1. FREE YOURSELF 00:04:04 IMMERSE YOURSELF IN THIS AFRO-HOUSE TRACK, WITH SAMPLES OF KENYAN VOCALS GIVING IT A MYSTICAL EDGE. THE VOCAL MELODY IS ULTRA-EFFECTIVE ON THE TRACK'S CHORUS, AND THE DEVELOPMENT OF THE PERCUSSION REALLY CREATES, ELEVATES AND SUSTAINS THE ENERGY OF THE SONG.

2. BETWEEN FIGHT AND LIGHT 00:03:23 THIS WARM, RHYTHMIC TRACK IS PUNCTUATED ON THE CHORUS BY SOME BEAUTIFUL, MENACING ELECTRONIC ELEMENTS @1:05. THIS ADDS A MODERN TOUCH TO THE TRACK AND AN ELECTRIC DIMENSION ENHANCED BY THE LOG DRUMS. THESE ELEMENTS HAVE EVEN GREATER IMPACT WITH A SLOWER PACE @2:10.

3. TAKE MY FATHER HOME 00:02:31 THIS AMAPIANO TRACK FEATURES A RAP VERSE THAT FITS IN VERY WELL WITH THE DANCE RHYTHM, ADDING MODERNITY AND LYRICAL CONTENT.

4. DON'T LEAVE ME ALONE 00:03:26 AFRO-HOUSE COMES TO THE FORE IN THE STRONG, STEADY TONES OF THIS TRACK. IN SEVERAL SPOTS, VERY SHORT VOCALS ARE USED AS RHYTHMIC INSTRUMENTS, ADDING TO THE TRACK'S CHARACTER.

5. I WANT YOU TO TALK ABOUT ME 00:02:23 THE ARTIST ALTERNATES BETWEEN KENYAN AND ENGLISH LYRICS OVER A DREAMY AFRO-HOUSE INSTRUMENTAL THAT FEATURES CINEMATIC DRUMS ON THE LAST PART OF THE TRACK.

6. I WILL GO 00:02:54 THE BEAUTIFUL AMAPIANO RHYTHM OF THIS TRACK IS SUBLIMATED BY CRYSTALLINE ENGLISH VOCALS/LYRICS. THE LOG DRUMS ARE ULTRA-POWERFUL AND ADD A REAL BOUNCE TO THE DROPS.

7. I HAVE MY OWN LOVER 00:03:01 THE TRIBAL AMBIENCE FITS WELL WITH THIS AFRO-HOUSE TRACK. THE SMOOTH FLOW OF THE LOG-DRUMS ALONG WITH THE VERY SHORT RHYTHMIC VOCALS AND SYNTHESIZER NOTES DRIVE THE TRACK EVERY TIME ON AN ULTRA-EFFICIENT DROP.

8. PARTY FROM JOHANNESBURG TO BOGOTA 00:03:04 IT'S DEFINITELY THE AFRO-HOUSE TRACK OF THE PARTY. THERE ARE 2 SIDES TO IT: THE FIRST IS RHYTHMIC AND EFFECTIVE IN ANY PARTY SCENE. BUT FROM 1:30 ONWARDS, THE FLOW GRADUALLY SLOWS DOWN TO A MUCH HEAVIER, CARIBBEAN/ALMOST REGGAETON VERSION OF THE TRACK.