1. WILDERNESS 00:02:12 THE SUBTLE INTERPLAY OF LIGHT AND SHADOW, EVER-CHANGING AS YOU WANDER THROUGH THE FOREST OF LIFE. WE CAN NEVER BE CERTAIN WHAT THINGS WILL LOOK LIKE AROUND THE NEXT CORNER. GENTLE METALLIC PIANO AND LIGHT ELECTRONIC BEATS SKITTER OVER ETHEREAL SYNTH PADS AND WARM BASS.

2. WILDERNESS UNDERSCORE 00:02:12 THE SUBTLE INTERPLAY OF LIGHT AND SHADOW, EVER-CHANGING AS YOU WANDER THROUGH THE FOREST OF LIFE. WE CAN NEVER BE CERTAIN WHAT THINGS WILL LOOK LIKE AROUND THE NEXT CORNER. GENTLE METALLIC PIANO AND WARM BASS.

3. TRIALS 00:02:06 LIFE IS A SERIES OF CHALLENGES THAT WILL SHOW THE KIND OF PERSON YOU TRULY ARE. DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH AND NOTHING BUT THE TRUTH? GENTLY EMPHATIC PIANO CHORDS OVER DREAMY SYNTH PADS AND FARAWAY PERCUSSION.

4. TRIALS UNDERSCORE 00:02:00 LIFE IS A SERIES OF CHALLENGES THAT WILL SHOW THE KIND OF PERSON YOU TRULY ARE. DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH AND NOTHING BUT THE TRUTH? GENTLY EMPHATIC PIANO CHORDS.

5. GOLDEN RAYS 00:02:23 SO MUCH WONDER CAN BE FOUND IN SOMETHING AS SIMPLE AS A SUNBEAM. IS IT ALL BY DIVINE DESIGN, OR JUST THE IMPERSONAL BEAUTY OF NATURE? SYNCOPATED PIANO DRIFTS RHYTHMICALLY OVER A DISTANT MALE VOCAL, JOINED BY SUBTLE SYNTH BASS AND PERCUSSION.

6. GOLDEN RAYS INSTRUMENTAL 00:02:23 SO MUCH WONDER CAN BE FOUND IN SOMETHING AS SIMPLE AS A SUNBEAM. IS IT ALL BY DIVINE DESIGN, OR JUST THE IMPERSONAL BEAUTY OF NATURE? SYNCOPATED PIANO DRIFTS RHYTHMICALLY, JOINED BY SUBTLE SYNTH BASS AND PERCUSSION.

7. GOLDEN RAYS UNDERSCORE 00:02:10 SO MUCH WONDER CAN BE FOUND IN SOMETHING AS SIMPLE AS A SUNBEAM. IS IT ALL BY DIVINE DESIGN, OR JUST THE IMPERSONAL BEAUTY OF NATURE? SYNCOPATED PIANO DRIFTS RHYTHMICALLY OVER A DISTANT MALE VOCAL, JOINED BY SUBTLE SYNTH BASS.

8. GOLDEN RAYS INSTRUMENTAL UNDERSCORE 00:02:12 SO MUCH WONDER CAN BE FOUND IN SOMETHING AS SIMPLE AS A SUNBEAM. IS IT ALL BY DIVINE DESIGN, OR JUST THE IMPERSONAL BEAUTY OF NATURE? SYNCOPATED PIANO DRIFTS RHYTHMICALLY, JOINED BY SUBTLE SYNTH BASS.

9. FEAR OF THE UNKNOWN 00:02:11 WE FEAR THAT WHICH WE DO NOT RECOGNIZE. BUT WE CAN ALSO LEARN THE MOST FROM NEW EXPERIENCES, IF WE HAVE ENOUGH FAITH TO FACE THEM. UNCERTAIN SYNTH DRONE BUILDS INTO A ROLLING PIANO ACCOMPANIED BY SOFT SYNTHS AND BASS.

10. FEAR OF THE UNKNOWN UNDERSCORE 00:01:40 WE FEAR THAT WHICH WE DO NOT RECOGNIZE. BUT WE CAN ALSO LEARN THE MOST FROM NEW EXPERIENCES, IF WE HAVE ENOUGH FAITH TO FACE THEM. ROLLING PIANO ACCOMPANIED BY SOFT SYNTHS AND BASS.

11. SPYGLASS 00:02:06 UPON CLOSER EXAMINATION, SOMETIMES IT'S BETTER NOT TO SEE EVERYTHING IN SO MUCH DETAIL. PERHAPS THERE'S A REASON OUR UNAIDED EYES CAN'T SEE BEYOND THE HORIZON. EMOTIVE PIANO AND STRUCK STRINGS BLEND REASSURINGLY WITH WARM SYNTH PADS.

12. SPYGLASS UNDERSCORE 00:02:05 UPON CLOSER EXAMINATION, SOMETIMES IT'S BETTER NOT TO SEE EVERYTHING IN SO MUCH DETAIL. PERHAPS THERE'S A REASON OUR UNAIDED EYES CAN'T SEE BEYOND THE HORIZON. EMOTIVE PIANO AND STRUCK STRINGS BLEND REASSURINGLY.

13. WEATHERED & WORN 00:02:37 WHETHER IT'S THE BARK OF A TREE OR THE SKIN OF YOUR OWN FACE, OUR INNERMOST EXPERIENCES OFTEN SHOW ON OUR OUTERMOST LAYERS. IT'S THESE SUBTLE MARKINGS THAT MAKE EACH OF US UNIQUE. PULSING PROCESSED PIANO JOINS WITH LUSH STRINGS, BUILDING STEADILY TO AN EMOTIONAL CLIMAX.

14. WEATHERED & WORN UNDERSCORE 00:02:24 WHETHER IT'S THE BARK OF A TREE OR THE SKIN OF YOUR OWN FACE, OUR INNERMOST EXPERIENCES OFTEN SHOW ON OUR OUTERMOST LAYERS. IT'S THESE SUBTLE MARKINGS THAT MAKE EACH OF US UNIQUE. PULSING PROCESSED PIANO JOINS WITH LUSH STRINGS, BUILDING STEADILY TO AN EMOTIONAL CLIMAX.

15. EMBODIED EMOTIONS 00:02:06 HAVING A BODY IS AN ODD EXPERIENCE. HOW IS IT THAT EVERY EMOTION WE EXPERIENCE IN OUR MIND CAUSES A PHYSICAL SENSATION IN THE BODY AS WELL? DETERMINED PIANO CHORDS OVER STUTTERING SYNTH PADS AND ECHOING PERCUSSION.

16. EMBODIED EMOTIONS UNDERSCORE 00:02:06 HAVING A BODY IS AN ODD EXPERIENCE. HOW IS IT THAT EVERY EMOTION WE EXPERIENCE IN OUR MIND CAUSES A PHYSICAL SENSATION IN THE BODY AS WELL? DETERMINED PIANO CHORDS OVER STUTTERING SYNTH PADS.

17. WHERE TO BEGIN 00:02:13 HOW DO THE PUZZLE PIECES OF MY LIFE FIT TOGETHER? WAS I EVER REALLY IN CONTROL, OR DID EVERYTHING JUST HAPPEN BY CHANCE? WILL I EVER TRULY KNOW? SLOWLY UNFOLDING PIANO AND SUBTLE SYNTH BASS DRIFT OVER A DISTANT FEMALE VOCAL AND LIGHT PERCUSSION ECHOES.

18. WHERE TO BEGIN INSTRUMENTAL 00:02:13 HOW DO THE PUZZLE PIECES OF MY LIFE FIT TOGETHER? WAS I EVER REALLY IN CONTROL, OR DID EVERYTHING JUST HAPPEN BY CHANCE? WILL I EVER TRULY KNOW? SLOWLY UNFOLDING PIANO AND SUBTLE SYNTH BASS DRIFT OVER LIGHT PERCUSSION ECHOES.

19. WHERE TO BEGIN UNDERSCORE 00:02:14 HOW DO THE PUZZLE PIECES OF MY LIFE FIT TOGETHER? WAS I EVER REALLY IN CONTROL, OR DID EVERYTHING JUST HAPPEN BY CHANCE? WILL I EVER TRULY KNOW? SLOWLY UNFOLDING PIANO AND SUBTLE SYNTH BASS DRIFT OVER A DISTANT FEMALE VOCAL.

20. WHERE TO BEGIN INSTRUMENTAL UNDERSCORE 00:02:14 HOW DO THE PUZZLE PIECES OF MY LIFE FIT TOGETHER? WAS I EVER REALLY IN CONTROL, OR DID EVERYTHING JUST HAPPEN BY CHANCE? WILL I EVER TRULY KNOW? SLOWLY UNFOLDING PIANO AND SUBTLE SYNTH BASS DRIFTING AWAY.

21. TO ONLY FOLLOW 00:03:03 WE'RE ALWAYS CHASING SOMETHING IN LIFE - MONEY, PEOPLE, AMBITION. WHAT IF WE STOPPED RUNNING FRANTICALLY AFTER THESE GOALS AND INSTEAD LOOKED INWARD FOR WHAT WE TRULY WANT? PULSING PIANO AND FARAWAY FEMALE VOCALS, JOINED BY BRIGHT STRINGS AND PUNCTUATED BY CINEMATIC PERCUSSION HITS.

22. TO ONLY FOLLOW INSTRUMENTAL 00:03:05 WE'RE ALWAYS CHASING SOMETHING IN LIFE - MONEY, PEOPLE, AMBITION. WHAT IF WE STOPPED RUNNING FRANTICALLY AFTER THESE GOALS AND INSTEAD LOOKED INWARD FOR WHAT WE TRULY WANT? PULSING PIANO, JOINED BY BRIGHT STRINGS AND PUNCTUATED BY CINEMATIC PERCUSSION HITS.

23. TO ONLY FOLLOW UNDERSCORE 00:02:46 WE'RE ALWAYS CHASING SOMETHING IN LIFE - MONEY, PEOPLE, AMBITION. WHAT IF WE STOPPED RUNNING FRANTICALLY AFTER THESE GOALS AND INSTEAD LOOKED INWARD FOR WHAT WE TRULY WANT? PULSING PIANO AND FARAWAY FEMALE VOCALS, JOINED BY BRIGHT STRINGS.

24. TO ONLY FOLLOW INSTRUMENTAL UNDERSCORE 00:02:51 WE'RE ALWAYS CHASING SOMETHING IN LIFE - MONEY, PEOPLE, AMBITION. WHAT IF WE STOPPED RUNNING FRANTICALLY AFTER THESE GOALS AND INSTEAD LOOKED INWARD FOR WHAT WE TRULY WANT? PULSING PIANO, JOINED BY BRIGHT STRINGS.

25. AT HOME 00:02:31 IT'S HARD OUT THERE ON YOUR OWN. LIFE CAN BE CRUEL AND UNPREDICTABLE. BUT AT LEAST THERE'S ONE PLACE YOU CAN ALWAYS RELY ON, WHERE YOU'RE ALWAYS SAFE AND WELCOME. GENTLE PIANO, TOGETHER WITH NOSTALGIC MALE VOCALS, FALLS IN AND OUT OF A PERCUSSION-DRIVEN GROOVE COMPLETE WITH SPARKLING SYNTH AND STRINGS.

26. AT HOME INSTRUMENTAL 00:02:32 IT'S HARD OUT THERE ON YOUR OWN. LIFE CAN BE CRUEL AND UNPREDICTABLE. BUT AT LEAST THERE'S ONE PLACE YOU CAN ALWAYS RELY ON, WHERE YOU'RE ALWAYS SAFE AND WELCOME. GENTLE PIANO FALLS IN AND OUT OF A PERCUSSION-DRIVEN GROOVE COMPLETE WITH SPARKLING SYNTH AND STRINGS.

27. AT HOME UNDERSCORE 00:02:29 IT'S HARD OUT THERE ON YOUR OWN. LIFE CAN BE CRUEL AND UNPREDICTABLE. BUT AT LEAST THERE'S ONE PLACE YOU CAN ALWAYS RELY ON, WHERE YOU'RE ALWAYS SAFE AND WELCOME. GENTLE PIANO TOGETHER WITH NOSTALGIC MALE VOCALS AND SPARKLING SYNTH.

28. AT HOME INSTRUMENTAL UNDERSCORE 00:02:32 IT'S HARD OUT THERE ON YOUR OWN. LIFE CAN BE CRUEL AND UNPREDICTABLE. BUT AT LEAST THERE'S ONE PLACE YOU CAN ALWAYS RELY ON, WHERE YOU'RE ALWAYS SAFE AND WELCOME. GENTLE PIANO TOGETHER WITH SPARKLING SYNTH.

29. THE SWIFT MIND 00:02:05 THE MIND IS A WONDERFUL THING. EVEN WHEN IT'S NEWLY FORMED, IT'S CAPABLE OF ABSORBING AND ASSIMILATING SO MUCH INFORMATION AND EXPERIENCE. DON'T WASTE IT. ETHEREAL HARMONICS SWIRL AROUND A STEADY PIANO AND LIGHT, DISTANT KICK DRUM.

30. THE SWIFT MIND UNDERSCORE 00:01:56 THE MIND IS A WONDERFUL THING. EVEN WHEN IT'S NEWLY FORMED, IT'S CAPABLE OF ABSORBING AND ASSIMILATING SO MUCH INFORMATION AND EXPERIENCE. DON'T WASTE IT. ETHEREAL HARMONICS SWIRL AROUND A STEADY PIANO.