1. DON'T ASK 00:03:01 AN ATTRACTIVE TUNE IN A MAMBO STYLE IS STATED BY THE GUITAR LEADING TO PIANO AND GUITAR SOLOS. THE ADDITION OF HAMMOND ORGAN, DRUMS AND PERCUSSION, MAKES FOR A JOYFUL, INFECTIOUS SOUNDING CUE.

4. DOS ISLAS 00:04:00 LED BY THE PIANO, THIS TANGO HAS BASS, ACOUSTIC GUITAR AND DRUMS ACCOMPANIMENT. AN ATTRACTIVE MELODY THAT MOVES BETWEEN MINOR AND MAJOR KEYS.

7. OIGA ME 00:02:42 BEGINNING WITH PIANO AND ACOUSTIC GUITAR IN A MINOR KEY, THE CUE SUDDENLY ERUPTS INTO A JOYOUS CUBAN RHYTHM WITH A STRONG DISTINCTIVE BEAT. THE LATIN AMERICAN PERCUSSION AND BRASS FIGURES ARE PARTICULARLY NOTEWORTHY, AS IS THE POWERFULLY RHYTHMIC ENDING.

10. PICTURES 00:03:18 AN OSTINATO FIGURE BY THE PIANO AND BASS KICKS OFF THIS BOLERO INFLUENCED CUE, BEFORE SOLOS ARE PROVIDED BY THE KEYBOARD AND GUITAR. THE CUE ENDS WITH SOME POWERFUL RHYTHMIC PASSAGES, INTERSPERSED WITH DRAMATIC DRUM FILLS.

13. RHUMBA MOOD 00:02:54 AFTER AN INTRODUCTION FROM AN ACCORDION, THE THEME IS TAKEN UP BY THE GUITAR, BEFORE A MODULATION INTO A GUITAR SOLO. THE STRONG RHYTHMIC FEEL FROM THE DRUMS AND PERCUSSION, MAKES THIS NEW ORLEANS STYLE RHUMBA A MEMORABLE PIECE.

16. STRICTLY SAMBA 00:03:06 AN INCESSANT RHYTHM OPENS THIS CUE, PUNCTUATED BY A MYRIAD SELECTION OF PERCUSSION INSTRUMENTS, INCLUDING CONGAS, REPIQUE, PANDEIRO AND SURDO. SOLOS FROM THE GUITAR AND PIANO FOLLOW BEFORE THE FLAMBOYANT ENDING.

19. TANGO BEFORE THE DAWN 00:03:19 AN ACCORDION AND ORCHESTRAL STRINGS BEGIN THIS AUTHENTIC SOUNDING TANGO, BEFORE A NYLON GUITAR TAKES OVER THE THEME. A STRONG TRACK THAT REALLY CONJURES UP THE FLAVOUR OF THE GENUINE TANGO IDIOM.

22. THE GENTLY LAPPING WAVES 00:03:28 AN ARPEGGIO FROM THE NYLON STRING GUITAR BEGINS THIS SLOW, DREAMY, LATIN-INFLUENCED CUE. THE GUITAR STATES THE MELODY, ACCOMPANIED BY LUSH STRINGS, AND ORCHESTRA, LEADING TO A TUTTI SECTION BEFORE ENDING WITH ARPEGGIOS FROM THE GUITAR OVER ASCENDING HARMONIES.

25. UNA ROSA TRISTE 00:03:19 AFTER A SHORT INTRODUCTION BY THE ACOUSTIC GUITAR, THE GENTLE, SLOW LATIN TUNE IS PLAYED BY A VIBRAPHONE, WHICH IS SOON JOINED BY SOME LUSH ORCHESTRAL STRINGS. A GUITAR SOLO FOLLOWS, BEFORE THE MELODY IS RE-STATED BY THE VIBES.

28. ZIG ZAG 00:03:08 A BOSSA-NOVA WITH A HINT OF COUNTRY MUSIC ! THE USE OF THE PEDAL STEEL GUITAR IN THE BACKGROUND HELPS TO MAKE THIS ATTRACTIVE TUNE STAND OUT FROM OTHERS IN THIS GENRE.