AMP MODELS AND ACCENTUATING THE DROPPED D TUNING.Ê

13. COPPER 00:02:11 A FUNKY SWINGING 16THS GROOVING HEAVY METAL CUE, INSPIRED BY EARLY 90S FUNK AND METAL CROSSOVERS USING THE TONE OF A TELECASTER THROUGH BRITISH STYLE AMP MODELS WITH SOME PERCUSSIVE WAH WAH, FLANGER, ÕKILL SWITCHÕ EFFECTS AND A DISSONANT MOOG SYNTH SOLO ADD TO THE TEXTURE.

15. COPPER 00:00:15 A FUNKY SWINGING 16THS GROOVING HEAVY METAL CUE, INSPIRED BY EARLY 90S FUNK AND METAL CROSSOVERS USING THE TONE OF A TELECASTER THROUGH BRITISH STYLE AMP MODELS WITH SOME PERCUSSIVE WAH WAH, FLANGER, ÕKILL SWITCHÕ EFFECTS AND A DISSONANT MOOG SYNTH SOLO ADD TO THE TEXTURE.

18. COPPER 00:02:11 A FUNKY SWINGING 16THS GROOVING HEAVY METAL CUE, INSPIRED BY EARLY 90S FUNK AND METAL CROSSOVERS USING THE TONE OF A TELECASTER THROUGH BRITISH STYLE AMP MODELS WITH SOME PERCUSSIVE WAH WAH, FLANGER, ÕKILL SWITCHÕ EFFECTS AND A DISSONANT MOOG SYNTH SOLO ADD TO THE TEXTURE.

19. FERRIC 00:02:35 INSPIRED BY LATE 1980S ÔHAIR METALÕ POP STYLE PRODUCTION WITH PROGRAMMED DRUMS THIS MELLOW CUE HAS A MELODIC CHORUS IN D MAJOR WITH CLEAN, CHORUSED GUITARS PROVIDING PADS ALONG WITH SUBTLE SYNTHS USING BRITISH STYLE AMPS WITH FENDER STATOCASTER GUITARS PROVIDING THE MELODIES AND SOLOS.Ê

21. FERRIC 00:00:15 INSPIRED BY LATE 1980S ÔHAIR METALÕ POP STYLE PRODUCTION WITH PROGRAMMED DRUMS THIS MELLOW CUE HAS A MELODIC CHORUS IN D MAJOR WITH CLEAN, CHORUSED GUITARS PROVIDING PADS ALONG WITH SUBTLE SYNTHS USING BRITISH STYLE AMPS WITH FENDER STATOCASTER GUITARS PROVIDING THE MELODIES AND SOLOS.Ê

24. FERRIC 00:02:35 INSPIRED BY LATE 1980S ÔHAIR METALÕ POP STYLE PRODUCTION WITH PROGRAMMED DRUMS THIS MELLOW CUE HAS A MELODIC CHORUS IN D MAJOR WITH CLEAN, CHORUSED GUITARS PROVIDING PADS ALONG WITH SUBTLE SYNTHS USING BRITISH STYLE AMPS WITH FENDER STATOCASTER GUITARS PROVIDING THE MELODIES AND SOLOS.Ê

25. GOLD 00:02:08 THIS CUE IS CHARACTERISED BY HEAVY RIFFING AT MEDIUM TEMPO OFFSET BY MELODIC LEAD LINES WITH LOTS OF TOM TOM WORK ON THE DRUMS AND A DROPPED D TUNING GIVES A DARK, EDGY FLAVOUR.Ê

27. GOLD 00:00:15 THIS CUE IS CHARACTERISED BY HEAVY RIFFING AT MEDIUM TEMPO OFFSET BY MELODIC LEAD LINES WITH LOTS OF TOM TOM WORK ON THE DRUMS AND A DROPPED D TUNING GIVES A DARK, EDGY FLAVOUR.Ê

30. GOLD 00:02:07 THIS CUE IS CHARACTERISED BY HEAVY RIFFING AT MEDIUM TEMPO OFFSET BY MELODIC LEAD LINES WITH LOTS OF TOM TOM WORK ON THE DRUMS AND A DROPPED D TUNING GIVES A DARK, EDGY FLAVOUR.Ê

31. LEAD 00:03:01 CLASSIC 1970'S STYLE RIFFING HEAVY METAL CUE, INSPIRED BY NUMEROUS BANDS FROM THAT ERA WITH HAMMOND ORGAN BACKING UP THE BLUESY FILLS AND MELODIES WITH OVERDRIVEN ÔPLEXIÕ TYPE AMP TONES AND P90 PICKUPS ON THE LEAD PARTS WITH A PUMPING AND SQUASHY DRUM SOUNDS THAT ADD TO THE VIBE.Ê

33. LEAD 00:00:14 CLASSIC 1970'S STYLE RIFFING HEAVY METAL CUE, INSPIRED BY NUMEROUS BANDS FROM THAT ERA WITH HAMMOND ORGAN BACKING UP THE BLUESY FILLS AND MELODIES WITH OVERDRIVEN ÔPLEXIÕ TYPE AMP TONES AND P90 PICKUPS ON THE LEAD PARTS WITH A PUMPING AND SQUASHY DRUM SOUNDS THAT ADD TO THE VIBE.Ê

36. LEAD 00:03:01 CLASSIC 1970'S STYLE RIFFING HEAVY METAL CUE, INSPIRED BY NUMEROUS BANDS FROM THAT ERA WITH HAMMOND ORGAN BACKING UP THE BLUESY FILLS AND MELODIES WITH OVERDRIVEN ÔPLEXIÕ TYPE AMP TONES AND P90 PICKUPS ON THE LEAD PARTS WITH A PUMPING AND SQUASHY DRUM SOUNDS THAT ADD TO THE VIBE.Ê

37. MAGNESIUM 00:02:12 THRASH STYLE RIFFING IN A MORE RELAXED TEMPO THAN OTHER EXAMPLES OF THE GENRE WITH GROOVY RIFFS WHICH REMAIN HEAVY AND ARE ENHANCED BY PHRASING ON TOM TOMS USING BRITISH AMP TONES FOR THE GUITAR RIFFS AND MODERN US AMP STYLES FOR THE LEADS GUITARS.Ê

39. MAGNESIUM 00:00:15 THRASH STYLE RIFFING IN A MORE RELAXED TEMPO THAN OTHER EXAMPLES OF THE GENRE WITH GROOVY RIFFS WHICH REMAIN HEAVY AND ARE ENHANCED BY PHRASING ON TOM TOMS USING BRITISH AMP TONES FOR THE GUITAR RIFFS AND MODERN US AMP STYLES FOR THE LEADS GUITARS.Ê

42. MAGNESIUM 00:02:12 THRASH STYLE RIFFING IN A MORE RELAXED TEMPO THAN OTHER EXAMPLES OF THE GENRE WITH GROOVY RIFFS WHICH REMAIN HEAVY AND ARE ENHANCED BY PHRASING ON TOM TOMS USING BRITISH AMP TONES FOR THE GUITAR RIFFS AND MODERN US AMP STYLES FOR THE LEADS GUITARS.Ê

43. SILVER 00:01:53 A HEAVY METAL CUE WITH 12/8 CHUGGING GUITAR AND TWIN LEAD HARMONY GUITARS EXEMPLIFYING BRITISH STYLE METAL WITH BRITISH STYLE AMPS FROM THE EARLY 1980S ERA WITH TWO GUITAR SOLOS AND A SPARSE BREAKDOWN MIDDLE SECTION.Ê

45. SILVER 00:00:13 A HEAVY METAL CUE WITH 12/8 CHUGGING GUITAR AND TWIN LEAD HARMONY GUITARS EXEMPLIFYING BRITISH STYLE METAL WITH BRITISH STYLE AMPS FROM THE EARLY 1980S ERA WITH TWO GUITAR SOLOS AND A SPARSE BREAKDOWN MIDDLE SECTION.Ê

48. SILVER 00:01:53 A HEAVY METAL CUE WITH 12/8 CHUGGING GUITAR AND TWIN LEAD HARMONY GUITARS EXEMPLIFYING BRITISH STYLE METAL WITH BRITISH STYLE AMPS FROM THE EARLY 1980S ERA WITH TWO GUITAR SOLOS AND A SPARSE BREAKDOWN MIDDLE SECTION.Ê

49. STEEL 00:02:00 AN AGGRESSIVE TRIO STYLE METAL CUE WHICH IS ALL ABOUT THE ATTITUDE WITH A HEAVY DOSE OF BLUES THROWN IN WITH FURTHER TWIN LEAD GUITAR ACTION IN THE OUTRO SECTION WITH DOUBLE STOP BENDS MAKING UP THE MAIN MELODIC THEME.Ê

51. STEEL 00:00:15 AN AGGRESSIVE TRIO STYLE METAL CUE WHICH IS ALL ABOUT THE ATTITUDE WITH A HEAVY DOSE OF BLUES THROWN IN WITH FURTHER TWIN LEAD GUITAR ACTION IN THE OUTRO SECTION WITH DOUBLE STOP BENDS MAKING UP THE MAIN MELODIC THEME.Ê

54. STEEL 00:01:59 AN AGGRESSIVE TRIO STYLE METAL CUE WHICH IS ALL ABOUT THE ATTITUDE WITH A HEAVY DOSE OF BLUES THROWN IN WITH FURTHER TWIN LEAD GUITAR ACTION IN THE OUTRO SECTION WITH DOUBLE STOP BENDS MAKING UP THE MAIN MELODIC THEME.Ê

55. TITANIUM 00:02:16 A CUE WITH MODERN PROGRESSIVE LEANINGS WITH GROUPS OF 5 AGAINST THE 3/4 PULSE WHICH IS QUITE DARK AND MOODY. THE INTRO USES A CLEAN CHORUSED GUITAR, THE MIDDLE SECTION IS MORE SPARSE AND RELAXED WITH A BUILDING GUITAR SOLO WHICH TAKES US TO THE END OF THE TUNE WITH THE CLEAN AND DIRTY RIFF GUITARS ALL PLAYED WITH THE INSTRUMENT TUNED DOWN A MINOR THIRD, ENHANCING THE DARK QUALITY.Ê

57. TITANIUM 00:00:15 A CUE WITH MODERN PROGRESSIVE LEANINGS WITH GROUPS OF 5 AGAINST THE 3/4 PULSE WHICH IS QUITE DARK AND MOODY. THE INTRO USES A CLEAN CHORUSED GUITAR, THE MIDDLE SECTION IS MORE SPARSE AND RELAXED WITH A BUILDING GUITAR SOLO WHICH TAKES US TO THE END OF THE TUNE WITH THE CLEAN AND DIRTY RIFF GUITARS ALL PLAYED WITH THE INSTRUMENT TUNED DOWN A MINOR THIRD, ENHANCING THE DARK QUALITY.Ê

60. TITANIUM 00:02:16 A CUE WITH MODERN PROGRESSIVE LEANINGS WITH GROUPS OF 5 AGAINST THE 3/4 PULSE WHICH IS QUITE DARK AND MOODY. THE INTRO USES A CLEAN CHORUSED GUITAR, THE MIDDLE SECTION IS MORE SPARSE AND RELAXED WITH A BUILDING GUITAR SOLO WHICH TAKES US TO THE END OF THE TUNE WITH THE CLEAN AND DIRTY RIFF GUITARS ALL PLAYED WITH THE INSTRUMENT TUNED DOWN A MINOR THIRD, ENHANCING THE DARK QUALITY.Ê