1. VOICES IN MY HEAD 00:02:22 I HEAR THEM ALL THE TIME. THEY WON'T STOP AND KEEP TELLING ME TO KILL AS MANY STRANGERS AS I CAN. IT'S GETTING HARDER TO IGNORE THEIR COMMANDS. NERVOUS PIANO, ELECTRONIC BEATS AND WOOZY SYNTHS.

2. MOMENTS BEFORE 00:02:59 THIS VIOLENT URGE CREEPS UP ON ME LIKE A THIEF IN THE NIGHT. SOMETIMES I CATCH IT BEFORE IT'S TOO LATE. SOMETIMES I DON'T. ANXIOUS SYNTH PULSES JOIN WITH SOMBER STRING PADS AND DISTANT PIANO.

3. SOCIAL MEDIA 00:01:32 TOO MUCH INFORMATION. TOO MUCH NEGATIVITY. THE WORLD SEEMS LIKE IT'S OUT OF CONTROL, AND THERE'S NOTHING I CAN DO TO STOP IT. OR IS THERE? ROLLING ELECTRONIC BEATS AND PENSIVE PIANO WITH CYCLIC SYNTHS AND DRIFTING PADS.

4. HIGH NOON 00:02:53 YOU CAN SEE YOUR TARGETS BEST RIGHT IN THE MIDDLE OF THE DAY. WHEN THE CLOCK STRIKES 12, EVERYONE WILL BE DEAD. ETHEREAL SYNTH PADS USHER IN PULSING BASS AND ELECTRIC GUITAR, JOINED SUDDENLY BY A TOUGH DRUM AND BASS GROOVE AND STACCATO STRINGS.

5. HIGH NOON UNDERSCORE 00:02:50 YOU CAN SEE YOUR TARGETS BEST RIGHT IN THE MIDDLE OF THE DAY. WHEN THE CLOCK STRIKES 12, EVERYONE WILL BE DEAD. ETHEREAL SYNTH PADS USHER IN PULSING BASS.

6. GETTING CLOSER 00:02:55 EVERY DETAIL OF THE PLAN HAS BECOME AN OBSESSION. IT'S NEARING COMPLETION. SOON THE LONG-AWAITED DAY WILL ARRIVE. NERVOUS PIANO AND STACCATO SYNTHS WITH LIGHT SKITTERING PERCUSSION, ICY PADS AND OMINOUS BASS.

7. MASS MURDER 00:02:02 IT'S HARD TO IMAGINE TWO WORDS THAT CARRY MORE WEIGHT. HOW CAN SUCH SENSELESS VIOLENCE STILL EXIST IN THIS DAY AND AGE? MENACING STRINGS, SYNTHS AND BRASS BUILD IN INTENSITY TO A PANICKED FINISH.

8. MASS MURDER UNDERSCORE 00:02:02 IT'S HARD TO IMAGINE TWO WORDS THAT CARRY MORE WEIGHT. HOW CAN SUCH SENSELESS VIOLENCE STILL EXIST IN THIS DAY AND AGE? MENACING STRINGS AND SYNTHS BUILD IN INTENSITY.

9. FIRST RESPONDERS 00:01:44 IT'S A MATTER OF LIFE AND DEATH. EVERY SECOND COUNTS, AND ANY DELAY COULD MEAN ONE MORE PERSON WHO DOESN'T GO HOME TO THEIR FAMILY. CYCLIC PIANO WITH BUILDING STRINGS AND SYNTHS SETTING AN URGENT, SOMBER MOOD.

10. FIRST RESPONDERS UNDERSCORE 00:01:44 IT'S A MATTER OF LIFE AND DEATH. EVERY SECOND COUNTS, AND ANY DELAY COULD MEAN ONE MORE PERSON WHO DOESN'T GO HOME TO THEIR FAMILY. CYCLIC PIANO WITH BUILDING STRINGS AND SYNTHS SETTING AN URGENT, SOMBER MOOD.

11. BLOOD SPATTER 00:03:13 IT'S EVERYWHERE. THE RED STAINS ALL OVER THE SCENE TELL THE GRUESOME STORY OF THE CRIME THAT WAS COMMITTED HERE. UNSETTLING SYNTHS AND SOUND DESIGN DRIFT OVER DARK PADS AS DISTORTED ELECTRIC GUITAR BUILDS IN INTENSITY.

12. VIOLENT FANTASIES 00:02:40 HE CAN'T STOP THINKING ABOUT BEING FAMOUS, HEADLINING THE NEWS FOR MANY DAYS WHILE HE IS METICULOUSLY PLANNING HIS MASS KILLING. WHAT WILL THEY SAY ABOUT HIM? EERIE SYNTHS, HARP AND PIANO BUILD INTO JAGGED STRINGS, BRASS AND PERCUSSION.

13. VIOLENT FANTASIES UNDERSCORE 00:02:40 HE CAN'T STOP THINKING ABOUT BEING FAMOUS, HEADLINING THE NEWS FOR MANY DAYS WHILE HE IS METICULOUSLY PLANNING HIS MASS KILLING. WHAT WILL THEY SAY ABOUT HIM? EERIE SYNTHS, HARP AND PIANO BUILD INTO PERCUSSION WITH SUPPORTING STRINGS AND BRASS.

14. MEAN STREAK 00:02:07 THERE'S ALWAYS BEEN SOMETHING NOT QUITE RIGHT ABOUT HIM. SOMETHING UNKIND. MAYBE IT RUNS IN THE FAMILY. EMPHATIC PIANO, HEAVY SYNTHS AND A POWERFUL BEAT SET A MENACING TONE.

15. BULLET TRACK 00:02:43 IT ALL HAPPENS IN AN INSTANT WHEN THE GUN IS FIRED, BUT THE PATH THE BULLET TRACES THROUGH ITS VICTIM CAN TELL A COMPLEX STORY. METALLIC SYNTHS AND UNEASY PERCUSSIVE EFFECTS DANCE AROUND SPOOKY SOUND DESIGN.

16. DELUSIONS OF GRANDEUR 00:03:01 HE WAS CONVINCED THAT GOD HAD CHOSEN HIM TO SHOOT THOSE KIDS. HE SAID HE FELT UNSTOPPABLE AND THAT HE COULD DO ANYTHING HE WANTED. SLIGHTLY UNHINGED SYNTHS, PIANO AND FRENETIC ARPEGGIOS, TOGETHER WITH STEADY PERCUSSION AND A BRIGHT HARP.

17. DELUSIONS OF GRANDEUR UNDERSCORE 00:03:01 HE WAS CONVINCED THAT GOD HAD CHOSEN HIM TO SHOOT THOSE KIDS. HE SAID HE FELT UNSTOPPABLE AND THAT HE COULD DO ANYTHING HE WANTED. SLIGHTLY UNHINGED SYNTHS, PIANO AND FRENETIC ARPEGGIOS, TOGETHER WITH STEADY PERCUSSION.

18. TAKING REVENGE 00:02:34 THIS IS FOR ALL THE BULLIES, ALL THE MEAN TEACHERS AND THE PARENTS WHO DIDN'T LOVE ME ENOUGH. MAYBE THEY WILL FINALLY LEARN THEIR LESSON. DARK SYNTH BASS, SWELLING STRINGS, SYNTH PLUCKS, EDGY BASS GUITAR AND MOODY PERCUSSION, BUILDING TO A DRAMATIC CLIMAX.

19. TAKING REVENGE UNDERSCORE 00:02:25 THIS IS FOR ALL THE BULLIES, ALL THE MEAN TEACHERS AND THE PARENTS WHO DIDN'T LOVE ME ENOUGH. MAYBE THEY WILL FINALLY LEARN THEIR LESSON. DARK SYNTH BASS, SWELLING STRINGS, EDGY BASS GUITAR AND MOODY PERCUSSION.

20. COLD BLOODED KILLER 00:02:30 WHAT GOES ON IN THE MIND OF A MURDERER? IS IT REALLY POSSIBLE THAT THEY FEEL NOTHING BUT THE ICY RESOLVE TO KILL THEIR VICTIMS? CHILLING SYNTHS, MENACING BASS GUITAR, HAUNTING PIANO AND OMINOUS PERCUSSION, BUILDING WITH PANICKED STRINGS TO A MURDEROUS FRENZY.

21. COLD BLOODED KILLER UNDERSCORE 00:02:28 WHAT GOES ON IN THE MIND OF A MURDERER? IS IT REALLY POSSIBLE THAT THEY FEEL NOTHING BUT THE ICY RESOLVE TO KILL THEIR VICTIMS? CHILLING SYNTHS, MENACING BASS GUITAR, HAUNTING PIANO AND OMINOUS PERCUSSION.

22. OUR SON WAS NOT VIOLENT 00:02:25 HOW CAN A PARENT BE COMPLETELY UNAWARE OF THE KILLER THEIR CHILD HAS BECOME? ARE THEY TO BLAME IN SOME WAY, OR ARE THEY TOO VICTIMS? EMOTIONAL PIANO AND STRINGS, ECHOING PERCUSSION AND MOURNFUL SYNTHS.

23. OUR SON WAS NOT VIOLENT UNDERSCORE 00:02:25 HOW CAN A PARENT BE COMPLETELY UNAWARE OF THE KILLER THEIR CHILD HAS BECOME? ARE THEY TO BLAME IN SOME WAY, OR ARE THEY TOO VICTIMS? EMOTIONAL PIANO AND STRINGS, ECHOING PERCUSSION AND MOURNFUL SYNTHS.

24. BLOOD MOON 00:02:32 THE KILLER SMELLS BLOOD TONIGHT. THERE MUST BE A RECKONING FOR ALL THE EVIL IN THE WORLD, AND HE'S CONVINCED HE'S THE ONE TO FULFIL THE PROPHECY. ANXIOUSLY BUILDING STRINGS AND SYNTHS, JOINED BY OMINOUS PERCUSSION AND BASS AND PUNCTUATED BY PENSIVE BELLS AND ELECTRIC PIANO.

25. BLOOD MOON UNDERSCORE 00:02:32 THE KILLER SMELLS BLOOD TONIGHT. THERE MUST BE A RECKONING FOR ALL THE EVIL IN THE WORLD, AND HE'S CONVINCED HE'S THE ONE TO FULFIL THE PROPHECY. ANXIOUSLY BUILDING STRINGS AND SYNTHS, JOINED BY OMINOUS PERCUSSION AND BASS.

26. THE INJUSTICE COLLECTOR 00:02:33 SO MANY BAD THINGS HAVE HAPPENED TO ME. LIFE ISN'T FAIR. I WILL GO ON A RAMPAGE AGAINST EVERY SOCIAL INJUSTICE I'VE EVER SUFFERED. HEAVY PIANO, DARK SYNTHS AND SLOWLY TICKING PERCUSSION, UNDERSCORED BY TENSE STRINGS AND DISTANT ATONAL TEXTURES.

27. THE INJUSTICE COLLECTOR UNDERSCORE 00:02:33 SO MANY BAD THINGS HAVE HAPPENED TO ME. LIFE ISN'T FAIR. I WILL GO ON A RAMPAGE AGAINST EVERY SOCIAL INJUSTICE I'VE EVER SUFFERED. HEAVY PIANO, DARK SYNTHS AND SLOWLY TICKING PERCUSSION, UNDERSCORED BY TENSE STRINGS AND DISTANT ATONAL TEXTURES.

28. PERPETRATOR PROFILE 00:03:02 EVERY CRIMINAL HAS HIS OWN SIGNATURE, THE MENTAL MAKEUP THAT DEFINES WHO HE IS. PUTTING TOGETHER THESE PIECES CAN HELP TO UNDERSTAND AND CATCH THE KILLER. DARK AND DRIFTING SYNTHS, TOGETHER WITH LIGHT PERCUSSION AND EERIE SOUND DESIGN.

29. WHAT HAVE YOU DONE 00:02:24 IT CAN'T BE REAL. HOW CAN ONE PERSON INFLICT SO MUCH VIOLENCE ON HIS FELLOW HUMAN BEINGS? DOES HE EVEN UNDERSTAND THE SUFFERING HE'S CAUSED? MOURNFUL, CYCLING PIANO, COLD SYNTH TEXTURES AND EMOTIONAL CELLO, SUPPORTED LATER BY A FULL STRING SECTION.

30. BAD & MAD 00:03:00 PSYCHOLOGISTS CAN UNPACK SOME PARTS OF THE INSANITY THAT CAUSES PEOPLE TO COMMIT SUCH VIOLENT CRIMES. BUT CAN THEY EVER TRULY UNDERSTAND THE MIND OF A MURDERER? SPARSE SYNTHS AND PERCUSSION, SUPPORTED BY STEADILY PULSING BASS AND SPOOKY SOUND EFFECTS.

31. DEEP DESPAIR 00:03:00 THE SCHOOL BELL RANG LOUD AND CLEAR. JUST LIKE ON ANY OTHER DAY. BUT AS OUR TEACHER BEGAN HER MORNING LESSON, EVERYTHING CAME TO AN END. TOLLING BELL, MOURNFUL SYNTHS AND SORROWFUL PIANO, TOGETHER WITH ELECTRONIC BEATS AND FEMALE CHORAL VOCALS.

32. DEEP DESPAIR ALTERNATE 00:02:51 THE SCHOOL BELL RANG LOUD AND CLEAR. JUST LIKE ON ANY OTHER DAY. BUT AS OUR TEACHER BEGAN HER MORNING LESSON, EVERYTHING CAME TO AN END. TOLLING BELL, MOURNFUL SYNTHS AND SORROWFUL PIANO, TOGETHER WITH FEMALE CHORAL VOCALS.

33. A FLOOD OF TEARS 00:02:30 IT'S A GRIEF THAT KNOWS NO LIMITS. CAN A MOTHER'S TEARS EVER RUN DRY WHEN SHE LOSES HER CHILD IN SUCH A HATEFUL, TRAGIC AND SENSELESS WAY? LONELY PIANO SETS A SORROWFUL MOOD, JOINED LATER BY EQUALLY EMOTIONAL STRINGS AND SYNTHS.

34. A FLOOD OF TEARS ALTERNATE 00:02:30 IT'S A GRIEF THAT KNOWS NO LIMITS. CAN A MOTHER'S TEARS EVER RUN DRY WHEN SHE LOSES HER CHILD IN SUCH A HATEFUL, TRAGIC AND SENSELESS WAY? LONELY PIANO SETS A SORROWFUL MOOD, JOINED LATER BY EQUALLY EMOTIONAL STRINGS AND SYNTHS.

35. RESTRAINING ORDER 00:02:23 HE'D BEEN BANNED FROM THE AREA AFTER THREATENING SOME OF THE LOCALS. NOW THE KID IS LURKING ABOUT AGAIN EVEN THOUGH HE'S HAD A RESTRAINING ORDER FOR TWO YEARS. SPOOKY SYNTHS AND PIANO, TOGETHER WITH MYSTERIOUS STRINGS AND SUBTLE SYNTH BASS PULSE. STRINGS AND BRASS BUILD INTO A CLIMAX.

36. RESTRAINING ORDER UNDERSCORE 00:02:23 HE'D BEEN BANNED FROM THE AREA AFTER THREATENING SOME OF THE LOCALS. NOW THE KID IS LURKING ABOUT AGAIN EVEN THOUGH HE'S HAD A RESTRAINING ORDER FOR TWO YEARS. SPOOKY SYNTHS AND PIANO, TOGETHER WITH SUBTLE SYNTH BASS PULSE AND LOW STACCATO STRINGS.

37. I CAN'T HEAR YOU 00:02:49 THE POLICE ARE TELLING ME WHAT HAPPENED TO MY CHILD, BUT I CAN'T HEAR WHAT THEY ARE SAYING. I AM DEAF. I AM NUMB. I AM DEAD INSIDE. DRIFTING SYNTHS MOVE IN AND OUT OF HARMONY, CREATING AN UNSTEADY, DREAM-LIKE FEELING.

38. HIGH RISK FACTOR 00:02:42 DOES EVERYONE HAVE THE POTENTIAL TO BECOME A KILLER? OR ARE SOME, BECAUSE OF THEIR GENETICS OR THEIR ENVIRONMENT, MORE OF A RISK TO THEMSELVES AND THOSE AROUND THEM? OMINOUSLY BUILDING SYNTHS AND BASS OVER EERIE STRINGS, PIANO AND SCARY SOUND DESIGN.