1. GLAM 00:02:00 A HEAVY TOM TOM BEAT, A PULSATING RHYTHM AND A SINGALONG CHORUS - WELCOME TO THE SEVENTIES !

2. GLAM 00:00:30 A HEAVY TOM TOM BEAT, A PULSATING RHYTHM AND A SINGALONG CHORUS - WELCOME TO THE SEVENTIES !

4. GLAM 00:01:56 A HEAVY TOM TOM BEAT, A PULSATING RHYTHM AND A SINGALONG CHORUS - WELCOME TO THE SEVENTIES !

5. PROG 00:02:10 FLOWING ON FROM THE PSYCHEDIA OF THE SIXTIES, STRANGE SONGS EMERGED WITH EVEN STRANGER LYRICS AND ODD TIME SIGNATURES - THIS EXAMPLE IS IN SEVENÉTHEN SIXÉTHEN FIVE WITH A JAH WURZEL THROWN IN FOR GOOD MEASURE.

6. PROG 00:01:59 FLOWING ON FROM THE PSYCHEDIA OF THE SIXTIES, STRANGE SONGS EMERGED WITH EVEN STRANGER LYRICS AND ODD TIME SIGNATURES - THIS EXAMPLE IS IN SEVENÉTHEN SIXÉTHEN FIVE WITH A JAH WURZEL THROWN IN FOR GOOD MEASURE.

7. PROG 00:00:29 FLOWING ON FROM THE PSYCHEDIA OF THE SIXTIES, STRANGE SONGS EMERGED WITH EVEN STRANGER LYRICS AND ODD TIME SIGNATURES - THIS EXAMPLE IS IN SEVENÉTHEN SIXÉTHEN FIVE WITH A JAH WURZEL THROWN IN FOR GOOD MEASURE.

12. PROG 00:02:00 FLOWING ON FROM THE PSYCHEDIA OF THE SIXTIES, STRANGE SONGS EMERGED WITH EVEN STRANGER LYRICS AND ODD TIME SIGNATURES - THIS EXAMPLE IS IN SEVENÉTHEN SIXÉTHEN FIVE WITH A JAH WURZEL THROWN IN FOR GOOD MEASURE.

13. SINGER SONGWRITER 00:02:19 THE SEVENTIES SINGER SONGWRITERS WERE MOSTLY BASED IN LA CANYONS, THE SONGS WERE SUNG IN FOLKY STYLE WITH PERSONAL LYRICS SET TO A SIMPLE ACOUSTIC BACKING.

14. SINGER SONGWRITER 00:00:30 THE SEVENTIES SINGER SONGWRITERS WERE MOSTLY BASED IN LA CANYONS, THE SONGS WERE SUNG IN FOLKY STYLE WITH PERSONAL LYRICS SET TO A SIMPLE ACOUSTIC BACKING.

17. SINGER SONGWRITER 00:02:19 THE SEVENTIES SINGER SONGWRITERS WERE MOSTLY BASED IN LA CANYONS, THE SONGS WERE SUNG IN FOLKY STYLE WITH PERSONAL LYRICS SET TO A SIMPLE ACOUSTIC BACKING.

18. ELECTRO POP 00:01:41 INFLUENCED BY THE GERMAN SYNTHESISTS, YOUTH TURNED FROM GUITARS TO 808 DRUM MACHINES AND NOW EASILY AFFORDABLE SYNTHS.

19. ELECTRO POP 00:00:30 INFLUENCED BY THE GERMAN SYNTHESISTS, YOUTH TURNED FROM GUITARS TO 808 DRUM MACHINES AND NOW EASILY AFFORDABLE SYNTHS.

21. ELECTRO POP 00:01:41 INFLUENCED BY THE GERMAN SYNTHESISTS, YOUTH TURNED FROM GUITARS TO 808 DRUM MACHINES AND NOW EASILY AFFORDABLE SYNTHS.

22. DISCO 00:01:33 IN THE SEVENTIES, DANCE PRODUCERS TURNED TO TECHNOLOGY AND SEQUENCERS FOR DISCO INSTRUMENTATION AND HERE IS A FINE EXAMPLE WITH AN UPLIFTING AND POSITIVE LYRIC FEATURING MICHELE BIRRANE ON VOCALS.

23. DISCO 00:00:30 IN THE SEVENTIES, DANCE PRODUCERS TURNED TO TECHNOLOGY AND SEQUENCERS FOR DISCO INSTRUMENTATION AND HERE IS A FINE EXAMPLE WITH AN UPLIFTING AND POSITIVE LYRIC FEATURING MICHELE BIRRANE ON VOCALS.

26. DISCO 00:00:34 IN THE SEVENTIES, DANCE PRODUCERS TURNED TO TECHNOLOGY AND SEQUENCERS FOR DISCO INSTRUMENTATION AND HERE IS A FINE EXAMPLE WITH AN UPLIFTING AND POSITIVE LYRIC FEATURING MICHELE BIRRANE ON VOCALS.

28. DISCO 00:01:33 IN THE SEVENTIES, DANCE PRODUCERS TURNED TO TECHNOLOGY AND SEQUENCERS FOR DISCO INSTRUMENTATION AND HERE IS A FINE EXAMPLE WITH AN UPLIFTING AND POSITIVE LYRIC FEATURING MICHELE BIRRANE ON VOCALS.

29. REGGAE 00:01:55 IN THE SEVENTIES, SOME MUSICIANS ADOPTED A LIGHTER REGGAE STYLE DISREGARDING SOME OF THE HEAVIER DUB ELEMENTS, BUT SOMETIMES RETAINING A BIBLICAL, SPIRITUAL LYRICAL SLANT.

30. REGGAE 00:00:29 IN THE SEVENTIES, SOME MUSICIANS ADOPTED A LIGHTER REGGAE STYLE DISREGARDING SOME OF THE HEAVIER DUB ELEMENTS, BUT SOMETIMES RETAINING A BIBLICAL, SPIRITUAL LYRICAL SLANT.

33. REGGAE 00:01:55 IN THE SEVENTIES, SOME MUSICIANS ADOPTED A LIGHTER REGGAE STYLE DISREGARDING SOME OF THE HEAVIER DUB ELEMENTS, BUT SOMETIMES RETAINING A BIBLICAL, SPIRITUAL LYRICAL SLANT.

34. PUNK 00:01:14 DURING THE SEVENTIES, YOUTH HAD DEVELOPED THEIR OWN RAW, UNSOPHISTICATED MUSIC CALLED PUNK THAT WAS DOMINATED BY SIMPLISTIC ELECTRIC GUITARS AND THUMPING DRUMS.

35. PUNK 00:00:31 DURING THE SEVENTIES, YOUTH HAD DEVELOPED THEIR OWN RAW, UNSOPHISTICATED MUSIC CALLED PUNK THAT WAS DOMINATED BY SIMPLISTIC ELECTRIC GUITARS AND THUMPING DRUMS.

37. PUNK 00:01:14 DURING THE SEVENTIES, YOUTH HAD DEVELOPED THEIR OWN RAW, UNSOPHISTICATED MUSIC CALLED PUNK THAT WAS DOMINATED BY SIMPLISTIC ELECTRIC GUITARS AND THUMPING DRUMS.

38. SKA 00:01:50 IN THE SEVENTIES, COVENTRY MIXED 1960'S JAMAICAN BLUEBEAT MUSIC WITH A PUNK ETHOS AND URGENCY AND SKA WAS REBORN AND THIS CUE FEATURES MICHELE BIRRANE ON VOCALS TELLING THE STORY OF THAT REBIRTH.

39. SKA 00:00:30 IN THE SEVENTIES, COVENTRY MIXED 1960'S JAMAICAN BLUEBEAT MUSIC WITH A PUNK ETHOS AND URGENCY AND SKA WAS REBORN AND THIS CUE FEATURES MICHELE BIRRANE ON VOCALS TELLING THE STORY OF THAT REBIRTH.

41. SKA 00:01:50 IN THE SEVENTIES, COVENTRY MIXED 1960'S JAMAICAN BLUEBEAT MUSIC WITH A PUNK ETHOS AND URGENCY AND SKA WAS REBORN AND THIS CUE FEATURES MICHELE BIRRANE ON VOCALS TELLING THE STORY OF THAT REBIRTH.

42. HEAVY 00:01:53 BUILT ON INCESSANT GUITAR RIFFS AND DRIVING RHYTHMS, HEAVY ROCK MUSIC CARVED OUT A LASTING PLACE IN THE SEVENTIES.

43. HEAVY 00:00:29 BUILT ON INCESSANT GUITAR RIFFS AND DRIVING RHYTHMS, HEAVY ROCK MUSIC CARVED OUT A LASTING PLACE IN THE SEVENTIES.

45. HEAVY 00:01:53 BUILT ON INCESSANT GUITAR RIFFS AND DRIVING RHYTHMS, HEAVY ROCK MUSIC CARVED OUT A LASTING PLACE IN THE SEVENTIES.

46. POWER POP 00:01:42 POWER POP INVOLVED MERGING GLAM ROCK DRUMS, PUNK ATTITIDE, GUITAR DRIVEN RIFFS WITH A DASH OF A HOOK THROWN IN.

47. POWER POP 00:00:31 POWER POP INVOLVED MERGING GLAM ROCK DRUMS, PUNK ATTITIDE, GUITAR DRIVEN RIFFS WITH A DASH OF A HOOK THROWN IN.

49. POWER POP 00:01:42 POWER POP INVOLVED MERGING GLAM ROCK DRUMS, PUNK ATTITIDE, GUITAR DRIVEN RIFFS WITH A DASH OF A HOOK THROWN IN.