1. CARMEN ACT 1: HABANERA L'AMOUR EST UN OISEAU REBELLE 00:04:09 THIS STIRRING AND BEAUTIFUL RECORDING OF GEORGES BIZET'S MOST WELL-KNOWN COMPOSITION FROM THE OPERA CARMEN FLOWS WITH GRACEFUL CONFIDENCE AND PASSIONATE TENACITY.

2. REQUIEM IN D MINOR, K. 626: III. SEQUENTIA A. DIES IRAE 00:01:52 THIS DRAMATIC AND BODACIOUS RECORDING OF MOZART'S DIES IRAE FEATURES A BOLD AND POWERFUL FULL CHOIR AND ORCHESTRA TO EVOKE EPIC INTENSITY.

3. REQUIEM IN D MINOR, K. 626: III. SEQUENTIA E. CONFUTATIS 00:02:17 THIS BOLD RECORDING OF MOZART'S CONFUTATIS FROM HIS REQUIEM FEATURES A FEARLESS CHOIR AND LUSH ORCHESTRATIONS TO EVOKE A SENSE OF IMPENDING DOOM AS HOPE DIMINISHES.

4. REQUIEM: DIES IRAE 00:02:23 THIS AUDACIOUS AND BOLD RECORDING OF VERDI'S DIES IRAE OVERFLOWS WITH PASSION, SPIRIT, AND ENERGY THROUGH POWERFUL CHORAL AND ORCHESTRAL ARRANGEMENTS.

5. IL TROVATORE: ANVIL CHORUS 00:02:50 THIS UPBEAT AND SPIRITED RECORDING OF VERDI'S ANVIL CHORUS FEATURES A BOLD AND DARING CHOIR AND PASSIONATE ORCHESTRA TO EVOKE ENERGIZING CELEBRATORY SENTIMENTS.

6. PEER GYNT SUITE NO. 1, OP. 46: MVT. IV IN THE HALL OF THE MOUNTAIN KING 00:02:58 THIS STUNNING RECORDING OF THE CLASSIC HALL OF THE MOUNTAIN KING BY GREIG CREATES ANTICIPATION THROUGH BUILDING LAYERS OF RICH ORCHESTRATIONS AND A BOLD USE OF CHOIR TO EVOKE INTENSITY AND EPIC DRAMA.