1. DOUBLE SEATED TIME MACHINE 00:03:15 MAIN VERSION - BOUNCY, FEEL GOOD ELECTRO SWING TRACK, HOPPING AND JUMPING WITH LOTS OF GENERIC, RETRO STYLE VOCAL SAMPLES. INFECTIOUS POSITIVE AND PUSHING VIBE, GIVING ALL SORTS OF VISUALS ADDITIONAL DRIVE.

2. SLIM JIM 00:03:36 MAIN VERSION - UP-TEMPO, POSITIVE AND PARTY ROCKIN' ELECTRO SWING TRACK, WITH A QUIRKY ROUGH EDGE TO IT. BOOTY SHAKING MODERN BEATS COLLIDE WITH SWINGING, DJANGO STYLE GUITARS AND 1920S INFECTED VINTAGE MIC SOUNDING VOCALS, WHILE BOISTEROUS AND FRENZIED LEAD AND BASS SYNTHS MEET A SAX GOING BERSERK.

3. THE LIZARD KING 00:03:34 MAIN VERSION - A BRAZEN TRACK, STARTING OFF WITH A WILD WEST SALOON STYLE PIANO PLAYER THAT HOPEFULLY WILL NOT GET SHOT. WITH HEAVY, BUT STILL FLAMBOYANT, GLITCH INFUSED BEATS TAKING OVER SOON AND GETTING A HELL OF A WIGGLE ON. HALF WAY THROUGH, A GLIMPSE OF PSYCHEDELICS ADD A TOPPING TO THE STILL RELENTLESSLY BOOTY-SHAKING FOUR ON THE FLOOR, INFILTRATED BY ARMADAS OF SWAGGERING SYNCOPE MADE UP OF ASTONISHING, FUNKY SOUNDS.

4. SLINKY PEOPLE 00:02:40 MAIN VERSION - FUNKY, FEEL GOOD ELECTRO POP WITH TWISTS AND STREAKS OF SWING AND HOT CLUB JAZZ. FEATURING THROATY MALE SOUL VOCAL BURSTS, PERFORATING A HAUNTING DOUBLE BASS LICK, MEGA TIGHT DRUMS AND RETRO STYLE RHYTHM GUITARS. SEASONED WITH DISTORTED ORGANS AND OCCASIONAL STRIKES OF A GRAND PIANO.

5. PRINCESS CROCODILE 00:02:26 MAIN VERSION - THIS BOISTEROUS COMBINATION OF A SLINKY SWING THEME RALLYING UP WITH AN INSANELY DRIVING WALKING BASS AND HEAVY MODULATED DRUM AND PERCUSSION SOUNDS, OOZING WITH VITALITY AND JOIE DE VIVRE, CREATING A DANCE FLOOR EXTRAVAGANZA THAT JUMPS AND STOMPS AND GOES NUTS, WHILE BREATHING THE APOCALYPTIC PARTY FRENZY OF THE 1920S.

6. THE BLUE FLAG 00:01:39 MAIN VERSION - BOUNCY ELECTRONIC TRACK WITH A FUNKY FEEL, SHOT THROUGH WITH RETRO STYLE ROBOT VOICE SAMPLES. DRIVEN BY A MERCILESS STOMPIN' KICK DRUM, A GRITTY DOUBLE AND SYNTHBASS COMBO, VISIONS COME TO MIND OF A ROBOT PARTY IN THE MACHINE ROOM AFTER ALL THE HUMANS WENT TO BED. A LAYER OF SEDUCTIVE PSYCHEDELIC LEAD SYNTHS FADING IN AND OUT FORM THE TOPPING OPENING THE SKY ABOVE AND CREATING A LIGHT MYSTICAL TOUCH WHILE THE BEAT GOES ON AND ON.

7. LITTLE SINS 00:02:45 MAIN VERSION - BOUNCY, UP-TEMPO ELECTRO SWING TRACK WITH 1920S INFECTED VINTAGE MIC SOUNDING VOCALS. STOMPING MODERN BEATS COLLIDE WITH SWINGING, DJANGO STYLE GUITARS, PULSATING BASS SYNTHS AND A 1930S ORIGINAL SELMER SAXOPHONE, PLAYED BY A BERLIN JAZZ CLUB LEGEND.

8. SMILES ARE NOT IN STEREO 00:03:23 MAIN VERSION - A JOURNEY INTO A SULTRY PASSION. WHILE DARK, LASCIVIOUS VOCALS HOVER OVER PROPELLING, PUNCHY BEATS, WE ARE LIFTED UP GENTLY BY WIDE, PHASING PADS POURING UNDER OUR ARMPITS. GLIMPSES OF THE APOCALYPSE PAIR WITH OUR NEVER PERISHING BOUNCEBACKABILITY. AN ENERGETIC DOUBLE BASS AND A RASP, BUT WARM, CROONING VOICE TAKE US BY THE HAND AND PILOTS OUR FLIGHT THROUGH NOCTURNAL, MYSTICAL URBAN LANDSCAPES.