1. SUPPRESSED AFFECTION 00:01:48 GLOOMY AND DEEP IN THOUGHT. GUITAR ACCENTS AND MODIFIED CHOIR.

2. INTERMISSION 00:01:34 PIANO, SYNTHESIZER AND DISTORTED ELECTRIC SOUNDS EVOKE A FEELING OF THE FRIGHTENING UNKNOWN. ORCHESTRAL SOUND WHICH WORKS FOR MYSTERY AS WELL AS SCIENCE-FICTION.

3. INTERMISSION 00:01:33 PIANO, SYNTHESIZER AND DISTORTED ELECTRIC SOUNDS EVOKE A FEELING OF THE FRIGHTENING UNKNOWN. ORCHESTRAL SOUND WHICH WORKS FOR MYSTERY AS WELL AS SCIENCE-FICTION.

4. CONDUCTION 00:01:03 EXOTIC, MYSTERIOUS, CRYPTIC. A SOUNDSCAPE FOR DISTANCE, DESERTS OR WASTELANDS.

5. LOST HUMANITY 00:02:04 STARTS WITH DARK PIANO, THEN SYNTHESIZER AND DRUMS SLOWLY SET IN. IDEAL FOR IMAGES OF DESPERATION, THREAT AND AFTERMATH OF WAR.

6. LOST HUMANITY 00:02:03 STARTS WITH DARK PIANO, THEN SYNTHESIZER AND DRUMS SLOWLY SET IN. IDEAL FOR IMAGES OF DESPERATION, THREAT AND AFTERMATH OF WAR.

8. HOMELESS 00:02:23 A SONG DOMINATED BY A CALM ACOUSTIC GUITAR. MELANCHOLIC AND THOUGHTFUL MOOD. STRINGS AND SUBTLE FEMALE CHOIR SEQUENCES.

9. HOMELESS 00:02:22 A SONG DOMINATED BY A CALM ACOUSTIC GUITAR. MELANCHOLIC AND THOUGHTFUL MOOD. STRINGS AND SUBTLE FEMALE CHOIR SEQUENCES.

11. OASIS 00:02:17 ORIENTAL, MELANCHOLIC SOUND WITH A FEMALE VOICE AND TRADITIONAL INSTRUMENTS. FAST DRUMS AND BLURRED SYNTHESIZER CREATE A DRAMATIC, EXCITING AND ACTION-PACKED ATMOSPHERE.

12. OASIS 00:00:33 ORIENTAL, MELANCHOLIC SOUND WITH A FEMALE VOICE AND TRADITIONAL INSTRUMENTS. FAST DRUMS AND BLURRED SYNTHESIZER CREATE A DRAMATIC, EXCITING AND ACTION-PACKED ATMOSPHERE.

14. FATE 00:02:15 SYNTHESIZER, DRIVING DRUMS AND GUITAR WITH FEMALE ORIENTAL VOCALS ARE ACCENTUATED BY ELECTRONICA SOUNDS. WORKS FOR IMAGES OF CONFLICT AREAS OR ACTION MOVIES.

15. FATE 00:02:15 SYNTHESIZER, DRIVING DRUMS AND GUITAR WITH FEMALE ORIENTAL VOCALS ARE ACCENTUATED BY ELECTRONICA SOUNDS. WORKS FOR IMAGES OF CONFLICT AREAS OR ACTION MOVIES.

18. TENSE CALM 00:02:06 ELECTRONICS, SYNTHESIZER AND BLURRED FEMALE VOICES. IDEAL FOR DOCUTAINMENT, REPORTS ON CRISIS SITUATIONS, NEWS OR REALITY TV.

19. TENSE CALM 00:01:05 ELECTRONICS, SYNTHESIZER AND BLURRED FEMALE VOICES. IDEAL FOR DOCUTAINMENT, REPORTS ON CRISIS SITUATIONS, NEWS OR REALITY TV.

22. PAVOR 00:02:08 THE WITCHING HOUR APPROACHES AND THE OLD GRANDFATHER CLOCK KEEPS THE TIME IN THE SPOOKY MANSION.

23. CARAVAN HELL 00:03:10 HUNGER, DESPERATION, THIRST AND HEAT, PEOPLE ARE SUFFERING, THERE IS NO WAY OTHER THAN THE DESERT WASTES.

24. TOXICITY 00:02:37 THE DAY AFTER, DESPAIR AND HOPELESSNESS, WITH FEMALE CHOIR. DESOLATE SOUNDSCAPE.

25. SECLUDED 00:02:29 SOMBER CELLO, LOW SYNTHESIZER AND SPARSE ELECTRIC GUITAR. ATMOSPHERE OF HOPELESSNESS, DESPAIR, DEEP SADNESS AND MOURNING.

26. SECLUDED 00:02:28 SOMBER CELLO, LOW SYNTHESIZER AND SPARSE ELECTRIC GUITAR. ATMOSPHERE OF HOPELESSNESS, DESPAIR, DEEP SADNESS AND MOURNING.

27. NEAR EAST 00:02:04 IDEAL FOR PICTURES OF ABANDONED PLACES, ROUGH TIMES AND MISERABLE FATES. ORIENTAL ELECTRIC GUITAR AND HAND DRUMS CREATE A SENSE OF MENACE AND SORROW.

28. NEAR EAST 00:02:04 IDEAL FOR PICTURES OF ABANDONED PLACES, ROUGH TIMES AND MISERABLE FATES. ORIENTAL ELECTRIC GUITAR AND HAND DRUMS CREATE A SENSE OF MENACE AND SORROW.

30. PREMONITION 00:02:22 SLOW, AMBIENT START BECOMES FASTER DURING THE SONG. UNOBTRUSIVE, IDEAL FOR AMBITIOUS REPORTS ON WAR AND CONFLICT ZONES.

31. PREMONITION 00:02:21 SLOW, AMBIENT START BECOMES FASTER DURING THE SONG. UNOBTRUSIVE, IDEAL FOR AMBITIOUS REPORTS ON WAR AND CONFLICT ZONES.

33. PREMONITION 00:01:54 SLOW, AMBIENT START BECOMES FASTER DURING THE SONG. UNOBTRUSIVE, IDEAL FOR AMBITIOUS REPORTS ON WAR AND CONFLICT ZONES.

34. INFESTATION 00:02:43 THREATS AND MILITARY INTERVENTIONS CREATE A DANGEROUS MOOD. IMPULSIVE SYNTHESIZER AND TRUMPETS.

35. INFESTATION 00:02:43 THREATS AND MILITARY INTERVENTIONS CREATE A DANGEROUS MOOD. IMPULSIVE SYNTHESIZER AND TRUMPETS.

37. TOTAL DESTRUCTION 00:02:01 DANGER, MISERY AND SUFFERING ON THE FACES OF THE VICTIMS ARE AUDIBLE IN THIS COMPOSITION. SYNTHESIZER AND DEEP BASS HAVE A STRONG EMOTIONAL EFFECT. INCLUDING MANY ORIENTAL ELEMENTS.

38. TOTAL DESTRUCTION 00:02:02 DANGER, MISERY AND SUFFERING ON THE FACES OF THE VICTIMS ARE AUDIBLE IN THIS COMPOSITION. SYNTHESIZER AND DEEP BASS HAVE A STRONG EMOTIONAL EFFECT. INCLUDING MANY ORIENTAL ELEMENTS.

40. WASTELAND 00:02:38 ORIENTAL, TRADITIONAL INSTRUMENTS. AS THE TEMPO RAISES, THE ATMOSPHERE BECOMES IMPULSIVE LIKE A DESPERATE ESCAPE FROM DESTROYED AREAS.

41. WASTELAND 00:02:38 ORIENTAL, TRADITIONAL INSTRUMENTS. AS THE TEMPO RAISES, THE ATMOSPHERE BECOMES IMPULSIVE LIKE A DESPERATE ESCAPE FROM DESTROYED AREAS.

43. EMPIRE 00:03:19 DRIVING SOUND WITH SYNTHESIZER, STRINGS, ARABIC PLUCKED INSTRUMENTS AND ORIENTAL SINGING. MODERN INTERPRETATION OF TRADITIONAL ORIENTAL THEMES. MELANCHOLIC AND THOUGHTFUL.

44. EMPIRE 00:01:58 DRIVING SOUND WITH SYNTHESIZER, STRINGS, ARABIC PLUCKED INSTRUMENTS AND ORIENTAL SINGING. MODERN INTERPRETATION OF TRADITIONAL ORIENTAL THEMES. MELANCHOLIC AND THOUGHTFUL.

46. BAD DREAMS 00:01:21 TONIGHT IS AN ENDLESS NIGHT. RESTLESSNESS IN THE AIR, HARD TO FALL ASLEEP. UNSTEADY PERCUSSION ELEMENTS CREATE NERVOUSNESS.

47. LONG WAY 00:02:40 ELECTRIC GUITAR, MYSTERIOUS CLAPS AND DARK SYNTHESIZER EFFECTS IN THE BEGINNING. ORIENTAL MOOD AND ATMOSPHERE CREATED BY TRADITIONAL INSTRUMENTS AND ORIENTAL RYTHM.

48. LONG WAY 00:02:40 ELECTRIC GUITAR, MYSTERIOUS CLAPS AND DARK SYNTHESIZER EFFECTS IN THE BEGINNING. ORIENTAL MOOD AND ATMOSPHERE CREATED BY TRADITIONAL INSTRUMENTS AND ORIENTAL RYTHM.

50. DESPERATE 00:02:23 CALM AND LAID-BACK SONG - LIKE THE CALM BEFORE THE STORM. IDEAL FOR PICTURES OF LANDSCAPES AND SMALL VILLAGES.

51. DESPERATE 00:02:23 CALM AND LAID-BACK SONG - LIKE THE CALM BEFORE THE STORM. IDEAL FOR PICTURES OF LANDSCAPES AND SMALL VILLAGES.

53. DESPERATE 00:02:51 CALM AND LAID-BACK SONG - LIKE THE CALM BEFORE THE STORM. IDEAL FOR PICTURES OF LANDSCAPES AND SMALL VILLAGES.

54. AFTER THE BOMBING 00:01:52 EERIE, SHARP, DESOLATE SOUNDSCAPES. AN APOCALYPTIC MOOD THAT LEAVES NO HOPE FOR A HAPPY ENDING.

55. AFTER THE BOMBING 00:01:52 EERIE, SHARP, DESOLATE SOUNDSCAPES. AN APOCALYPTIC MOOD THAT LEAVES NO HOPE FOR A HAPPY ENDING.

57. YOU WILL KNOW WHY 00:01:04 BRIEF TRACK FEATURING LONE ELECTRONIC GUITAR NOTES WITH PLENTY OF REVERB AND A PULSATING ABSTRACT SPHERE.

58. YOU WILL KNOW WHY 00:01:04 BRIEF TRACK FEATURING LONE ELECTRONIC GUITAR NOTES WITH PLENTY OF REVERB AND A PULSATING ABSTRACT SPHERE.

60. ARABIAN NIGHTS 00:03:01 AMBIENT, MELANCHOLIC AND ORIENTAL SONG. RATTLING SOUND LIKE A RATTLESNAKE. BELLY-DANCE RHYTHM. MELANCHOLIC MEMORY OF ORIENTAL TRADITION IS OVERSHADOWED BY IMPENDING DANGER.

61. ARABIAN NIGHTS 00:03:01 AMBIENT, MELANCHOLIC AND ORIENTAL SONG. RATTLING SOUND LIKE A RATTLESNAKE. BELLY-DANCE RHYTHM. MELANCHOLIC MEMORY OF ORIENTAL TRADITION IS OVERSHADOWED BY IMPENDING DANGER.

63. ARABIAN NIGHTS 00:03:38 AMBIENT, MELANCHOLIC AND ORIENTAL SONG. RATTLING SOUND LIKE A RATTLESNAKE. BELLY-DANCE RHYTHM. MELANCHOLIC MEMORY OF ORIENTAL TRADITION IS OVERSHADOWED BY IMPENDING DANGER.

64. SYRIA 00:02:09 SLOW TEMPO AND TRADITIONAL ORIENTAL INSTRUMENTS. SAD AND DEPRESSIVE MOOD. WORKS FOR HUMAN PORTRAITS AND DOCUMENTATION ABOUT CIVILIANS IN THE WAR IN THE MIDDLE EAST.

65. SYRIA 00:02:00 SLOW TEMPO AND TRADITIONAL ORIENTAL INSTRUMENTS. SAD AND DEPRESSIVE MOOD. WORKS FOR HUMAN PORTRAITS AND DOCUMENTATION ABOUT CIVILIANS IN THE WAR IN THE MIDDLE EAST.

67. SYRIA 00:02:11 SLOW TEMPO AND TRADITIONAL ORIENTAL INSTRUMENTS. SAD AND DEPRESSIVE MOOD. WORKS FOR HUMAN PORTRAITS AND DOCUMENTATION ABOUT CIVILIANS IN THE WAR IN THE MIDDLE EAST.

68. CREATURES 00:02:11 AMBIENT SOUNDSCAPE WITH REPETETIVE GUITAR AND OCCASIONAL BITS OF BEAT. ABSTRACT, STRANGE, EXPERIMENTAL.

69. CREATURES 00:02:11 AMBIENT SOUNDSCAPE WITH REPETETIVE GUITAR AND OCCASIONAL BITS OF BEAT. ABSTRACT, STRANGE, EXPERIMENTAL.

71. EAST 00:01:48 TRADITIONAL ORIENTAL INSTRUMENTS AND MELODIES AND THE PASSIONATE, YEARNING MALE VOCALS CREATE A PLAINTIVE, DESPERATE ATMOSPHERE WHICH IS ACCENTUATED BY THE FEELING OF LOSS AND SORROW.

72. FEAT 00:00:33 TRADITIONAL ORIENTAL INSTRUMENTS AND MELODIES AND THE PASSIONATE, YEARNING MALE VOCALS CREATE A PLAINTIVE, DESPERATE ATMOSPHERE WHICH IS ACCENTUATED BY THE FEELING OF LOSS AND SORROW.