SAS0063
SONOTON SONOTON AUTHENTIC SERIES - SAS AUTHENTIC AFRICA 2Authentic West and South African vocal and instrumental music, played by local performers on original instruments. |
-
1. SHUU SHITY 00:01:32 LIVELY KIKUM (MASQUERADE) DANCE, USED FOR DEATH CELEBRATIONS, SOCIAL FEASTS EXCEPT MARRIAGES. NJAN KIKUM, KITOM KE NCUM & NCOO
-
2. KOY KOY FINJI 00:01:30 LIVELY KIKUM DANCE. NJAN KIKUM, KITOM KE NCUM & NCOO
-
3. MOO SHAAFEE 00:01:32 RHYTHMIC FLUTE OSTINATO USED FOR FESTIVITIES AND DANCING. 7 FLUTES WITH MANKAR / KITOM KE NCUM & MBACA'
-
4. MOO LAN 00:02:51 VOCAL - MALE SONG WITH GRACEFUL DANCE RHYTHM FROM THE BAMENDA REGION - LYRICS ABOUT LIFE AND DEATH IN THE LAMNSO' LANGUAGE. MALE VOCAL AND CHORUS WITH PERCUSSION
-
5. SHITY FO 00:01:23 MID-TEMPO XYLOPHONE MUSIC, USED TO USHER DANCERS OF KIKUM INTO THE DANCE ARENA. VITU, KITOM KE NCUM, NGU' & NCOO
-
-
7. MBIN WIYI 00:01:31 DANCE RHYTHM WITH VOICE FLUTE. 2 FLUTES WITH DRUMS AND NET CALABASH-MBA'
-
8. DOOTILA 00:01:59 VOCAL - FUNTIME SONG AND DANCE - FUN LYRICS WITH NO REAL MEANING, IN THE LAMNSO' LANGUAGE. MALE VOCAL AND CHORUS WITH MANKAR / KITUM KE NCUM, SIRI, KIKWAKWAR & MBA'
-
9. YIR WAN 00:01:39 LIVELY NGEM MUSIC FOR THE PREPARATIONS OF A CEREMONY - MANKAR / NKUM, SIRI & MBA'
-
10. KINTO SHUY 00:01:29 TITLE MEANING 'SUNRISE'. MANKAR / NKUM, SIRI & MBA'
-
11. TAAGWARI SAAMBA 00:01:55 FAST RHYTHM USED FOR SOCIAL EVENTS AND RECEIVING IMPORTANT VISITORS. NJAN SAAMBA / MANKAR / KITOM KE NCUM & NYOY NJON
-
12. KINKANSAAR SAAMBA 00:01:40 MID-TEMPO RHYTHM USED FOR SOCIAL EVENTS AND FOR MOVING TO CEREMONIAL GROUNDS. NJAN SAAMBA / MANKAR / KITOM KE NCUM & NYOY NJON
-
-
14. NIINI KIBVER 00:01:33 POPULAR RHYTHM FOR SOCIAL FESTIVITIES. FLUTES WITH MANKAR / KITOM KE NCUM & MBACA'
-
15. TAASHINGEY 00:02:36 VOCAL - VOCAL DANCE TRACK - LYRICS ABOUT WOMEN BEING DESPISED BY THEIR HUSBANDS AFTER MANY YEARS OF MARRIAGE - A SONG FOR WOMEN'S LIBERATION. MALE VOCAL WITH MBA' & KIKWAKWAR
-
16. SIM DU WAY 00:01:53 MALE SONG ABOUT THE QUESTION IF A SIM (SKUNK) GOES TO THE MARKET AFTER CATCHING A CHICKEN. MALE VOCAL AND CHORUS WITH NCUM & MBA'
-
17. WULU 00:02:22 WEST AFRICAN GOSPEL VOICES SINGING WULU (TO BE BORN) IN THE MANDINGO DIALECT, RECORDED ON LOCATION
-
18. RHYTHM DANCING 00:01:55 GAMBIAN RHYTHM BAND FEATURING KORA
-
-
20. KITA FOLY 00:02:51 MALINKE RHYTHM OF KITA, MALI WITH NGONI FIGURATIONS
-
-
22. NYOUMAYA 00:02:51 LIVELY NGONI INTRO TO MID-TEMPO ENSEMBLE PIECE
-
23. SINDJIYA 00:02:57 UP-TEMPO ENSEMBLE PIECE, ORIGINATING IN SENEGAL
-
24. MADY DIAWARA 00:03:28 MALE VOCAL BALLAD IN THE MANDINGO LANGUAGE, ACCOMPANIED BY BALAFON & NGONI - LYRICS ABOUT THANKS TO MADY DIAWARA WHO HELPED MANY PEOPLE, ESPECIALLY THE GRIOT PEOPLE
-
25. A SALUTE TO CHEICK NA HAMALA 00:03:03 2 NGONIS WITH PERCUSSION - CHEICK NA HAMALA WAS A DEVOUT MUSLIM WHO PRAYED FOR OTHER PEOPLE AND WORKED MIRACLES, EVEN AFTER HIS DEATH
-
26. ANNA DANOU 00:02:33 VIVID, DESCRIPTIVE CHILDREN'S MUSIC FEATURING NGONI & BALAFON
-
27. IMAKOUND 00:01:57 MID-TEMPO ENSEMBLE PIECE
-
28. DJIGUIYA 00:02:54 LIVELY ENSEMBLE PIECE FEATURING BALAFON
-
29. ZULU GROUP 00:01:14 GROUP SINGING WITH LOUD WHISTLE
-
30. UMGULULA 00:01:12 UMGULULA AND TRADITIONAL DRUMS PLUS WHISTLE GROOVE
-
31. NDUMU 00:01:41 BOW INSTRUMENT AND TONGA VOICE FROM THE NORTH ZULULAND, SOUTH MOZAMBIQUE, RECORDED ON LOCATION
-
32. SCRAPING STICK 00:01:19 ZULU SCRAPING STICK IN MOUTH
-
33. MOUTH HARP 00:00:59 COMMERCIAL LENGTH; TONGA WOMAN WITH MOUTH HARP
-
34. TIN WHISTLE 00:00:46 TIN WHISTLE SOLO
-
35. ZULU DRUMS 00:01:02 DRAMATIC DRUM LOOP
-
36. GROUP SINGING 00:02:05 ZULU GROUP SINGING