1. NIGHT MUSIC 00:01:33 THE "ROMANZE" IS PART OF CLASSICAL COMPOSER MOZART'S FAMOUS WORK CALLED "EINE KLEINE NACHTMUSIK," WHICH TRANSLATES TO "A LITTLE NIGHT MUSIC" IN ENGLISH. WRITTEN IN THE KEY OF G MAJOR, THIS MOVEMENT IS CHARACTERIZED BY ITS SLOW AND LYRICAL TEMPO AND FEATURES A BEAUTIFUL MELODY PLAYED BY THE STRINGS, CREATING A SERENE AND ROMANTIC ATMOSPHERE.

4. WINTER HEARTH 00:01:29 ALTHOUGH VIVALDI DIDN'T WRITE THE 'FOUR SEASONS' WITH THE SEASONS IN MIND (SIMILAR TO HOLST'S 'THE PLANETS'), IT IS VERY CLEAR WHY THIS MOVEMENT WAS GIVEN THE TITLE "WINTER". THE LARGO IS FRAMED BY TWO MORE MOVEMENTS IN THE MINOR KEY THAT CAPTURE THE CRUEL ESSENCE OF WINTER WHILST THIS MOVEMENT EVOKES A COSY, WARM FEELING OF SITTING AROUND A WARM FIRE WITH SNOWFLAKES FALLING OUTSIDE AS CHRISTMAS APPROACHES. THE PIZZICATO STRINGS REFLECT THE GENTLE PATTER OF THE SNOWFLAKES WHILST THE VIOLIN PLAYS A BEAUTIFULLY LYRICAL MELODY THAT PORTRAYS THE INNOCENCE OF A YOUNG CHILD'S CONTENTMENT AS THEY ENJOY THE COMFORT AND THE JOYS THAT CHRISTMAS CAN BRING.

6. APPEASEMENT 00:01:29 THE LARGHETTO MOVEMENT FROM BEETHOVEN'S MUCH-LOVED VIOLIN CONCERTO ALLOWS THE SOLOIST TO DEMONSTRATE THEIR TECHNICAL SKILL WHILE CONVEYING A SENSE OF PROFOUND EMOTION. THE INTERPLAY BETWEEN THE SOLO VIOLIN AND THE ORCHESTRA CREATES A CAPTIVATING DIALOGUE, WITH MOMENTS OF BOTH TENDERNESS AND INTENSITY. THE SENSE OF APPEASEMENT IS PRESENT THROUGHOUT WITH ITS SPACING AND HYMN-LIKE TEXTURE. BEETHOVEN WAS VERY MUCH AGAINST NAPOLEON'S WAR AND POLITICAL TACTICS ONCE HE HAD CROWNED HIMSELF EMPEROR, SO OFTEN HIS MUSIC IS ABOUT APPEASEMENT. THIS WOULD BE APPEASEMENT OF THE HUMAN SPRIT IN THE HOPE FOR A BETTER WORLD WITH LESS FIGHTING. AN APT PIECE OF MUSIC FOR OUR OWN TROUBLED WORLD.

9. SATIN IN CANDLELIGHT 00:01:28 THE PRELUDE FROM FAMED FRENCH COMPOSER RAVEL SHOWCASES HIS DISTINCTIVE COMPOSITIONAL STYLE, COMBINING ELEMENTS OF IMPRESSIONISM AND NEOCLASSICISM. IT FEATURES LUSH HARMONIES, DELICATE MELODIES, AND INTRICATE TEXTURES THAT CREATE A DREAMLIKE AND INTROSPECTIVE ATMOSPHERE. THE PIECE UNFOLDS WITH A SENSE OF INTROSPECTION AND EMOTIONAL DEPTH, INVITING THE LISTENER INTO A WORLD OF CONTEMPLATION AND REFLECTION.

12. MOTHER EARTH 00:01:26 THE GENTLE ROCKING OF THE PIANO INTRODUCTION CRADLES THE CELLO'S OPENING WHICH CARRIES THE MAIN THEME: NOTHING MORE THAN 4 HELD NOTES. THE SIMPLICITY OF THIS BEAUTIFUL MELODY GIVES SCOPE TO ALL MANNER OF MATERNAL AND NURTURING IMAGERY. THE MELLOW SOUND OF THE CELLO WITH THE OCCASIONAL DISSONANCES ARE NOTHING MORE THAN THE BABY CRYING, HELPLESS YET LOVED UNCONDITIONALLY. ALLOW THIS PIECE TO LULL YOU TO SLEEP AND THINK OF NOTHING MORE THAN CALM AND TRANQUILLITY.

15. GONDOLIER'S NOCTURNE 00:01:31 THE PIECE FROM GERMAN ROMANTIC COMPOSER SCHUBERT SHOWCASES HIS GIFT FOR MELODY AND HIS ABILITY TO CREATE POIGNANT AND EMOTIVE COMPOSITIONS. IT BEGINS WITH A DELICATE AND LYRICAL MELODY INTRODUCED BY THE PIANO. THE VIOLIN AND CELLO THEN JOIN IN, CREATING A RICH AND HARMONIOUS INTERPLAY BETWEEN THE INSTRUMENTS. THE MUSIC UNFOLDS WITH A SENSE OF TRANQUILLITY AND INTROSPECTION, EVOKING A NOCTURNAL ATMOSPHERE. THE INTERWEAVING MELODIES AND THE EXPRESSIVE HARMONIES CREATE A SENSE OF LONGING AND BEAUTY. IT IS A PIECE THAT INVITES CONTEMPLATION AND REFLECTION, OFTEN PERFORMED IN INTIMATE SETTINGS OR AS PART OF CHAMBER MUSIC CONCERTS.

18. FOOTSTEPS IN THE VIRGIN SNOW 00:01:34 THIS MOVEMENT FROM MUCH-LOVED CLASSICAL COMPOSER MOZART'S WIND QUINTET IS CHARACTERIZED BY ITS SLOW AND LYRICAL NATURE. IT SHOWCASES THE INTERPLAY BETWEEN THE PIANO AND THE WIND INSTRUMENTS, NAMELY THE OBOE, CLARINET, HORN, AND BASSOON, AND IS MARKED BY ITS EXPRESSIVE MELODIES AND DELICATE HARMONIES, THROUGHOUT EVOKING A SENSE OF INTROSPECTION AND EMOTIONAL DEPTH AND, IN TURN, ALLOWING THE LISTENER TO IMMERSE THEMSELVES IN THE BEAUTY OF THE MUSIC. THIS MOVEMENT SHOWCASES THE UNIQUE QUALITIES OF EACH INSTRUMENT AND THEIR COLLECTIVE MUSICAL DIALOGUE.

21. LULLABY FOR AMADEUS 00:01:31 THIS MOVEMENT FROM MUCH-LOVED CLASSICAL COMPOSER MOZART'S SONATA SHOWCASES HIS ABILITY TO CREATE A DEEPLY EXPRESSIVE AND INTROSPECTIVE ATMOSPHERE THROUGH HIS MUSIC. THE ADAGIO IS PREDOMINANTLY CHARACTERIZED BY ITS LYRICAL AND MELODIC NATURE, FEATURING A BEAUTIFUL AND POIGNANT MELODY AND, IN SO DOING, EXPLORING VARIOUS EMOTIONAL NUANCES, RANGING FROM MOMENTS OF MELANCHOLY TO PASSAGES OF TENDER AND DELICATE EXPRESSION.

23. PRAYER 00:01:32 THIS PIECE SHOWCASES GERMAN AND EARLY ROMANTIC COMPOSER SCHUBERT'S ABILITY TO CREATE DEEPLY EXPRESSIVE AND INTROSPECTIVE MUSIC. THE MOVEMENT IS WRITTEN FOR A STRING QUINTET, WITH THE ADDITION OF A SECOND CELLO TO ENHANCE RICHNESS AND DEPTH TO THE ENSEMBLE. THE MUSIC IS FILLED WITH BEAUTIFUL HARMONIES AND DELICATE TEXTURES, CREATING A SENSE OF INTIMACY AND VULNERABILITY. THE SPACE THAT THE MELODY GIVES WITH THE GENTLE DOTTED RHYTHM ALLOWS FOR A MEDITATIVE AND PURE SOUND, EVOKING THE IMAGE OF SOMEONE PRAYING OR GIVING THANKS. THIS ADAGIO IS A PROFOUND AND MOVING COMPOSITION THAT DEMONSTRATES SCHUBERT'S ABILITY TO CREATE MUSIC THAT TOUCHES THE SOUL.

25. NORSEMAN'S CONTEMPLATION 00:01:29 THIS PIECE FROM FAMED FRENCH COMPOSER RAVEL DEPICTS SOLITUDE. THE OPENING CELLO THEME PLAYS A LONG, LYRICAL PHRASE THAT IS LATER IMITATED BY THE VIOLIN. THE TWO INSTRUMENTS PARTNER TOGETHER AS THEIR MYSTICALLY MODAL MEANDERING BRINGS THEM TO AN AMBIGUOUS ENDING WITH THE GHOSTLY HARMONICS ON THE CELLO. THE PACE AND LACK OF RHYTHMIC DRIVE ALLOWS US TO ENJOY THIS CALMING, REFLECTIVE PIECE AND PICTURE A NORSE COUPLE OVERLOOKING THE COLD, ICY FIORDS, DEEP IN CONTEMPLATION.