TV032
FONTANA MUSIC LIBRARY TV CLUB Health & Science 2A selection of inquisitive and investigative electronic cues perfect for science and technology. |
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1. EXPLORATORY 00:02:38 HI-TECH, ARPEGGIO DRIVEN, CINEMATIC CUE FEATURING SYNTHS AND ELECTRONIC PERCUSSION.
2. EXPLORATORY 00:02:38 NO PERCUSSION
3. EXPLORATORY 00:02:38 NO PIANO
4. EXPLORATORY 00:02:38 NO STRINGS
5. EXPLORATORY 00:02:38 NO SYNTH ARP
6. EXPLORATORY 00:02:38 UNDERSCORE
64. EXPLORATORY 00:01:00 60S
76. EXPLORATORY 00:00:30 30S
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7. CONTAMINATION 00:02:43 MYSTERIOUS AND SLIGHTLY TENSE BAD WITH ETHEREAL PADS AND WARM ARPEGGIO.
8. CONTAMINATION 00:02:43 NO PERCUSSION
9. CONTAMINATION 00:02:43 NO PIANO
10. CONTAMINATION 00:02:43 NO STRINGS
11. CONTAMINATION 00:02:43 NO SYNTH ARP
12. CONTAMINATION 00:02:43 UNDERSCORE
65. CONTAMINATION 00:01:00 60S
77. CONTAMINATION 00:00:30 30S
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13. APOTHECARY 00:02:04 ANTICIPATORY AND HOPEFUL WITH ARPEGGIO SYNTH, TENSE STRINGS AND SLOW PADS.
14. APOTHECARY 00:02:04 NO PERCUSSION
15. APOTHECARY 00:02:04 NO PIANO
16. APOTHECARY 00:02:04 NO STRINGS
17. APOTHECARY 00:02:04 UNDERSCORE
66. APOTHECARY 00:01:00 60S
78. APOTHECARY 00:00:30 30S
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18. CRYPTIC METHODOLOGY 00:02:44 CRIME /DETECTIVE SCORE WITH SUSTAINED PADS SPARSE ARRANGEMENT AND DISTANT SYNTHS.
19. CRYPTIC METHODOLOGY 00:02:44 NO PERCUSSION
20. CRYPTIC METHODOLOGY 00:02:44 NO STRINGS
21. CRYPTIC METHODOLOGY 00:02:44 NO SYNTH ARP
22. CRYPTIC METHODOLOGY 00:02:44 UNDERSCORE
67. CRYPTIC METHODOLOGY 00:01:00 60S
79. CRYPTIC METHODOLOGY 00:00:30 30S
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23. MOLECULAR CONNECTION 00:02:21 SPARSE SLOW AND MOODY ELECTRONICS GOOD FOR SCIENCE AND TECH DOCUMENTARIES.
24. MOLECULAR CONNECTION 00:02:21 NO PERCUSSION
25. MOLECULAR CONNECTION 00:02:21 NO STRINGS
26. MOLECULAR CONNECTION 00:02:21 NO SYNTH ARP
27. MOLECULAR CONNECTION 00:02:21 UNDERSCORE
68. MOLECULAR CONNECTION 00:01:00 60S
80. MOLECULAR CONNECTION 00:00:30 30S
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28. DATA ANALYTICS 00:02:37 SAD, MYSTERIOUS COMPOSITION FEATURING STRINGS, PADS, KEYBOARD AND ELECTRONIC DRUMS.
29. DATA ANALYTICS 00:02:37 NO PERCUSSION
30. DATA ANALYTICS 00:02:37 NO PIANO
31. DATA ANALYTICS 00:02:37 NO STRINGS
32. DATA ANALYTICS 00:02:37 UNDERSCORE
69. DATA ANALYTICS 00:01:00 60S
81. DATA ANALYTICS 00:00:30 30S
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33. MICROSCOPIC 00:02:50 SOLITARY, MYSTERIOUS SCORE WITH FLOATING PADS, SYNTH ARPEGGIOS AND DIGITAL PERCUSSION.
34. MICROSCOPIC 00:02:50 NO PERCUSSION
35. MICROSCOPIC 00:02:50 NO STRINGS
36. MICROSCOPIC 00:02:50 NO SYNTH ARP
37. MICROSCOPIC 00:02:50 UNDERSCORE
70. MICROSCOPIC 00:01:00 60S
82. MICROSCOPIC 00:00:30 30S
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38. PHOTOPHOBIA 00:02:26 WARM, FLOATING SOUNDTRACK FEATURING PADS AND SYNTHS.
39. PHOTOPHOBIA 00:02:26 NO PERCUSSION
40. PHOTOPHOBIA 00:02:26 NO STRINGS
41. PHOTOPHOBIA 00:02:26 NO SYNTH ARP
42. PHOTOPHOBIA 00:02:26 UNDERSCORE
71. PHOTOPHOBIA 00:01:00 60S
83. PHOTOPHOBIA 00:00:30 30S
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43. BIOGENISIS 00:02:30 PULSATING BASS WITH PERCUSSIVE SOUNDS - ANTICIPATORY, SCI-FI SCORE.
44. BIOGENISIS 00:02:30 NO PERCUSSION
45. BIOGENISIS 00:02:30 NO STRINGS
46. BIOGENISIS 00:02:30 NO SYNTH ARP
47. BIOGENISIS 00:02:30 UNDERSCORE
72. BIOGENISIS 00:01:01 60S
84. BIOGENISIS 00:00:30 30S
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48. TEST THE OUTCOME 00:02:32 CELESTIAL TRACK WITH ENVELOPING PADS, KEYBOARDS, STRINGS AND REVERBERATED PERCUSSION.
49. TEST THE OUTCOME 00:02:32 NO DRUMS
50. TEST THE OUTCOME 00:02:32 NO PIANO
51. TEST THE OUTCOME 00:02:32 NO STRINGS
52. TEST THE OUTCOME 00:02:32 NO SYNTH ARP
53. TEST THE OUTCOME 00:02:32 UNDERSCORE
73. TEST THE OUTCOME 00:01:00 60S
85. TEST THE OUTCOME 00:00:30 30S
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54. DIAGNOSTIC MEASURES 00:02:23 FLOATING SOUNDTRACK WITH BREATHY PADS AND REVERBERATED ARPEGGIOS.
55. DIAGNOSTIC MEASURES 00:02:23 NO PERCUSSION
56. DIAGNOSTIC MEASURES 00:02:23 NO STRINGS
57. DIAGNOSTIC MEASURES 00:02:23 NO SYNTH ARP
58. DIAGNOSTIC MEASURES 00:02:23 UNDERSCORE
74. DIAGNOSTIC MEASURES 00:01:00 60S
86. DIAGNOSTIC MEASURES 00:00:30 30S
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59. WORKING THEORY 00:02:14 PULSE DRIVEN URGENCY WHICH COULD DEPICT A CHASE SCENE.
60. WORKING THEORY 00:02:14 NO PERCUSSION
61. WORKING THEORY 00:02:14 NO STRINGS
62. WORKING THEORY 00:02:14 NO SYNTH ARP
63. WORKING THEORY 00:02:14 UNDERSCORE
75. WORKING THEORY 00:01:00 60S
87. WORKING THEORY 00:00:30 30S