PA030
WARNER CHAPPELL PM PROMO ACCELERATOR Shifting DramaNever Predictable, Always Unexpected, Abstract Sounding Grooves And Soundscapes From Moody And Mellow To Tense And Mysterious. |
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1. BETRAYAL 00:03:14 STRONG AND POWERFUL WITH A SPACEY SOUNDING, MORPHING SYNTHESIZER TWISTING AND CONFUSING OVER PUNCHY, HARD ATTACKING DRUMS AND ATMOSPHERIC PIANO PULSES.
21. BETRAYAL 00:01:00 60 SECOND
41. BETRAYAL 00:00:30 30 SECOND
61. BETRAYAL 00:00:20 20 SECOND
81. BETRAYAL 00:00:15 15 SECOND
101. BETRAYAL 00:03:14 NO STRINGS
102. BETRAYAL 00:03:12 DYNAMIC MIX
141. BETRAYAL 00:01:00 NO STRINGS 60 SECOND
161. BETRAYAL 00:00:30 NO STRINGS 30 SECOND
181. BETRAYAL 00:00:20 NO STRINGS 20 SECOND
201. BETRAYAL 00:00:15 NO STRINGS 15 SECOND
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2. EMBROILED 00:02:22 ECHOING VOCAL PHRASES RING OUT OVER A PUNCHY, SUSPENSEFUL GROOVE WITH SYNCOPATED DRUMS, BASS AND SYNTHESIZER PULSES.
22. EMBROILED 00:01:00 60 SECOND
42. EMBROILED 00:00:30 30 SECOND
62. EMBROILED 00:00:20 20 SECOND
82. EMBROILED 00:00:15 15 SECOND
103. EMBROILED 00:02:22 NO VOCAL PHRASES
104. EMBROILED 00:02:21 DYNAMIC MIX
142. EMBROILED 00:01:00 NO VOCAL PHRASES 60 SECOND
162. EMBROILED 00:00:30 NO VOCAL PHRASES 30 SECOND
182. EMBROILED 00:00:20 NO VOCAL PHRASES 20 SECOND
202. EMBROILED 00:00:15 NO VOCAL PHRASES 15 SECOND
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3. DARING RESCUE 00:02:19 HEAVY ORCHESTRAL BRASS AND STRING STABS LEAD INTO A THRILLING DYNAMIC TWISTING MAZE OF PERCUSSION RHYTHMS AND INTENSE POUNDING.
23. DARING RESCUE 00:01:00 60 SECOND
43. DARING RESCUE 00:00:30 30 SECOND
63. DARING RESCUE 00:00:20 20 SECOND
83. DARING RESCUE 00:00:15 15 SECOND
105. DARING RESCUE 00:02:19 NO STRINGS
106. DARING RESCUE 00:02:24 DYNAMIC MIX
143. DARING RESCUE 00:01:00 NO STRINGS 60 SECOND
163. DARING RESCUE 00:00:30 NO STRINGS 30 SECOND
183. DARING RESCUE 00:00:20 NO STRINGS 20 SECOND
203. DARING RESCUE 00:00:15 NO STRINGS 15 SECOND
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4. UNFOLDING DECEPTION 00:03:13 PIANO HITS MORPH AND EVOLVE WITH ADDED DRUM PROGRAMMING AND PERCOLATING SYNTHESIZERS BUILDING THE INTENSITY.
24. UNFOLDING DECEPTION 00:01:00 60 SECOND
44. UNFOLDING DECEPTION 00:00:30 30 SECOND
64. UNFOLDING DECEPTION 00:00:20 20 SECOND
84. UNFOLDING DECEPTION 00:00:15 15 SECOND
107. UNFOLDING DECEPTION 00:03:13 NO PERCOLATING SYNTHESIZER
108. UNFOLDING DECEPTION 00:03:23 DYNAMIC MIX
144. UNFOLDING DECEPTION 00:01:00 NO PERCOLATING SYNTHESIZER 60 SECOND
164. UNFOLDING DECEPTION 00:00:30 NO PERCOLATING SYNTHESIZER 30 SECOND
184. UNFOLDING DECEPTION 00:00:20 NO PERCOLATING SYNTHESIZER 20 SECOND
204. UNFOLDING DECEPTION 00:00:15 NO PERCOLATING SYNTHESIZER 15 SECOND
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5. CLOAKED IN SUSPENSE 00:03:11 BASS SYNTHESIZER FILTERS THROUGH A MAZE OF OMINOUS PADS, SYNCOPATED DRUM PROGRAMMING AND SPACEY EFFECTS.
25. CLOAKED IN SUSPENSE 00:01:00 60 SECOND
45. CLOAKED IN SUSPENSE 00:00:30 30 SECOND
65. CLOAKED IN SUSPENSE 00:00:20 20 SECOND
85. CLOAKED IN SUSPENSE 00:00:15 15 SECOND
109. CLOAKED IN SUSPENSE 00:03:11 NO SYNTHESIZER STABS
110. CLOAKED IN SUSPENSE 00:03:09 DYNAMIC MIX
145. CLOAKED IN SUSPENSE 00:01:00 NO SYNTHESIZER STABS 60 SECOND
165. CLOAKED IN SUSPENSE 00:00:30 NO SYNTHESIZER STABS 30 SECOND
185. CLOAKED IN SUSPENSE 00:00:20 NO SYNTHESIZER STABS 20 SECOND
205. CLOAKED IN SUSPENSE 00:00:15 NO SYNTHESIZER STABS 15 SECOND
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6. FALLEN FAITH 00:02:39 ECHOING PIANO, SPARSE FILTERING DRUM PROGRAMMING AND STRINGS CREATE AN AMBIENT, ATMOSPHERIC SOUND WITH A PEACEFUL, HOPEFUL FRONTIER.
26. FALLEN FAITH 00:01:00 60 SECOND
46. FALLEN FAITH 00:00:30 30 SECOND
66. FALLEN FAITH 00:00:20 20 SECOND
86. FALLEN FAITH 00:00:15 15 SECOND
111. FALLEN FAITH 00:02:39 NO STRINGS
112. FALLEN FAITH 00:02:38 DYNAMIC MIX
146. FALLEN FAITH 00:01:00 NO STRINGS 60 SECOND
166. FALLEN FAITH 00:00:30 NO STRINGS 30 SECOND
186. FALLEN FAITH 00:00:20 NO STRINGS 20 SECOND
206. FALLEN FAITH 00:00:15 NO STRINGS 15 SECOND
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7. UNIDENTIFIED 00:02:14 SUB-BASS AND ATMOSPHERIC SYNTHESIZERS JOIN WITH URGENT SOUNDING PERCUSSION AND DRUM HITS TO CREATE A FOREBODING, SERIOUS SOUNDING THREAT.
27. UNIDENTIFIED 00:01:00 60 SECOND
47. UNIDENTIFIED 00:00:30 30 SECOND
67. UNIDENTIFIED 00:00:20 20 SECOND
87. UNIDENTIFIED 00:00:15 15 SECOND
113. UNIDENTIFIED 00:02:14 NO RHODES
114. UNIDENTIFIED 00:02:13 DYNAMIC MIX
147. UNIDENTIFIED 00:01:00 NO RHODES 60 SECOND
167. UNIDENTIFIED 00:00:30 NO RHODES 30 SECOND
187. UNIDENTIFIED 00:00:20 NO RHODES 20 SECOND
207. UNIDENTIFIED 00:00:15 NO RHODES 15 SECOND
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28. MEET THE CHALLENGE 00:01:00 60 SECOND
48. MEET THE CHALLENGE 00:00:30 30 SECOND
68. MEET THE CHALLENGE 00:00:20 20 SECOND
88. MEET THE CHALLENGE 00:00:15 15 SECOND
115. MEET THE CHALLENGE 00:02:54 NO SYNTH PULSE
116. MEET THE CHALLENGE 00:02:55 DYNAMIC MIX
148. MEET THE CHALLENGE 00:01:00 NO SYNTH PULSE 60 SECOND
168. MEET THE CHALLENGE 00:00:30 NO SYNTH PULSE 30 SECOND
188. MEET THE CHALLENGE 00:00:20 NO SYNTH PULSE 20 SECOND
208. MEET THE CHALLENGE 00:00:15 NO SYNTH PULSE 15 SECOND
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9. BULLET WITH YOUR NAME ON IT 00:03:05 A QUIRKY ACTION SEQUENCE WITH THE UNEXPECTED LURKING BEHIND EVERY CORNER, FROM ABSTRACT PIANO SEQUENCES TO REVERSE EFFECTS FOLLOWED BY POWERFUL HITS.
29. BULLET WITH YOUR NAME ON IT 00:01:00 60 SECOND
49. BULLET WITH YOUR NAME ON IT 00:00:30 30 SECOND
69. BULLET WITH YOUR NAME ON IT 00:00:20 20 SECOND
89. BULLET WITH YOUR NAME ON IT 00:00:15 15 SECOND
117. BULLET WITH YOUR NAME ON IT 00:03:05 NO DRUM FILLS; NO PIANO
118. BULLET WITH YOUR NAME ON IT 00:03:03 DYNAMIC MIX
149. BULLET WITH YOUR NAME ON IT 00:01:00 NO DRUM FILLS; NO PIANO 60 SECOND
169. BULLET WITH YOUR NAME ON IT 00:00:30 NO DRUM FILLS; NO PIANO 30 SECOND
189. BULLET WITH YOUR NAME ON IT 00:00:20 NO DRUM FILLS; NO PIANO 20 SECOND
209. BULLET WITH YOUR NAME ON IT 00:00:15 NO DRUM FILLS; NO PIANO 15 SECOND
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10. CHOICES CRITICAL 00:02:29 MECHANICAL, AND DRIVING WITH A STEADY ELECTRONIC KICK DRUM PULSING THROUGH WASHING ORCHESTRAL STRING EFFECTS AND BELL TONES.
30. CHOICES CRITICAL 00:00:04 60 SECOND
50. CHOICES CRITICAL 00:00:30 30 SECOND
70. CHOICES CRITICAL 00:00:20 20 SECOND
90. CHOICES CRITICAL 00:00:15 15 SECOND
119. CHOICES CRITICAL 00:02:29 NO BELLS; NO STRING THEME
120. CHOICES CRITICAL 00:02:27 DYNAMIC MIX
150. CHOICES CRITICAL 00:01:00 NO BELLS; NO STRING THEME 60 SECOND
170. CHOICES CRITICAL 00:00:30 NO BELLS; NO STRING THEME 30 SECOND
190. CHOICES CRITICAL 00:00:20 NO BELLS; NO STRING THEME 20 SECOND
210. CHOICES CRITICAL 00:00:15 NO BELLS; NO STRING THEME 15 SECOND
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11. BAD WILL TOWARDS ALL 00:03:32 ELECTRONIC, INDUSTRIAL SOUNDING DRUMS WITH A POWERFUL DARK LOW ELECTRIC GUITAR MELODY AND BRIGHT HARP THEMES.
31. BAD WILL TOWARDS ALL 00:01:00 60 SECOND
51. BAD WILL TOWARDS ALL 00:00:30 30 SECOND
71. BAD WILL TOWARDS ALL 00:00:20 20 SECOND
91. BAD WILL TOWARDS ALL 00:00:15 15 SECOND
121. BAD WILL TOWARDS ALL 00:03:32 NO HARP
122. BAD WILL TOWARDS ALL 00:03:26 DYNAMIC MIX
151. BAD WILL TOWARDS ALL 00:01:00 NO HARP 60 SECOND
171. BAD WILL TOWARDS ALL 00:00:30 NO HARP 30 SECOND
191. BAD WILL TOWARDS ALL 00:00:20 NO HARP 20 SECOND
211. BAD WILL TOWARDS ALL 00:00:15 NO HARP 15 SECOND
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12. REQUIEM FOR A DRUG LORD 00:04:02 MELANCHOLY AND HEAVY-HEARTED WITH A TRAGIC SOUNDING PIANO WITH DELAY EFFECTS DESCENDING UPON A SYMPATHETIC RHYTHM SECTION.
32. REQUIEM FOR A DRUG LORD 00:01:00 60 SECOND
52. REQUIEM FOR A DRUG LORD 00:00:30 30 SECOND
72. REQUIEM FOR A DRUG LORD 00:00:20 20 SECOND
92. REQUIEM FOR A DRUG LORD 00:00:04 15 SECOND
123. REQUIEM FOR A DRUG LORD 00:04:02 NO TOMS; NO SYNTH MELODY
124. REQUIEM FOR A DRUG LORD 00:03:55 DYNAMIC MIX
152. REQUIEM FOR A DRUG LORD 00:01:00 NO TOMS; NO SYNTH MELODY 60 SECOND
172. REQUIEM FOR A DRUG LORD 00:00:30 NO TOMS; NO SYNTH MELODY 30 SECOND
192. REQUIEM FOR A DRUG LORD 00:00:20 NO TOMS; NO SYNTH MELODY 20 SECOND
212. REQUIEM FOR A DRUG LORD 00:00:15 NO TOMS; NO SYNTH MELODY 15 SECOND
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13. CONFLICTING MORALITY 00:02:50 LEFT-OF-CENTER AND ABSTRACT WITH DRUMS, PIANO AND SYNTH PULSES ALL COMPETING FOR THE SPOTLIGHT WITH SYNCOPATED RHYTHMS.
33. CONFLICTING MORALITY 00:01:00 60 SECOND
53. CONFLICTING MORALITY 00:00:30 30 SECOND
73. CONFLICTING MORALITY 00:00:20 20 SECOND
93. CONFLICTING MORALITY 00:00:15 15 SECOND
125. CONFLICTING MORALITY 00:02:50 NO SYNTHESIZER PADS
126. CONFLICTING MORALITY 00:02:51 DYNAMIC MIX
153. CONFLICTING MORALITY 00:01:00 NO SYNTHESIZER PADS 60 SECOND
173. CONFLICTING MORALITY 00:00:30 NO SYNTHESIZER PADS 30 SECOND
193. CONFLICTING MORALITY 00:00:20 NO SYNTHESIZER PADS 20 SECOND
213. CONFLICTING MORALITY 00:00:15 NO SYNTHESIZER PADS 15 SECOND
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14. HIGH STAKES INFILTRATION 00:02:40 HARD HITTING WITH POWERFUL DRUM RHYTHMS CREATING THUNDER UNDER A LIGHTNING STORM OF ELECTRONIC SYNTHESIZER PULSES.
34. HIGH STAKES INFILTRATION 00:01:00 60 SECOND
54. HIGH STAKES INFILTRATION 00:00:30 30 SECOND
74. HIGH STAKES INFILTRATION 00:00:20 20 SECOND
94. HIGH STAKES INFILTRATION 00:00:15 15 SECOND
127. HIGH STAKES INFILTRATION 00:02:40 NO MELODY
128. HIGH STAKES INFILTRATION 00:02:44 DYNAMIC MIX
154. HIGH STAKES INFILTRATION 00:01:00 NO MELODY 60 SECOND
174. HIGH STAKES INFILTRATION 00:00:30 NO MELODY 30 SECOND
194. HIGH STAKES INFILTRATION 00:00:20 NO MELODY 20 SECOND
214. HIGH STAKES INFILTRATION 00:00:15 NO MELODY 15 SECOND
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15. DIRTY OPS 00:02:26 MECHANICAL SYNTHESIZER PULSES WITH EXHILARATING TOM DRUM HITS AND A PUNCHY GROOVE THROUGHOUT.
35. DIRTY OPS 00:01:00 60 SECOND
55. DIRTY OPS 00:00:30 30 SECOND
75. DIRTY OPS 00:00:20 20 SECOND
95. DIRTY OPS 00:00:15 15 SECOND
129. DIRTY OPS 00:02:26 NO TOMS
130. DIRTY OPS 00:02:25 DYNAMIC MIX
155. DIRTY OPS 00:01:00 NO TOMS 60 SECOND
175. DIRTY OPS 00:00:30 NO TOMS 30 SECOND
195. DIRTY OPS 00:00:20 NO TOMS 20 SECOND
215. DIRTY OPS 00:00:15 NO TOMS 15 SECOND
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16. MILLISECONDS TO SPARE 00:02:44 PITCHED PERCUSSION AND REVERSE SYNTHESIZER SWELLS CREATE A MYSTERIOUS, THRILLER FULL OF CURIOSITY AND AN INVESTIGATIVE FEEL.
36. MILLISECONDS TO SPARE 00:01:00 60 SECOND
56. MILLISECONDS TO SPARE 00:00:30 30 SECOND
76. MILLISECONDS TO SPARE 00:00:20 20 SECOND
96. MILLISECONDS TO SPARE 00:00:15 15 SECOND
131. MILLISECONDS TO SPARE 00:02:44 NO PIANO
132. MILLISECONDS TO SPARE 00:02:44 DYNAMIC MIX
156. MILLISECONDS TO SPARE 00:01:00 NO PIANO 60 SECOND
176. MILLISECONDS TO SPARE 00:00:30 NO PIANO 30 SECOND
196. MILLISECONDS TO SPARE 00:00:20 NO PIANO 20 SECOND
216. MILLISECONDS TO SPARE 00:00:15 NO PIANO 15 SECOND
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17. SPEED OF THE CRIME 00:02:33 DYNAMIC AND FULL OF ENERGY WITH HIGH METALLIC PERCUSSION AND FAST DRUM PATTERNS PULLING THROUGH A VEIL OF ATMOSPHERIC KEYBOARD AND EFFECTS.
37. SPEED OF THE CRIME 00:01:00 60 SECOND
57. SPEED OF THE CRIME 00:00:30 30 SECOND
77. SPEED OF THE CRIME 00:00:20 20 SECOND
97. SPEED OF THE CRIME 00:00:15 15 SECOND
133. SPEED OF THE CRIME 00:02:33 NO DRUM KIT; NO CONGAS
134. SPEED OF THE CRIME 00:02:34 DYNAMIC MIX
157. SPEED OF THE CRIME 00:01:00 NO DRUM KIT; NO CONGAS 60 SECOND
177. SPEED OF THE CRIME 00:00:30 NO DRUM KIT; NO CONGAS 30 SECOND
197. SPEED OF THE CRIME 00:00:20 NO DRUM KIT; NO CONGAS 20 SECOND
217. SPEED OF THE CRIME 00:00:15 NO DRUM KIT; NO CONGAS 15 SECOND
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18. GRAVE ERROR 00:02:21 THRILLING AND SUSPENSEFUL WITH A RISING SYNTHESIZER SEQUENCE, CHILLING PIANO STABS AND DYNAMIC SYNTHESIZERS EFFECTS AND PERCUSSION.
38. GRAVE ERROR 00:01:00 60 SECOND
58. GRAVE ERROR 00:00:30 30 SECOND
78. GRAVE ERROR 00:00:20 20 SECOND
98. GRAVE ERROR 00:00:15 15 SECOND
135. GRAVE ERROR 00:02:21 NO STRINGS; NO BRASS
136. GRAVE ERROR 00:02:20 DYNAMIC MIX
158. GRAVE ERROR 00:01:00 NO STRINGS; NO BRASS 60 SECOND
178. GRAVE ERROR 00:00:30 NO STRINGS; NO BRASS 30 SECOND
198. GRAVE ERROR 00:00:20 NO STRINGS; NO BRASS 20 SECOND
218. GRAVE ERROR 00:00:15 NO STRINGS; NO BRASS 15 SECOND
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19. POIGNANT RESOLVE 00:02:42 MELLOW AND MOODY WITH PUNCHY DRUM KIT ACCENTING REVERSE PIANO SWELL RHYTHM EFFECTS UNDER A WEIRD SYNTHESIZER MELODY.
39. POIGNANT RESOLVE 00:01:00 60 SECOND
59. POIGNANT RESOLVE 00:00:30 30 SECOND
79. POIGNANT RESOLVE 00:00:20 20 SECOND
99. POIGNANT RESOLVE 00:00:15 15 SECOND
137. POIGNANT RESOLVE 00:02:42 NO MELODY
138. POIGNANT RESOLVE 00:02:42 DYNAMIC MIX
159. POIGNANT RESOLVE 00:01:00 NO MELODY 60 SECOND
179. POIGNANT RESOLVE 00:00:30 NO MELODY 30 SECOND
199. POIGNANT RESOLVE 00:00:20 NO MELODY 20 SECOND
219. POIGNANT RESOLVE 00:00:15 NO MELODY 15 SECOND
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20. DISSECTING THE MOTIVE 00:03:25 MELLOW SOUNDING WITH ATYPICAL CHORD STRUCTURES, DARK PIANO THEMES AND BELL-LIKE HARMONICS OVER A ROOMY DRUM KIT.
40. DISSECTING THE MOTIVE 00:01:00 60 SECOND
60. DISSECTING THE MOTIVE 00:00:30 30 SECOND
80. DISSECTING THE MOTIVE 00:00:20 20 SECOND
100. DISSECTING THE MOTIVE 00:00:15 15 SECOND
139. DISSECTING THE MOTIVE 00:03:25 NO HARMONICS
140. DISSECTING THE MOTIVE 00:03:19 DYNAMIC MIX
160. DISSECTING THE MOTIVE 00:01:00 NO HARMONICS 60 SECOND
180. DISSECTING THE MOTIVE 00:00:30 NO HARMONICS 30 SECOND
200. DISSECTING THE MOTIVE 00:00:20 NO HARMONICS 20 SECOND
220. DISSECTING THE MOTIVE 00:00:15 NO HARMONICS 15 SECOND