RSM466
RSM RSM Consumer Affairs: Shady Operators 2Pensive; downbeat and investigative moods on synths; piano and percussion |
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1. DECEPTIONS 00:01:57 PULSING AND TICKING PERCUSSION; SYNTHS AND PIANO IN A NEUTRAL MOOD
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2. BAD SEED 00:02:16 ANXIOUS WAIT ON PERCUSSION; PIANO AND SYNTHS
23. BAD SEED 00:02:16 ALTERNATIVE
24. BAD SEED 00:02:16 ALTERNATIVE 2
50. BAD SEED 00:01:00 59 SEC
71. BAD SEED 00:00:30 29 SEC
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3. IN A BLIND 00:02:41 SUBDUED AND ANXIOUS RHODES WITH DEVELOPING LAYERS OF TENSION
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4. EXPOSED 00:02:57 DARK; PULSING NERVOUSNESS ON ELECTRIC GUITAR; SYNTHS AND PERCUSSION
26. EXPOSED 00:02:57 ALTERNATIVE
27. EXPOSED 00:02:57 ALTERNATIVE 2
52. EXPOSED 00:01:00 59 SEC
73. EXPOSED 00:00:30 29 SEC
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5. EXPLORATION MYSTERY 00:02:41 UNCERTAIN; APPREHENSIVE AND REPETITIVE MALLETS WITH PERCUSSION
28. EXPLORATION MYSTERY 00:01:50 ALTERNATIVE
53. EXPLORATION MYSTERY 00:01:03 59 SEC
74. EXPLORATION MYSTERY 00:00:33 29 SEC
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6. LEAVING NO TRACE 00:02:58 LIGHT QUESTIONING FEEL ON HIGH SYNTHS AND PERCUSSION
29. LEAVING NO TRACE 00:02:57 ALTERNATIVE
54. LEAVING NO TRACE 00:00:59 59 SEC
75. LEAVING NO TRACE 00:00:29 29 SEC
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7. TECH ANALYSIS 00:02:51 TECHY SYNTHS AND DRIVING BEAT FOR AN ONLINE INVESTIGATION IN MOTION
30. TECH ANALYSIS 00:02:51 ALTERNATIVE
31. TECH ANALYSIS 00:02:51 ALTERNATIVE 2
55. TECH ANALYSIS 00:01:00 59 SEC
76. TECH ANALYSIS 00:00:30 29 SEC
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8. TAKING ADVANTAGE 00:02:07 APPREHENSIVE UNDERSCORE BUILDS WITH STOPS; BELLS AND DRIVING DEEP SYNTHS
32. TAKING ADVANTAGE 00:02:07 ALTERNATIVE
56. TAKING ADVANTAGE 00:01:03 59 SEC
77. TAKING ADVANTAGE 00:00:29 29 SEC
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9. DARKER ANALYSIS 00:02:27 PULSING MINIMAL SYNTHS FOR NERVOUS ANTICIPATION
33. DARKER ANALYSIS 00:02:27 ALTERNATIVE
57. DARKER ANALYSIS 00:01:00 59 SEC
78. DARKER ANALYSIS 00:00:31 29 SEC
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10. NOT SITTING RIGHT 00:02:26 UNEASY MALLETS AND PULSES BUILD TO GROWING TENSION
34. NOT SITTING RIGHT 00:02:26 ALTERNATIVE
35. NOT SITTING RIGHT 00:02:26 ALTERNATIVE 2
58. NOT SITTING RIGHT 00:01:00 59 SEC
79. NOT SITTING RIGHT 00:00:30 29 SEC
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11. NO PEACE OF MIND 00:02:31 HESITANT BUT DETERMINED PIANO; SYNTHS AND PERCUSSION
36. NO PEACE OF MIND 00:02:31 ALTERNATIVE
59. NO PEACE OF MIND 00:00:59 59 SEC
80. NO PEACE OF MIND 00:00:29 29 SEC
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12. HIDDEN AGENDAS 00:01:48 PIANO MELODY WITH DEEP PULSING BASS BUILD TO A DRAMATIC TENSION
37. HIDDEN AGENDAS 00:01:48 ALTERNATIVE
60. HIDDEN AGENDAS 00:00:59 59 SEC
81. HIDDEN AGENDAS 00:00:29 29 SEC
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13. PRE MEDITATED 00:02:30 DRIVING EDGY SYNTH PULSES CREATE AN ATMOSPHERE OF SURVEILLANCE
38. PRE MEDITATED 00:02:30 ALTERNATIVE
39. PRE MEDITATED 00:02:22 ALTERNATIVE 2
61. PRE MEDITATED 00:01:00 59 SEC
82. PRE MEDITATED 00:00:30 29 SEC
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14. TRICKY SITUATION 00:02:27 BASS PULSES; PIANO AND EDGY PERCUSSION GIVE A TONE OF CONTINUING INVESTIGATION
40. TRICKY SITUATION 00:02:26 ALTERNATIVE
62. TRICKY SITUATION 00:00:59 59 SEC
83. TRICKY SITUATION 00:00:29 29 SEC
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15. PENSIVE PULSES 00:02:22 FAST; EDGY AND STRESSFUL SYNTHS AND PERCUSSION FOR A REVEAL
41. PENSIVE PULSES 00:02:21 ALTERNATIVE
63. PENSIVE PULSES 00:00:59 59 SEC
84. PENSIVE PULSES 00:00:29 29 SEC
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16. RACE FOR THE FACTS 00:02:30 NERVOUS AND UNEASY MOOD ON SYNTHS AND GUITAR
42. RACE FOR THE FACTS 00:02:30 ALTERNATIVE
64. RACE FOR THE FACTS 00:01:12 59 SEC
85. RACE FOR THE FACTS 00:00:41 29 SEC
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17. COUNTDOWN 00:03:05 ANXIOUS WAIT ON MARIMBA AND SYNTHS FOR A DECISION PENDING
43. COUNTDOWN 00:03:05 ALTERNATIVE
44. COUNTDOWN 00:02:51 ALTERNATIVE 2
65. COUNTDOWN 00:01:00 59 SEC
86. COUNTDOWN 00:00:29 29 SEC
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18. TENSION NARRATIVE 00:02:31 PENSIVE ELECTRIC GUITAR AND SYNTHS COMBINE WITH PERCUSSION
45. TENSION NARRATIVE 00:02:24 ALTERNATIVE
66. TENSION NARRATIVE 00:01:14 59 SEC
87. TENSION NARRATIVE 00:00:38 29 SEC
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19. DARK MONEY 00:01:47 MYSTERIOUS TECHNOLOGY THEME ON SYNTHS AND STRINGS
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20. SHODDY WORK 00:02:24 TECHY SYNTHS JOINED BY PIANO MELODY FOR A TENSE MOOD
47. SHODDY WORK 00:02:24 ALTERNATIVE
68. SHODDY WORK 00:00:59 59 SEC
89. SHODDY WORK 00:00:28 29 SEC
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21. ULTERIOR MOTIVES 00:01:48 UNCERTAINTY BUILDS ON PIANO JOINED BY PERCUSSION
48. ULTERIOR MOTIVES 00:01:48 ALTERNATIVE
69. ULTERIOR MOTIVES 00:00:59 59 SEC
90. ULTERIOR MOTIVES 00:00:29 29 SEC