1. POINT OF ORIGIN 00:03:16 THIS IS WHERE IT ALL STARTED. WHO WOULD HAVE THOUGHT IT WOULD EVER GO SO FAR BEYOND WHAT WE THOUGHT WAS POSSIBLE? MYSTERIOUS, INSISTENT HANDPAN, DARK SYNTHS AND MELANCHOLIC STRINGS CREATE A GLOOMY ATMOSPHERE.

2. KILLING STRANGERS 00:04:23 IT'S EASIER TO KILL WHEN YOU DON'T THINK OF THE PEOPLE ON THE OTHER SIDE OF THE TRIGGER. THE ONES YOU NEVER KNEW AND NEVER WILL. WE'RE ALL STRANGERS TO SOMEBODY. LIGHT METALLIC PERCUSSION PULSE AND GRIM ELECTRIC GUITARS ON A BED OF DARK ATMOSPHERIC SYNTHS.

3. KILLING STRANGERS UNDERSCORE 00:04:23 IT'S EASIER TO KILL WHEN YOU DON'T THINK OF THE PEOPLE ON THE OTHER SIDE OF THE TRIGGER. THE ONES YOU NEVER KNEW AND NEVER WILL. WE'RE ALL STRANGERS TO SOMEBODY. LIGHT METALLIC PERCUSSION PULSE AND SUBTLE ELECTRIC GUITARS ON A BED OF DARK ATMOSPHERIC SYNTHS.

4. NEVERENDING ANGUISH 00:02:16 SUCH A LOSS IS UNTHINKABLE, IMPOSSIBLE TO BEAR. WILL THE PAIN EVER GO AWAY? WILL WE EVER FEEL WHOLE AGAIN? SOMBER PIANO AND STRINGS DRIFT IN A MELANCHOLIC MOOD OVER SOFT SYNTHS.

5. NEVERENDING ANGUISH UNDERSCORE 00:02:16 SUCH A LOSS IS UNTHINKABLE, IMPOSSIBLE TO BEAR. WILL THE PAIN EVER GO AWAY? WILL WE EVER FEEL WHOLE AGAIN? SOMBER PIANO AND STRINGS DRIFT IN A MELANCHOLIC MOOD OVER SOFT SYNTHS.

6. DIARY OF A LONER 00:02:34 DEAR DIARY, TODAY I DECIDED TO TEACH THEM ALL A LESSON. I'VE PLANNED EVERYTHING OUT. SOON THEY'LL BE SORRY THEY IGNORED AND MADE FUN OF ME. VERY SORRY. SAD, SWELLING STRINGS JOIN WITH MENACING SYNTHS, PERCUSSION AND PIANO, LEADING INTO A DRUM GROOVE WITH MORE EMPHATIC STRINGS.

7. DIARY OF A LONER UNDERSCORE 00:02:34 DEAR DIARY, TODAY I DECIDED TO TEACH THEM ALL A LESSON. I'VE PLANNED EVERYTHING OUT. SOON THEY'LL BE SORRY THEY IGNORED AND MADE FUN OF ME. VERY SORRY. SAD, SWELLING STRINGS JOIN WITH MENACING SYNTHS AND PERCUSSION, LEADING INTO A DRUM GROOVE WITH MORE EMPHATIC STRINGS.

8. LOST WITHOUT A TRACE 00:02:42 SHE WAS THE CENTER OF OUR LIVES. SO FULL OF LIFE AND RADIATING JOY. AND THEN, JUST LIKE THAT, SHE WAS GONE. WILL WE EVER KNOW WHAT HAPPENED, AND WHY? MOURNFUL PIANO AND SYNTHS, JOINED BY SUBTLE PERCUSSION AND SLOWLY MARCHING STRINGS.

9. LOST WITHOUT A TRACE UNDERSCORE 00:02:39 SHE WAS THE CENTER OF OUR LIVES. SO FULL OF LIFE AND RADIATING JOY. AND THEN, JUST LIKE THAT, SHE WAS GONE. WILL WE EVER KNOW WHAT HAPPENED, AND WHY? MOURNFUL SYNTHS JOINED BY SLOWLY MARCHING STRINGS.

10. GOING INSANE 00:02:35 WHAT DOES IT TAKE TO BREAK A MIND IN SUCH A TWISTED WAY? OR DO SOME PEOPLE JUST HAVE THIS TICKING TIME BOMB INSIDE THEM, READY TO EXPLODE AT ANY MOMENT? SHIMMERING STRING SYNTHS AND SUBTLE PADS, PUNCTUATED BY SCATTERED PERCUSSION AND SOUND EFFECTS.

11. GOING INSANE UNDERSCORE 00:02:33 WHAT DOES IT TAKE TO BREAK A MIND IN SUCH A TWISTED WAY? OR DO SOME PEOPLE JUST HAVE THIS TICKING TIME BOMB INSIDE THEM, READY TO EXPLODE AT ANY MOMENT? SHIMMERING STRING SYNTHS AND SUBTLE PADS.

12. HAUNTING QUESTIONS 00:02:52 SOME QUESTIONS ARE BETTER LEFT UNANSWERED. BUT THERE ARE ALSO THOSE THAT DEMAND ANSWERS, THAT CRY OUT FOR EXPLANATION LONG AFTER THE SILENCE HAS FALLEN AND THE CASE HAS GONE COLD. MYSTERIOUS SYNTHS AND SUBTLE PIANO DRIFT OVER STRINGS AND ELECTRIC GUITAR TEXTURES.

13. HAUNTING QUESTIONS UNDERSCORE 00:02:52 SOME QUESTIONS ARE BETTER LEFT UNANSWERED. BUT THERE ARE ALSO THOSE THAT DEMAND ANSWERS, THAT CRY OUT FOR EXPLANATION LONG AFTER THE SILENCE HAS FALLEN AND THE CASE HAS GONE COLD. MYSTERIOUS SYNTHS DRIFT OVER STRINGS AND ELECTRIC GUITAR TEXTURES.

14. SUSPICIOUS 00:02:04 THERE'S SOMETHING NOT QUITE RIGHT ABOUT THIS SITUATION. SOMETHING DOESN'T ADD UP. OR MAYBE IT'S JUST ME? UNCERTAIN PIANO BUILDS SLOWLY OVER A BED OF DARK SYNTHS AND DISTANT PERCUSSION.

15. SUSPICIOUS UNDERSCORE 00:02:04 THERE'S SOMETHING NOT QUITE RIGHT ABOUT THIS SITUATION. SOMETHING DOESN'T ADD UP. OR MAYBE IT'S JUST ME? UNCERTAIN PIANO BUILDS SLOWLY OVER A BED OF DARK SYNTHS AND DISTANT PERCUSSION.

16. SUSPICIOUS ALTERNATE 1 00:02:05 THERE'S SOMETHING NOT QUITE RIGHT ABOUT THIS SITUATION. SOMETHING DOESN'T ADD UP. OR MAYBE IT'S JUST ME? UNCERTAIN PIANO BUILDS SLOWLY OVER A BED OF DARK SYNTHS.

18. BLOW FLIES 00:02:41 FIRST IT'S THE FLIES. ALWAYS THE FLIES. THEN THE SMELL HITS YOU. YOU DON'T EVEN NEED TO SEE THE REST. AT LEAST, YOU WISH YOU DIDN'T HAVE TO. DARKLY BUILDING SYNTHS AND SOUND DESIGN CREATE A GRIM, DISTURBING ATMOSPHERE.

19. ALL BY MYSELF 00:02:47 I'M ALL ALONE IN THIS WORLD, SO WHAT DOES IT MATTER IF I LIVE OR DIE? MIGHT AS WELL MAKE SURE THEY KNOW I EXISTED, ONCE AND FOR ALL. I CAN THINK OF ONE WAY THEY'LL NEVER FORGET ME. PENSIVE PIANO AND SUBTLE STRINGS, BUILDING WITH SYNTHESIZER AND PERCUSSION INTO A DARK, INSISTENT MOOD.

20. ALL BY MYSELF UNDERSCORE 00:02:47 I'M ALL ALONE IN THIS WORLD, SO WHAT DOES IT MATTER IF I LIVE OR DIE? MIGHT AS WELL MAKE SURE THEY KNOW I EXISTED, ONCE AND FOR ALL. I CAN THINK OF ONE WAY THEY'LL NEVER FORGET ME. PENSIVE PIANO AND SUBTLE STRINGS, BUILDING WITH SYNTHESIZER AND PERCUSSION INTO A DARK, INSISTENT MOOD.

21. SO MANY LIVES 00:02:33 SO MUCH RAMPANT VIOLENCE, SO MUCH SENSELESS DEATH. IT'S HARD TO COMPREHEND. WHEN DOES A TRAGEDY TURN INTO A STATISTIC? THOUGHTFUL PIANO AND SWELLING STRINGS, JOINED BY DARKLY PULSING SYNTHESIZER AND PERCUSSION.

22. SO MANY LIVES UNDERSCORE 00:02:33 SO MUCH RAMPANT VIOLENCE, SO MUCH SENSELESS DEATH. IT'S HARD TO COMPREHEND. WHEN DOES A TRAGEDY TURN INTO A STATISTIC? SWELLING STRINGS JOINED BY DARKLY PULSING SYNTHESIZER AND PERCUSSION.

23. RESIDUE 00:03:19 NO MATTER HOW MUCH THEY TRY, IT'S IMPOSSIBLE TO WASH OUT THE LAST TRACES OF SUCH A CRIME. THE PHYSICAL AND EMOTIONAL STAINS WILL LINGER FOREVER. WEIRD SYNTH DRONES UNDERSCORE A SUBDUED ELECTRIC GUITAR AND STRING EFFECTS.

24. THE CORONER 00:02:59 HIS IS ONE OF THE HARDEST JOBS: GETTING THE SILENT TO TELL THEIR STORIES. IT'S GRIM, COLD, CLINICAL WORK, BUT SO IMPORTANT. ONLY A RARE TYPE OF PERSON IS UP FOR THE TASK. COLD SYNTHS AND EERIE SOUND DESIGN, JOINED BY HANDPAN AND SWELLING STRINGS.

25. DARK SECRETS REVEALED 00:02:05 THE DEEPER WE DELVE INTO THIS DARK INCIDENT, THE MORE TROUBLING DETAILS WE UNCOVER. SOMETIMES IT'S BETTER NOT TO KNOW. BUT WE HAVE TO FIND OUT WHY THIS HAPPENED. SOMBER PIANO AND SHIMMERING STRINGS, TOGETHER WITH STRONG, SWELLING SYNTHESIZERS.

26. DARK SECRETS REVEALED UNDERSCORE 00:02:05 THE DEEPER WE DELVE INTO THIS DARK INCIDENT, THE MORE TROUBLING DETAILS WE UNCOVER. SOMETIMES IT'S BETTER NOT TO KNOW. BUT WE HAVE TO FIND OUT WHY THIS HAPPENED. SOMBER PIANO AND SHIMMERING STRINGS, TOGETHER WITH STRONG, SWELLING SYNTHESIZERS.

27. PARANOID WORLDVIEW 00:03:09 THEY'RE EVERYWHERE. AROUND EVERY CORNER. OUT TO GET ME. NOWHERE IS SAFE. AND I'M THE ONLY ONE WHO KNOWS ABOUT IT. NO ONE WILL BELIEVE ME. WELL, I'LL HAVE TO MAKE THEM LISTEN. GRITTY, SWELLING STRINGS AND SYNTHESIZERS OVER UNSETTLING SOUND DESIGN AND EFFECTS.

28. PARALYZED 00:03:16 THEY SAY WHEN YOU'RE FACED WITH DANGER, YOU INSTINCTIVELY CHOOSE EITHER A "FIGHT OR FLIGHT" RESPONSE. BUT THEY FORGOT ONE OTHER POSSIBILITY: FREEZE. SPOOKY SYNTH DRONES AND SOUND DESIGN TEXTURES, WITH EERIE STRINGS DRIFTING OVERHEAD.

29. ENVY 00:03:24 LIFE ISN'T FAIR. ALL AROUND ME I SEE PEOPLE GETTING EVERYTHING THEY WANT, WHILE IT SEEMS LIKE I'M INVISIBLE. THEY DON'T DESERVE IT. WHY SHOULD THEY BE HAPPY? I WON'T LET THEM BE. UNSETTLING BELLS DANCE AND DRIFT OVER DARK SYNTH DRONES AND SOUND DESIGN TEXTURES.

30. ENVY ALTERNATE 00:03:24 LIFE ISN'T FAIR. ALL AROUND ME I SEE PEOPLE GETTING EVERYTHING THEY WANT, WHILE IT SEEMS LIKE I'M INVISIBLE. THEY DON'T DESERVE IT. WHY SHOULD THEY BE HAPPY? I WON'T LET THEM BE. UNSETTLING BELLS DANCE AND DRIFT OVER DARK SYNTH DRONES AND SOUND DESIGN TEXTURES.

31. RIGOR MORTIS 00:01:36 IT'S A STRANGE PHENOMENON, THE WAY THE BODY LOCKS UP AFTER DEATH, FREEZING IN POSITION. ALMOST AS IF IT'S MAKING ONE LAST FUTILE ATTEMPT TO CLING TO LIFE. DISTURBING PROCESSED CHORAL VOCALS AND DARK SYNTHS, TOGETHER WITH HIGH AND LOW PITCHED STRING DRONES.

32. RIGOR MORTIS ALTERNATE 00:01:36 IT'S A STRANGE PHENOMENON, THE WAY THE BODY LOCKS UP AFTER DEATH, FREEZING IN POSITION. ALMOST AS IF IT'S MAKING ONE LAST FUTILE ATTEMPT TO CLING TO LIFE. DARK SYNTHS TOGETHER WITH HIGH AND LOW PITCHED STRING DRONES.

33. POSTMORTEM 00:03:10 THE BODY STILL HAS STORIES TO TELL, EVEN AFTER DEATH. BUT THEY COME AT A TERRIBLE PRICE. ONLY A FEW HAVE WHAT IT TAKES TO PERFORM THESE GRUESOME FINAL OPERATIONS. ECHOING BOWED GUITAR AND GRITTY STRING NOISE EFFECTS, TOGETHER WITH DRIFTING CHORAL VOCALS SYNTH ATMOSPHERES.

34. BORDERLINE 00:03:08 IT'S NOT THE ONES WHO ARE CLEARLY CRAZY THAT YOU HAVE TO WORRY ABOUT. IT'S THE ONES WHO SEEM NORMAL ON THE OUTSIDE, BUT HAVE A SCREW LOOSE ON THE INSIDE, WHO ARE THE MOST DANGEROUS. AN EERIE, DISTURBING COLLAGE OF GUITAR NOISES, PREPARED PIANO, PERCUSSION AND SOUND EFFECTS.

35. DEAD ON ARRIVAL 00:04:11 THERE WAS NOTHING THEY COULD DO. THEY WERE DEAD LONG BEFORE THE AMBULANCE REACHED THE SCENE. HOW IS IT POSSIBLE FOR SO MANY LIVES TO BE EXTINGUISHED SO SUDDENLY? DISTURBING SYNTHS AND EFFECTS WITH UNSTEADILY DRIFTING E-BOWED GUITAR.

36. REALLY BAD THOUGHTS 00:03:48 THESE URGES ARE SO INSISTENT. SO IMPOSSIBLE TO IGNORE. IS THIS WHAT THEY MEAN BY HEARING VOICES IN YOUR HEAD? I KNOW WHAT THEY WANT ME TO DO IS WRONG…BUT I DON'T THINK I CAN FIGHT THEM MUCH LONGER. REALLY UNSETTLING SOUNDSCAPE WITH SPORADIC GUITARS, PERCUSSION, PIANO, SYNTHS AND A GHOSTLY DISEMBODIED VOICE.

37. REALLY BAD THOUGHTS INSTRUMENTAL 00:03:48 THESE URGES ARE SO INSISTENT. SO IMPOSSIBLE TO IGNORE. IS THIS WHAT THEY MEAN BY HEARING VOICES IN YOUR HEAD? I KNOW WHAT THEY WANT ME TO DO IS WRONG…BUT I DON'T THINK I CAN FIGHT THEM MUCH LONGER. REALLY UNSETTLING SOUNDSCAPE WITH SPORADIC GUITARS, PERCUSSION, PIANO AND SYNTHS.