RSM517
RSM RSM Lift OffEpic, trailerized swagger intros for superstars at the apex of their powers! |
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1. FEELS LIKE A MOVIE 00:02:02 STOMPING AND ACTION PACKED PERCUSSION, TRAILER FX, BRASS AND FEMALE VOCALS
14. FEELS LIKE A MOVIE 00:02:02 UNDERSCORE
23. FEELS LIKE A MOVIE 00:00:29 29 SEC
36. FEELS LIKE A MOVIE 00:01:01 59 SEC
53. FEELS LIKE A MOVIE 00:02:02 INSTRUMENTAL
68. FEELS LIKE A MOVIE 00:01:54 UNDERSCORE B
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2. ELECTRO STOMPER 00:02:30 PUMPING AND SWAGGERING STADIUM ROCK WITH TRAILER FX FOR IMPACT AND ACTION
15. ELECTRO STOMPER 00:02:30 UNDERSCORE
24. ELECTRO STOMPER 00:00:31 29 SEC
37. ELECTRO STOMPER 00:01:00 59 SEC
66. ELECTRO STOMPER 00:00:31 UNDERSCORE 30S
67. ELECTRO STOMPER 00:01:00 UNDERSCORE 60S
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3. FREE PRACTICE 00:02:05 DRIVING, CLIMACTIC ELECTRONICA WITH RISING SYNTHS
16. FREE PRACTICE 00:02:04 UNDERSCORE
25. FREE PRACTICE 00:00:23 29 SEC
38. FREE PRACTICE 00:00:59 59 SEC
57. FREE PRACTICE 00:02:04 NO ARPS
61. FREE PRACTICE 00:02:04 NO TOPLINES
63. FREE PRACTICE 00:02:04 REDUCED ARPS + TOPLINES
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4. BACKYARD BALLER 00:01:55 ATMOSPHERIC AND GRITTY HIP HOP WITH PERCUSSIVE DRIVE, RISERS AND VOCAL FX
17. BACKYARD BALLER 00:01:55 UNDERSCORE
26. BACKYARD BALLER 00:00:30 29 SEC
39. BACKYARD BALLER 00:01:00 59 SEC
69. BACKYARD BALLER 00:01:55 UNDERSCORE B
70. BACKYARD BALLER 00:01:55 UNDERSCORE C
71. BACKYARD BALLER 00:01:55 UNDERSCORE D
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5. SHRED ON ARRIVAL 00:02:05 CINEMATIC HIP HOP WITH BRASS, STRINGS, SFX AND SYNTHS
18. SHRED ON ARRIVAL 00:02:05 UNDERSCORE
27. SHRED ON ARRIVAL 00:00:29 29 SEC
40. SHRED ON ARRIVAL 00:00:59 59 SEC
54. SHRED ON ARRIVAL 00:02:05 INSTRUMENTAL
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6. CONCRETE LOOPS 00:01:42 IMPOSING AND REVERED MOODS ON SYNTHS, BASS AND ELECTRONIC DRUMS
28. CONCRETE LOOPS 00:00:33 29 SEC
41. CONCRETE LOOPS 00:01:03 59 SEC
49. CONCRETE LOOPS 00:01:42 ALTERNATIVE MIX
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7. ON IT 00:02:19 DRIVING, ENERGETIC ELECTRONICA WITH RISING SYNTHS
19. ON IT 00:02:19 UNDERSCORE
29. ON IT 00:00:29 29 SEC
42. ON IT 00:00:59 59 SEC
58. ON IT 00:02:19 NO ARPS
62. ON IT 00:02:19 NO TOPLINES
64. ON IT 00:02:19 REDUCED ARPS AND TOPLINES
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8. DEADBOLT 00:02:09 PERCUSSION DRIVEN ATTITUDE AND SWAGGER ON GUITAR, DRUMS, HORNS, SYNTHS AND SFX
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9. BEEN HERE BEFORE 00:03:17 GRANDURE AND ACHIEVEMENT MOODS IN MID-TEMPO ELECTRONICA
21. BEEN HERE BEFORE 00:03:17 UNDERSCORE
31. BEEN HERE BEFORE 00:00:29 29 SEC
44. BEEN HERE BEFORE 00:01:00 59 SEC
52. BEEN HERE BEFORE 00:03:08 FASTER BPM
56. BEEN HERE BEFORE 00:03:13 LESS ARPS AND TOPLINES MIX
59. BEEN HERE BEFORE 00:03:17 NO ARPS MIX
60. BEEN HERE BEFORE 00:03:13 NO TOPLINE MIX
65. BEEN HERE BEFORE 00:03:17 REDUCED ARPS MIX
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10. ACHILLES HEEL 00:01:50 STOMPING SYNTHS, PERCUSSION AND BASS FOR OPENING SCENES
32. ACHILLES HEEL 00:00:30 29 SEC
45. ACHILLES HEEL 00:01:00 59 SEC
50. ACHILLES HEEL 00:01:50 ALTERNATIVE MIX
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11. PACER 00:02:14 DRIVING, INDIE ELECTRONICA WITH RISING STRINGS
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12. POLE SITTER 00:02:06 EDGY BREAKBEAT WITH VOCAL SAMPLE AND UPLIFTING TONE
22. POLE SITTER 00:02:06 UNDERSCORE
34. POLE SITTER 00:00:37 29 SEC
47. POLE SITTER 00:01:07 59 SEC
55. POLE SITTER 00:02:06 INSTRUMENTAL
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13. GRID 00:02:06 DRAMATIC, CLIMACTIC ELECTRONICA WITH RISING SYNTHS