1. HANG ON TO YOUR HAT 00:02:07 LIFE'S A BUMPY ROAD, AND THE WIND CAN BLOW YOU IN ALL KINDS OF DIRECTIONS THAT YOU NEVER IMAGINED. BUT THERE ARE SOME THINGS YOU CAN ALWAYS RELY ON. DON'T LET GO. FAST-PACED ACOUSTIC GUITARS AND BANJO, INTERSPERSED WITH DOBRO AND PIZZICATO VIOLA AND SUPPORTED BY SYNTHS, BASS AND PERCUSSION.

2. HANG ON TO YOUR HAT UNDERSCORE 00:02:07 LIFE'S A BUMPY ROAD, AND THE WIND CAN BLOW YOU IN ALL KINDS OF DIRECTIONS THAT YOU NEVER IMAGINED. BUT THERE ARE SOME THINGS YOU CAN ALWAYS RELY ON. DON'T LET GO. FAST-PACED ACOUSTIC GUITARS INTERSPERSED WITH PIZZICATO VIOLA.

3. FEELING SO MUCH BETTER 00:01:54 EVEN WHEN YOU FEEL AT YOUR LOWEST, SOMETIMES ALL YOU NEED IS A TALK WITH A GOOD FRIEND, OR A DAY IN THE SUN TO RECHARGE YOUR BATTERIES, AND THINGS DON'T SEEM QUITE SO BAD ANYMORE. MELANCHOLIC, YET OPTIMISTIC ACOUSTIC GUITARS, PIANO AND BASS, SUPPORTED BY GENTLE STRINGS, PERCUSSION, HANDPAN, VIBRAPHONE, HARP AND VOCAL PADS.

4. FEELING SO MUCH BETTER INSTRUMENTAL 00:01:54 EVEN WHEN YOU FEEL AT YOUR LOWEST, SOMETIMES ALL YOU NEED IS A TALK WITH A GOOD FRIEND, OR A DAY IN THE SUN TO RECHARGE YOUR BATTERIES, AND THINGS DON'T SEEM QUITE SO BAD ANYMORE. MELANCHOLIC, YET OPTIMISTIC ACOUSTIC GUITARS, PIANO AND BASS, SUPPORTED BY GENTLE STRINGS, PERCUSSION, HANDPAN, VIBRAPHONE AND HARP.

5. FEELING SO MUCH BETTER UNDERSCORE 00:01:54 EVEN WHEN YOU FEEL AT YOUR LOWEST, SOMETIMES ALL YOU NEED IS A TALK WITH A GOOD FRIEND, OR A DAY IN THE SUN TO RECHARGE YOUR BATTERIES, AND THINGS DON'T SEEM QUITE SO BAD ANYMORE. MELANCHOLIC, YET OPTIMISTIC ACOUSTIC GUITARS, PIANO AND PIZZICATO STRINGS.

6. HOW ARE YOU MY FRIEND 00:02:11 WE'VE KNOWN EACH OTHER FOR SO LONG. EVEN IF WE DON'T SEE EACH OTHER AS OFTEN AS WE USED TO, I'M HERE FOR YOU. YOU CAN ALWAYS TALK TO ME. WARM, HEARTFELT ACOUSTIC GUITARS, BANJO AND MANDOLIN, SUPPORTED BY LUSH STRINGS, BASS AND LIGHT PERCUSSION.

7. HOW ARE YOU MY FRIEND UNDERSCORE 00:02:11 WE'VE KNOWN EACH OTHER FOR SO LONG. EVEN IF WE DON'T SEE EACH OTHER AS OFTEN AS WE USED TO, I'M HERE FOR YOU. YOU CAN ALWAYS TALK TO ME. WARM, HEARTFELT ACOUSTIC GUITARS AND MANDOLIN.

8. HEADSTART 00:02:13 NOT EVERYONE GETS AN UNFAIR ADVANTAGE. BUT IF YOU DO, YOU HAD BETTER PUT IT TO GOOD USE - FOR YOURSELF, AS WELL AS THOSE AROUND YOU. PULSING ELECTRIC GUITARS WITH THOUGHTFUL SLIGHTLY SERIOUS UNDERTONES, INTERSPERSED WITH CHARANGO, MANDOLIN, BASS, KEYS AND CHAMBER ORCHESTRA, TOGETHER WITH LIGHT PERCUSSION BACKING.

9. HEADSTART UNDERSCORE 00:02:13 NOT EVERYONE GETS AN UNFAIR ADVANTAGE. BUT IF YOU DO, YOU HAD BETTER PUT IT TO GOOD USE - FOR YOURSELF, AS WELL AS THOSE AROUND YOU. PULSING ELECTRIC GUITARS WITH THOUGHTFUL SLIGHTLY SERIOUS UNDERTONES, INTERSPERSED WITH CHARANGO, MANDOLIN AND PIZZICATO STRINGS.

10. MY ORIGAMI HEART 00:02:06 THE HEART IS NOT A STATIC OBJECT. IT CAN FOLD ITSELF INTO MANY SHAPES DEPENDING ON ITS MOOD, FROM A DELICATE, SENSITIVE CRANE TO A FIERCE PAPER TIGER. MOODY ASIAN-INSPIRED PIECE FEATURING MUTED GUITARS, BOUZOUKI, VALIHA AND GUZHENG, SUPPORTED BY PIANO, ORGAN, BASS AND DRUMS.

11. MY ORIGAMI HEART UNDERSCORE 00:02:06 THE HEART IS NOT A STATIC OBJECT. IT CAN FOLD ITSELF INTO MANY SHAPES DEPENDING ON ITS MOOD, FROM A DELICATE, SENSITIVE CRANE TO A FIERCE PAPER TIGER. MOODY ASIAN-INSPIRED PIECE FEATURING MUTED GUITARS, BOUZOUKI AND SYNTH PAD.

12. SAVE ALL MY SOUVENIRS 00:02:47 THESE ARE NOT JUST THINGS TO ME. EVERY OBJECT REPRESENTS A MEMORY FROM MY LIFE, SOMETHING I EXPERIENCED THAT MADE ME WHO I AM. KEEP THEM SAFE. NOSTALGIC STRUMMED GUITARS AND PLUCKED BANJO OVER A BED OF SYNTH VOCAL PADS, BASS, PIZZICATO STRINGS AND LIGHT DRUMS, JOINED LATER BY SOARING ELECTRIC GUITAR AND GLOCKENSPIEL.

13. SAVE ALL MY SOUVENIRS INSTRUMENTAL 00:02:47 THESE ARE NOT JUST THINGS TO ME. EVERY OBJECT REPRESENTS A MEMORY FROM MY LIFE, SOMETHING I EXPERIENCED THAT MADE ME WHO I AM. KEEP THEM SAFE. NOSTALGIC STRUMMED GUITARS AND PLUCKED BANJO OVER A BED OF BASS, PIZZICATO STRINGS AND LIGHT DRUMS, JOINED LATER BY SOARING ELECTRIC GUITAR AND GLOCKENSPIEL.

14. SAVE ALL MY SOUVENIRS UNDERSCORE 00:02:47 THESE ARE NOT JUST THINGS TO ME. EVERY OBJECT REPRESENTS A MEMORY FROM MY LIFE, SOMETHING I EXPERIENCED THAT MADE ME WHO I AM. KEEP THEM SAFE. NOSTALGIC STRUMMED GUITARS AND PIZZICATO STRINGS.

15. SPACE DREAMS 00:01:49 WEIGHTLESSLY DRIFTING THROUGH YOUR SUBCONSCIOUS. YOU'VE NEVER FELT SO RELAXED AND AT PEACE. THIS IS ONE DREAM YOU DON'T WANT TO WAKE UP FROM. BLISSFUL, TRANQUIL GUITARS AND LUSH LAP STEEL, RESTING ON A SOFT BED OF PIANO, ORGAN, BASS, STRINGS AND LIGHT PERCUSSION, INTERSPERSED WITH VOCAL PADS.

16. SPACE DREAMS INSTRUMENTAL 00:01:49 WEIGHTLESSLY DRIFTING THROUGH YOUR SUBCONSCIOUS. YOU'VE NEVER FELT SO RELAXED AND AT PEACE. THIS IS ONE DREAM YOU DON'T WANT TO WAKE UP FROM. BLISSFUL, TRANQUIL GUITARS AND LUSH LAP STEEL, RESTING ON A SOFT BED OF PIANO, ORGAN, BASS, STRINGS AND LIGHT PERCUSSION.

17. SPACE DREAMS UNDERSCORE 00:01:49 WEIGHTLESSLY DRIFTING THROUGH YOUR SUBCONSCIOUS. YOU'VE NEVER FELT SO RELAXED AND AT PEACE. THIS IS ONE DREAM YOU DON'T WANT TO WAKE UP FROM. BLISSFUL, TRANQUIL GUITARS AND LUSH LAP STEEL, RESTING ON A SOFT BED OF PIANO, BASS AND LIGHT PERCUSSION.

18. ANYWHERE IN THE WORLD 00:02:03 IF YOU COULD GO ANYWHERE YOU WANTED, WOULD YOU BE ABLE TO CHOOSE? IS THE WORLD A BIG ENOUGH PLACE THAT YOU COULD JUST KEEP EXPLORING FOR EVER AND NEVER GET TIRED OF IT? A SOLO VIOLA OVER LIGHT ACOUSTIC GUITARS AND STRINGS, SUPPORTED BY GENTLE BASS AND DRUMS.

19. ANYWHERE IN THE WORLD UNDERSCORE 00:02:00 IF YOU COULD GO ANYWHERE YOU WANTED, WOULD YOU BE ABLE TO CHOOSE? IS THE WORLD A BIG ENOUGH PLACE THAT YOU COULD JUST KEEP EXPLORING FOR EVER AND NEVER GET TIRED OF IT? LIGHT ACOUSTIC GUITARS AND STRINGS.

20. INSIDE YOUR HEAD 00:02:30 SOMETIMES YOUR THOUGHTS GO A MILE A MINUTE. SOMETIMES THEY SLOW TO A CRAWL. BUT THEY ARE ALWAYS YOUR THOUGHTS. THAT'S WHAT MAKES YOU SPECIAL. GENTLE, PENSIVE ELECTRIC GUITAR AND BANJO, BACKED BY STRINGS AND SYNTH PADS AND INTERSPERSED WITH DOBRO, PIANO, CELESTA AND OCCASIONAL BASS DRUM.

21. INSIDE YOUR HEAD UNDERSCORE 00:02:30 SOMETIMES YOUR THOUGHTS GO A MILE A MINUTE. SOMETIMES THEY SLOW TO A CRAWL. BUT THEY ARE ALWAYS YOUR THOUGHTS. THAT'S WHAT MAKES YOU SPECIAL. GENTLE, PENSIVE ELECTRIC GUITAR AND BANJO, BACKED BY SYNTH PADS.

22. LOOSEN IT UP 00:02:04 WHEN YOU'RE UPTIGHT, LETTING LOOSE CAN BE THE ONLY ANSWER. GET INTO A GROOVE AND YOU CAN MOVE ALL YOUR WORRIES AWAY OVERNIGHT. DISCO-INSPIRED TRACK WITH FUNKY GUITARS, BASS AND DRUMS, SUPPORTED BY KEYS, SYNTHS, CLASSIC STRING STINGS AND VOCAL EFFECTS.

23. LOOSEN IT UP INSTRUMENTAL 00:02:04 WHEN YOU'RE UPTIGHT, LETTING LOOSE CAN BE THE ONLY ANSWER. GET INTO A GROOVE AND YOU CAN MOVE ALL YOUR WORRIES AWAY OVERNIGHT. DISCO-INSPIRED TRACK WITH FUNKY GUITARS, BASS AND DRUMS, SUPPORTED BY KEYS, SYNTHS AND CLASSIC STRING STINGS.

24. LOOSEN IT UP UNDERSCORE 00:02:04 WHEN YOU'RE UPTIGHT, LETTING LOOSE CAN BE THE ONLY ANSWER. GET INTO A GROOVE AND YOU CAN MOVE ALL YOUR WORRIES AWAY OVERNIGHT. DISCO-INSPIRED TRACK WITH FUNKY GUITARS, SUPPORTED BY SYNTHS AND STRINGS.

25. THE BIG SECRET 00:01:53 WHAT'S EVERYONE WHISPERING ABOUT? SEEMS LIKE THE LATEST INTRIGUE IS THE TALK OF THE TOWN. HOW WILL WE GET TO THE BOTTOM OF THIS? QUIRKY KALIMBA AND TOY PIANO, BACKED BY MYSTERIOUS STRINGS, BREAKS INTO A BASS AND DRUM GROOVE WITH ELECTRIC GUITARS, SYNTHS AND GENTLE HORNS.

26. THE BIG SECRET UNDERSCORE 00:01:45 WHAT'S EVERYONE WHISPERING ABOUT? SEEMS LIKE THE LATEST INTRIGUE IS THE TALK OF THE TOWN. HOW WILL WE GET TO THE BOTTOM OF THIS? QUIRKY KALIMBA AND TOY PIANO, BACKED BY MYSTERIOUS STRINGS, WITH ELECTRIC GUITARS AND GENTLE HORNS.

27. IN THE FLUFF 00:02:11 LIFE ON CLOUD NINE ISN'T EVERYTHING YOU THOUGHT IT WOULD BE. FROM WAY UP HERE, EVERYTHING AND EVERYONE YOU USED TO KNOW FEELS A LITTLE TOO FAR AWAY. PENSIVE, SLIGHTLY MELANCHOLIC ELECTRIC GUITAR, DRIFTING OVER SUBTLE PIANO, KEYS AND STRINGS.

28. IN THE FLUFF UNDERSCORE 00:02:11 LIFE ON CLOUD NINE ISN'T EVERYTHING YOU THOUGHT IT WOULD BE. FROM WAY UP HERE, EVERYTHING AND EVERYONE YOU USED TO KNOW FEELS A LITTLE TOO FAR AWAY. PENSIVE, SLIGHTLY MELANCHOLIC ELECTRIC GUITAR, DRIFTING OVER SUBTLE KEYS.

29. STRONG WILL 00:02:17 LIFE IS FULL OF HARD KNOCKS AND TOUGH SURPRISES. YOU'VE GOT TO BE MADE OF TOUGH STUFF YOURSELF TO OVERCOME THE CHALLENGES AND RISE ABOVE THEM. DRIFTING PIANO, SYNTHS AND STRINGS SET THE SCENE FOR A GUITAR, BASS AND DRUM GROOVE, BUILDING INTO A MORE ENERGETIC RHYTHM.

30. STRONG WILL UNDERSCORE 00:02:17 LIFE IS FULL OF HARD KNOCKS AND TOUGH SURPRISES. YOU'VE GOT TO BE MADE OF TOUGH STUFF YOURSELF TO OVERCOME THE CHALLENGES AND RISE ABOVE THEM. DRIFTING SYNTHS SET THE SCENE FOR ELECTRIC GUITAR AND SUBTLE VIOLA.

31. DISILLUSIONED 00:01:40 IN LIFE, EVERYTHING IS NOT ALWAYS WHAT IT SEEMS. BE CAREFUL OF LOOKING TOO CLOSELY BEHIND THE CURTAIN - YOU MIGHT NOT LIKE WHAT YOU FIND THERE. NOSTALGIC STRINGS AND HORNS, TOGETHER WITH GENTLE GUITARS AND PIANO, SUPPORTED BY BASS, KALIMBA AND VOCAL PADS.

32. DISILLUSIONED INSTRUMENTAL 00:01:40 IN LIFE, EVERYTHING IS NOT ALWAYS WHAT IT SEEMS. BE CAREFUL OF LOOKING TOO CLOSELY BEHIND THE CURTAIN - YOU MIGHT NOT LIKE WHAT YOU FIND THERE. NOSTALGIC STRINGS AND HORNS, TOGETHER WITH GENTLE GUITARS AND PIANO, SUPPORTED BY BASS AND KALIMBA.

33. DISILLUSIONED UNDERSCORE 00:01:40 IN LIFE, EVERYTHING IS NOT ALWAYS WHAT IT SEEMS. BE CAREFUL OF LOOKING TOO CLOSELY BEHIND THE CURTAIN - YOU MIGHT NOT LIKE WHAT YOU FIND THERE. NOSTALGIC STRINGS AND HORNS, TOGETHER WITH GENTLE GUITARS AND PIANO, SUPPORTED BY BASS AND KALIMBA.

34. THE FIRST AND LAST TIME 00:02:13 SOME CONNECTIONS ARE LIFELONG. AND SOME DISAPPEAR AS QUICKLY AS THEY APPEARED. IN THE END, ARE WE ALL JUST LEAVES IN THE WIND? HEARTFELT, NOSTALGIC PIANO AND STRINGS, BUILDING IN EMOTION AND SUPPORTED BY SUBTLE ACOUSTIC GUITAR, BANJO, BASS AND DRUMS.

35. THE FIRST AND LAST TIME UNDERSCORE 00:02:10 SOME CONNECTIONS ARE LIFELONG. AND SOME DISAPPER AS QUICKLY AS THEY APPEARED. IN THE END, ARE WE ALL JUST LEAVES IN THE WIND? HEARTFELT, NOSTALGIC PIANO AND STRINGS, BUILDING IN EMOTION AND SUPPORTED BY SUBTLE ACOUSTIC GUITAR AND BANJO.

36. SELF REFLECT 00:02:06 CAN YOU LOOK INTO YOUR OWN INNER MIRROR AND ADMIT YOUR OWN FAULTS, INSTEAD OF BLAMING OTHERS? THIS IS THE SIGN OF TRUE CONSCIOUSNESS. EMOTIONAL ELECTRIC AND ACOUSTIC GUITARS AND STRINGS, INTERSPERSED WITH SUBTLE HANDPAN, PIANO AND BASS.

37. SELF REFLECT UNDERSCORE 00:02:06 CAN YOU LOOK INTO YOUR OWN INNER MIRROR AND ADMIT YOUR OWN FAULTS, INSTEAD OF BLAMING OTHERS? THIS IS THE SIGN OF TRUE CONSCIOUSNESS. EMOTIONAL ELECTRIC GUITARS.