 |
SCDV1156
SONOTON SONOTON VANGUARD - SCDV HYPERPOPEclectic, neon-bright, hyped-up, stop-start, sugar-rush vocal pop that defies categorisation, blending elements of PC music, J-Pop, Synth Pop and video game music. |
-
1. CREATED A MONSTER A 00:02:06 FRENETIC DIZZYING HYPERPOP FOR ADVERTISING AND FASHION WITH MANIC STOP-START RHYTHMS, BRIGHT, BUZZING PULSING SYNTHS AND HYPER-PROCESSED VOCALS.
2. CREATED A MONSTER B 00:00:32 COMMERCIAL; COMMERCIAL
3. CREATED A MONSTER C 00:00:16 COMMERCIAL; COMMERCIAL
4. CREATED A MONSTER D 00:02:05 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
5. CREATED A MONSTER E 00:00:32 COMMERCIAL; COMMERCIAL
6. CREATED A MONSTER F 00:00:16 COMMERCIAL; COMMERCIAL
7. CREATED A MONSTER G 00:02:03 LIGHT; LIGHT
8. CREATED A MONSTER H 00:00:29 COMMERCIAL; COMMERCIAL
9. CREATED A MONSTER I 00:00:16 COMMERCIAL; COMMERCIAL
-
10. HYPERPOP A 00:02:09 SHIMMERING, EUPHORIC BUZZY HYPERPOP FOR ADVERTISING AND FASHION WITH WOOZY ACOUSTIC GUITAR RIFF, DRIVING DRUMS, PUMPING SYNTHS AND VOCODER VOCALS.
11. HYPERPOP B 00:00:32 COMMERCIAL; COMMERCIAL
12. HYPERPOP C 00:00:15 COMMERCIAL; COMMERCIAL
13. HYPERPOP D 00:02:09 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
14. HYPERPOP E 00:00:32 COMMERCIAL; COMMERCIAL
15. HYPERPOP F 00:00:15 COMMERCIAL; COMMERCIAL
16. HYPERPOP G 00:02:09 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
17. HYPERPOP H 00:00:31 COMMERCIAL; COMMERCIAL
18. HYPERPOP I 00:00:15 COMMERCIAL; COMMERCIAL
-
19. I GOT BUTTERFLIES A 00:01:56 DRIVING ENERGETIC HYPERPOP FOR ADVERTISING, FASHION AND SPORT WITH PROPULSIVE DRUMS, GLIMMERING SYNTHS, DISTORTED GUITARS AND AUTO-TUNED VOCALS.
20. I GOT BUTTERFLIES B 00:00:31 COMMERCIAL; COMMERCIAL
21. I GOT BUTTERFLIES C 00:00:16 COMMERCIAL; COMMERCIAL
22. I GOT BUTTERFLIES D 00:01:56 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
23. I GOT BUTTERFLIES E 00:00:31 COMMERCIAL; COMMERCIAL
24. I GOT BUTTERFLIES F 00:00:16 COMMERCIAL; COMMERCIAL
25. I GOT BUTTERFLIES G 00:01:56 RYTHMIC_UNDERSCORE; RYTHMIC_UNDERSCORE
26. I GOT BUTTERFLIES H 00:00:31 COMMERCIAL; COMMERCIAL
27. I GOT BUTTERFLIES I 00:00:16 COMMERCIAL; COMMERCIAL
-
28. NO ONE TO RUN TO A 00:02:19 JOYFUL VIVID HYPERPOP FOR ADVERTISING AND FASHION WITH LO-FI GUITAR LOOP, BUZZY BASS, BRIGHT SYNTHS, INSISTENT DRUMS AND THICK PROCESSED VOCALS.
29. NO ONE TO RUN TO B 00:00:29 COMMERCIAL; COMMERCIAL
30. NO ONE TO RUN TO C 00:00:16 COMMERCIAL; COMMERCIAL
31. NO ONE TO RUN TO D 00:02:19 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
32. NO ONE TO RUN TO E 00:00:29 COMMERCIAL; COMMERCIAL
33. NO ONE TO RUN TO F 00:00:16 COMMERCIAL; COMMERCIAL
34. NO ONE TO RUN TO G 00:02:03 RYTHMIC_UNDERSCORE; RYTHMIC_UNDERSCORE
35. NO ONE TO RUN TO H 00:00:28 COMMERCIAL; COMMERCIAL
36. NO ONE TO RUN TO I 00:00:16 COMMERCIAL; COMMERCIAL
-
37. I JUST WANNA HANG WITH YOU A 00:02:50 GLOSSY HYPERPOP FOR FASHION AND ADVERTISING WITH BUBBLY ARPEGGIOS, HEAVY SYNTH HITS, CHOPPY STOP-START DRUMS AND SLEEK FEMALE VOCAL.
38. I JUST WANNA HANG WITH YOU B 00:00:33 COMMERCIAL; COMMERCIAL
39. I JUST WANNA HANG WITH YOU C 00:00:16 COMMERCIAL; COMMERCIAL
40. I JUST WANNA HANG WITH YOU D 00:02:50 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
41. I JUST WANNA HANG WITH YOU E 00:00:33 COMMERCIAL; COMMERCIAL
42. I JUST WANNA HANG WITH YOU F 00:00:16 COMMERCIAL; COMMERCIAL
43. I JUST WANNA HANG WITH YOU G 00:02:51 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
44. I JUST WANNA HANG WITH YOU H 00:00:33 COMMERCIAL; COMMERCIAL
45. I JUST WANNA HANG WITH YOU I 00:00:16 COMMERCIAL; COMMERCIAL
-
46. NO MATTER WHAT YOU SAY A 00:02:50 POWERFUL EDGY HYPERPOP FOR ADVERTISING, FASHION AND SPORT WITH BRIGHT RAVEY SYNTHS, HEAVY GUITARS, CHUNKY DRUMS AND ASSERTIVE FEMALE VOCAL.
47. NO MATTER WHAT YOU SAY B 00:00:31 COMMERCIAL; COMMERCIAL
48. NO MATTER WHAT YOU SAY C 00:00:15 COMMERCIAL; COMMERCIAL
49. NO MATTER WHAT YOU SAY D 00:02:50 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
50. NO MATTER WHAT YOU SAY E 00:00:31 COMMERCIAL; COMMERCIAL
51. NO MATTER WHAT YOU SAY F 00:00:15 COMMERCIAL; COMMERCIAL
-
52. THIN LINE A 00:02:28 HYPERACTIVE WILD HYPERPOP FOR FASHION AND ADVERTISING WITH MANIC DRUMS, BOOMING 808 BASS, DAZZLING SYNTHS AND HEAVILY PROCESSED CUT-UP VOCALS.
53. THIN LINE B 00:00:30 COMMERCIAL; COMMERCIAL
54. THIN LINE C 00:00:16 COMMERCIAL; COMMERCIAL
55. THIN LINE D 00:02:28 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
56. THIN LINE E 00:00:30 COMMERCIAL; COMMERCIAL
57. THIN LINE F 00:00:16 COMMERCIAL; COMMERCIAL
-
58. SPACE SHIP HIGH A 00:02:18 URGENT HYPERPOP FOR FASHION, ADVERTISING AND SPORT WITH MANIC DRUMS, DISTORTED GUITARS, DRIVING BASS, BRIGHT SYNTHS AND CONFIDENT FEMALE VOCAL.
59. SPACE SHIP HIGH B 00:00:31 COMMERCIAL; COMMERCIAL
60. SPACE SHIP HIGH C 00:00:16 COMMERCIAL; COMMERCIAL
61. SPACE SHIP HIGH D 00:02:15 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
62. SPACE SHIP HIGH E 00:00:31 COMMERCIAL; COMMERCIAL
63. SPACE SHIP HIGH F 00:00:15 COMMERCIAL; COMMERCIAL
64. SPACE SHIP HIGH G 00:02:15 RYTHMIC_UNDERSCORE; RYTHMIC_UNDERSCORE
65. SPACE SHIP HIGH H 00:00:31 COMMERCIAL; COMMERCIAL
66. SPACE SHIP HIGH I 00:00:14 COMMERCIAL; COMMERCIAL
-
67. VAN DER GRAAF A 00:02:06 MINIMAL PERCUSSIVE HYPERPOP FOR FASHION AND ADVERTISING WITH BRASH METALLIC BEAT, DISTORTED BASS, BIG CHORUS SYNTH RIFF AND HYPER-PROCESSED VOCALS.
68. VAN DER GRAAF B 00:00:29 COMMERCIAL; COMMERCIAL
69. VAN DER GRAAF C 00:00:15 COMMERCIAL; COMMERCIAL
70. VAN DER GRAAF D 00:02:06 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
71. VAN DER GRAAF E 00:00:29 COMMERCIAL; COMMERCIAL
72. VAN DER GRAAF F 00:00:15 COMMERCIAL; COMMERCIAL
-
73. BATHROOM FLOOR A 00:01:48 EXPLICIT LANGUAGE. PARENTAL ADVISORY! AGGRESSIVE HYPERPOP WITH MINIMAL DISTORTED BEAT AND SYNTHS, PROCESSED VOCAL SAMPLES AND DISTORTED LEAD VOCAL.
74. BATHROOM FLOOR B 00:00:29 COMMERCIAL; COMMERCIAL
75. BATHROOM FLOOR C 00:00:15 COMMERCIAL; COMMERCIAL
76. BATHROOM FLOOR D 00:01:48 LIGHT; LIGHT
77. BATHROOM FLOOR E 00:00:29 COMMERCIAL; COMMERCIAL
78. BATHROOM FLOOR F 00:01:47 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
79. BATHROOM FLOOR G 00:00:28 COMMERCIAL; COMMERCIAL
80. BATHROOM FLOOR H 00:00:14 COMMERCIAL; COMMERCIAL
-
81. THIS IS GETTING REAL A 00:02:25 BRIGHT HYPERPOP FOR ADVERTISING AND FASHION WITH DRIVING DYNAMIC DRUMS, PULSING BRASH SYNTH RIFFS AND PLAYFUL OVER-TUNED FEMALE LEAD VOCAL.
82. THIS IS GETTING REAL B 00:00:31 COMMERCIAL; COMMERCIAL
83. THIS IS GETTING REAL C 00:00:16 COMMERCIAL; COMMERCIAL
84. THIS IS GETTING REAL D 00:02:25 GENERAL_UNDERSCORE; GENERAL_UNDERSCORE
85. THIS IS GETTING REAL E 00:00:31 COMMERCIAL; COMMERCIAL
86. THIS IS GETTING REAL F 00:00:16 COMMERCIAL; COMMERCIAL
87. THIS IS GETTING REAL G 00:02:18 RYTHMIC_UNDERSCORE; RYTHMIC_UNDERSCORE
88. THIS IS GETTING REAL H 00:00:31 COMMERCIAL; COMMERCIAL
89. THIS IS GETTING REAL I 00:00:16 COMMERCIAL; COMMERCIAL