TCTSDX031
TONAL CHAOS TONAL CHAOS TRAILER TOOLS Signature Sounds - In All Keys (vol. 5)Find Your Signature Sound....Volume 5! This massive collection of signature sounds have all been meticulously hand-crafted and designed to help unleash your imagination and creativity to the world. Each Sound Design element has been recorded in every key, making adaptability a breeze! |
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1. BROKEN DESTROYER (A) (FULL MIX) 00:00:11 A DEEP DIGITAL BUZZY BRAAMS SOUND THAT SLIDES UP BEFORE COMING BACK DOWN.
2. BROKEN DESTROYER (A#) (ALT MIX) 00:00:11
3. BROKEN DESTROYER (B) (ALT MIX) 00:00:11
4. BROKEN DESTROYER (C) (ALT MIX) 00:00:11
5. BROKEN DESTROYER (C#) (ALT MIX) 00:00:11
6. BROKEN DESTROYER (D) (ALT MIX) 00:00:11
7. BROKEN DESTROYER (D#) (ALT MIX) 00:00:11
8. BROKEN DESTROYER (E) (ALT MIX) 00:00:11
9. BROKEN DESTROYER (F) (ALT MIX) 00:00:11
10. BROKEN DESTROYER (F#) (ALT MIX) 00:00:11
11. BROKEN DESTROYER (G) (ALT MIX) 00:00:11
12. BROKEN DESTROYER (G#) (ALT MIX) 00:00:11
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13. EVACUATE (A) (FULL MIX) 00:00:07 A ROBOT CRYS OUT IN PAIN WHILE BEING DOUBLED BY A SYNTH PAD.
14. EVACUATE (A#) (ALT MIX) 00:00:07
15. EVACUATE (B) (ALT MIX) 00:00:06
16. EVACUATE (C) (ALT MIX) 00:00:06
17. EVACUATE (C#) (ALT MIX) 00:00:07
18. EVACUATE (D) (ALT MIX) 00:00:07
19. EVACUATE (D#) (ALT MIX) 00:00:07
20. EVACUATE (E) (ALT MIX) 00:00:07
21. EVACUATE (F) (ALT MIX) 00:00:07
22. EVACUATE (F#) (ALT MIX) 00:00:07
23. EVACUATE (G) (ALT MIX) 00:00:06
24. EVACUATE (G#) (ALT MIX) 00:00:07
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25. CRYPTIC SPEECH (C) (FULL MIX) 00:00:13 A LOW RESONANT CALL WITH A TOUCH OF DISTORTION RINGS OUT TO THE ENTIRE LANDSCAPE.
26. CRYPTIC SPEECH (A#) (ALT MIX) 00:00:13
27. CRYPTIC SPEECH (B) (ALT MIX) 00:00:13
28. CRYPTIC SPEECH (A) (ALT MIX) 00:00:13
29. CRYPTIC SPEECH (C#) (ALT MIX) 00:00:13
30. CRYPTIC SPEECH (D) (ALT MIX) 00:00:13
31. CRYPTIC SPEECH (D#) (ALT MIX) 00:00:13
32. CRYPTIC SPEECH (E) (ALT MIX) 00:00:13
33. CRYPTIC SPEECH (F) (ALT MIX) 00:00:13
34. CRYPTIC SPEECH (F#) (ALT MIX) 00:00:13
35. CRYPTIC SPEECH (G) (ALT MIX) 00:00:13
36. CRYPTIC SPEECH (G#) (ALT MIX) 00:00:13
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37. WISP (A) (FULL MIX) 00:00:08 A "SSHUH!" SOUNDING VOCAL SAMPLE PAIRED WITH A BUZZY HIGH SYNTH.
38. WISP (A#) (ALT MIX) 00:00:08
39. WISP (B) (ALT MIX) 00:00:08
40. WISP (C) (ALT MIX) 00:00:08
41. WISP (C#) (ALT MIX) 00:00:08
42. WISP (D) (ALT MIX) 00:00:08
43. WISP (D#) (ALT MIX) 00:00:08
44. WISP (E) (ALT MIX) 00:00:08
45. WISP (F) (ALT MIX) 00:00:08
46. WISP (F#) (ALT MIX) 00:00:08
47. WISP (G) (ALT MIX) 00:00:08
48. WISP (G#) (ALT MIX) 00:00:08
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49. ALARMIST (A) (FULL MIX) 00:00:11 ALARMING BRASSY SOUND INCLUDING LOW BUZZ SYNTHS AND ALTERNATING PITCHES.
50. ALARMIST (A#) (ALT MIX) 00:00:13
51. ALARMIST (B) (ALT MIX) 00:00:13
52. ALARMIST (C) (ALT MIX) 00:00:13
53. ALARMIST (C#) (ALT MIX) 00:00:13
54. ALARMIST (D) (ALT MIX) 00:00:10
55. ALARMIST (D#) (ALT MIX) 00:00:13
56. ALARMIST (E) (ALT MIX) 00:00:10
57. ALARMIST (F) (ALT MIX) 00:00:11
58. ALARMIST (F#) (ALT MIX) 00:00:11
59. ALARMIST (G) (ALT MIX) 00:00:11
60. ALARMIST (G#) (ALT MIX) 00:00:11
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61. DEVASTATION (A) (FULL MIX) 00:00:14 A QUICK UPWARD BENDING ALARM THAT ALERTS US THAT ALL IS NOT RIGHT.
62. DEVASTATION (NO BOOM) (A) (ALT MIX) 00:00:14
63. DEVASTATION (A#) (ALT MIX) 00:00:14
65. DEVASTATION (B) (ALT MIX) 00:00:14
67. DEVASTATION (C) (ALT MIX) 00:00:14
69. DEVASTATION (C#) (ALT MIX) 00:00:14
66. DEVASTATION (NO BOOM) (B) (ALT MIX) 00:00:14
68. DEVASTATION (NO BOOM) (C) (ALT MIX) 00:00:14
70. DEVASTATION (NO BOOM) (C#) (ALT MIX) 00:00:14
73. DEVASTATION (D#) (ALT MIX) 00:00:14
71. DEVASTATION (D) (ALT MIX) 00:00:14
75. DEVASTATION (E) (ALT MIX) 00:00:14
77. DEVASTATION (F) (ALT MIX) 00:00:14
79. DEVASTATION (F#) (ALT MIX) 00:00:14
81. DEVASTATION (G) (ALT MIX) 00:00:14
83. DEVASTATION (G#) (ALT MIX) 00:00:14
64. DEVASTATION (NO BOOM) (A#) (ALT MIX) 00:00:14
72. DEVASTATION (NO BOOM) (D) (ALT MIX) 00:00:14
74. DEVASTATION (NO BOOM) (D#) (ALT MIX) 00:00:14
76. DEVASTATION (NO BOOM) (E) (ALT MIX) 00:00:14
78. DEVASTATION (NO BOOM) (F) (ALT MIX) 00:00:14
80. DEVASTATION (NO BOOM) (F#) (ALT MIX) 00:00:14
82. DEVASTATION (NO BOOM) (G) (ALT MIX) 00:00:14
84. DEVASTATION (NO BOOM) (G#) (ALT MIX) 00:00:14
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85. GAISER (C) (FULL MIX) 00:00:10 THIS INSTANTLY SUSPENSEFUL CHORD SWELLS UPWARD BEFORE BURNING OUT AND DISAPPEARING.
86. GAISER (A#) (ALT MIX) 00:00:10
87. GAISER (B) (ALT MIX) 00:00:10
88. GAISER (A) (ALT MIX) 00:00:10
89. GAISER (C#) (ALT MIX) 00:00:10
90. GAISER (D) (ALT MIX) 00:00:10
91. GAISER (D#) (ALT MIX) 00:00:10
92. GAISER (E) (ALT MIX) 00:00:10
93. GAISER (F) (ALT MIX) 00:00:10
94. GAISER (F#) (ALT MIX) 00:00:10
95. GAISER (G) (ALT MIX) 00:00:10
96. GAISER (G#) (ALT MIX) 00:00:10
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97. DARK OMEN (A) (FULL MIX) 00:00:10 A CHOIR OF LOW VOICES CHANTS A SHORT BUT OMINOUS MELODY BEFORE FADING INTO THE DARKNESS.
98. DARK OMEN (A#) (ALT MIX) 00:00:10
99. DARK OMEN (B) (ALT MIX) 00:00:10
100. DARK OMEN (C) (ALT MIX) 00:00:10
101. DARK OMEN (C#) (ALT MIX) 00:00:10
102. DARK OMEN (D) (ALT MIX) 00:00:10
103. DARK OMEN (D#) (ALT MIX) 00:00:10
104. DARK OMEN (E) (ALT MIX) 00:00:10
105. DARK OMEN (F) (ALT MIX) 00:00:10
106. DARK OMEN (F#) (ALT MIX) 00:00:10
107. DARK OMEN (G) (ALT MIX) 00:00:10
108. DARK OMEN (G#) (ALT MIX) 00:00:10
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109. RUPTURE (A) (FULL MIX) 00:00:10 A BRIGHT SAW SYNTH BEGINS HIGH BEFORE DROPPING DOWN INTO A BUZZY OMINOUS FINISH.
110. RUPTURE (A#) (ALT MIX) 00:00:10
111. RUPTURE (B) (ALT MIX) 00:00:10
112. RUPTURE (C) (ALT MIX) 00:00:10
113. RUPTURE (C#) (ALT MIX) 00:00:10
114. RUPTURE (D) (ALT MIX) 00:00:10
115. RUPTURE (D#) (ALT MIX) 00:00:10
116. RUPTURE (E) (ALT MIX) 00:00:10
117. RUPTURE (F) (ALT MIX) 00:00:10
118. RUPTURE (F#) (ALT MIX) 00:00:10
119. RUPTURE (G) (ALT MIX) 00:00:10
120. RUPTURE (G#) (ALT MIX) 00:00:10
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121. WAR (A) (FULL MIX) 00:00:14 A DIGITAL WAR CRY THAT SOUNDS LIKE BOTH A MACHINE STARTING UP AND A TERRIFYING ALARM.
122. WAR (NO BOOM) (A) (ALT MIX) 00:00:14
123. WAR (A#) (ALT MIX) 00:00:14
125. WAR (B) (ALT MIX) 00:00:14
127. WAR (C) (ALT MIX) 00:00:14
129. WAR (C#) (ALT MIX) 00:00:14
126. WAR (NO BOOM) (B) (ALT MIX) 00:00:14
128. WAR (NO BOOM) (C) (ALT MIX) 00:00:14
130. WAR (NO BOOM) (C#) (ALT MIX) 00:00:14
133. WAR (D#) (ALT MIX) 00:00:14
131. WAR (D) (ALT MIX) 00:00:14
135. WAR (E) (ALT MIX) 00:00:14
137. WAR (F) (ALT MIX) 00:00:14
139. WAR (F#) (ALT MIX) 00:00:14
141. WAR (G) (ALT MIX) 00:00:14
143. WAR (G#) (ALT MIX) 00:00:14
124. WAR (NO BOOM) (A#) (ALT MIX) 00:00:14
132. WAR (NO BOOM) (D) (ALT MIX) 00:00:14
134. WAR (NO BOOM) (D#) (ALT MIX) 00:00:14
136. WAR (NO BOOM) (E) (ALT MIX) 00:00:14
138. WAR (NO BOOM) (F) (ALT MIX) 00:00:14
140. WAR (NO BOOM) (F#) (ALT MIX) 00:00:14
142. WAR (NO BOOM) (G) (ALT MIX) 00:00:14
144. WAR (NO BOOM) (G#) (ALT MIX) 00:00:14
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145. CRITICAL MASS (A) (FULL MIX) 00:00:07 AN ECHOEY YELL FROM A DISTORTED UNKNOWN CREATURE THAT YOU DON'T WANT TO MESS WITH.
146. CRITICAL MASS (A#) (ALT MIX) 00:00:07
147. CRITICAL MASS (B) (ALT MIX) 00:00:07
148. CRITICAL MASS (C) (ALT MIX) 00:00:07
149. CRITICAL MASS (C#) (ALT MIX) 00:00:07
150. CRITICAL MASS (D) (ALT MIX) 00:00:07
151. CRITICAL MASS (D#) (ALT MIX) 00:00:07
152. CRITICAL MASS (E) (ALT MIX) 00:00:07
153. CRITICAL MASS (F) (ALT MIX) 00:00:07
154. CRITICAL MASS (F#) (ALT MIX) 00:00:07
155. CRITICAL MASS (G) (ALT MIX) 00:00:07
156. CRITICAL MASS (G#) (ALT MIX) 00:00:07
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157. THUNDERSPINE (A) (FULL MIX) 00:00:18 A LOW BUZZING SYNTH SLOWLY BENDS UPWARD IN OCTAVES.
158. THUNDERSPINE (A#) (ALT MIX) 00:00:18
159. THUNDERSPINE (B) (ALT MIX) 00:00:18
160. THUNDERSPINE (C) (ALT MIX) 00:00:18
161. THUNDERSPINE (C#) (ALT MIX) 00:00:18
162. THUNDERSPINE (D) (ALT MIX) 00:00:18
163. THUNDERSPINE (D#) (ALT MIX) 00:00:18
164. THUNDERSPINE (E) (ALT MIX) 00:00:18
165. THUNDERSPINE (F) (ALT MIX) 00:00:18
166. THUNDERSPINE (F#) (ALT MIX) 00:00:18
167. THUNDERSPINE (G) (ALT MIX) 00:00:18
168. THUNDERSPINE (G#) (ALT MIX) 00:00:18
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169. PURGE (A) (FULL MIX) 00:00:14 A MIX BETWEEN AN ALARM AND BUZZ SAW SOUND THAT BENDS OMINOUSLY.
170. PURGE (NO BOOM) (A) (ALT MIX) 00:00:14
171. PURGE (A#) (ALT MIX) 00:00:14
173. PURGE (B) (ALT MIX) 00:00:14
175. PURGE (C) (ALT MIX) 00:00:14
177. PURGE (C#) (ALT MIX) 00:00:14
174. PURGE (NO BOOM) (B) (ALT MIX) 00:00:14
176. PURGE (NO BOOM) (C) (ALT MIX) 00:00:14
178. PURGE (NO BOOM) (C#) (ALT MIX) 00:00:14
181. PURGE (D#) (ALT MIX) 00:00:14
179. PURGE (D) (ALT MIX) 00:00:14
183. PURGE (E) (ALT MIX) 00:00:14
185. PURGE (F) (ALT MIX) 00:00:14
187. PURGE (F#) (ALT MIX) 00:00:14
189. PURGE (G) (ALT MIX) 00:00:14
191. PURGE (G#) (ALT MIX) 00:00:14
172. PURGE (NO BOOM) (A#) (ALT MIX) 00:00:14
180. PURGE (NO BOOM) (D) (ALT MIX) 00:00:14
182. PURGE (NO BOOM) (D#) (ALT MIX) 00:00:14
184. PURGE (NO BOOM) (E) (ALT MIX) 00:00:14
186. PURGE (NO BOOM) (F) (ALT MIX) 00:00:14
188. PURGE (NO BOOM) (F#) (ALT MIX) 00:00:14
190. PURGE (NO BOOM) (G) (ALT MIX) 00:00:14
192. PURGE (NO BOOM) (G#) (ALT MIX) 00:00:14
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193. SANDSTORM (A) (FULL MIX) 00:00:14 A LOW GROANING BUZZ SYNTH THAT BENDS DOWNWARD AND ECHOES FOR A LONG TIME.
194. SANDSTORM (NO BOOM) (A) (ALT MIX) 00:00:14
195. SANDSTORM (A#) (ALT MIX) 00:00:14
197. SANDSTORM (B) (ALT MIX) 00:00:14
199. SANDSTORM (C) (ALT MIX) 00:00:14
201. SANDSTORM (C#) (ALT MIX) 00:00:14
198. SANDSTORM (NO BOOM) (B) (ALT MIX) 00:00:14
200. SANDSTORM (NO BOOM) (C) (ALT MIX) 00:00:14
202. SANDSTORM (NO BOOM) (C#) (ALT MIX) 00:00:14
205. SANDSTORM (D#) (ALT MIX) 00:00:14
203. SANDSTORM (D) (ALT MIX) 00:00:14
207. SANDSTORM (E) (ALT MIX) 00:00:14
209. SANDSTORM (F) (ALT MIX) 00:00:14
211. SANDSTORM (F#) (ALT MIX) 00:00:14
213. SANDSTORM (G) (ALT MIX) 00:00:14
215. SANDSTORM (G#) (ALT MIX) 00:00:14
196. SANDSTORM (NO BOOM) (A#) (ALT MIX) 00:00:14
204. SANDSTORM (NO BOOM) (D) (ALT MIX) 00:00:14
206. SANDSTORM (NO BOOM) (D#) (ALT MIX) 00:00:14
208. SANDSTORM (NO BOOM) (E) (ALT MIX) 00:00:14
210. SANDSTORM (NO BOOM) (F) (ALT MIX) 00:00:14
212. SANDSTORM (NO BOOM) (F#) (ALT MIX) 00:00:14
214. SANDSTORM (NO BOOM) (G) (ALT MIX) 00:00:14
216. SANDSTORM (NO BOOM) (G#) (ALT MIX) 00:00:14
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217. PESTILENCE (A) (FULL MIX) 00:00:16 A RAPIDLY PULSING DIGITAL SYNTH BENDS BOTH UP AND DOWN BEFORE QUICKLY VANISHING.
218. PESTILENCE (A#) (ALT MIX) 00:00:16
219. PESTILENCE (B) (ALT MIX) 00:00:16
220. PESTILENCE (C) (ALT MIX) 00:00:16
221. PESTILENCE (C#) (ALT MIX) 00:00:16
222. PESTILENCE (D) (ALT MIX) 00:00:16
223. PESTILENCE (D#) (ALT MIX) 00:00:16
224. PESTILENCE (E) (ALT MIX) 00:00:16
225. PESTILENCE (F) (ALT MIX) 00:00:16
226. PESTILENCE (F#) (ALT MIX) 00:00:16
227. PESTILENCE (G) (ALT MIX) 00:00:16
228. PESTILENCE (G#) (ALT MIX) 00:00:16
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229. FROM THE DEPTHS (A) (FULL MIX) 00:00:20 A SMASHING HIT, SHRILL HIGH SYNTH, AND DEEPLY DISTORTED BUZZ SYNTH RING OUT TOGETHER.
230. FROM THE DEPTHS (A#) (ALT MIX) 00:00:20
231. FROM THE DEPTHS (B) (ALT MIX) 00:00:20
232. FROM THE DEPTHS (C) (ALT MIX) 00:00:20
233. FROM THE DEPTHS (C#) (ALT MIX) 00:00:20
234. FROM THE DEPTHS (D) (ALT MIX) 00:00:20
235. FROM THE DEPTHS (D#) (ALT MIX) 00:00:20
236. FROM THE DEPTHS (E) (ALT MIX) 00:00:20
237. FROM THE DEPTHS (F) (ALT MIX) 00:00:20
238. FROM THE DEPTHS (F#) (ALT MIX) 00:00:20
239. FROM THE DEPTHS (G) (ALT MIX) 00:00:20
240. FROM THE DEPTHS (G#) (ALT MIX) 00:00:20
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241. PIT CRUSHER (A) (FULL MIX) 00:00:07 THIS DISTANT SYNTH BEGINS IN A DISTORTED STRUGGLE BEFORE BENDING UPWARD.
242. PIT CRUSHER (A#) (ALT MIX) 00:00:07
243. PIT CRUSHER (B) (ALT MIX) 00:00:07
244. PIT CRUSHER (C) (ALT MIX) 00:00:07
245. PIT CRUSHER (C#) (ALT MIX) 00:00:07
246. PIT CRUSHER (D) (ALT MIX) 00:00:07
247. PIT CRUSHER (D#) (ALT MIX) 00:00:07
248. PIT CRUSHER (E) (ALT MIX) 00:00:07
249. PIT CRUSHER (F) (ALT MIX) 00:00:07
250. PIT CRUSHER (F#) (ALT MIX) 00:00:07
251. PIT CRUSHER (G) (ALT MIX) 00:00:07
252. PIT CRUSHER (G#) (ALT MIX) 00:00:07
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253. KING OF THE MONSTERS (A) (FULL MIX) 00:00:14 A LOW HIT PAIRED WITH THE SOUND OF A CLEAN AND POWERFUL MACHINE MOTOR.
254. KING OF THE MONSTERS (NO BOOM) (A) (ALT MIX) 00:00:14
255. KING OF THE MONSTERS (A#) (ALT MIX) 00:00:14
257. KING OF THE MONSTERS (B) (ALT MIX) 00:00:14
259. KING OF THE MONSTERS (C) (ALT MIX) 00:00:14
261. KING OF THE MONSTERS (C#) (ALT MIX) 00:00:14
258. KING OF THE MONSTERS (NO BOOM) (B) (ALT MIX) 00:00:14
260. KING OF THE MONSTERS (NO BOOM) (C) (ALT MIX) 00:00:14
262. KING OF THE MONSTERS (NO BOOM) (C#) (ALT MIX) 00:00:14
265. KING OF THE MONSTERS (D#) (ALT MIX) 00:00:14
263. KING OF THE MONSTERS (D) (ALT MIX) 00:00:14
267. KING OF THE MONSTERS (E) (ALT MIX) 00:00:14
269. KING OF THE MONSTERS (F) (ALT MIX) 00:00:14
271. KING OF THE MONSTERS (F#) (ALT MIX) 00:00:14
273. KING OF THE MONSTERS (G) (ALT MIX) 00:00:14
275. KING OF THE MONSTERS (G#) (ALT MIX) 00:00:14
256. KING OF THE MONSTERS (NO BOOM) (A#) (ALT MIX) 00:00:14
264. KING OF THE MONSTERS (NO BOOM) (D) (ALT MIX) 00:00:14
266. KING OF THE MONSTERS (NO BOOM) (D#) (ALT MIX) 00:00:14
268. KING OF THE MONSTERS (NO BOOM) (E) (ALT MIX) 00:00:14
270. KING OF THE MONSTERS (NO BOOM) (F) (ALT MIX) 00:00:14
272. KING OF THE MONSTERS (NO BOOM) (F#) (ALT MIX) 00:00:14
274. KING OF THE MONSTERS (NO BOOM) (G) (ALT MIX) 00:00:14
276. KING OF THE MONSTERS (NO BOOM) (G#) (ALT MIX) 00:00:14
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277. DECEPTION (A) (FULL MIX) 00:00:09 A SLAMMING HIT FOLLOWED BY A BENDING ALARM SOUND OVER A BED OF ECHOEY DISTORTION.
278. DECEPTION (A#) (ALT MIX) 00:00:09
279. DECEPTION (B) (ALT MIX) 00:00:09
280. DECEPTION (C) (ALT MIX) 00:00:09
281. DECEPTION (C#) (ALT MIX) 00:00:09
282. DECEPTION (D) (ALT MIX) 00:00:09
283. DECEPTION (D#) (ALT MIX) 00:00:09
284. DECEPTION (E) (ALT MIX) 00:00:09
285. DECEPTION (F) (ALT MIX) 00:00:09
286. DECEPTION (F#) (ALT MIX) 00:00:09
287. DECEPTION (G) (ALT MIX) 00:00:09
288. DECEPTION (G#) (ALT MIX) 00:00:09
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289. DEEP DOWN (A) (FULL MIX) 00:00:08 A RUSH OF SOUNDS CREATE A SWEEPING MASS OF TENSION THAT FADES OFF INTO THE DISTANCE.
290. DEEP DOWN (A#) (ALT MIX) 00:00:08
291. DEEP DOWN (B) (ALT MIX) 00:00:08
292. DEEP DOWN (C) (ALT MIX) 00:00:08
293. DEEP DOWN (C#) (ALT MIX) 00:00:08
294. DEEP DOWN (D) (ALT MIX) 00:00:08
295. DEEP DOWN (D#) (ALT MIX) 00:00:08
296. DEEP DOWN (E) (ALT MIX) 00:00:08
297. DEEP DOWN (F) (ALT MIX) 00:00:08
298. DEEP DOWN (F#) (ALT MIX) 00:00:08
299. DEEP DOWN (G) (ALT MIX) 00:00:08
300. DEEP DOWN (G#) (ALT MIX) 00:00:08
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301. SURPRISE (A) (FULL MIX) 00:00:09 A CLANKY METALLIC HIT FOLLOWED BY RHYTHMIC TAPPING AND A SWARM OF BUZZING SYNTHS.
302. SURPRISE (A#) (ALT MIX) 00:00:09
303. SURPRISE (B) (ALT MIX) 00:00:09
304. SURPRISE (C) (ALT MIX) 00:00:09
305. SURPRISE (C#) (ALT MIX) 00:00:09
306. SURPRISE (D) (ALT MIX) 00:00:09
307. SURPRISE (D#) (ALT MIX) 00:00:09
308. SURPRISE (E) (ALT MIX) 00:00:09
309. SURPRISE (F) (ALT MIX) 00:00:09
310. SURPRISE (F#) (ALT MIX) 00:00:09
311. SURPRISE (G) (ALT MIX) 00:00:09
312. SURPRISE (G#) (ALT MIX) 00:00:09
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313. TUONO (C) (FULL MIX) 00:00:11 A POWERFUL LOW HIT COMBINES WITH A BASS SYNTH THAT BENDS UP, DOWN, AND BACK AGAIN.
314. TUONO (A#) (ALT MIX) 00:00:11
315. TUONO (B) (ALT MIX) 00:00:11
316. TUONO (A) (ALT MIX) 00:00:11
317. TUONO (C#) (ALT MIX) 00:00:11
318. TUONO (D) (ALT MIX) 00:00:11
319. TUONO (D#) (ALT MIX) 00:00:11
320. TUONO (E) (ALT MIX) 00:00:11
321. TUONO (F) (ALT MIX) 00:00:11
322. TUONO (F#) (ALT MIX) 00:00:11
323. TUONO (G) (ALT MIX) 00:00:11
324. TUONO (G#) (ALT MIX) 00:00:11
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325. NEW HORIZON (A) (FULL MIX) 00:00:25 A WHOOSING RISER FLIES INTO AN OMINOUS DISTORTED SYNTH CHORD.
326. NEW HORIZON (A#) (ALT MIX) 00:00:25
327. NEW HORIZON (B) (ALT MIX) 00:00:25
328. NEW HORIZON (C) (ALT MIX) 00:00:25
329. NEW HORIZON (C#) (ALT MIX) 00:00:25
330. NEW HORIZON (D) (ALT MIX) 00:00:25
331. NEW HORIZON (D#) (ALT MIX) 00:00:25
332. NEW HORIZON (E) (ALT MIX) 00:00:25
333. NEW HORIZON (F) (ALT MIX) 00:00:25
334. NEW HORIZON (F#) (ALT MIX) 00:00:25
335. NEW HORIZON (G) (ALT MIX) 00:00:25
336. NEW HORIZON (G#) (ALT MIX) 00:00:25
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337. ELECTRIC TRANSMISSION (G) (FULL MIX) 00:00:05 A MIX BETWEEN A BUZZY HORN CALL AND A CREATURE CALLING OUT FOR HELP.
339. ELECTRIC TRANSMISSION (A) (ALT MIX) 00:00:05
338. ELECTRIC TRANSMISSION (G#) (ALT MIX) 00:00:05
340. ELECTRIC TRANSMISSION (A#) (ALT MIX) 00:00:05
341. ELECTRIC TRANSMISSION (B) (ALT MIX) 00:00:05
342. ELECTRIC TRANSMISSION (C) (ALT MIX) 00:00:05
343. ELECTRIC TRANSMISSION (C#) (ALT MIX) 00:00:05
344. ELECTRIC TRANSMISSION (D) (ALT MIX) 00:00:05
345. ELECTRIC TRANSMISSION (D#) (ALT MIX) 00:00:05
346. ELECTRIC TRANSMISSION (E) (ALT MIX) 00:00:05
347. ELECTRIC TRANSMISSION (F) (ALT MIX) 00:00:05
348. ELECTRIC TRANSMISSION (F#) (ALT MIX) 00:00:05
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349. TITANIC (C) (FULL MIX) 00:00:12 A DEEP LOW SOUND THAT BENDS OMINOUSLY BEFORE ECHOING OUT INTO THE SEA.
350. TITANIC (C#) (ALT MIX) 00:00:12
351. TITANIC (D) (ALT MIX) 00:00:12
352. TITANIC (D#) (ALT MIX) 00:00:12
353. TITANIC (E) (ALT MIX) 00:00:12
354. TITANIC (F) (ALT MIX) 00:00:12
355. TITANIC (F#) (ALT MIX) 00:00:12
356. TITANIC (G) (ALT MIX) 00:00:12
357. TITANIC (G#) (ALT MIX) 00:00:12
358. TITANIC (A) (ALT MIX) 00:00:12
359. TITANIC (A#) (ALT MIX) 00:00:12
360. TITANIC (B) (ALT MIX) 00:00:12