1. C4U399 TK1 1977 WHATCHA SEE IS WHATCHA GET 00:01:58 WHO COULD IMAGINE THAT THE UNLIKELY MIX OF GERMANY AND SEQUENCERS WOULD GIVE BIRTH TO DISCO MUSIC? ELECTRONIC FOUR/FOUR BASS DRUMS AND A HOOKY POP SONG ON THE TOP.

2. C4U399 TK2 1977 WHATCHA SEE IS WHATCHA GET UNDERSCORE 00:01:58 WHO COULD IMAGINE THAT THE UNLIKELY MIX OF GERMANY AND SEQUENCERS WOULD GIVE BIRTH TO DISCO MUSIC? ELECTRONIC FOUR/FOUR BASS DRUMS AND A HOOKY POP SONG ON THE TOP.

3. C4U399 TK3 1977 WHATCHA SEE IS WHATCHA GET VOCAL STING 00:00:03 WHO COULD IMAGINE THAT THE UNLIKELY MIX OF GERMANY AND SEQUENCERS WOULD GIVE BIRTH TO DISCO MUSIC? ELECTRONIC FOUR/FOUR BASS DRUMS AND A HOOKY POP SONG ON THE TOP.

4. C4U399 TK4 1977 WHATCHA SEE IS WHATCHA GET 30 SEC 00:00:34 WHO COULD IMAGINE THAT THE UNLIKELY MIX OF GERMANY AND SEQUENCERS WOULD GIVE BIRTH TO DISCO MUSIC? ELECTRONIC FOUR/FOUR BASS DRUMS AND A HOOKY POP SONG ON THE TOP.

5. C4U399 TK5 1977 WHATCHA SEE IS WHATCHA GET 30 SEC UNDERSCORE 00:00:34 WHO COULD IMAGINE THAT THE UNLIKELY MIX OF GERMANY AND SEQUENCERS WOULD GIVE BIRTH TO DISCO MUSIC? ELECTRONIC FOUR/FOUR BASS DRUMS AND A HOOKY POP SONG ON THE TOP.

6. C4U399 TK6 1979 I WANNA FLY 00:02:03 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

7. C4U399 TK7 1979 I WANNA FLY UNDERSCORE 00:02:03 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

8. C4U399 TK8 1979 I WANNA FLY STRING 00:00:08 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

9. C4U399 TK9 1979 I WANNA FLY 30 SEC 00:00:31 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

10. C4U399 TK10 1979 I WANNA FLY 30 SEC UNDERSCORE 00:00:31 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

11. C4U399 TK11 1979 I WANNA FLY 30 SEC B 00:00:31 ENGLISH ROCK BOYS DISCOVERED SYNTHS AND QUICKLY INCORPORATED THEM INTO THEIR RIFF DRIVEN ROCK/POP

12. C4U399 TK12 1980 THERES NO PLACE LIKE HOME 00:01:43 A RHYTHM BOX INTRO, CRACKING SNARE, PUMPING BASS AND SYNTHS

13. C4U399 TK13 1980 THERES NO PLACE LIKE HOME UNDERSCORE 00:01:43 A RHYTHM BOX INTRO, CRACKING SNARE, PUMPING BASS AND SYNTHS

14. C4U399 TK14 1980 THERES NO PLACE LIKE HOME 30 SEC 00:00:30 A RHYTHM BOX INTRO, CRACKING SNARE, PUMPING BASS AND SYNTHS

15. C4U399 TK15 1980 THERES NO PLACE LIKE HOME 30 SEC UNDERSCORE 00:00:30 A RHYTHM BOX INTRO, CRACKING SNARE, PUMPING BASS AND SYNTHS

16. C4U399 TK16 1980 EMBRACE THE FUTURE 00:02:05 THE EIGHTIES, EUROPE, EECTRONICA. A SOLID BEAT WITH FUTURISTIC ELECTRO POP AND FRENCH ACCENT ON THE VOCAL

17. C4U399 TK17 1980 EMBRACE THE FUTURE UNDERSCORE 00:02:05 THE EIGHTIES, EUROPE, EECTRONICA. A SOLID BEAT WITH FUTURISTIC ELECTRO POP AND FRENCH ACCENT ON THE VOCAL

18. C4U399 TK18 1980 EMBRACE THE FUTURE 30 SEC 00:00:34 THE EIGHTIES, EUROPE, EECTRONICA. A SOLID BEAT WITH FUTURISTIC ELECTRO POP AND FRENCH ACCENT ON THE VOCAL

19. C4U399 TK19 1980 EMBRACE THE FUTURE 30 SEC UNDERSCORE 00:00:34 THE EIGHTIES, EUROPE, EECTRONICA. A SOLID BEAT WITH FUTURISTIC ELECTRO POP AND FRENCH ACCENT ON THE VOCAL

20. C4U399 TK20 1981 AUTOMATION 00:02:21 MORE SONGS RATHER THAN DANCE CHANTS WERE CREEPING IN AND THIS IS A MALE/FEMALE DUET EXTOLLING THE BENEFITS OF AUTOMATION

21. C4U399 TK21 1981 AUTOMATION UNDERSCORE 00:02:21 MORE SONGS RATHER THAN DANCE CHANTS WERE CREEPING IN AND THIS IS A MALE/FEMALE DUET EXTOLLING THE BENEFITS OF AUTOMATION

22. C4U399 TK22 1981 AUTOMATION 30 SEC 00:00:32 MORE SONGS RATHER THAN DANCE CHANTS WERE CREEPING IN AND THIS IS A MALE/FEMALE DUET EXTOLLING THE BENEFITS OF AUTOMATION

23. C4U399 TK23 1981 AUTOMATION 30 SEC UNDERSCORE 00:00:32 MORE SONGS RATHER THAN DANCE CHANTS WERE CREEPING IN AND THIS IS A MALE/FEMALE DUET EXTOLLING THE BENEFITS OF AUTOMATION

24. C4U399 TK24 1981 AUTOMATION STING 00:00:04 MORE SONGS RATHER THAN DANCE CHANTS WERE CREEPING IN AND THIS IS A MALE/FEMALE DUET EXTOLLING THE BENEFITS OF AUTOMATION

25. C4U399 TK25 1981 I'M FREE 00:01:55 A SEQUENCER OPENS TO A POSITIVE 4/4 BASS DRUM AND A MALE VOCAL LEADS INTO AN - I'M FREE

26. C4U399 TK26 1981 I'M FREE UNDERSCORE 00:01:55 A SEQUENCER OPENS TO A POSITIVE 4/4 BASS DRUM AND A MALE VOCAL LEADS INTO AN - I'M FREE

27. C4U399 TK27 1981 I'M FREE 30 SEC 00:00:33 A SEQUENCER OPENS TO A POSITIVE 4/4 BASS DRUM AND A MALE VOCAL LEADS INTO AN - I'M FREE

28. C4U399 TK28 1981 I'M FREE 30 SEC UNDERSCORE 00:00:33 A SEQUENCER OPENS TO A POSITIVE 4/4 BASS DRUM AND A MALE VOCAL LEADS INTO AN - I'M FREE

29. C4U399 TK29 1981 I'M FREE STING 00:00:02 A SEQUENCER OPENS TO A POSITIVE 4/4 BASS DRUM AND A MALE VOCAL LEADS INTO AN - I'M FREE

30. C4U399 TK30 1981 JUST RELAX 00:01:43 TAKING RHYTHMIC INFLUENCES FROM SUCH MUSICAL AREAS AS NORTHERN SOUL PEOPLE FOUND SYNTHS COULD SWING IN THEIR OWN ROBOTIC FASHION. ALL YOU NEEDED WAS A DECENT

31. C4U399 TK31 1981 JUST RELAX UNDERSCORE 00:01:43 TAKING RHYTHMIC INFLUENCES FROM SUCH MUSICAL AREAS AS NORTHERN SOUL PEOPLE FOUND SYNTHS COULD SWING IN THEIR OWN ROBOTIC FASHION. ALL YOU NEEDED WAS A DECENT

32. C4U399 TK32 1981 JUST RELAX 30 SEC 00:00:32 TAKING RHYTHMIC INFLUENCES FROM SUCH MUSICAL AREAS AS NORTHERN SOUL PEOPLE FOUND SYNTHS COULD SWING IN THEIR OWN ROBOTIC FASHION. ALL YOU NEEDED WAS A DECENT

33. C4U399 TK33 1981 JUST RELAX 30 SEC UNDERSCORE 00:00:32 TAKING RHYTHMIC INFLUENCES FROM SUCH MUSICAL AREAS AS NORTHERN SOUL PEOPLE FOUND SYNTHS COULD SWING IN THEIR OWN ROBOTIC FASHION. ALL YOU NEEDED WAS A DECENT

34. C4U399 TK34 1982 THE TRAVELOGUE 00:02:16 PERHAPS IT WAS THE INCESSANT BEAT, THE DRIVING RHYTHM AND THE FEELING OF MOVEMENT IN THE MUSIC BUT PEOPLE BEGAN TO CONNECT THE MUSIC WITH TRAVEL. TRAVEL BROADENS THE MIND THEY SAY

35. C4U399 TK35 1982 THE TRAVELOGUE UNDERSCORE 00:02:16 PERHAPS IT WAS THE INCESSANT BEAT, THE DRIVING RHYTHM AND THE FEELING OF MOVEMENT IN THE MUSIC BUT PEOPLE BEGAN TO CONNECT THE MUSIC WITH TRAVEL. TRAVEL BROADENS THE MIND THEY SAY

36. C4U399 TK36 1982 THE TRAVELOGUE FULL CHORUS 00:00:34 PERHAPS IT WAS THE INCESSANT BEAT, THE DRIVING RHYTHM AND THE FEELING OF MOVEMENT IN THE MUSIC BUT PEOPLE BEGAN TO CONNECT THE MUSIC WITH TRAVEL. TRAVEL BROADENS THE MIND THEY SAY

37. C4U399 TK37 1982 THE TRAVELOGUE 30 SEC 00:00:34 PERHAPS IT WAS THE INCESSANT BEAT, THE DRIVING RHYTHM AND THE FEELING OF MOVEMENT IN THE MUSIC BUT PEOPLE BEGAN TO CONNECT THE MUSIC WITH TRAVEL. TRAVEL BROADENS THE MIND THEY SAY

38. C4U399 TK38 1982 THE TRAVELOGUE 30 SEC UNDERSCORE 00:00:34 PERHAPS IT WAS THE INCESSANT BEAT, THE DRIVING RHYTHM AND THE FEELING OF MOVEMENT IN THE MUSIC BUT PEOPLE BEGAN TO CONNECT THE MUSIC WITH TRAVEL. TRAVEL BROADENS THE MIND THEY SAY

39. C4U399 TK39 1982 FEELIN GOOD 00:01:46 PEOPLE WERE DISCOVERING THAT PUNCHY MECHANICAL UNRELENTING ELECTRONIC MUSIC WHEN COMBINED WITH A SOULFUL FEMALE VOICE, AND A CATCHY LYRIC, COULD REALLY WORK

40. C4U399 TK40 1982 FEELIN GOOD UNDERSCORE 00:01:46 PEOPLE WERE DISCOVERING THAT PUNCHY MECHANICAL UNRELENTING ELECTRONIC MUSIC WHEN COMBINED WITH A SOULFUL FEMALE VOICE, AND A CATCHY LYRIC, COULD REALLY WORK

41. C4U399 TK41 1982 FEELIN GOOD 30 SEC 00:00:35 PEOPLE WERE DISCOVERING THAT PUNCHY MECHANICAL UNRELENTING ELECTRONIC MUSIC WHEN COMBINED WITH A SOULFUL FEMALE VOICE, AND A CATCHY LYRIC, COULD REALLY WORK

42. C4U399 TK42 1982 FEELIN GOOD 30 SEC UNDERSCORE 00:00:35 PEOPLE WERE DISCOVERING THAT PUNCHY MECHANICAL UNRELENTING ELECTRONIC MUSIC WHEN COMBINED WITH A SOULFUL FEMALE VOICE, AND A CATCHY LYRIC, COULD REALLY WORK

43. C4U399 TK43 1983 GOOD MORNING TO YOU 00:02:08 INSTANT BEAT, SEQUENCERS, FANTASTIC VOCALS PRAISING THE NEW DAY

44. C4U399 TK44 1983 GOOD MORNING TO YOU UNDERSCORE 00:02:08 INSTANT BEAT, SEQUENCERS, FANTASTIC VOCALS PRAISING THE NEW DAY

45. C4U399 TK45 1983 GOOD MORNING TO YOU 30 SEC 00:00:36 INSTANT BEAT, SEQUENCERS, FANTASTIC VOCALS PRAISING THE NEW DAY

46. C4U399 TK46 1983 GOOD MORNING TO YOU 30 SEC UNDERSCORE 00:00:36 INSTANT BEAT, SEQUENCERS, FANTASTIC VOCALS PRAISING THE NEW DAY

47. C4U399 TK47 1983 GOOD MORNING TO YOU STING 00:00:03 INSTANT BEAT, SEQUENCERS, FANTASTIC VOCALS PRAISING THE NEW DAY

48. C4U399 TK48 1983 YOU'RE MY NUMBER ONE 00:01:35 THUNDERING SYNTHS, AN INCESSANT BEAT, AND A SINGALONG CHORUS

49. C4U399 TK49 1983 YOU'RE MY NUMBER ONE UNDERSCORE 00:01:35 THUNDERING SYNTHS, AN INCESSANT BEAT, AND A SINGALONG CHORUS

50. C4U399 TK50 1983 YOU'RE MY NUMBER ONE 30 SEC 00:00:31 THUNDERING SYNTHS, AN INCESSANT BEAT, AND A SINGALONG CHORUS

51. C4U399 TK51 1983 YOU'RE MY NUMBER ONE 30 SEC UNDERSCORE 00:00:31 THUNDERING SYNTHS, AN INCESSANT BEAT, AND A SINGALONG CHORUS

52. C4U399 TK52 1983 YOU'RE MY NUMBER ONE STING 00:00:05 THUNDERING SYNTHS, AN INCESSANT BEAT, AND A SINGALONG CHORUS

53. C4U399 TK53 1984 JUST DONT STOP 00:01:45 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

54. C4U399 TK54 1984 JUST DONT STOP 00:01:45 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

55. C4U399 TK55 1984 JUST DONT STOP 30 SEC 00:00:32 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

56. C4U399 TK56 1984 JUST DONT STOP UNDERSCORE 00:00:32 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

57. C4U399 TK57 1984 JUST DONT STOP CHORUS 30 SEC 00:00:32 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

58. C4U399 TK58 1984 JUST DONT STOP STING 00:00:06 A CATCHY CHORUS, PULSATING RHYTHM AND A THUMP, THUMP, THUMPING POP SONG

59. C4U399 TK59 1987 IN BROTHERLY LOVE 00:02:12 FROM SYNTH MEETS POP TO POP MEETS SYNTH, A GREAT POP SONG WITH AN ELECTRONIC BEAT

60. C4U399 TK60 1987 IN BROTHERLY LOVE UNDERSCORE 00:02:12 FROM SYNTH MEETS POP TO POP MEETS SYNTH, A GREAT POP SONG WITH AN ELECTRONIC BEAT

61. C4U399 TK61 1987 IN BROTHERLY LOVE 30 SEC 00:00:36 FROM SYNTH MEETS POP TO POP MEETS SYNTH, A GREAT POP SONG WITH AN ELECTRONIC BEAT

62. C4U399 TK62 1987 IN BROTHERLY LOVE 30 SEC UNDERSCORE 00:00:36 FROM SYNTH MEETS POP TO POP MEETS SYNTH, A GREAT POP SONG WITH AN ELECTRONIC BEAT