1. NEW YORK 00:04:00 A CONTEMPLATIVE GROOVE GETS THE RECORD OFF TO A FLYING START . ELECTRIC PIANO CHORDS REPEAT AND UNFOLD OVER THE SOUND OF SQUEEZED AND TIN PERCUSSION.

2. GARDENS 00:03:04 A DUB INFLUENCED CHUGGING BASS LINE AND DRY PROCESSED FEMALE VOCAL CHOP EFFORTLESSLY INTERTWINE TO CREATE AN ENCHANTING TRIBAL MANTRA.

3. CREEPER 00:02:18 STATIC TRICKLES AND LOOSE VOCAL CHOPS ARE LAYERED WITH WEIGHTY BASS & SPLINTERY, ASMR FIELD RECORDINGS.

4. REMEMBRANCE 00:02:58 A TEXTURAL RAIN BED, DESCENDING BASS AND ORGANIC PERCUSSION RHYTHMS RESULT IN A HYPNOTIC EASTERN INSPIRED TRACK.

5. HEIST 00:03:27 A WAVEY RETRO SYNTH DANCES BESIDE A SWUNG 808 KICK. ARPEGGIATED SYNTHS FADE IN AND OUT OF THE TRACK TO CREATE A CONSTANTLY CHANGING, UNFAMILIAR AMBIENCE.

6. DARK KNIGHT 00:02:10 JARRED HATS MEET AN INFECTIOUSLY BOUNCY 80�S FUNK BASS AND GRAINY SAWTOOTH TEXTURES. A CREEPING MELODIC SYNTH EMERGES GIVING THE TRACK EXTRA WONK.

7. EWOK 00:03:15 118 BPM FOUR TO THE FLOOR WITH SOME CLEAN AND SILKY FEMALE VOCALS. HISSY SOUNDING 808 HATS OPEN UP SPACE FOR A CREAKY DOOR TO BECOME PART OF THE PERCUSSION.

8. GOOD MORNING 00:03:26 AN AFRICAN VOCAL SAMPLE LEADS THE WAY , SLOTTING INTO THE EFFECTED TRIBAL PERCUSSION BENEATH .

9. I WANT YOU 00:03:39 BASS HEAVY CRISS-CROSS DRUM MACHINE PATTERNS SUGGEST A TECHNO STOMPER IS ON ROUTE. HOWEVER, ONCE THE PENSIVE CHORDS & VOCAL SCREWS APPEAR , THE MOOD SHIFTS TO BECOME MORE OF AN AFTER HOURS SUNRISE VIBE.

10. CLOAKS 00:04:17 FOLEY STYLE HATS MAINTAIN A TRIPLET BASED RHYTHM FOR SOME UNIQUE AND INTERESTING TEXTURES AND SFX. SYNCOPATED CHORDS ARE PLAYED OVER THIS AND ADD TO THE COMFORTABLE UNFAMILIARITY.

11. CRYING OVER DECIBELS 00:04:23 WITH THE END APPROACHING - �CRYING OVER DECIBELS� IS SUBTLE & REFLECTIVE - THE PERFECT WAY TO END THE ALBUM.