AAPM052
WARNER CHAPPELL PM AUDIO ATTACK PRODUCTION MUSIC Underscore Tension Vol. 2These sparse, slowly evolving beds combine modern noir elements with a moody, brooding undertow of tension with snaking electric guitar, subdued synth pulses and eerie textures. |
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1. SUBTLE MALFUNCTIONS 00:02:25 THE ANSWER IS THERE, WE JUST HAVE TO FIND IT. SUSPENSEFUL, THOUGHTFUL AND CALMLY ATMOSPHERIC.
11. SUBTLE MALFUNCTIONS 00:02:25 NO DRUMS
12. SUBTLE MALFUNCTIONS 00:02:25 UNDERSCORE
39. SUBTLE MALFUNCTIONS 00:01:00 60S
49. SUBTLE MALFUNCTIONS 00:00:30 30S
59. SUBTLE MALFUNCTIONS 00:00:15 15S
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2. MIND FIELDS 00:02:05 A TRICKY SITUATION, WE NEED TO CROSS THAT FIELD BUT IT'S NOT GOING TO BE EASY, WE NEED TO BE VERY CAREFUL.
13. MIND FIELDS 00:02:05 NO DRUMS NO BASS
14. MIND FIELDS 00:02:05 UNDERSCORE
40. MIND FIELDS 00:01:00 60S
50. MIND FIELDS 00:00:30 30S
60. MIND FIELDS 00:00:15 15S
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3. MENTAL DISRUPTIONS 00:02:21 IN ORDER TO SOLVE THE RIDDLE WE HAVE TO THINK CAREFULLY. WE DON'T HAVE MUCH TIME. PURE SUSPENSE!
15. MENTAL DISRUPTIONS 00:02:21 NO DRUMS
16. MENTAL DISRUPTIONS 00:02:21 UNDERSCORE
17. MENTAL DISRUPTIONS 00:02:21 UNDERSCORE 2
41. MENTAL DISRUPTIONS 00:01:00 60S
51. MENTAL DISRUPTIONS 00:00:30 30S
61. MENTAL DISRUPTIONS 00:00:15 15S
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4. SIN CITY 00:02:13 IN A DARK CITY THERE ARE MANY MYSTERIES. LET'S DISCOVER AND EXPLORE THEM.
18. SIN CITY 00:02:13 NO DRUMS
19. SIN CITY 00:02:13 NO MELODY
20. SIN CITY 00:02:13 UNDERSCORE
21. SIN CITY 00:02:13 UNDERSCORE 2
42. SIN CITY 00:01:01 60S
52. SIN CITY 00:00:30 30S
62. SIN CITY 00:00:15 15S
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5. FRACTALS ALIGNING 00:02:24 IT'S DARK AND FOGGY, AND YOU CAN HARDLY SEE ANYTHING, BUT WE HAVE TO SOLVE THE RIDDLE SOMEHOW. SUSPENSEFUL AND THOUGHTFUL.
22. FRACTALS ALIGNING 00:02:24 NO BASS
23. FRACTALS ALIGNING 00:02:24 NO MELODY
24. FRACTALS ALIGNING 00:02:24 UNDERSCORE
43. FRACTALS ALIGNING 00:01:00 60S
53. FRACTALS ALIGNING 00:00:30 30S
63. FRACTALS ALIGNING 00:00:15 15S
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6. RABBIT HOLES 00:02:29 WILL WE EVER GET OUT OF HERE AGAIN? AN ATMOSPHERE OF BEING LOST FAR FAR AWAY IN A DARK UNDERGROUND.
25. RABBIT HOLES 00:02:29 NO DRUMS
26. RABBIT HOLES 00:02:29 UNDERSCORE
44. RABBIT HOLES 00:01:00 60S
54. RABBIT HOLES 00:00:30 30S
64. RABBIT HOLES 00:00:15 15S
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7. APPROACHING TRUTH 00:02:02 THE TENSION IS MOUNTING AND WE ARE ON THE TRAIL TO THE SOLUTION! THOUGHTFUL, A BIT DRIVING AS WELL AS REVEALING.
27. APPROACHING TRUTH 00:02:02 NO DRUMS
28. APPROACHING TRUTH 00:02:02 NO MELODY NO BASS
29. APPROACHING TRUTH 00:02:02 NO MELODY
30. APPROACHING TRUTH 00:02:02 UNDERSCORE
45. APPROACHING TRUTH 00:01:00 60S
55. APPROACHING TRUTH 00:00:30 30S
65. APPROACHING TRUTH 00:00:15 15S
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8. DARK EFFIGIES 00:02:25 DARK, ALMOST A BIT SCARY BUT ALSO REFLECTIVE, LIKE BEING IN AN ABANDONED ROOM THAT BRINGS UP FLASHBACKS AND MEMORIES.
31. DARK EFFIGIES 00:02:25 NO DRUMS
32. DARK EFFIGIES 00:02:25 NO MELODY
33. DARK EFFIGIES 00:02:25 UNDERSCORE
46. DARK EFFIGIES 00:01:00 60S
56. DARK EFFIGIES 00:00:30 30S
66. DARK EFFIGIES 00:00:15 15S
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9. IDENTITIES 00:02:38 VERY SLOW AND CALM, REFLECTIVE AND THOUGHTFUL.
34. IDENTITIES 00:02:38 UNDERSCORE
35. IDENTITIES 00:02:38 UNDERSCORE 2
47. IDENTITIES 00:01:00 60S
57. IDENTITIES 00:00:30 30S
67. IDENTITIES 00:00:15 15S
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10. ENEMY IN THE MIRROR 00:02:07 A DECEPTIVE MOOD, WITH AN EXPANSE OF AN UNKNOWING FUTURE. VERY SLOW AND GLOOMY.
36. ENEMY IN THE MIRROR 00:02:07 NO DRUMS
37. ENEMY IN THE MIRROR 00:02:07 NO MELODY
38. ENEMY IN THE MIRROR 00:02:07 UNDERSCORE
48. ENEMY IN THE MIRROR 00:01:00 60S
58. ENEMY IN THE MIRROR 00:00:30 30S
68. ENEMY IN THE MIRROR 00:00:15 15S