TCTSDX033
TONAL CHAOS TONAL CHAOS TRAILER TOOLS Signature Sounds - In All Keys (vol. 6)Find Your Signature Sound....Volume 6! This massive collection of signature sounds have all been meticulously hand-crafted and designed to help unleash your imagination and creativity to the world. Each Sound Design element has been recorded in every key, making adaptability a breeze! |
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1. BROKEN INVASION (E) (FULL MIX) 00:00:15 A DISTANT SLIDING SOUND COMBINES WITH AN OMINOUS CHORD HIT AS IT RINGS OUT.
2. BROKEN INVASION (F#) (ALT MIX) 00:00:17
3. BROKEN INVASION (G) (ALT MIX) 00:00:15
4. BROKEN INVASION (G#) (ALT MIX) 00:00:16
5. BROKEN INVASION (A) (ALT MIX) 00:00:17
6. BROKEN INVASION (A#) (ALT MIX) 00:00:17
7. BROKEN INVASION (B) (ALT MIX) 00:00:16
8. BROKEN INVASION (C) (ALT MIX) 00:00:18
9. BROKEN INVASION (C#) (ALT MIX) 00:00:16
10. BROKEN INVASION (D) (ALT MIX) 00:00:16
11. BROKEN INVASION (D#) (ALT MIX) 00:00:17
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12. GENESYS (A) (FULL MIX) 00:00:14 A CROSS BETWEEN A CREATURE IN PAIN AND MACHINE REVVING UP, THIS SOUND IS HUGE AND SCARY.
13. GENESYS (NO BOOM) (A) (ALT MIX) 00:00:14
14. GENESYS (A#) (ALT MIX) 00:00:14
16. GENESYS (B) (ALT MIX) 00:00:14
18. GENESYS (C) (ALT MIX) 00:00:14
20. GENESYS (C#) (ALT MIX) 00:00:14
17. GENESYS (NO BOOM) (B) (ALT MIX) 00:00:14
19. GENESYS (NO BOOM) (C) (ALT MIX) 00:00:14
21. GENESYS (NO BOOM) (C#) (ALT MIX) 00:00:14
24. GENESYS (D#) (ALT MIX) 00:00:14
22. GENESYS (D) (ALT MIX) 00:00:14
26. GENESYS (E) (ALT MIX) 00:00:14
28. GENESYS (F) (ALT MIX) 00:00:14
30. GENESYS (F#) (ALT MIX) 00:00:14
32. GENESYS (G) (ALT MIX) 00:00:14
34. GENESYS (G#) (ALT MIX) 00:00:14
15. GENESYS (NO BOOM) (A#) (ALT MIX) 00:00:14
23. GENESYS (NO BOOM) (D) (ALT MIX) 00:00:14
25. GENESYS (NO BOOM) (D#) (ALT MIX) 00:00:14
27. GENESYS (NO BOOM) (E) (ALT MIX) 00:00:14
29. GENESYS (NO BOOM) (F) (ALT MIX) 00:00:14
31. GENESYS (NO BOOM) (F#) (ALT MIX) 00:00:14
33. GENESYS (NO BOOM) (G) (ALT MIX) 00:00:14
35. GENESYS (NO BOOM) (G#) (ALT MIX) 00:00:14
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36. BLEEDING SOULS (A) (FULL MIX) 00:00:12 A MIX BETWEEN A DISTORTED GUITAR AND A SCREAM, THIS SOUND IS SURE TO HAUNT EVERYONE.
37. BLEEDING SOULS (A#) (ALT MIX) 00:00:11
38. BLEEDING SOULS (B) (ALT MIX) 00:00:11
39. BLEEDING SOULS (C) (ALT MIX) 00:00:11
40. BLEEDING SOULS (C#) (ALT MIX) 00:00:11
41. BLEEDING SOULS (D) (ALT MIX) 00:00:11
42. BLEEDING SOULS (D#) (ALT MIX) 00:00:12
43. BLEEDING SOULS (E) (ALT MIX) 00:00:11
44. BLEEDING SOULS (F) (ALT MIX) 00:00:11
45. BLEEDING SOULS (F#) (ALT MIX) 00:00:12
46. BLEEDING SOULS (G) (ALT MIX) 00:00:11
47. BLEEDING SOULS (G#) (ALT MIX) 00:00:12
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48. STRANGE ERROR (A) (FULL MIX) 00:00:08 A SHRILL HIGH SYNTH SOUND, SOMEWHAT LIKE A SCREAM, WITH A LONG ECHOEY TAIL.
49. STRANGE ERROR (A#) (ALT MIX) 00:00:08
50. STRANGE ERROR (B) (ALT MIX) 00:00:08
51. STRANGE ERROR (C) (ALT MIX) 00:00:08
52. STRANGE ERROR (C#) (ALT MIX) 00:00:08
53. STRANGE ERROR (D) (ALT MIX) 00:00:08
54. STRANGE ERROR (D#) (ALT MIX) 00:00:08
55. STRANGE ERROR (E) (ALT MIX) 00:00:08
56. STRANGE ERROR (F) (ALT MIX) 00:00:08
57. STRANGE ERROR (F#) (ALT MIX) 00:00:08
58. STRANGE ERROR (G) (ALT MIX) 00:00:08
59. STRANGE ERROR (G#) (ALT MIX) 00:00:08
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60. RADIANCE (G) (FULL MIX) 00:00:10 THIS SHRILL AND ALMOST SCRATCHY SOUND SLIDES INTO AN EERIE RINGING CHORD.
62. RADIANCE (A) (ALT MIX) 00:00:10
61. RADIANCE (G#) (ALT MIX) 00:00:11
63. RADIANCE (A#) (ALT MIX) 00:00:11
64. RADIANCE (B) (ALT MIX) 00:00:10
65. RADIANCE (C) (ALT MIX) 00:00:10
66. RADIANCE (C#) (ALT MIX) 00:00:10
67. RADIANCE (D) (ALT MIX) 00:00:11
68. RADIANCE (D#) (ALT MIX) 00:00:10
69. RADIANCE (E) (ALT MIX) 00:00:11
70. RADIANCE (F) (ALT MIX) 00:00:11
71. RADIANCE (F#) (ALT MIX) 00:00:11
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72. QUARANTINE (A) (FULL MIX) 00:00:14 A SLAMMING HIT PAIRED WITH AN ALARMING HORN SOUND THAT RINGS OUT FOR A LONG TIME.
73. QUARANTINE (NO BOOM) (A) (ALT MIX) 00:00:14
74. QUARANTINE (A#) (ALT MIX) 00:00:14
76. QUARANTINE (B) (ALT MIX) 00:00:14
78. QUARANTINE (C) (ALT MIX) 00:00:14
80. QUARANTINE (C#) (ALT MIX) 00:00:14
77. QUARANTINE (NO BOOM) (B) (ALT MIX) 00:00:14
79. QUARANTINE (NO BOOM) (C) (ALT MIX) 00:00:14
81. QUARANTINE (NO BOOM) (C#) (ALT MIX) 00:00:14
84. QUARANTINE (D#) (ALT MIX) 00:00:14
82. QUARANTINE (D) (ALT MIX) 00:00:14
86. QUARANTINE (E) (ALT MIX) 00:00:14
88. QUARANTINE (F) (ALT MIX) 00:00:14
90. QUARANTINE (F#) (ALT MIX) 00:00:14
92. QUARANTINE (G) (ALT MIX) 00:00:14
94. QUARANTINE (G#) (ALT MIX) 00:00:14
75. QUARANTINE (NO BOOM) (A#) (ALT MIX) 00:00:14
83. QUARANTINE (NO BOOM) (D) (ALT MIX) 00:00:14
85. QUARANTINE (NO BOOM) (D#) (ALT MIX) 00:00:14
87. QUARANTINE (NO BOOM) (E) (ALT MIX) 00:00:14
89. QUARANTINE (NO BOOM) (F) (ALT MIX) 00:00:14
91. QUARANTINE (NO BOOM) (F#) (ALT MIX) 00:00:14
93. QUARANTINE (NO BOOM) (G) (ALT MIX) 00:00:14
95. QUARANTINE (NO BOOM) (G#) (ALT MIX) 00:00:14
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96. APPARITION (A) (FULL MIX) 00:00:16 THIS IS A TERRIFYING SYNTH CHORD WITH A RETRO SOUND AND THE HINT OF A GASTLY CHOIR.
97. APPARITION (A#) (ALT MIX) 00:00:16
98. APPARITION (B) (ALT MIX) 00:00:16
99. APPARITION (C) (ALT MIX) 00:00:16
100. APPARITION (C#) (ALT MIX) 00:00:16
101. APPARITION (D) (ALT MIX) 00:00:16
102. APPARITION (D#) (ALT MIX) 00:00:16
103. APPARITION (E) (ALT MIX) 00:00:16
104. APPARITION (F) (ALT MIX) 00:00:16
105. APPARITION (F#) (ALT MIX) 00:00:16
106. APPARITION (G) (ALT MIX) 00:00:16
107. APPARITION (G#) (ALT MIX) 00:00:16
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108. WRAITH (A) (FULL MIX) 00:00:20 THIS INTENSE AND ALARMING SYNTH TONE WAVERS BEFORE RINGING OUT INTO SPACE.
109. WRAITH (A#) (ALT MIX) 00:00:20
110. WRAITH (B) (ALT MIX) 00:00:20
111. WRAITH (C) (ALT MIX) 00:00:20
112. WRAITH (C#) (ALT MIX) 00:00:20
113. WRAITH (D) (ALT MIX) 00:00:20
114. WRAITH (D#) (ALT MIX) 00:00:20
115. WRAITH (E) (ALT MIX) 00:00:20
116. WRAITH (F) (ALT MIX) 00:00:20
117. WRAITH (F#) (ALT MIX) 00:00:20
118. WRAITH (G) (ALT MIX) 00:00:20
119. WRAITH (G#) (ALT MIX) 00:00:20
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120. RED EYES (A) (FULL MIX) 00:00:07 THIS SOUND IS A COMBINATION OF A PULSING DIGITAL SOUND THAT BENDS AND AN OMNIOUS SWEEP.
121. RED EYES (A#) (ALT MIX) 00:00:07
122. RED EYES (B) (ALT MIX) 00:00:07
123. RED EYES (C) (ALT MIX) 00:00:07
124. RED EYES (C#) (ALT MIX) 00:00:07
125. RED EYES (D) (ALT MIX) 00:00:07
126. RED EYES (D#) (ALT MIX) 00:00:07
127. RED EYES (E) (ALT MIX) 00:00:07
128. RED EYES (F) (ALT MIX) 00:00:07
129. RED EYES (F#) (ALT MIX) 00:00:07
130. RED EYES (G) (ALT MIX) 00:00:07
131. RED EYES (G#) (ALT MIX) 00:00:07
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132. THE SIRENS (A) (FULL MIX) 00:00:07 THIS SOUND FEATURES AN ALARMING ECHOEY SYNTH BLAST ON A HIGHER AND THEN LOWER PITCH.
133. THE SIRENS (A#) (ALT MIX) 00:00:07
134. THE SIRENS (B) (ALT MIX) 00:00:07
135. THE SIRENS (C) (ALT MIX) 00:00:07
136. THE SIRENS (C#) (ALT MIX) 00:00:07
137. THE SIRENS (D) (ALT MIX) 00:00:07
138. THE SIRENS (D#) (ALT MIX) 00:00:07
139. THE SIRENS (E) (ALT MIX) 00:00:07
140. THE SIRENS (F) (ALT MIX) 00:00:07
141. THE SIRENS (F#) (ALT MIX) 00:00:07
142. THE SIRENS (G) (ALT MIX) 00:00:07
143. THE SIRENS (G#) (ALT MIX) 00:00:07
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144. TSUNAMI (A) (FULL MIX) 00:00:14 AN ABRUPT BUZZY SYNTH THAT IS PAIRED WITH A LOW HIT AND BENDS UPWARD BEFORE RINGING OUT.
145. TSUNAMI (NO BOOM) (A) (ALT MIX) 00:00:14
146. TSUNAMI (A#) (ALT MIX) 00:00:14
148. TSUNAMI (B) (ALT MIX) 00:00:14
150. TSUNAMI (C) (ALT MIX) 00:00:14
152. TSUNAMI (C#) (ALT MIX) 00:00:14
149. TSUNAMI (NO BOOM) (B) (ALT MIX) 00:00:14
151. TSUNAMI (NO BOOM) (C) (ALT MIX) 00:00:14
153. TSUNAMI (NO BOOM) (C#) (ALT MIX) 00:00:14
156. TSUNAMI (D#) (ALT MIX) 00:00:14
154. TSUNAMI (D) (ALT MIX) 00:00:14
158. TSUNAMI (E) (ALT MIX) 00:00:14
160. TSUNAMI (F) (ALT MIX) 00:00:14
162. TSUNAMI (F#) (ALT MIX) 00:00:14
164. TSUNAMI (G) (ALT MIX) 00:00:14
166. TSUNAMI (G#) (ALT MIX) 00:00:14
147. TSUNAMI (NO BOOM) (A#) (ALT MIX) 00:00:14
155. TSUNAMI (NO BOOM) (D) (ALT MIX) 00:00:14
157. TSUNAMI (NO BOOM) (D#) (ALT MIX) 00:00:14
159. TSUNAMI (NO BOOM) (E) (ALT MIX) 00:00:14
161. TSUNAMI (NO BOOM) (F) (ALT MIX) 00:00:14
163. TSUNAMI (NO BOOM) (F#) (ALT MIX) 00:00:14
165. TSUNAMI (NO BOOM) (G) (ALT MIX) 00:00:14
167. TSUNAMI (NO BOOM) (G#) (ALT MIX) 00:00:14
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168. OBSCURA (A) (FULL MIX) 00:00:12 A MALLET PERCUSSION HIT COMBINES WITH A WHIRLING BUT DISTANT SYNTH CHORD.
169. OBSCURA (A#) (ALT MIX) 00:00:12
170. OBSCURA (B) (ALT MIX) 00:00:12
171. OBSCURA (C) (ALT MIX) 00:00:12
172. OBSCURA (C#) (ALT MIX) 00:00:12
173. OBSCURA (D) (ALT MIX) 00:00:12
174. OBSCURA (D#) (ALT MIX) 00:00:12
175. OBSCURA (E) (ALT MIX) 00:00:12
176. OBSCURA (F) (ALT MIX) 00:00:12
177. OBSCURA (F#) (ALT MIX) 00:00:12
178. OBSCURA (G) (ALT MIX) 00:00:12
179. OBSCURA (G#) (ALT MIX) 00:00:12
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180. LOCKED MOUTH (G#) (FULL MIX) 00:00:11 THIS DEEP HORN BLARES ABRUPTLY BEFORE FADING OFF INTO THE DISTANCE.
181. LOCKED MOUTH (A) (ALT MIX) 00:00:11
182. LOCKED MOUTH (A#) (ALT MIX) 00:00:11
183. LOCKED MOUTH (B) (ALT MIX) 00:00:11
184. LOCKED MOUTH (C) (ALT MIX) 00:00:11
185. LOCKED MOUTH (C#) (ALT MIX) 00:00:11
186. LOCKED MOUTH (D) (ALT MIX) 00:00:11
187. LOCKED MOUTH (D#) (ALT MIX) 00:00:11
188. LOCKED MOUTH (E) (ALT MIX) 00:00:11
189. LOCKED MOUTH (F) (ALT MIX) 00:00:11
190. LOCKED MOUTH (F#) (ALT MIX) 00:00:11
191. LOCKED MOUTH (G) (ALT MIX) 00:00:11
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192. UNDER PRESSURE (C) (FULL MIX) 00:00:09 AN ABRUPT HIT FEATURING A CHORUS OF OMINOUS TRIBAL HORNS PAIRED WITH A SWEEPING SYNTH.
193. UNDER PRESSURE (C#) (ALT MIX) 00:00:09
194. UNDER PRESSURE (D) (ALT MIX) 00:00:09
195. UNDER PRESSURE (D#) (ALT MIX) 00:00:09
196. UNDER PRESSURE (E) (ALT MIX) 00:00:09
197. UNDER PRESSURE (F) (ALT MIX) 00:00:09
198. UNDER PRESSURE (F#) (ALT MIX) 00:00:09
199. UNDER PRESSURE (G) (ALT MIX) 00:00:09
200. UNDER PRESSURE (G#) (ALT MIX) 00:00:09
201. UNDER PRESSURE (A) (ALT MIX) 00:00:09
202. UNDER PRESSURE (A#) (ALT MIX) 00:00:09
203. UNDER PRESSURE (B) (ALT MIX) 00:00:09
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204. GHOSTSHIP (A) (FULL MIX) 00:00:16 AN INTENSE BLAST OF A DIGITAL LOW SYNTH CHORD THAT JUMPS THE OCTAVE AND BACK DOWN AGAIN.
205. GHOSTSHIP (A#) (ALT MIX) 00:00:16
206. GHOSTSHIP (B) (ALT MIX) 00:00:16
207. GHOSTSHIP (C) (ALT MIX) 00:00:16
208. GHOSTSHIP (C#) (ALT MIX) 00:00:16
209. GHOSTSHIP (D) (ALT MIX) 00:00:16
210. GHOSTSHIP (D#) (ALT MIX) 00:00:16
211. GHOSTSHIP (E) (ALT MIX) 00:00:16
212. GHOSTSHIP (F) (ALT MIX) 00:00:16
213. GHOSTSHIP (F#) (ALT MIX) 00:00:16
214. GHOSTSHIP (G) (ALT MIX) 00:00:16
215. GHOSTSHIP (G#) (ALT MIX) 00:00:16
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216. DOUBLE EDGE (F) (FULL MIX) 00:00:13 A VERY RESONANT CHORD HIT WITH A TRIBAL FEEL AND PRESENCE IN MULTIPLE OCTAVES.
219. DOUBLE EDGE (G#) (ALT MIX) 00:00:13
218. DOUBLE EDGE (G) (ALT MIX) 00:00:13
220. DOUBLE EDGE (A) (ALT MIX) 00:00:13
217. DOUBLE EDGE (F#) (ALT MIX) 00:00:13
221. DOUBLE EDGE (A#) (ALT MIX) 00:00:13
222. DOUBLE EDGE (B) (ALT MIX) 00:00:13
223. DOUBLE EDGE (C) (ALT MIX) 00:00:13
224. DOUBLE EDGE (C#) (ALT MIX) 00:00:13
225. DOUBLE EDGE (D) (ALT MIX) 00:00:13
226. DOUBLE EDGE (D#) (ALT MIX) 00:00:13
227. DOUBLE EDGE (E) (ALT MIX) 00:00:13
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228. RAW FORCE (A) (FULL MIX) 00:00:14 A LOW DISTORTED ELECTRIC GUITAR SOUNDING CHORD THAT BENDS UPWARD OMINOUSLY.
229. RAW FORCE (A#) (ALT MIX) 00:00:14
230. RAW FORCE (B) (ALT MIX) 00:00:14
231. RAW FORCE (C) (ALT MIX) 00:00:14
232. RAW FORCE (C#) (ALT MIX) 00:00:14
233. RAW FORCE (D) (ALT MIX) 00:00:14
234. RAW FORCE (D#) (ALT MIX) 00:00:14
235. RAW FORCE (E) (ALT MIX) 00:00:14
236. RAW FORCE (F) (ALT MIX) 00:00:14
237. RAW FORCE (F#) (ALT MIX) 00:00:14
238. RAW FORCE (G) (ALT MIX) 00:00:14
239. RAW FORCE (G#) (ALT MIX) 00:00:14
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240. DEADLY BOX (A) (FULL MIX) 00:00:12 A DISTANT BELL SOUND COMBINES WITH A LOW PULSING RUMBLE TO CREATE FEELINGS OF UNREST.
241. DEADLY BOX (A#) (ALT MIX) 00:00:12
242. DEADLY BOX (B) (ALT MIX) 00:00:12
243. DEADLY BOX (C) (ALT MIX) 00:00:12
244. DEADLY BOX (C#) (ALT MIX) 00:00:12
245. DEADLY BOX (D) (ALT MIX) 00:00:12
246. DEADLY BOX (D#) (ALT MIX) 00:00:12
247. DEADLY BOX (E) (ALT MIX) 00:00:12
248. DEADLY BOX (F) (ALT MIX) 00:00:12
249. DEADLY BOX (F#) (ALT MIX) 00:00:12
250. DEADLY BOX (G) (ALT MIX) 00:00:12
251. DEADLY BOX (G#) (ALT MIX) 00:00:12
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252. DISTANT PULSE (A) (FULL MIX) 00:00:08 A DEEP SONAR PULSE WITH NO HIGH END AND A LONG REVERB TIME.
253. DISTANT PULSE (A#) (ALT MIX) 00:00:08
254. DISTANT PULSE (B) (ALT MIX) 00:00:08
255. DISTANT PULSE (C) (ALT MIX) 00:00:08
256. DISTANT PULSE (C#) (ALT MIX) 00:00:08
257. DISTANT PULSE (D) (ALT MIX) 00:00:08
258. DISTANT PULSE (D#) (ALT MIX) 00:00:08
259. DISTANT PULSE (E) (ALT MIX) 00:00:08
260. DISTANT PULSE (F) (ALT MIX) 00:00:08
261. DISTANT PULSE (F#) (ALT MIX) 00:00:08
262. DISTANT PULSE (G) (ALT MIX) 00:00:08
263. DISTANT PULSE (G#) (ALT MIX) 00:00:08
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264. MEDUSA (A) (FULL MIX) 00:00:15 A DEEPLY DISTORTED SYNTH CHORD WITH A BOOMING HIT AND LONG REVERB TIME.
265. MEDUSA (NO BOOM) (A) (ALT MIX) 00:00:15
266. MEDUSA (A#) (ALT MIX) 00:00:15
268. MEDUSA (B) (ALT MIX) 00:00:15
270. MEDUSA (C) (ALT MIX) 00:00:15
272. MEDUSA (C#) (ALT MIX) 00:00:15
274. MEDUSA (D) (ALT MIX) 00:00:15
276. MEDUSA (D#) (ALT MIX) 00:00:15
278. MEDUSA (E) (ALT MIX) 00:00:15
280. MEDUSA (F#) (ALT MIX) 00:00:15
267. MEDUSA (NO BOOM) (A#) (ALT MIX) 00:00:15
269. MEDUSA (NO BOOM) (B) (ALT MIX) 00:00:15
271. MEDUSA (NO BOOM) (C) (ALT MIX) 00:00:15
273. MEDUSA (NO BOOM) (C#) (ALT MIX) 00:00:15
275. MEDUSA (NO BOOM) (D) (ALT MIX) 00:00:15
277. MEDUSA (NO BOOM) (D#) (ALT MIX) 00:00:15
279. MEDUSA (NO BOOM) (E) (ALT MIX) 00:00:15
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281. ENTROPIA (A) (FULL MIX) 00:00:08 THIS SOUNDS LIKE A WAVERING SPACE LASER COMING AT YOU FROM THE DISTANCE.
282. ENTROPIA (A#) (ALT MIX) 00:00:08
283. ENTROPIA (B) (ALT MIX) 00:00:08
284. ENTROPIA (C) (ALT MIX) 00:00:08
285. ENTROPIA (C#) (ALT MIX) 00:00:08
286. ENTROPIA (D) (ALT MIX) 00:00:08
287. ENTROPIA (D#) (ALT MIX) 00:00:08
288. ENTROPIA (E) (ALT MIX) 00:00:08
289. ENTROPIA (F) (ALT MIX) 00:00:08
290. ENTROPIA (F#) (ALT MIX) 00:00:08
291. ENTROPIA (G) (ALT MIX) 00:00:08
292. ENTROPIA (G#) (ALT MIX) 00:00:08
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293. CERBERUS (A) (FULL MIX) 00:00:14 A STAGGERED SWEEP INTO A BOOMING HIT PAIRED WITH A LOW BRAAMS CHORD.
294. CERBERUS (NO BOOM) (A) (ALT MIX) 00:00:14
295. CERBERUS (A#) (ALT MIX) 00:00:14
297. CERBERUS (B) (ALT MIX) 00:00:14
299. CERBERUS (C) (ALT MIX) 00:00:14
301. CERBERUS (C#) (ALT MIX) 00:00:14
298. CERBERUS (NO BOOM) (B) (ALT MIX) 00:00:14
300. CERBERUS (NO BOOM) (C) (ALT MIX) 00:00:14
302. CERBERUS (NO BOOM) (C#) (ALT MIX) 00:00:14
305. CERBERUS (D#) (ALT MIX) 00:00:14
303. CERBERUS (D) (ALT MIX) 00:00:14
307. CERBERUS (E) (ALT MIX) 00:00:14
309. CERBERUS (F) (ALT MIX) 00:00:14
311. CERBERUS (F#) (ALT MIX) 00:00:14
313. CERBERUS (G) (ALT MIX) 00:00:14
315. CERBERUS (G#) (ALT MIX) 00:00:14
296. CERBERUS (NO BOOM) (A#) (ALT MIX) 00:00:14
304. CERBERUS (NO BOOM) (D) (ALT MIX) 00:00:14
306. CERBERUS (NO BOOM) (D#) (ALT MIX) 00:00:14
308. CERBERUS (NO BOOM) (E) (ALT MIX) 00:00:14
310. CERBERUS (NO BOOM) (F) (ALT MIX) 00:00:14
312. CERBERUS (NO BOOM) (F#) (ALT MIX) 00:00:14
314. CERBERUS (NO BOOM) (G) (ALT MIX) 00:00:14
316. CERBERUS (NO BOOM) (G#) (ALT MIX) 00:00:14
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317. ABDUCTION (A) (FULL MIX) 00:00:06 THIS IS A STUTTERING SYNTH SOUND PAIRED WITH A SWEEPING DRUM HIT.
318. ABDUCTION (A#) (ALT MIX) 00:00:06
319. ABDUCTION (B) (ALT MIX) 00:00:06
320. ABDUCTION (C) (ALT MIX) 00:00:06
321. ABDUCTION (C#) (ALT MIX) 00:00:06
322. ABDUCTION (D) (ALT MIX) 00:00:06
323. ABDUCTION (D#) (ALT MIX) 00:00:06
324. ABDUCTION (E) (ALT MIX) 00:00:06
325. ABDUCTION (F) (ALT MIX) 00:00:06
326. ABDUCTION (F#) (ALT MIX) 00:00:06
327. ABDUCTION (G) (ALT MIX) 00:00:06
328. ABDUCTION (G#) (ALT MIX) 00:00:06
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329. INTO THE VORTEX (A) (FULL MIX) 00:00:03 THIS LOW SYNTH SOUND BENDS UPWARD AND THEN COMBINES WITH A HIGHER OCTAVE.
330. INTO THE VORTEX (A#) (ALT MIX) 00:00:03
331. INTO THE VORTEX (B) (ALT MIX) 00:00:03
332. INTO THE VORTEX (C) (ALT MIX) 00:00:03
333. INTO THE VORTEX (C#) (ALT MIX) 00:00:03
334. INTO THE VORTEX (D) (ALT MIX) 00:00:03
335. INTO THE VORTEX (D#) (ALT MIX) 00:00:03
336. INTO THE VORTEX (E) (ALT MIX) 00:00:03
337. INTO THE VORTEX (F) (ALT MIX) 00:00:03
338. INTO THE VORTEX (F#) (ALT MIX) 00:00:03
339. INTO THE VORTEX (G) (ALT MIX) 00:00:03
340. INTO THE VORTEX (G#) (ALT MIX) 00:00:03
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341. AUTOBOTICA (A) (FULL MIX) 00:00:09 A QUICK DIGITAL SOUND THAT JUMPS SEVERAL OCTAVES AND ALARMS ANYONE WHO HEARS IT.
342. AUTOBOTICA (A#) (ALT MIX) 00:00:09
343. AUTOBOTICA (B) (ALT MIX) 00:00:09
344. AUTOBOTICA (C) (ALT MIX) 00:00:09
345. AUTOBOTICA (C#) (ALT MIX) 00:00:09
346. AUTOBOTICA (D) (ALT MIX) 00:00:09
347. AUTOBOTICA (D#) (ALT MIX) 00:00:09
348. AUTOBOTICA (E) (ALT MIX) 00:00:09
349. AUTOBOTICA (F) (ALT MIX) 00:00:09
350. AUTOBOTICA (F#) (ALT MIX) 00:00:09
351. AUTOBOTICA (G) (ALT MIX) 00:00:09
352. AUTOBOTICA (G#) (ALT MIX) 00:00:09
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353. BREATHALYZER (A) (FULL MIX) 00:00:06 THIS SOUNDS LIKE SOMEONE GASPING FOR AIR AND IS UNABLE TO TAKE A BREATH.
354. BREATHALYZER (A#) (ALT MIX) 00:00:06
355. BREATHALYZER (B) (ALT MIX) 00:00:06
356. BREATHALYZER (C) (ALT MIX) 00:00:06
357. BREATHALYZER (C#) (ALT MIX) 00:00:06
358. BREATHALYZER (D) (ALT MIX) 00:00:06
359. BREATHALYZER (D#) (ALT MIX) 00:00:06
360. BREATHALYZER (E) (ALT MIX) 00:00:06
361. BREATHALYZER (F) (ALT MIX) 00:00:06
362. BREATHALYZER (F#) (ALT MIX) 00:00:06
363. BREATHALYZER (G) (ALT MIX) 00:00:06
364. BREATHALYZER (G#) (ALT MIX) 00:00:06
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365. JAWBREAKER (A) (FULL MIX) 00:00:07 THIS QUICK DIGITAL BLAST SOUNDS LIKE A ROBOT BREAKING DOWN BEFORE RINIGNG OUT AS AN ECHO.
366. JAWBREAKER (A#) (ALT MIX) 00:00:07
367. JAWBREAKER (B) (ALT MIX) 00:00:07
368. JAWBREAKER (C) (ALT MIX) 00:00:07
369. JAWBREAKER (C#) (ALT MIX) 00:00:07
370. JAWBREAKER (D) (ALT MIX) 00:00:07
371. JAWBREAKER (D#) (ALT MIX) 00:00:07
372. JAWBREAKER (E) (ALT MIX) 00:00:07
373. JAWBREAKER (F) (ALT MIX) 00:00:07
374. JAWBREAKER (F#) (ALT MIX) 00:00:07
375. JAWBREAKER (G) (ALT MIX) 00:00:07
376. JAWBREAKER (G#) (ALT MIX) 00:00:07