1. LURKING IN THE SHADOWS 00:02:26 PULSATING UPRIGHT BASSES, PIANO AND RHYTHMIC ELEMENTS ROLL IN THRILLING WAVES, CONVEYING A SECRETIVE HALF-TIME VIBE. DARK AMBIENT CLOUDS DRIFTING ABOVE THE SCENE, C MINOR, 85 BPM

2. GATHER 00:02:27 TAKING STOCK AND GATHERING ENERGY IN PREPARATION FOR SOMETHING UNEXPECTED. A STRING AND HARMONIUM DRONE PROVIDES A BED FOR EXTENDED TECHNIQUES IN WOODWINDS AND EMERGENT RHYTHMIC MOTIFS IN PLUCKED STRINGS, GUITAR, AND PIANO. A VIOLA PIZZICATO JOINS IN @ 0'29, D MINOR, 72 BPM

3. TIMES ANGRY SOUND 00:02:42 DARK ACOUSTIC DRONE LAYERS FUSE WITH AN ANGRY RHYTHM. MOST OF THE SOUNDS ARE A PIANO PROCESSED IN VARIOUS WAYS. THE JOURNEY EBBS AND FLOWS, OFTEN TRICKING US INTO THINKING TIME'S TEMPO CHANGES, BUT IT NEVER DOES, C MINOR, 70 BPM

4. AGAINST ALL ODDS 00:02:22 AN AMBIENT ACOUSTIC TRACK OF PULSING BASSES, PIANO. EERIE VOCALS AND RHYTHMIC PERCUSSION ELEMENTS EMIT A MYSTERIOUS, PERFECTLY NARRATIVE VIBE, C MINOR, 85 BPM

5. BELOW STILL WATERS 00:01:47 A SLOW, QUIET, STEADY JOURNEY INTO THE MIND AND THE SOUL. PIANO TONES AND BASS PULSES DESCEND INTO A SEA OF REVERBERATION, D MINOR, 60 BPM

6. THE ABYSS 00:02:45 EVOLVING SOUNDSCAPE OF AN UNKNOWN WORLD. STRINGS, SYNTH, PERCUSSION AND SOUND DESIGN ELEMENTS SLOWLY ACCUMULATE, EXPANDING INTO CINEMATIC DIMENSIONS, C MINOR, 64 BPM

7. FORGIVE ME 00:02:38 EERIE, MYSTERIOUS TRACK WITH A SAD TWIST TO IT. THE BED OF SYNTHS, STRINGS AND BOWED DULCIMER DEVELOPS DEPTH AND TENSION. TEXTURES WITH UNDERLYING 808 BASSES GIVE IT MOMENTUM AND RANDOMNESS. THE FELT PIANO PLAYS SOME SUBTLE MELODIES ON TOP, E MINOR, 122 BPM

8. ELECTROCONVULSIVE 00:01:51 OMINOUS FLOATING ELECTRO-ACOUSTIC TENSION OF ATONAL BEAUTY. MUSIQUE CONCRETE IN NATURE, ATONAL, 72 BPM

10. NIGHT TRAIN 00:02:29 A PERPETUAL SENSE OF FORWARD MOTION WITH RESONANT PIANO CHORDS AND REVERSE SOUNDS ADDS A TOUCH OF POETIC MYSTERY TO THIS MINIMALIST TRACK. A SMOOTH, RETRO-FUTURISTIC RIDE ACROSS THE DARK SIDE OF THE SOUL, C MINOR, 128 BPM

12. MADNESS OF OBLIVION 00:02:37 OBSCURE ORGANIC TEXTURES. AN ELECTRO-ACOUSTIC PIECE FUSING NATURAL AND ARTIFICIAL ELEMENTS. AN FM-MODELED SOFT-SYNTH WAS USED FOR THE PADS, AND BEYOND THAT, MOST OF THE REMAINING SOUNDS ARE A PIANO WITH ASSORTED PROCESSING, C MINOR, 60 BPM

13. CITY OF ICE 00:02:18 BLEAK AND DESOLATE INSTRUMENTAL FEATURING DEEP FROZEN PIANO RECORDED INSIDE AN INDUSTRIAL FREEZER FOR AUTHENTICITY. A SLOW BUILD INTRODUCES SPARSE CELLO AND STRING ENSEMBLE, D MINOR, 68 BPM

14. ETERNAL LOVE 00:02:34 A LIFE LOST, A LOVE THAT WILL ENDURE FOREVER, STILL THE BROKEN HEART HAS TO MOVE ON. ELEGANTLY PLAYED LEGATO CELLOS INTERLACE CREATING AN EMOTIONAL AND CEREBRAL SPACE, WHILE A LOW REVERBERANT THUMPING BUILDS AS HAUNTING, HAZY CLOUDS DISTORT THE SOUND, E MINOR, 68 BPM

15. SHALLOW GRAVE 00:02:59 REVERBERANT EFFECTS AND HAUNTING SOUNDS FLOAT IN AND OUT, CREATING A BACKDROP FOR THE MOODY BASS AND PIANO TO CONJURE UP A CREEPY WALK THROUGH ABANDONED SPACES. SOOTHING CELLOS SLOWLY TAKE OVER, CREATING A FALSE SENSE OF EASE AND COMFORT, A MINOR, 90 BPM

16. BOOK OF BLOOD 00:02:41 FLAUTANDO STRING TEXTURES FLOURISH IN FRAGILE ORCHESTRAL COLORS. INTENSE PULSES EMERGE FROM THE UNDERGROUND, ADVANCING, DELIVERING DRAMATIC ANTICIPATION, A MINOR, 85 BPM

17. ANALOGUE SOUNDSCAPE 00:02:18 A MINIMALISTIC PIANO PATTERN ALTERNATES WITH ACOUSTIC AND ELECTRONIC SOUNDS. UNDERNEATH, A CELLO GOES THROUGH A LOT OF PROCESSING. SWARM-LIKE ORGANIC NOISE ELEMENTS CAUSE PERMANENT UNREST, COME AND GO IN UNPREDICTABLE WAVES, F-SHARP MAJOR, 70 BPM

18. MASTERS OF MAYHEM 00:02:36 AN ODE TO THE MAYHEM AND CHAOS OTHERS CREATE AND LIVE FOR. THE ORCHESTRAL AVANT-GARDE PIECE STARTS WITH OMINOUS SPICCATO STRINGS AND A DEEP, DRONE-LIKE BASS. DISSONANT STRINGS ADD BIZARRE TENSION. A SHEPARD TONE IS USED TO TRANSITION BETWEEN THE PARTS AND TO BRING THE PIECE TO A CLOSE, D MINOR, 69 BPM

19. DEATH OF ADALWOLF 00:02:18 DARK ORCHESTRAL WAVES MEANDER IN EPIC SLOW MOTION, INTRODUCING MELANCHOLY AND EMOTIONAL DRAMA, PAVING THE WAY FOR A BEAUTIFULLY WOEFUL THEME, RAISING QUESTIONS ABOUT ETERNITY AND LOSS, F MINOR

20. TRAPPED 00:02:15 DRAMATIC CELLO STABS OVERSHADOWED BY IRIDESCENT ORCHESTRAL TREMOLOS MESH UP WITH HAUNTING STRING PULSATIONS. SCRATCHY BOWS FLYING AND HUSHED PIANO TONES DESCENDING, C MINOR, 120 BPM

21. MIGRAINE 00:02:34 EERIE SYNTH PADS AND DRONES COMBINED WITH SUBTLE, THUMPING PERCUSSIVE ELEMENTS. THIS IS A CEREBRAL TRACK THAT PERFECTLY ENCAPSULATES THE FRAGMENTED, SPLINTERING MIND OF A HOPELESSLY AIMLESS CHARACTER DEEP IN THOUGHT, D MAJOR, 120 BPM

22. UNNERVING 00:02:04 DARK POUNDING. EERIE TEXTURES GET LOST IN DRONING REVERBERATION. UNNERVING CELLO TONES AND ASCENDING STRING PULSES PROVOKE TENSE ORCHESTRAL DISTRESS, E MINOR, 120 BPM

23. CLOSE YET FAR 00:02:42 A FLAWLESS CROSSBREED OF ACOUSTIC PIANO, EERIE SYNTH PADS, AND MECHANICAL WHIRRING SETS THE BACKDROP FOR A COMPELLING INVESTIGATION. CLOUDY SKIES, TALL PINES, BITING COLD, A TORN PIECE OF CLOTHING DRAPED OVER A TREE BRANCH, E MINOR, 118 BPM

24. ABSTRACT GLOOM 00:02:30 AN AVANT-GARDE SOLO CELLO PIECE MARKED BY LAYERS OF GRITTY, INTENSE TEXTURES AND MELODIES THAT ENTER ONE BY ONE AND BUILD TO A DRAMATIC ENDING, G MINOR, 96 BPM

25. A SUDDEN MOVE 00:02:28 TENSE, MYSTERIOUS DRONING. THE STRINGS OSTINATO AND 808 PULSES GENERATE UNCERTAINTY AND FORWARD MOVEMENT. A DRONING BED OF SYNTHS AND SOUND-DESIGNED ORCHESTRAL TEXTURES CREATE THAT EDGE. ON TOP OF ALL THESE ELEMENTS, THE FELT PIANO PLAYS FRAGMENTED MELODIES, C MINOR, 120 BPM

26. SANITORIUM 00:02:08 SLOWLY EVOLVING TENSE BUT WONDROUS AVANT-GARDE INSTRUMENTAL THAT STARTS WITH PIANO AND STRING FX. EVOCATIVE OF SOMETHING BEAUTIFUL BUT POSSIBLY DANGEROUS ... PROCEED WITH CAUTION, F MINOR, 76 BPM

28. DUSK 00:02:32 BEAUTIFUL AMBIENT ORCHESTRAL SWARMS SPARKLING IN SLOW MOTION. HIGH VOLTAGE BUZZES AND DRONES. PIANO DROPLETS. AN EPIC WALL OF DARK BUT QUIET NOISE LAYERS IN STATIC EXCITEMENT, A PHRYGIAN, 100 BPM

29. A THOUSAND MISCHIEFS MAY BEFALL 00:02:02 BRIGHT SHINING ORCHESTRAL TEXTURE INFILTRATED BY WAVES OF SWEET DISSONANCE. EVOLVING STRINGS AND WOODS. UNCERTAIN TO A DEGREE, BUT ULTIMATELY FINDS A FINAL RESOLUTION, E-FLAT MAJOR, 52 BPM

30. STRINGS AND PREPARED PIANO 00:01:31 A DARK PIECE THAT BEGINS WITH A "CLASSICAL" USE OF STRINGS BUT GRAVITATES TO A MORE TURBULENT FEELING. THIS IS ACCOMPLISHED BY USING PREPARED PIANO AND STRINGS IN A NUMBER OF ARTICULATIONS. THESE INCLUDE LEGATO, PLUCKED, AND PIZZICATO, HIGHLIGHTING THE CHAOTIC SENSE OF THE PIECE, D MINOR, 70 BPM

31. MACHINATIONS 00:01:44 SPARSE STRINGS AND WOODS - MINIMALIST IN NATURE - REPETITIVE AND SIMPLISTIC. TEXTURAL. NEUTRAL IN MOOD. EVOLVING AND GROWING TO A CULMINATION, A MINOR, 102 BPM