TCTSDX029
TONAL CHAOS TONAL CHAOS TRAILER TOOLS Signature Sounds - In All Keys (vol. 4 )Find Your Signature Sound....volume 4! This massive collection of signature sounds have all been meticulously hand-crafted and designed to help unleash your imagination and creativity to the world. Each Sound Design element has been recorded in each key, making adaptability a breeze! |
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35. BRIGANT (A) (FULL MIX) 00:00:10 A LOW BOOM AND A SHARP DIGITAL SOUND THAT BENDS DOWN AND THEN QUICKLY UP.
36. BRIGANT (B) (ALT MIX) 00:00:10
37. BRIGANT (C) (ALT MIX) 00:00:10
38. BRIGANT (D) (ALT MIX) 00:00:10
39. BRIGANT (E) (ALT MIX) 00:00:10
40. BRIGANT (F) (ALT MIX) 00:00:10
41. BRIGANT (G) (ALT MIX) 00:00:08
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42. GARGANTUAN (A) (FULL MIX) 00:00:08 A BRIGHT DIGITAL SYNTH THAT JUMPS FROM A HIGHER OCTAVE TO A LOWER ONE BEFORE BURNING OUT.
43. GARGANTUAN (B) (ALT MIX) 00:00:08
44. GARGANTUAN (C) (ALT MIX) 00:00:08
45. GARGANTUAN (D) (ALT MIX) 00:00:08
46. GARGANTUAN (E) (ALT MIX) 00:00:08
47. GARGANTUAN (F) (ALT MIX) 00:00:08
48. GARGANTUAN (G) (ALT MIX) 00:00:09
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49. DDAY (C) (FULL MIX) 00:00:13 A CRY OF SONAR RINGS OUT AND BENDS OVER A LOWER PIANO AND SYNTH BED.
50. DDAY (D) (ALT MIX) 00:00:13
51. DDAY (E) (ALT MIX) 00:00:13
52. DDAY (F) (ALT MIX) 00:00:14
53. DDAY (G) (ALT MIX) 00:00:12
54. DDAY (A) (ALT MIX) 00:00:13
55. DDAY (B) (ALT MIX) 00:00:15
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56. POWERED UP AND DOWN (FULL MIX) 00:00:21 A SLIDING SHRILL FROM A DISTORTED ELECTRIC GUITAR GIVES US A FEELING THAT SOMETHING JUST ISN'T RIGHT.
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57. SCREAM LEADER (A) (FULL MIX) 00:00:10 A WHIRLING SYNTH FILLED WITH ALARM AND SINISTER VIBES ECHOES OUT IN FEAR.
58. SCREAM LEADER (B) (ALT MIX) 00:00:10
59. SCREAM LEADER (C) (ALT MIX) 00:00:11
60. SCREAM LEADER (D) (ALT MIX) 00:00:11
61. SCREAM LEADER (E) (ALT MIX) 00:00:10
62. SCREAM LEADER (F) (ALT MIX) 00:00:11
63. SCREAM LEADER (G) (ALT MIX) 00:00:09
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64. MIND AWAKE (A) (FULL MIX) 00:00:13 OCTAVE SAW SYNTHS AND A BOOMING IMPACT BEND UP AND DOWN BEFORE BURNING OUT.
65. MIND AWAKE (B) (ALT MIX) 00:00:12
66. MIND AWAKE (C) (ALT MIX) 00:00:13
67. MIND AWAKE (D) (ALT MIX) 00:00:12
68. MIND AWAKE (E) (ALT MIX) 00:00:13
69. MIND AWAKE (F) (ALT MIX) 00:00:13
70. MIND AWAKE (G) (ALT MIX) 00:00:10
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71. ALARMA (A) (FULL MIX) 00:00:10 THIS SOUND IS A BLAST OF ELECTRONIC ENERGY COMBINED WITH A BENDING OMINOUS RING.
72. ALARMA (B) (ALT MIX) 00:00:10
73. ALARMA (C) (ALT MIX) 00:00:11
74. ALARMA (D) (ALT MIX) 00:00:10
75. ALARMA (E) (ALT MIX) 00:00:10
76. ALARMA (F) (ALT MIX) 00:00:11
77. ALARMA (G) (ALT MIX) 00:00:09
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78. BATTERY ACID (A) (FULL MIX) 00:00:15 A BUZZY SOUND AND SHARP IMPACT THAT BENDS UPWARD, ENDING WITH A LONG SIZZLE.
79. BATTERY ACID (B) (ALT MIX) 00:00:15
80. BATTERY ACID (C) (ALT MIX) 00:00:15
81. BATTERY ACID (D) (ALT MIX) 00:00:15
82. BATTERY ACID (E) (ALT MIX) 00:00:15
83. BATTERY ACID (F) (ALT MIX) 00:00:15
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84. COCHLEAR (A) (FULL MIX) 00:00:10 THIS SOUND IS LIKE A RUDE AWAKENING, WITH A SLAMMING SYNTH AND ALARMING ECHO.
85. COCHLEAR (B) (ALT MIX) 00:00:11
86. COCHLEAR (C) (ALT MIX) 00:00:10
87. COCHLEAR (D) (ALT MIX) 00:00:11
88. COCHLEAR (E) (ALT MIX) 00:00:11
89. COCHLEAR (F) (ALT MIX) 00:00:11
90. COCHLEAR (G) (ALT MIX) 00:00:09
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91. LURKING DANGER (A) (FULL MIX) 00:00:10 A DEEP HIT AND ELECTRONIC ECHO WITH RUSHING VOICES AND OMINOUS OUTLOOK.
92. LURKING DANGER (B) (ALT MIX) 00:00:09
93. LURKING DANGER (C) (ALT MIX) 00:00:09
94. LURKING DANGER (D) (ALT MIX) 00:00:09
95. LURKING DANGER (E) (ALT MIX) 00:00:09
96. LURKING DANGER (F) (ALT MIX) 00:00:10
97. LURKING DANGER (G) (ALT MIX) 00:00:10
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98. DEXTROSE (A) (FULL MIX) 00:00:13 A LONG ALARMING SYNTH CHORD THAT BUZZES AND ECHOES ON A SINISTER SOUNDSCAPE.
99. DEXTROSE (B) (ALT MIX) 00:00:13
100. DEXTROSE (C) (ALT MIX) 00:00:13
101. DEXTROSE (D) (ALT MIX) 00:00:13
102. DEXTROSE (E) (ALT MIX) 00:00:13
103. DEXTROSE (F) (ALT MIX) 00:00:13
104. DEXTROSE (G) (ALT MIX) 00:00:11
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105. EXHALER (A) (FULL MIX) 00:00:13 THIS VOICE-LIKE SYNTH SOUNDS LIKE A SCARY DEATH RATTLE THAT BENDS DOWNWARD.
106. EXHALER (B) (ALT MIX) 00:00:12
107. EXHALER (C) (ALT MIX) 00:00:13
108. EXHALER (D) (ALT MIX) 00:00:13
109. EXHALER (E) (ALT MIX) 00:00:12
110. EXHALER (F) (ALT MIX) 00:00:13
111. EXHALER (G) (ALT MIX) 00:00:11
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112. UNSTABLE (A) (FULL MIX) 00:00:07 THIS DEEP DRIVING SYNTH BEGINS AGGRESSIVELY BEFORE BENDING DOWNWARD FOR TAKE OFF.
113. UNSTABLE (B) (ALT MIX) 00:00:08
114. UNSTABLE (C) (ALT MIX) 00:00:08
115. UNSTABLE (D) (ALT MIX) 00:00:08
116. UNSTABLE (E) (ALT MIX) 00:00:08
117. UNSTABLE (F) (ALT MIX) 00:00:08
118. UNSTABLE (G) (ALT MIX) 00:00:09
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119. ISOLATION (A) (FULL MIX) 00:00:12 SOUNDS OF A HURT ANIMAL AND AN ALARMING SYNTHS PROVIDE FEELINGS OF WORRY AND FEAR.
120. ISOLATION (B) (ALT MIX) 00:00:12
121. ISOLATION (C) (ALT MIX) 00:00:13
122. ISOLATION (D) (ALT MIX) 00:00:12
123. ISOLATION (E) (ALT MIX) 00:00:12
124. ISOLATION (F) (ALT MIX) 00:00:12
125. ISOLATION (G) (ALT MIX) 00:00:12
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126. BIOTIC (A) (FULL MIX) 00:00:10 A DEEP BOOM TEAMS UP WITH A SLICING SYNTH THAT BENDS UPWARD.
127. BIOTIC (B) (ALT MIX) 00:00:11
128. BIOTIC (C) (ALT MIX) 00:00:11
129. BIOTIC (D) (ALT MIX) 00:00:11
130. BIOTIC (E) (ALT MIX) 00:00:11
131. BIOTIC (F) (ALT MIX) 00:00:11
132. BIOTIC (G) (ALT MIX) 00:00:09
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133. THE RAZOR (A) (FULL MIX) 00:00:10 AN EVOLVING ELECTRONIC SOUND GOING FROM LOW TO HIGH WITH A TON OF REVERB.
134. THE RAZOR (B) (ALT MIX) 00:00:09
135. THE RAZOR (C) (ALT MIX) 00:00:09
136. THE RAZOR (D) (ALT MIX) 00:00:09
137. THE RAZOR (E) (ALT MIX) 00:00:10
138. THE RAZOR (F) (ALT MIX) 00:00:09
139. THE RAZOR (G) (ALT MIX) 00:00:10
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140. FOG TRUMPET (A) (FULL MIX) 00:00:13 THIS ALARMING DISTORTED SYNTH PROVIDES OMINOUS FEELINGS AS IT ECHOES.
141. FOG TRUMPET (B) (ALT MIX) 00:00:13
142. FOG TRUMPET (C) (ALT MIX) 00:00:13
143. FOG TRUMPET (D) (ALT MIX) 00:00:13
144. FOG TRUMPET (E) (ALT MIX) 00:00:13
145. FOG TRUMPET (F) (ALT MIX) 00:00:13
146. FOG TRUMPET (G) (ALT MIX) 00:00:11
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147. NO PRESENTS (A) (FULL MIX) 00:00:15 A LONG DRAWN OUT SYNTH PARIED WITH WHAT SOUNDS LIKE A YELLING VOICE FALLING IN DESPAIR.
148. NO PRESENTS (B) (ALT MIX) 00:00:15
149. NO PRESENTS (C) (ALT MIX) 00:00:15
150. NO PRESENTS (D) (ALT MIX) 00:00:14
151. NO PRESENTS (E) (ALT MIX) 00:00:15
152. NO PRESENTS (F) (ALT MIX) 00:00:15
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153. LAMENT (A) (FULL MIX) 00:00:13 THIS SHARP IMPACT BUZZES AND BENDS INTO A WHINY SAW SOUND.
154. LAMENT (B) (ALT MIX) 00:00:13
155. LAMENT (C) (ALT MIX) 00:00:13
156. LAMENT (D) (ALT MIX) 00:00:13
157. LAMENT (E) (ALT MIX) 00:00:13
158. LAMENT (F) (ALT MIX) 00:00:13
159. LAMENT (G) (ALT MIX) 00:00:11
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160. BLEARY NIGHTMARE (A) (FULL MIX) 00:00:13 BUZZING SOUNDS OF AN AIRCRAFT THAT BEND DOWNWARD AND ECHO FOR A LONG TIME.
161. BLEARY NIGHTMARE (B) (ALT MIX) 00:00:13
162. BLEARY NIGHTMARE (C) (ALT MIX) 00:00:13
163. BLEARY NIGHTMARE (D) (ALT MIX) 00:00:13
164. BLEARY NIGHTMARE (E) (ALT MIX) 00:00:13
165. BLEARY NIGHTMARE (F) (ALT MIX) 00:00:13
166. BLEARY NIGHTMARE (G) (ALT MIX) 00:00:12
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167. IMPATIENT (A) (FULL MIX) 00:00:13 A BRIGHT SWEEPING HIT FROM THE KEYS BENDS UPWARD INTO A MENACING DRIVE.
168. IMPATIENT (B) (ALT MIX) 00:00:13
169. IMPATIENT (C) (ALT MIX) 00:00:13
170. IMPATIENT (D) (ALT MIX) 00:00:13
171. IMPATIENT (E) (ALT MIX) 00:00:13
172. IMPATIENT (F) (ALT MIX) 00:00:13
173. IMPATIENT (G) (ALT MIX) 00:00:13
256. IMPATIENT (NO HIT) (A) (FULL MIX) 00:00:13
257. IMPATIENT (NO HIT) (B) (ALT MIX) 00:00:13
258. IMPATIENT (NO HIT) (C) (ALT MIX) 00:00:13
259. IMPATIENT (NO HIT) (D) (ALT MIX) 00:00:13
260. IMPATIENT (NO HIT) (E) (ALT MIX) 00:00:13
261. IMPATIENT (NO HIT) (F) (ALT MIX) 00:00:13
262. IMPATIENT (NO HIT) (G) (ALT MIX) 00:00:11
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174. DARK BASEMENT (A) (FULL MIX) 00:00:13 THIS IS AGGRESSIVE QUICK SOUND OF A RAGING CLUB SEEMS TO HAPPEN ON A NIGHT GONE WRONG.
175. DARK BASEMENT (B) (ALT MIX) 00:00:13
176. DARK BASEMENT (C) (ALT MIX) 00:00:13
177. DARK BASEMENT (D) (ALT MIX) 00:00:13
178. DARK BASEMENT (E) (ALT MIX) 00:00:13
179. DARK BASEMENT (F) (ALT MIX) 00:00:13
180. DARK BASEMENT (G) (ALT MIX) 00:00:11
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181. LEVIATHAN (A) (FULL MIX) 00:00:08 THIS IS A DARK BUZZING SOUND THAT BENDS AROUND IN A FEARFUL MANNER.
182. LEVIATHAN (B) (ALT MIX) 00:00:08
183. LEVIATHAN (C) (ALT MIX) 00:00:08
184. LEVIATHAN (D) (ALT MIX) 00:00:08
185. LEVIATHAN (E) (ALT MIX) 00:00:08
186. LEVIATHAN (F) (ALT MIX) 00:00:08
187. LEVIATHAN (G) (ALT MIX) 00:00:09
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188. FUZZY BOY (A) (FULL MIX) 00:00:13 MACHINE, ANIMAL, OR BOTH: WHATEVER IT IS, YOU NEED TO GET AWAY. NOW.
189. FUZZY BOY (B) (ALT MIX) 00:00:14
190. FUZZY BOY (C) (ALT MIX) 00:00:14
191. FUZZY BOY (D) (ALT MIX) 00:00:14
192. FUZZY BOY (E) (ALT MIX) 00:00:14
193. FUZZY BOY (F) (ALT MIX) 00:00:14
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194. KATOV (A) (FULL MIX) 00:00:10 A DEEP DIGITAL SOUND WITH A GONG-LIKE ELEMENT EVOLVES INTO A HIGH DRIVING TONE.
195. KATOV (B) (ALT MIX) 00:00:10
196. KATOV (C) (ALT MIX) 00:00:11
197. KATOV (D) (ALT MIX) 00:00:11
198. KATOV (E) (ALT MIX) 00:00:11
199. KATOV (F) (ALT MIX) 00:00:11
200. KATOV (G) (ALT MIX) 00:00:09
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201. UNKNOWN LIFEFORM (A) (FULL MIX) 00:00:06 THIS WAVERING SYNTH SOUNDS LIKE AN ALIEN IS BEAMING SOMEONE TO THEIR CRAFT.
202. UNKNOWN LIFEFORM (B) (ALT MIX) 00:00:06
203. UNKNOWN LIFEFORM (C) (ALT MIX) 00:00:06
204. UNKNOWN LIFEFORM (D) (ALT MIX) 00:00:06
205. UNKNOWN LIFEFORM (E) (ALT MIX) 00:00:06
206. UNKNOWN LIFEFORM (F) (ALT MIX) 00:00:06
207. UNKNOWN LIFEFORM (G) (ALT MIX) 00:00:07
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208. TWELVE O CLOCK (A) (FULL MIX) 00:00:13 A RUSHING BONK AND DIGITAL SWEEP MAKE UP THIS ECHOEY SOUND.
209. TWELVE O CLOCK (B) (ALT MIX) 00:00:12
210. TWELVE O CLOCK (C) (ALT MIX) 00:00:12
211. TWELVE O CLOCK (D) (ALT MIX) 00:00:13
212. TWELVE O CLOCK (E) (ALT MIX) 00:00:12
213. TWELVE O CLOCK (F) (ALT MIX) 00:00:12
214. TWELVE O CLOCK (G) (ALT MIX) 00:00:11
249. TWELVE O CLOCK (NO HIT) (A) (FULL MIX) 00:00:13
250. TWELVE O CLOCK (NO HIT) (B) (ALT MIX) 00:00:12
251. TWELVE O CLOCK (NO HIT) (C) (ALT MIX) 00:00:12
252. TWELVE O CLOCK (NO HIT) (D) (ALT MIX) 00:00:13
253. TWELVE O CLOCK (NO HIT) (E) (ALT MIX) 00:00:12
254. TWELVE O CLOCK (NO HIT) (F) (ALT MIX) 00:00:12
255. TWELVE O CLOCK (NO HIT) (G) (ALT MIX) 00:00:11
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215. CORDA (A) (FULL MIX) 00:00:15 A BIG BOOM PAIRED WITH LOW BRASS HITS AND A RATTLE THAT COULD SCARE ANYONE.
216. CORDA (B) (ALT MIX) 00:00:15
217. CORDA (C) (ALT MIX) 00:00:15
218. CORDA (D) (ALT MIX) 00:00:15
219. CORDA (E) (ALT MIX) 00:00:15
220. CORDA (F) (ALT MIX) 00:00:15
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221. DEEP CALL (A) (FULL MIX) 00:00:10 THIS SOUND STARTS WITH A DEEP BRAAMS HIT BEFORE EVOLVING INTO A DISTORTED SHRILL.
222. DEEP CALL (B) (ALT MIX) 00:00:09
223. DEEP CALL (C) (ALT MIX) 00:00:09
224. DEEP CALL (D) (ALT MIX) 00:00:09
225. DEEP CALL (E) (ALT MIX) 00:00:10
226. DEEP CALL (F) (ALT MIX) 00:00:09
227. DEEP CALL (G) (ALT MIX) 00:00:08
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228. CREATURE RISE (A) (FULL MIX) 00:00:12 A DEEP BOOM AND BUZZING DISTORTED SYNTH FUEL AN OVERALL OMINOUS TONE.
229. CREATURE RISE (B) (ALT MIX) 00:00:12
230. CREATURE RISE (C) (ALT MIX) 00:00:12
231. CREATURE RISE (D) (ALT MIX) 00:00:12
232. CREATURE RISE (E) (ALT MIX) 00:00:12
233. CREATURE RISE (F) (ALT MIX) 00:00:12
234. CREATURE RISE (G) (ALT MIX) 00:00:12
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235. THE ARRIVAL (A) (FULL MIX) 00:00:09 A DEEP, DARK ELECTRONIC BLAST RAINS DOWN WAVES OF ECHOING DIGITAL FEAR.
236. THE ARRIVAL (B) (ALT MIX) 00:00:09
237. THE ARRIVAL (C) (ALT MIX) 00:00:09
238. THE ARRIVAL (D) (ALT MIX) 00:00:09
239. THE ARRIVAL (E) (ALT MIX) 00:00:09
240. THE ARRIVAL (F) (ALT MIX) 00:00:09
241. THE ARRIVAL (G) (ALT MIX) 00:00:09
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242. DISTRESS BEACON (A) (FULL MIX) 00:00:06 AN ABRUPT BURST OF SONAR THAT ECHOES INTO A LARGE EMPTY RANGE.
243. DISTRESS BEACON (B) (ALT MIX) 00:00:06
244. DISTRESS BEACON (C) (ALT MIX) 00:00:06
245. DISTRESS BEACON (D) (ALT MIX) 00:00:06
246. DISTRESS BEACON (E) (ALT MIX) 00:00:06
247. DISTRESS BEACON (F) (ALT MIX) 00:00:06
248. DISTRESS BEACON (G) (ALT MIX) 00:00:07