MASSIVE1213
WARNER CHAPPELL PM MASSIVE BASS Experimental Music For Film - Emlyn Ellis AddisonHaunting and eerie, these alien, detuned atmospheres shape-shift from mood to mood, infecting the psyche. Sometimes mesmerizing, sometimes disturbing, these sound experiments examine the dark, the bizarre, and the intimately unfamiliar. |
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13. ORCH.ID 00:00:58 LONGING SOLO ANALOG KEYBOARD. THE FEELING OF LOSS AND SOLITUDE ARE INTIMATE AND DEEP-SEATED, C MINOR
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17. SIMULACRIMOSUM 00:01:58 EERIE, DISTURBED, AND UNSETTLING. SYMPATHETIC PIANO RESONANCES BROKEN BY CRACKLING GLITCHES AND OBFUSCATED VOICES. THIS CATHEDRAL IS UNEARTHLY, G PHRYGIAN
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18. S-TRU-C-TUR-E 00:02:52 CHEEKY, UNSETTLED, ALIEN. IN THE STYLE OF 90S ELECTRONIC IDM, THIS IS A BITTERSWEET REFLECTION ON PAST, PRESENT, AND FUTURE, G-SHARP MINOR, 120 BPM
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19. TAURYS 00:02:50 BITTERSWEET AND LONELY, THIS CONSTANTLY MOVING ELECTRONIC ARIA IS INTIMATE, PLAINTIVE, AND INSISTENT. IS WHAT LIES IN OUR FUTURE WHAT LAY IN OUR PAST?, F MINOR, 95 BPM
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21. THE CHINESE ROOM 00:01:09 EERIE, HAUNTING, OMINOUS. PIANO SOUND BOARD RESONANCE PAIRED WITH PIANO MUSIC AND UNSETTLING ELECTRONIC TEXTURES, G PHRYGIAN
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22. THOUGHT FORMS 00:02:04 HAUNTING, EERIE, ELECTRONIC WAILING TEXTURES INTERSPERSED WITH MOODY SONIC EPHEMERA. WHAT IS THIS SUBTERRANEAN PLACE?, A MINOR
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23. YOU LOOK PRETTY TODAY 00:05:03 A DOWNTEMPO DANCE TRACK FOR LATE NIGHTS AND LONG ROAD TRIPS. ELECTRONIC ECHO TEXTURES OVER A THICK BEAT, B MAJOR, 98 BPM
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