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SCD0539
SONOTON SONOTON - SCD UNDERSCORING DRAMA 2 - MOST WANTEDAnother serious look at contemporary dramatic action for TV and film. Companion to SCD 373. |
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1. MISSION PREP A 00:02:07 HEROIC MILITARY CALL TO ACTION WITH HEAVY PERCUSSION, STRINGS AND BRASS - 118 BPM (CMIN)
32. MISSION PREP 00:01:01 COMMERCIAL
43. MISSION PREP 00:00:31 COMMERCIAL
2. MISSION PREP B 00:01:38 GENERAL_UNDERSCORE; LIGHT
3. MISSION PREP C 00:01:18 GENERAL_UNDERSCORE; LIGHT
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4. FLASHLIGHT SEARCH A 00:02:04 DARK DRONES, TENSE TEXTURES, ECHOING PIANO AND EDGY GROOVES - 106 BPM (BMIN / EMIN); (BMIN-EMIN)
33. FLASHLIGHT SEARCH 00:01:01 COMMERCIAL
44. FLASHLIGHT SEARCH 00:00:31 COMMERCIAL
5. FLASHLIGHT SEARCH B 00:01:36 GENERAL_UNDERSCORE; LIGHT
6. FLASHLIGHT SEARCH C 00:02:04 GENERAL_UNDERSCORE; LIGHT
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7. WHEELS OF JUSTICE A 00:02:06 PERSISTENT, BUILDING CHASE WITH STRONG GROOVES AND BASS LINES - 120 BPM (DMIN / EMIN / FMIN); (DMIN-EMIN-FMIN)
34. WHEELS OF JUSTICE 00:01:02 COMMERCIAL
45. WHEELS OF JUSTICE 00:00:31 COMMERCIAL
8. WHEELS OF JUSTICE B 00:00:21 GENERAL_UNDERSCORE
9. WHEELS OF JUSTICE C 00:00:21 GENERAL_UNDERSCORE
10. WHEELS OF JUSTICE D 00:01:38 GENERAL_UNDERSCORE; LIGHT
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11. REACH ACROSS TIME A 00:02:14 URGENT CRY FOR HELP BUILDS IN INTENSITY WITH ROLLING PIANO, BELLS AND PERCUSSION - 120 BPM (BBMIN / EBMIN); (BBMIN-EBMIN)
35. REACH ACROSS TIME 00:01:01 COMMERCIAL
46. REACH ACROSS TIME 00:00:31 COMMERCIAL
12. REACH ACROSS TIME B 00:01:42 LIGHT
13. REACH ACROSS TIME C 00:01:42 GENERAL_UNDERSCORE; LIGHT
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14. UNANSWERED QUESTIONS A 00:02:51 SLOW METHODIC GROOVES PUSH THIS INVESTIGATION FORWARD - 70 BPM (EBMIN / ABMIN); (EBMIN-ABMIN)
36. UNANSWERED QUESTIONS 00:01:01 COMMERCIAL
47. UNANSWERED QUESTIONS 00:00:31 COMMERCIAL
15. UNANSWERED QUESTIONS B 00:01:51 GENERAL_UNDERSCORE; LIGHT
16. UNANSWERED QUESTIONS C 00:01:57 RYTHMIC_UNDERSCORE
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17. TAKE DOWN A 00:02:07 BIG CHASE WITH STRONG PERCUSSION - 130 BPM (DMIN / GMIN); (DMIN-GMIN)
37. TAKE DOWN 00:01:02 COMMERCIAL
48. TAKE DOWN 00:00:31 COMMERCIAL
18. TAKE DOWN B 00:01:38 RYTHMIC_UNDERSCORE
19. TAKE DOWN C 00:01:38 GENERAL_UNDERSCORE; LIGHT
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20. TRACKING A SCENT A 00:02:26 ATMOSPHERIC TEXTURES AND MODERN PERCUSSION DRIVE THIS HUNT - 120 BPM (EMIN / AMIN); (EMIN-AMIN)
38. TRACKING A SCENT 00:01:01 COMMERCIAL
49. TRACKING A SCENT 00:00:31 COMMERCIAL
21. TRACKING A SCENT B 00:01:42 GENERAL_UNDERSCORE; LIGHT
22. TRACKING A SCENT C 00:01:47 GENERAL_UNDERSCORE; LIGHT
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23. UNSPEAKABLE NIGHTMARE A 00:02:11 SCARY FX, HITS AND TEXTURES - ENDS WITH WAKING FROM NIGHTMARE
39. UNSPEAKABLE NIGHTMARE 00:00:59 COMMERCIAL
50. UNSPEAKABLE NIGHTMARE 00:00:29 COMMERCIAL
24. UNSPEAKABLE NIGHTMARE B 00:01:38 GENERAL_UNDERSCORE; LIGHT
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25. DEEP OCEAN SHIMMER A 00:02:35 AMBIENT INTRO - DEEP BASS, SHIMMERING PIANO AND FX WITH GROOVE START AT :30 - 102 BPM (AMIN / GMIN); (AMIN-GMIN)
40. DEEP OCEAN SHIMMER 00:01:00 COMMERCIAL
51. DEEP OCEAN SHIMMER 00:00:32 COMMERCIAL
26. DEEP OCEAN SHIMMER B 00:02:07 GENERAL_UNDERSCORE; LIGHT
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27. TWISTED AFFAIR A 00:02:25 PERSONAL CRISIS INTENSIFIES AS PIANO AND PERCUSSION JOIN IN - 125 BPM (C#MIN)
41. TWISTED AFFAIR 00:01:01 COMMERCIAL
52. TWISTED AFFAIR 00:00:31 COMMERCIAL
28. TWISTED AFFAIR B 00:01:54 GENERAL_UNDERSCORE; LIGHT
29. TWISTED AFFAIR C 00:01:55 GENERAL_UNDERSCORE; LIGHT
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30. SAD INNOCENT CHILD A 00:02:00 TENDER PIANO WITH LOW STRINGS AND HIGH VOX - 70 BPM (FMIN)
42. SAD INNOCENT CHILD 00:01:01 COMMERCIAL
53. SAD INNOCENT CHILD 00:00:31 COMMERCIAL
31. SAD INNOCENT CHILD B 00:02:00 GENERAL_UNDERSCORE; LIGHT