PA032
WARNER CHAPPELL PM PROMO ACCELERATOR Light ActivityPositive Grooves And Textures With Seemingly Sparse Arrangements And Airy Nuance. |
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1. CULMINATE 00:02:26 SPACEY AND LEFT-OF-CENTER WITH CELESTIAL SOUNDING SYNTHESIZER SWELLS BREATHING ATMOSPHERIC AIR INTO PULSING PROGRAMMED DRUM AND BASS GROOVES.
21. CULMINATE 00:01:00 60 SECOND
41. CULMINATE 00:00:30 30 SECOND
61. CULMINATE 00:00:20 20 SECOND
81. CULMINATE 00:00:15 15 SECOND
101. CULMINATE 00:02:26 NO PAD
102. CULMINATE 00:02:26 NO PAD; NO SEQUENCE
141. CULMINATE 00:01:00 NO PAD 60 SECOND
142. CULMINATE 00:01:00 NO PAD; NO SEQUENCE 60 SECOND
181. CULMINATE 00:00:30 NO PAD 30 SECOND
182. CULMINATE 00:00:30 NO PAD; NO SEQUENCE 30 SECOND
221. CULMINATE 00:00:20 NO PAD 20 SECOND
222. CULMINATE 00:00:20 NO PAD; NO SEQUENCE 20 SECOND
261. CULMINATE 00:00:15 NO PAD 15 SECOND
262. CULMINATE 00:00:15 NO PAD; NO SEQUENCE 15 SECOND
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2. LINES OF REASON 00:03:00 AIRY AND EFFERVESCENT SOUNDING WITH ECHOING HARP PHRASES RINGING OUT OVER PULSING GUITAR CHORDS AND TOM-DRIVEN PERCUSSION.
22. LINES OF REASON 00:01:00 60 SECOND
42. LINES OF REASON 00:00:30 30 SECOND
62. LINES OF REASON 00:00:20 20 SECOND
82. LINES OF REASON 00:00:15 15 SECOND
103. LINES OF REASON 00:03:00 NO HARP
104. LINES OF REASON 00:03:00 NO HARP; NO GUITAR
143. LINES OF REASON 00:01:00 NO HARP 60 SECOND
144. LINES OF REASON 00:01:00 NO HARP; NO GUITAR 60 SECOND
183. LINES OF REASON 00:00:30 NO HARP 30 SECOND
184. LINES OF REASON 00:00:30 NO HARP; NO GUITAR 30 SECOND
223. LINES OF REASON 00:00:20 NO HARP 20 SECOND
224. LINES OF REASON 00:00:20 NO HARP; NO GUITAR 20 SECOND
263. LINES OF REASON 00:00:15 NO HARP 15 SECOND
264. LINES OF REASON 00:00:15 NO HARP; NO GUITAR 15 SECOND
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3. DISCOVERIES 00:02:36 DELIGHTFULLY CURIOUS AND AIRY FEELING WITH AMBIENT MALLET PERCUSSION MELODIES OVER LONG, LIGHT SYNTHESIZER PADS AND TOM-FILLED PERCUSSION.
23. DISCOVERIES 00:01:00 60 SECOND
43. DISCOVERIES 00:00:30 30 SECOND
63. DISCOVERIES 00:00:20 20 SECOND
83. DISCOVERIES 00:00:15 15 SECOND
105. DISCOVERIES 00:02:36 NO MALLET MELODY
106. DISCOVERIES 00:02:36 NO DRUMS
145. DISCOVERIES 00:01:00 NO MALLET MELODY 60 SECOND
146. DISCOVERIES 00:01:00 NO DRUMS 60 SECOND
185. DISCOVERIES 00:00:30 NO MALLET MELODY 30 SECOND
186. DISCOVERIES 00:00:30 NO DRUMS 30 SECOND
225. DISCOVERIES 00:00:20 NO MALLET MELODY 20 SECOND
226. DISCOVERIES 00:00:20 NO DRUMS 20 SECOND
265. DISCOVERIES 00:00:15 NO MALLET MELODY 15 SECOND
266. DISCOVERIES 00:00:15 NO DRUMS 15 SECOND
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4. THOUGHTFUL CONSIDERATION 00:03:28 MELLOW AND NOSTALGIC FEELING PIANO CHORDS BUILDS WITH ADDED DRUMS AND FILTERING SYNTHESIZER INTO POSITIVE SOUNDING, PULSING AMBIENCE.
24. THOUGHTFUL CONSIDERATION 00:01:00 60 SECOND
44. THOUGHTFUL CONSIDERATION 00:00:30 30 SECOND
64. THOUGHTFUL CONSIDERATION 00:00:20 20 SECOND
84. THOUGHTFUL CONSIDERATION 00:00:15 15 SECOND
107. THOUGHTFUL CONSIDERATION 00:03:28 NO PIANO
108. THOUGHTFUL CONSIDERATION 00:03:28 NO DRUMS
147. THOUGHTFUL CONSIDERATION 00:01:00 NO PIANO 60 SECOND
148. THOUGHTFUL CONSIDERATION 00:01:00 NO DRUMS 60 SECOND
187. THOUGHTFUL CONSIDERATION 00:00:30 NO PIANO 30 SECOND
188. THOUGHTFUL CONSIDERATION 00:00:30 NO DRUMS 30 SECOND
227. THOUGHTFUL CONSIDERATION 00:00:20 NO PIANO 20 SECOND
228. THOUGHTFUL CONSIDERATION 00:00:20 NO DRUMS 20 SECOND
267. THOUGHTFUL CONSIDERATION 00:00:15 NO PIANO 15 SECOND
268. THOUGHTFUL CONSIDERATION 00:00:15 NO DRUMS 15 SECOND
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5. INSIGHTFUL 00:03:45 AMBIENT BELL AND PIANO MELODIES CREATE AN AIRY DRAMATIC FEEL OVER BUILDING PERCUSSION, FLOWING SYNTHESIZER PADS AND WOODWINDS.
25. INSIGHTFUL 00:01:00 60 SECOND
45. INSIGHTFUL 00:00:30 30 SECOND
65. INSIGHTFUL 00:00:20 20 SECOND
85. INSIGHTFUL 00:00:15 15 SECOND
109. INSIGHTFUL 00:03:45 NO WOODWINDS
110. INSIGHTFUL 00:03:45 NO DRUMS; NO WHOOSHES
149. INSIGHTFUL 00:01:00 NO WOODWINDS 60 SECOND
150. INSIGHTFUL 00:01:00 NO DRUMS; NO WHOOSHES 60 SECOND
189. INSIGHTFUL 00:00:30 NO WOODWINDS 30 SECOND
190. INSIGHTFUL 00:00:30 NO DRUMS; NO WHOOSHES 30 SECOND
229. INSIGHTFUL 00:00:20 NO WOODWINDS 20 SECOND
230. INSIGHTFUL 00:00:20 NO DRUMS; NO WHOOSHES 20 SECOND
269. INSIGHTFUL 00:00:15 NO WOODWINDS 15 SECOND
270. INSIGHTFUL 00:00:15 NO DRUMS; NO WHOOSHES 15 SECOND
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6. VARIABLES 00:02:41 BUBBLING SYNTHESIZER POPS AND LOW SUB BASS COMBINE WITH AIRY, AMBIENT KEYBOARD TONES AND SPARSE ARRANGEMENTS FOR A POSITIVE, TECHY TUNE.
26. VARIABLES 00:01:00 60 SECOND
46. VARIABLES 00:00:30 30 SECOND
66. VARIABLES 00:00:20 20 SECOND
86. VARIABLES 00:00:15 15 SECOND
111. VARIABLES 00:02:41 NO PAD
112. VARIABLES 00:02:41 NO DRUMS
151. VARIABLES 00:01:00 NO PAD 60 SECOND
152. VARIABLES 00:01:00 NO DRUMS 60 SECOND
191. VARIABLES 00:00:30 NO PAD 30 SECOND
192. VARIABLES 00:00:30 NO DRUMS 30 SECOND
231. VARIABLES 00:00:20 NO PAD 20 SECOND
232. VARIABLES 00:00:20 NO DRUMS 20 SECOND
271. VARIABLES 00:00:15 NO PAD 15 SECOND
272. VARIABLES 00:00:15 NO DRUMS 15 SECOND
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7. SPARKLEOCITY 00:03:36 PERCOLATING WITH PITCHED PERCUSSION OVER LONG, DRONING ORGAN AND SYNTH PADS AND AN OPTIMISTIC, COOL OUTLOOK.
27. SPARKLEOCITY 00:01:00 60 SECOND
47. SPARKLEOCITY 00:00:30 30 SECOND
67. SPARKLEOCITY 00:00:20 20 SECOND
87. SPARKLEOCITY 00:00:15 15 SECOND
113. SPARKLEOCITY 00:03:36 NO CLAPS
114. SPARKLEOCITY 00:03:36 NO CLAPS; NO KICK DRUM
153. SPARKLEOCITY 00:01:00 NO CLAPS 60 SECOND
154. SPARKLEOCITY 00:01:00 NO CLAPS; NO KICK DRUM 60 SECOND
193. SPARKLEOCITY 00:00:30 NO CLAPS 30 SECOND
194. SPARKLEOCITY 00:00:30 NO CLAPS; NO KICK DRUM 30 SECOND
233. SPARKLEOCITY 00:00:20 NO CLAPS 20 SECOND
234. SPARKLEOCITY 00:00:20 NO CLAPS; NO KICK DRUM 20 SECOND
273. SPARKLEOCITY 00:00:15 NO CLAPS 15 SECOND
274. SPARKLEOCITY 00:00:15 NO CLAPS; NO KICK DRUM 15 SECOND
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8. UNLOCKING MEANINGS 00:04:29 INTROSPECTIVE, DRAMATIC AND DYNAMIC WITH CONSTANTLY EVOLVING ARRANGEMENTS OF AMBIENT PIANO, ECHOING HARP AND BUILDING PERCUSSION.
28. UNLOCKING MEANINGS 00:01:00 60 SECOND
48. UNLOCKING MEANINGS 00:00:30 30 SECOND
68. UNLOCKING MEANINGS 00:00:20 20 SECOND
88. UNLOCKING MEANINGS 00:00:15 15 SECOND
115. UNLOCKING MEANINGS 00:04:29 NO HARP; NO PIANO
116. UNLOCKING MEANINGS 00:04:29 NO HARP; NO PIANO; NO CELLO
155. UNLOCKING MEANINGS 00:01:00 NO HARP; NO PIANO 60 SECOND
156. UNLOCKING MEANINGS 00:01:00 NO HARP; NO PIANO; NO CELLO 60 SECOND
195. UNLOCKING MEANINGS 00:00:30 NO HARP; NO PIANO 30 SECOND
196. UNLOCKING MEANINGS 00:00:30 NO HARP; NO PIANO; NO CELLO 30 SECOND
235. UNLOCKING MEANINGS 00:00:20 NO HARP; NO PIANO 20 SECOND
236. UNLOCKING MEANINGS 00:00:20 NO HARP; NO PIANO; NO CELLO 20 SECOND
275. UNLOCKING MEANINGS 00:00:15 NO HARP; NO PIANO 15 SECOND
276. UNLOCKING MEANINGS 00:00:15 NO HARP; NO PIANO; NO CELLO 15 SECOND
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9. FOCUS POINTS 00:02:18 LIGHT, AIRY AND POSITIVE SOUNDING WITH ELECTRIC GUITAR CHIRPS AND OSCILLATING ORGAN MELODIES SPINNING OVER SIMPLE POP DRUM PROGRAMMING.
29. FOCUS POINTS 00:01:00 60 SECOND
49. FOCUS POINTS 00:00:30 30 SECOND
69. FOCUS POINTS 00:00:20 20 SECOND
89. FOCUS POINTS 00:00:15 15 SECOND
117. FOCUS POINTS 00:02:18 NO GUITAR
118. FOCUS POINTS 00:02:18 NO SEQUENCE
157. FOCUS POINTS 00:01:00 NO GUITAR 60 SECOND
158. FOCUS POINTS 00:01:00 NO SEQUENCE 60 SECOND
197. FOCUS POINTS 00:00:30 NO GUITAR 30 SECOND
198. FOCUS POINTS 00:00:30 NO SEQUENCE 30 SECOND
237. FOCUS POINTS 00:00:20 NO GUITAR 20 SECOND
238. FOCUS POINTS 00:00:20 NO SEQUENCE 20 SECOND
277. FOCUS POINTS 00:00:15 NO GUITAR 15 SECOND
278. FOCUS POINTS 00:00:15 NO SEQUENCE 15 SECOND
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10. ESCAPE THE ANGLES 00:02:41 BUILDING IN ANTICIPATION WITH LIGHT PROGRAMMED PERCUSSION OVER LONG SUSPENSEFUL SYNTHESIZER PADS AND PERCOLATING SOUNDSCAPES.
30. ESCAPE THE ANGLES 00:01:00 60 SECOND
50. ESCAPE THE ANGLES 00:00:30 30 SECOND
70. ESCAPE THE ANGLES 00:00:20 20 SECOND
90. ESCAPE THE ANGLES 00:00:15 15 SECOND
119. ESCAPE THE ANGLES 00:02:41 NO SEQUENCE
120. ESCAPE THE ANGLES 00:02:41 NO PERCOLATING SYNTHESIZER
159. ESCAPE THE ANGLES 00:01:00 NO SEQUENCE 60 SECOND
160. ESCAPE THE ANGLES 00:01:00 NO PERCOLATING SYNTHESIZER 60 SECOND
199. ESCAPE THE ANGLES 00:00:30 NO SEQUENCE 30 SECOND
200. ESCAPE THE ANGLES 00:00:30 NO PERCOLATING SYNTHESIZER 30 SECOND
239. ESCAPE THE ANGLES 00:00:20 NO SEQUENCE 20 SECOND
240. ESCAPE THE ANGLES 00:00:20 NO PERCOLATING SYNTHESIZER 20 SECOND
279. ESCAPE THE ANGLES 00:00:15 NO SEQUENCE 15 SECOND
280. ESCAPE THE ANGLES 00:00:15 NO PERCOLATING SYNTHESIZER 15 SECOND
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11. VIEWPOINTS INCLUSIVE 00:03:10 POSITIVE SOUNDING GUITAR HARMONIC MELODIES CREATE A BUBBLING, PERCUSSIVE TUNE OVER CHOPPY PERCUSSION AND LONG BOWED UPRIGHT BASS TONES.
31. VIEWPOINTS INCLUSIVE 00:01:00 60 SECOND
51. VIEWPOINTS INCLUSIVE 00:00:30 30 SECOND
71. VIEWPOINTS INCLUSIVE 00:00:20 20 SECOND
91. VIEWPOINTS INCLUSIVE 00:00:15 15 SECOND
121. VIEWPOINTS INCLUSIVE 00:03:10 NO HIGH GUITAR HARMONICS
122. VIEWPOINTS INCLUSIVE 00:03:10 NO DRUMS
161. VIEWPOINTS INCLUSIVE 00:01:00 NO HIGH GUITAR HARMONICS 60 SECOND
162. VIEWPOINTS INCLUSIVE 00:01:00 NO DRUMS 60 SECOND
201. VIEWPOINTS INCLUSIVE 00:00:30 NO HIGH GUITAR HARMONICS 30 SECOND
202. VIEWPOINTS INCLUSIVE 00:00:30 NO DRUMS 30 SECOND
241. VIEWPOINTS INCLUSIVE 00:00:20 NO HIGH GUITAR HARMONICS 20 SECOND
242. VIEWPOINTS INCLUSIVE 00:00:20 NO DRUMS 20 SECOND
281. VIEWPOINTS INCLUSIVE 00:00:15 NO HIGH GUITAR HARMONICS 15 SECOND
282. VIEWPOINTS INCLUSIVE 00:00:15 NO DRUMS 15 SECOND
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32. EQUILIBRIA 00:01:00 60 SECOND
52. EQUILIBRIA 00:00:30 30 SECOND
72. EQUILIBRIA 00:00:20 20 SECOND
92. EQUILIBRIA 00:00:15 15 SECOND
123. EQUILIBRIA 00:02:25 NO SYNTHESIZER MELODY
124. EQUILIBRIA 00:02:25 NO KICK DRUM; NO DRUM MACHINE
163. EQUILIBRIA 00:01:00 NO SYNTHESIZER MELODY 60 SECOND
164. EQUILIBRIA 00:01:00 NO KICK DRUM; NO DRUM MACHINE 60 SECOND
203. EQUILIBRIA 00:00:30 NO SYNTHESIZER MELODY 30 SECOND
204. EQUILIBRIA 00:00:30 NO KICK DRUM; NO DRUM MACHINE 30 SECOND
243. EQUILIBRIA 00:00:20 NO SYNTHESIZER MELODY 20 SECOND
244. EQUILIBRIA 00:00:20 NO KICK DRUM; NO DRUM MACHINE 20 SECOND
283. EQUILIBRIA 00:00:15 NO SYNTHESIZER MELODY 15 SECOND
284. EQUILIBRIA 00:00:15 NO KICK DRUM; NO DRUM MACHINE 15 SECOND
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13. PROTOTYPES 00:02:31 TECHY SOUNDING WITH DANCE MUSIC DRUM PROGRAMMING, SIMPLE PAD SYNTHESIZERS AND FUTURISTIC REVERSE AND SWELL EFFECTS.
33. PROTOTYPES 00:01:00 60 SECOND
53. PROTOTYPES 00:00:30 30 SECOND
73. PROTOTYPES 00:00:20 20 SECOND
93. PROTOTYPES 00:00:15 15 SECOND
125. PROTOTYPES 00:02:31 NO RIM HITS
126. PROTOTYPES 00:02:31 NO RIM HITS; NO REVERSE EFFECTS
165. PROTOTYPES 00:01:00 NO RIM HITS 60 SECOND
166. PROTOTYPES 00:01:00 NO RIM HITS; NO REVERSE EFFECTS 60 SECOND
205. PROTOTYPES 00:00:30 NO RIM HITS 30 SECOND
206. PROTOTYPES 00:00:30 NO RIM HITS; NO REVERSE EFFECTS 30 SECOND
245. PROTOTYPES 00:00:20 NO RIM HITS 20 SECOND
246. PROTOTYPES 00:00:20 NO RIM HITS; NO REVERSE EFFECTS 20 SECOND
285. PROTOTYPES 00:00:15 NO RIM HITS 15 SECOND
286. PROTOTYPES 00:00:15 NO RIM HITS; NO REVERSE EFFECTS 15 SECOND
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14. DIRECTLY TO THE POINT 00:03:04 ENERGETIC DRUMS AND PERCUSSION LEAD INTO A TECH-SAVVY GROOVE WITH IMPORTANT SOUNDING AMBIENT GUITAR THEMES AND PULSES.
34. DIRECTLY TO THE POINT 00:01:00 60 SECOND
54. DIRECTLY TO THE POINT 00:00:30 30 SECOND
74. DIRECTLY TO THE POINT 00:00:20 20 SECOND
94. DIRECTLY TO THE POINT 00:00:15 15 SECOND
127. DIRECTLY TO THE POINT 00:03:04 NO GUITAR MELODY
128. DIRECTLY TO THE POINT 00:03:04 NO PERCOLATING GUITAR
167. DIRECTLY TO THE POINT 00:01:00 NO GUITAR MELODY 60 SECOND
168. DIRECTLY TO THE POINT 00:01:00 NO PERCOLATING GUITAR 60 SECOND
207. DIRECTLY TO THE POINT 00:00:30 NO GUITAR MELODY 30 SECOND
208. DIRECTLY TO THE POINT 00:00:30 NO PERCOLATING GUITAR 30 SECOND
247. DIRECTLY TO THE POINT 00:00:20 NO GUITAR MELODY 20 SECOND
248. DIRECTLY TO THE POINT 00:00:20 NO PERCOLATING GUITAR 20 SECOND
287. DIRECTLY TO THE POINT 00:00:15 NO GUITAR MELODY 15 SECOND
288. DIRECTLY TO THE POINT 00:00:15 NO PERCOLATING GUITAR 15 SECOND
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15. FORGOTTEN LANDS 00:03:17 SYNCOPATED ELECTRONIC PERCUSSION RHYTHMS AND MIXED TIME SIGNATURES CREATE AN EXPERIMENTAL SOUND WITH TREMOLO GUITAR BRINGING SOME ORGANIC GRIT.
35. FORGOTTEN LANDS 00:01:00 60 SECOND
55. FORGOTTEN LANDS 00:00:30 30 SECOND
75. FORGOTTEN LANDS 00:00:20 20 SECOND
95. FORGOTTEN LANDS 00:00:15 15 SECOND
129. FORGOTTEN LANDS 00:03:17 NO GUITAR
130. FORGOTTEN LANDS 00:03:17 NO DRUMS
169. FORGOTTEN LANDS 00:01:00 NO GUITAR 60 SECOND
170. FORGOTTEN LANDS 00:01:00 NO DRUMS 60 SECOND
209. FORGOTTEN LANDS 00:00:30 NO GUITAR 30 SECOND
210. FORGOTTEN LANDS 00:00:30 NO DRUMS 30 SECOND
249. FORGOTTEN LANDS 00:00:20 NO GUITAR 20 SECOND
250. FORGOTTEN LANDS 00:00:20 NO DRUMS 20 SECOND
289. FORGOTTEN LANDS 00:00:15 NO GUITAR 15 SECOND
290. FORGOTTEN LANDS 00:00:15 NO DRUMS 15 SECOND
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36. SCIENCE OF KINDNESS 00:01:00 60 SECOND
56. SCIENCE OF KINDNESS 00:00:30 30 SECOND
76. SCIENCE OF KINDNESS 00:00:20 20 SECOND
96. SCIENCE OF KINDNESS 00:00:15 15 SECOND
131. SCIENCE OF KINDNESS 00:02:53 NO SYNTHESIZER MELODY
132. SCIENCE OF KINDNESS 00:03:01 NO DRUMS
171. SCIENCE OF KINDNESS 00:01:00 NO SYNTHESIZER MELODY 60 SECOND
172. SCIENCE OF KINDNESS 00:01:00 NO DRUMS 60 SECOND
211. SCIENCE OF KINDNESS 00:00:30 NO SYNTHESIZER MELODY 30 SECOND
212. SCIENCE OF KINDNESS 00:00:30 NO DRUMS 30 SECOND
251. SCIENCE OF KINDNESS 00:00:20 NO SYNTHESIZER MELODY 20 SECOND
252. SCIENCE OF KINDNESS 00:00:20 NO DRUMS 20 SECOND
291. SCIENCE OF KINDNESS 00:00:15 NO SYNTHESIZER MELODY 15 SECOND
292. SCIENCE OF KINDNESS 00:00:15 NO DRUMS 15 SECOND
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17. EVIDENCE-BASED 00:02:21 SERIOUS AND INVESTIGATIVE SOUNDING WITH ROLLING DRUMS AND PERCUSSION PERCOLATING UNDER AMBIENT PIANO AND SYNTHESIZER PADS.
37. EVIDENCE-BASED 00:01:00 60 SECOND
57. EVIDENCE-BASED 00:00:30 30 SECOND
77. EVIDENCE-BASED 00:00:20 20 SECOND
97. EVIDENCE-BASED 00:00:15 15 SECOND
133. EVIDENCE-BASED 00:02:21 NO PIANO
134. EVIDENCE-BASED 00:02:21 NO DRUMS
173. EVIDENCE-BASED 00:01:00 NO PIANO 60 SECOND
174. EVIDENCE-BASED 00:01:00 NO PIANO 60 SECOND
213. EVIDENCE-BASED 00:00:30 NO PIANO 30 SECOND
214. EVIDENCE-BASED 00:00:30 NO PIANO 30 SECOND
253. EVIDENCE-BASED 00:00:20 NO PIANO 20 SECOND
254. EVIDENCE-BASED 00:00:20 NO PIANO 20 SECOND
293. EVIDENCE-BASED 00:00:15 NO PIANO 15 SECOND
294. EVIDENCE-BASED 00:00:15 NO PIANO 15 SECOND
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18. NEUTRAL MOVEMENTS 00:03:36 TICKING GUITAR EFFECTS CREATE A SENSE OF URGENCY UNDER A BRIGHT AND AIRY BED OF SYNTHESIZER PADS AND REVERSE EFFECTS WITH ECHOING DRUM HITS FIRING IN THE BACKGROUND.
38. NEUTRAL MOVEMENTS 00:01:00 60 SECOND
58. NEUTRAL MOVEMENTS 00:00:30 30 SECOND
78. NEUTRAL MOVEMENTS 00:00:20 20 SECOND
98. NEUTRAL MOVEMENTS 00:00:15 15 SECOND
135. NEUTRAL MOVEMENTS 00:03:36 NO PERCOLATING GUITAR
136. NEUTRAL MOVEMENTS 00:03:36 NO DRUMS
175. NEUTRAL MOVEMENTS 00:01:00 NO PERCOLATING GUITAR 60 SECOND
176. NEUTRAL MOVEMENTS 00:01:00 NO DRUMS 60 SECOND
215. NEUTRAL MOVEMENTS 00:00:30 NO PERCOLATING GUITAR 30 SECOND
216. NEUTRAL MOVEMENTS 00:00:30 NO DRUMS 30 SECOND
255. NEUTRAL MOVEMENTS 00:00:20 NO PERCOLATING GUITAR 20 SECOND
256. NEUTRAL MOVEMENTS 00:00:20 NO DRUMS 20 SECOND
295. NEUTRAL MOVEMENTS 00:00:15 NO PERCOLATING GUITAR 15 SECOND
296. NEUTRAL MOVEMENTS 00:00:15 NO DRUMS 15 SECOND
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19. METHODICAL 00:02:46 BRIGHT, CLIMBING BELL-LIKE PIANO NOTES BUILD TO A CLIMACTIC RISE OVER PERCOLATING TOM DRUM RHYTHMS AND SYNTHESIZER PADS.
39. METHODICAL 00:01:00 60 SECOND
59. METHODICAL 00:00:30 30 SECOND
79. METHODICAL 00:00:20 20 SECOND
99. METHODICAL 00:00:15 15 SECOND
137. METHODICAL 00:02:46 NO PIANO
138. METHODICAL 00:02:46 NO WOODWINDS; NO HORNS
177. METHODICAL 00:01:00 NO PIANO 60 SECOND
178. METHODICAL 00:01:00 NO WOODWINDS; NO HORNS 60 SECOND
217. METHODICAL 00:00:30 NO PIANO 30 SECOND
218. METHODICAL 00:00:30 NO WOODWINDS; NO HORNS 30 SECOND
257. METHODICAL 00:00:20 NO PIANO 20 SECOND
258. METHODICAL 00:00:20 NO WOODWINDS; NO HORNS 20 SECOND
297. METHODICAL 00:00:15 NO PIANO 15 SECOND
298. METHODICAL 00:00:15 NO WOODWINDS; NO HORNS 15 SECOND
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20. REAL TALK 00:02:55 PUNCHY AND MYSTERIOUS WITH A SENSE OF WHIMSY, BRIGHT ORCHESTRAL STRING ARTICULATIONS AND PIANO RING OVER TIGHT DRUM PROGRAMMING AND QUIRKY SYNTHESIZER ARRANGEMENTS.
40. REAL TALK 00:01:00 60 SECOND
60. REAL TALK 00:00:30 30 SECOND
80. REAL TALK 00:00:20 20 SECOND
100. REAL TALK 00:00:15 15 SECOND
139. REAL TALK 00:02:55 NO STRINGS
140. REAL TALK 00:02:55 NO STRINGS; NO SEQUENCE
179. REAL TALK 00:01:00 NO STRINGS 60 SECOND
180. REAL TALK 00:01:00 NO STRINGS; NO SEQUENCE 60 SECOND
219. REAL TALK 00:00:30 NO STRINGS 30 SECOND
220. REAL TALK 00:00:30 NO STRINGS; NO SEQUENCE 30 SECOND
259. REAL TALK 00:00:20 NO STRINGS 20 SECOND
260. REAL TALK 00:00:20 NO STRINGS; NO SEQUENCE 20 SECOND
299. REAL TALK 00:00:15 NO STRINGS 15 SECOND
300. REAL TALK 00:00:15 NO STRINGS; NO SEQUENCE 15 SECOND