1. CAN CAN 00:02:25 A QUIRKY ORCHESTRAL REMIX OF OFFENBACH'S CLASSIC, BLENDING PLAYFUL STRING SNIPPETS, FINGER SNAPS, AND FAST VIOLIN RUNS. SILK-STOCKINGED CAN-CAN LEGS KICK IN PERFECT SYNC, WHILE REGAL BRASS SIGNALS THE VELVET CURTAINS' SWIFT CLOSE, A MAJOR, 160 BPM

2. WILLIAM TELL OVERTURE 00:02:49 PROCESSION FANFARES BASED ON GIOACHINO ROSSINI STAND UP TO ATTENTION. QUIRKY TONGUE-IN-CHEEK STRINGS GALLOP MILITANTLY AT TREMENDOUS SPEEDS. PURRING DRONES SCAN THE STAGE. CLIMACTIC WITH EXTREME BREAKS. HIGHLY ENTERTAINING FOR THOSE WITH A TASTE FOR POWER, E MAJOR, 153 BPM

3. CLAIR DE LUNE 00:02:35 A WONDEROUS PIANO INTRODUCTION WITH AN AROMA OF DRAMA AND MELANCHOLY ORIGINATED ON A THEME BY CLAUDE DEBUSSY. DREADED ELECTRICITY BUZZES LIGHT UP THE DARK SKY LADEN WITH DRONING TRAGEDY. A HUGE, EMOTIONALLY CHARGED ORCHESTRA RISES TO EXTREME HEIGHTS WITH BOLD BRASS AND STRING FORMATIONS JOINED BY AN EPIC CHOIR. MAJESTIC. POWERFUL. DOOMED, C MAJOR, 122 BPM

4. CHORUS OF THE HEBREW SLAVES 00:02:47 CRACKING BUZZES AND WARPED SYNTHS SOUND OUT ACROSS A BLACK SKY. A DEMONIC PULSE AND THREATENING VIOLINS MEET BRAVE DRAWN-OUT BRASS WEIGHED DOWN WITH DOOM. FRANTIC. MASSIVE BUILD WITH EPIC CHOIR LEAD THE HYBRID ORCHESTRAL CLIMB. BASED ON GIUSEPPE VERDIS NABUCCO, D MINOR, 160 BPM

5. FUNERAL MARCH 00:02:41 AN EPIC TRAILER DRIVEN BY BELLICOSE DRONE STABS AND HAUNTING PIANO CHORDS. ROLLING CINEMATIC DRUMS, BRASS, STACCATO STRINGS, AND CHOIR ADVANCE WITH A DARK, WAR-LADEN WEIGHT. DOMINANT. DOOMED. A POWERFUL REIMAGINING OF CHOPIN'S "FUNERAL MARCH", D MINOR, 120 BPM

6. LAND OF HOPE AND GLORY 00:02:45 DRONING IMPACTS SLAM THE SOUNDSCAPE AS AGGRESSIVE BUZZES GRIND AND FRANTIC STRING AGITATIONS FLICKER. A HAUNTING TICKING UNDERPINS MELANCHOLIC PIANO CHORDS DRENCHED IN FEAR. STRINGS RETURN WITH BRAZEN BRASS, BOLD AND DANGEROUS, WHILE A FEROCIOUS LATIN CHOIR LEADS THE CHARGE. THEME WRITTEN BY EDWARD ELGAR, G MINOR, 125 BPM

7. AIR ON A G STRING 00:02:31 EPIC TRAILER ENERGY FEATURING GNARLY DRONES AND WARPED SYNTHS CUTTING THROUGH THE DARKNESS. LETHARGIC TICKING AND BELLOWING DRUMS POUND A DOOM-LADEN RHYTHM. ECHOING PIANO CHORDS UNDERNEATH FIERCE OPERA VOCALS, BACKED BY GROWLING BRASS, PIERCE THE GLOOM, RISING BOLDLY WITH BOMBASTIC ORCHESTRAL GRANDEUR. THEME BY JOHANN SEBASTIAN BACH, D MAJOR, 125 BPM

8. AVE MARIA (GOUNOD) 00:02:36 VULNERABLE HOLLOW PIANO CHORDS ECHO INTO THE EERIE ORCHESTRAL DARKNESS SURROUNDED BY A HARROWING HUSH. MASSIVE TRAILER MACHINE ACCELERATION SUDDENLY INTERRUPTS. DRAMATICALLY DRAGGING DRONES AND POUNDING DRUMS MOVE TOWARDS GLASS-SHATTERING VOCALS ON A CLIMACTIC CLIMB UP THE TALLEST CATHEDRAL TOWER. THE LORD IS FOREVER WITH YOU. BASED ON AVE MARIA BY CHARLES GOUNOD, C MINOR, 117 BPM

9. VIVALDI'S SUMMER 00:02:14 FLYING BOWS OF EVER-POWERFUL CELLO ARCOS CHARGED AND EXTREME. SEVERE NEO-CLASSICAL BAROQUE ATTACK. SMASHING SYNTHS. CINEMATIC DRUMS. PERSEVERING CLIMBS WITH DELIBERATELY HARSH CASCADES. DELIGHTING IN DRAMATIC DAMNATION BASED ON THE FAMOUS THEME BY ANTONIO VIVALDI, G MINOR, 150 BPM