PA037
WARNER CHAPPELL PM PROMO ACCELERATOR Sound Design PromosThese intriguing soundscapes vary from the suspenseful to the peaceful, from inquisitive to dramatic. Combinations of electronic textures and atmospheres, processed acoustic instruments, metallic hits and pulses and the occasional distortion, these minimalist cues help bring new worlds to life. |
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21. PEAK CRISIS 00:01:00 60 SECOND
41. PEAK CRISIS 00:00:30 30 SECOND
61. PEAK CRISIS 00:00:20 20 SECOND
81. PEAK CRISIS 00:00:15 15 SECOND
101. PEAK CRISIS 00:01:46 NO HARP
102. PEAK CRISIS 00:01:46 NO PULSE
141. PEAK CRISIS 00:01:00 NO HARP 60 SECOND
142. PEAK CRISIS 00:01:00 NO PULSE 60 SECOND
181. PEAK CRISIS 00:00:30 NO HARP 30 SECOND
182. PEAK CRISIS 00:00:30 NO PULSE 30 SECOND
221. PEAK CRISIS 00:00:20 NO HARP 20 SECOND
222. PEAK CRISIS 00:00:20 NO PULSE 20 SECOND
261. PEAK CRISIS 00:00:15 NO HARP 15 SECOND
262. PEAK CRISIS 00:00:15 NO PULSE 15 SECOND
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2. MOMENTS REMEMBERED 00:01:38 PEACEFUL AND FLOWING, LIGHT AMBIENT METALLIC TEXTURES AND POSITIVE ELECTRIC PIANO FLOURISHES IMMERSE THEMSELVES IN ANGELIC DRONES AND SOUND EFFECTS.
22. MOMENTS REMEMBERED 00:01:00 60 SECOND
42. MOMENTS REMEMBERED 00:00:30 30 SECOND
62. MOMENTS REMEMBERED 00:00:20 20 SECOND
82. MOMENTS REMEMBERED 00:00:15 15 SECOND
103. MOMENTS REMEMBERED 00:01:38 NO PERCUSSION
104. MOMENTS REMEMBERED 00:01:38 NO PERCUSSION; NO KEYBOARD
143. MOMENTS REMEMBERED 00:01:00 NO PERCUSSION 60 SECOND
144. MOMENTS REMEMBERED 00:01:00 NO PERCUSSION; NO KEYBOARD 60 SECOND
183. MOMENTS REMEMBERED 00:00:30 NO PERCUSSION 30 SECOND
184. MOMENTS REMEMBERED 00:00:30 NO PERCUSSION; NO KEYBOARD 30 SECOND
223. MOMENTS REMEMBERED 00:00:20 NO PERCUSSION 20 SECOND
224. MOMENTS REMEMBERED 00:00:20 NO PERCUSSION; NO KEYBOARD 20 SECOND
263. MOMENTS REMEMBERED 00:00:15 NO PERCUSSION 15 SECOND
264. MOMENTS REMEMBERED 00:00:15 NO PERCUSSION; NO KEYBOARD 15 SECOND
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3. PEELING BACK THE LAYERS 00:01:43 AMBIENT AND ATMOSPHERIC, LONG DRONES HOVER BENEATH SLOWLY MUTATING HARP TONES WITH POWERFUL HITS FASHIONING A MYSTERIOUS CATACLYSM.
23. PEELING BACK THE LAYERS 00:01:00 60 SECOND
43. PEELING BACK THE LAYERS 00:00:30 30 SECOND
63. PEELING BACK THE LAYERS 00:00:20 20 SECOND
83. PEELING BACK THE LAYERS 00:00:15 15 SECOND
105. PEELING BACK THE LAYERS 00:01:38 NO HARP
106. PEELING BACK THE LAYERS 00:01:43 NO PERCUSSION
145. PEELING BACK THE LAYERS 00:01:00 NO HARP 60 SECOND
146. PEELING BACK THE LAYERS 00:01:00 NO PERCUSSION 60 SECOND
185. PEELING BACK THE LAYERS 00:00:30 NO HARP 30 SECOND
186. PEELING BACK THE LAYERS 00:00:30 NO PERCUSSION 30 SECOND
225. PEELING BACK THE LAYERS 00:00:20 NO HARP 20 SECOND
226. PEELING BACK THE LAYERS 00:00:20 NO PERCUSSION 20 SECOND
265. PEELING BACK THE LAYERS 00:00:15 NO HARP 15 SECOND
266. PEELING BACK THE LAYERS 00:00:15 NO PERCUSSION 15 SECOND
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4. PROFOUND MEANINGS 00:02:22 HOPEFULNESS ABOUNDS WITH DREAMY, FLOATING SYNTHESIZER AMBIENCE AND CELESTIAL GUITAR HARMONIC WASHES THAT SHIMMER INTO THE ETHER.
24. PROFOUND MEANINGS 00:01:00 60 SECOND
44. PROFOUND MEANINGS 00:00:30 30 SECOND
64. PROFOUND MEANINGS 00:00:20 20 SECOND
84. PROFOUND MEANINGS 00:00:15 15 SECOND
107. PROFOUND MEANINGS 00:02:22 NO HARMONICS
108. PROFOUND MEANINGS 00:02:22 NO PERCUSSION
147. PROFOUND MEANINGS 00:01:00 NO HARMONICS 60 SECOND
148. PROFOUND MEANINGS 00:01:00 NO PERCUSSION 60 SECOND
187. PROFOUND MEANINGS 00:00:30 NO HARMONICS 30 SECOND
188. PROFOUND MEANINGS 00:00:30 NO PERCUSSION 30 SECOND
227. PROFOUND MEANINGS 00:00:20 NO HARMONICS 20 SECOND
228. PROFOUND MEANINGS 00:00:20 NO PERCUSSION 20 SECOND
267. PROFOUND MEANINGS 00:00:15 NO HARMONICS 15 SECOND
268. PROFOUND MEANINGS 00:00:15 NO PERCUSSION 15 SECOND
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5. CAPTIVATING SUSPENSE 00:01:44 LONG, DARK SINGLE-NOTE PIANO TONES CAST A DARK SHADOW OVER EERIE AMBIENCE WITH SINISTER STRING CRESCENDOS AND TENSION-BUILDING IMPACTS.
25. CAPTIVATING SUSPENSE 00:01:00 60 SECOND
45. CAPTIVATING SUSPENSE 00:00:30 30 SECOND
65. CAPTIVATING SUSPENSE 00:00:20 20 SECOND
85. CAPTIVATING SUSPENSE 00:00:15 15 SECOND
109. CAPTIVATING SUSPENSE 00:01:44 NO HITS
110. CAPTIVATING SUSPENSE 00:01:44 NO HITS; NO PIANO; NO STRINGS
149. CAPTIVATING SUSPENSE 00:01:00 NO HITS 60 SECOND
150. CAPTIVATING SUSPENSE 00:01:00 NO HITS; NO PIANO; NO STRINGS 60 SECOND
189. CAPTIVATING SUSPENSE 00:00:30 NO HITS 30 SECOND
190. CAPTIVATING SUSPENSE 00:00:30 NO HITS; NO PIANO; NO STRINGS 30 SECOND
229. CAPTIVATING SUSPENSE 00:00:20 NO HITS 20 SECOND
230. CAPTIVATING SUSPENSE 00:00:20 NO HITS; NO PIANO; NO STRINGS 20 SECOND
269. CAPTIVATING SUSPENSE 00:00:15 NO HITS 15 SECOND
270. CAPTIVATING SUSPENSE 00:00:15 NO HITS; NO PIANO; NO STRINGS 15 SECOND
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6. REDEMPTION 00:02:30 HEAVY PIANO AND PERCUSSION IMPACTS DRIFT OFF IN REFLECTIVE MEDITATION OVER SOFT, NEW AGE SYNTHESIZER PADS AND PEACEFUL AMBIENCE.
26. REDEMPTION 00:01:00 60 SECOND
46. REDEMPTION 00:00:30 30 SECOND
66. REDEMPTION 00:00:20 20 SECOND
86. REDEMPTION 00:00:15 15 SECOND
111. REDEMPTION 00:02:30 NO PIANO MELODY
112. REDEMPTION 00:02:30 NO PIANO
151. REDEMPTION 00:01:00 NO PIANO MELODY 60 SECOND
152. REDEMPTION 00:01:00 NO PIANO 60 SECOND
191. REDEMPTION 00:00:30 NO PIANO MELODY 30 SECOND
192. REDEMPTION 00:00:30 NO PIANO 30 SECOND
231. REDEMPTION 00:00:20 NO PIANO MELODY 20 SECOND
232. REDEMPTION 00:00:20 NO PIANO 20 SECOND
271. REDEMPTION 00:00:15 NO PIANO MELODY 15 SECOND
272. REDEMPTION 00:00:15 NO PIANO 15 SECOND
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7. LIFE ALTERING 00:01:53 TRAGEDY POURS OUT OF A MELANCHOLY PIANO WITH DISTANT PERCUSSION AND DARK OVERWHELMING AMBIENT SWELLS ADDING TO THE HEAVY IMPACT OF EMOTION.
27. LIFE ALTERING 00:01:00 60 SECOND
47. LIFE ALTERING 00:00:30 30 SECOND
67. LIFE ALTERING 00:00:20 20 SECOND
87. LIFE ALTERING 00:00:15 15 SECOND
113. LIFE ALTERING 00:01:53 NO PIANO
114. LIFE ALTERING 00:01:53 NO STRINGS
153. LIFE ALTERING 00:01:00 NO PIANO 60 SECOND
154. LIFE ALTERING 00:01:00 NO STRINGS 60 SECOND
193. LIFE ALTERING 00:00:30 NO PIANO 30 SECOND
194. LIFE ALTERING 00:00:30 NO STRINGS 30 SECOND
233. LIFE ALTERING 00:00:20 NO PIANO 20 SECOND
234. LIFE ALTERING 00:00:20 NO STRINGS 20 SECOND
273. LIFE ALTERING 00:00:15 NO PIANO 15 SECOND
274. LIFE ALTERING 00:00:15 NO STRINGS 15 SECOND
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8. DIVIDED MIND 00:01:33 DARK PERCUSSION AND LOW PIANO HITS LEAD INTO A TRIO OF SOMBER PIANO THEMES, MYSTERIOUS PERCOLATING BELL MELODIES AND SPACEY SPARKLING EFFECTS.
28. DIVIDED MIND 00:01:00 60 SECOND
48. DIVIDED MIND 00:00:30 30 SECOND
68. DIVIDED MIND 00:00:20 20 SECOND
88. DIVIDED MIND 00:00:15 15 SECOND
115. DIVIDED MIND 00:01:33 NO SPARKLE SYNTHESIZER MELODY
116. DIVIDED MIND 00:01:33 NO SPARKLE SYNTHESIZER MELODY; NO BELL MELODY
155. DIVIDED MIND 00:01:00 NO SPARKLE SYNTHESIZER MELODY 60 SECOND
156. DIVIDED MIND 00:01:00 NO SPARKLE SYNTHESIZER MELODY; NO BELL MELODY 60 SECOND
195. DIVIDED MIND 00:00:30 NO SPARKLE SYNTHESIZER MELODY 30 SECOND
196. DIVIDED MIND 00:00:30 NO SPARKLE SYNTHESIZER MELODY; NO BELL MELODY 30 SECOND
235. DIVIDED MIND 00:00:20 NO SPARKLE SYNTHESIZER MELODY 20 SECOND
236. DIVIDED MIND 00:00:20 NO SPARKLE SYNTHESIZER MELODY; NO BELL MELODY 20 SECOND
275. DIVIDED MIND 00:00:15 NO SPARKLE SYNTHESIZER MELODY 15 SECOND
276. DIVIDED MIND 00:00:15 NO SPARKLE SYNTHESIZER MELODY; NO BELL MELODY 15 SECOND
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9. PREMEDITATED 00:01:47 SERENE, YET SOMEHOW OFF-KILTER AMBIENT PIANO CHORD STRUCTURES COMBINE WITH MECHANICAL ELECTRICAL SURGES AND TONES FOR A HAUNTING, FREAKISH CALM THAT WILL GIVE YOU NIGHTMARES.
29. PREMEDITATED 00:01:00 60 SECOND
49. PREMEDITATED 00:00:30 30 SECOND
69. PREMEDITATED 00:00:20 20 SECOND
89. PREMEDITATED 00:00:15 15 SECOND
117. PREMEDITATED 00:01:47 NO BEEPS; NO GLASSY CHORDS
118. PREMEDITATED 00:01:47 NO BEEPS; NO GLASSY CHORDS; NO PERCUSSION
157. PREMEDITATED 00:01:00 NO BEEPS; NO GLASSY CHORDS 60 SECOND
158. PREMEDITATED 00:01:00 NO BEEPS; NO GLASSY CHORDS; NO PERCUSSION 60 SECOND
197. PREMEDITATED 00:00:30 NO BEEPS; NO GLASSY CHORDS 30 SECOND
198. PREMEDITATED 00:00:30 NO BEEPS; NO GLASSY CHORDS; NO PERCUSSION 30 SECOND
237. PREMEDITATED 00:00:20 NO BEEPS; NO GLASSY CHORDS 20 SECOND
238. PREMEDITATED 00:00:20 NO BEEPS; NO GLASSY CHORDS; NO PERCUSSION 20 SECOND
277. PREMEDITATED 00:00:15 NO BEEPS; NO GLASSY CHORDS 15 SECOND
278. PREMEDITATED 00:00:15 NO BEEPS; NO GLASSY CHORDS; NO PERCUSSION 15 SECOND
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30. QUANDARY 00:01:00 60 SECOND
50. QUANDARY 00:00:30 30 SECOND
70. QUANDARY 00:00:20 20 SECOND
90. QUANDARY 00:00:15 15 SECOND
119. QUANDARY 00:01:42 NO TICKS
120. QUANDARY 00:01:42 NO TICKS; NO STRINGS; NO WASHY PERCUSSION
159. QUANDARY 00:01:00 NO TICKS 60 SECOND
160. QUANDARY 00:01:00 NO TICKS; NO STRINGS; NO WASHY PERCUSSION 60 SECOND
199. QUANDARY 00:00:30 NO TICKS 30 SECOND
200. QUANDARY 00:00:30 NO TICKS; NO STRINGS; NO WASHY PERCUSSION 30 SECOND
239. QUANDARY 00:00:20 NO TICKS 20 SECOND
240. QUANDARY 00:00:20 NO TICKS; NO STRINGS; NO WASHY PERCUSSION 20 SECOND
279. QUANDARY 00:00:15 NO TICKS 15 SECOND
280. QUANDARY 00:00:15 NO TICKS; NO STRINGS; NO WASHY PERCUSSION 15 SECOND
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11. SLEEPING ENEMY 00:01:38 TENSE AND URGENT WITH TICKING PERCUSSION COUNTING DOWN, MORPHING SYNTHESIZER AND ORCHESTRAL STRING TEXTURES SCATTER AND ROAM LOOKING FOR AN ESCAPE.
31. SLEEPING ENEMY 00:01:00 60 SECOND
51. SLEEPING ENEMY 00:00:30 30 SECOND
71. SLEEPING ENEMY 00:00:20 20 SECOND
91. SLEEPING ENEMY 00:00:15 15 SECOND
121. SLEEPING ENEMY 00:01:38 NO TICKS
122. SLEEPING ENEMY 00:01:28 NO TICKS; NO STRING EFFECTS; NO PAD
161. SLEEPING ENEMY 00:01:00 NO TICKS 60 SECOND
162. SLEEPING ENEMY 00:01:00 NO TICKS; NO STRING EFFECTS; NO PAD 60 SECOND
201. SLEEPING ENEMY 00:00:30 NO TICKS 30 SECOND
202. SLEEPING ENEMY 00:00:30 NO TICKS; NO STRING EFFECTS; NO PAD 30 SECOND
241. SLEEPING ENEMY 00:00:20 NO TICKS 20 SECOND
242. SLEEPING ENEMY 00:00:20 NO TICKS; NO STRING EFFECTS; NO PAD 20 SECOND
281. SLEEPING ENEMY 00:00:15 NO TICKS 15 SECOND
282. SLEEPING ENEMY 00:00:15 NO TICKS; NO STRING EFFECTS; NO PAD 15 SECOND
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32. DARK REACTOR 00:01:00 60 SECOND
52. DARK REACTOR 00:00:30 30 SECOND
72. DARK REACTOR 00:00:20 20 SECOND
92. DARK REACTOR 00:00:15 15 SECOND
123. DARK REACTOR 00:01:34 NO TICKS
124. DARK REACTOR 00:01:34 NO HIGH WOOSH EFFECT
163. DARK REACTOR 00:01:00 NO TICKS 60 SECOND
164. DARK REACTOR 00:01:00 NO HIGH WOOSH EFFECT 60 SECOND
203. DARK REACTOR 00:00:30 NO TICKS 30 SECOND
204. DARK REACTOR 00:00:30 NO HIGH WOOSH EFFECT 30 SECOND
243. DARK REACTOR 00:00:20 NO TICKS 20 SECOND
244. DARK REACTOR 00:00:20 NO HIGH WOOSH EFFECT 20 SECOND
283. DARK REACTOR 00:00:15 NO TICKS 15 SECOND
284. DARK REACTOR 00:00:15 NO HIGH WOOSH EFFECT 15 SECOND
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13. BROKEN CONSCIENCE 00:01:29 A SLOWLY EVOLVING SOUNDSCAPE WITH SOUND DESIGN RISES AND FALLS JOINING ELECTRONIC DRUMS AND PIANO FOR A TENSION-BUILDING ATMOSPHERE.
33. BROKEN CONSCIENCE 00:01:00 60 SECOND
53. BROKEN CONSCIENCE 00:00:30 30 SECOND
73. BROKEN CONSCIENCE 00:00:20 20 SECOND
93. BROKEN CONSCIENCE 00:00:15 15 SECOND
125. BROKEN CONSCIENCE 00:01:29 NO PIANO; NO WOOSH
126. BROKEN CONSCIENCE 00:01:29 NO PIANO; NO WOOSH; NO TICKS
165. BROKEN CONSCIENCE 00:01:00 NO PIANO; NO WOOSH 60 SECOND
166. BROKEN CONSCIENCE 00:01:00 NO PIANO; NO WOOSH; NO TICKS 60 SECOND
205. BROKEN CONSCIENCE 00:00:30 NO PIANO; NO WOOSH 30 SECOND
206. BROKEN CONSCIENCE 00:00:30 NO PIANO; NO WOOSH; NO TICKS 30 SECOND
245. BROKEN CONSCIENCE 00:00:20 NO PIANO; NO WOOSH 20 SECOND
246. BROKEN CONSCIENCE 00:00:20 NO PIANO; NO WOOSH; NO TICKS 20 SECOND
285. BROKEN CONSCIENCE 00:00:15 NO PIANO; NO WOOSH 15 SECOND
286. BROKEN CONSCIENCE 00:00:15 NO PIANO; NO WOOSH; NO TICKS 15 SECOND
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14. CONVERGING PATHS 00:01:39 MYSTERIOUS, CAVERNOUS HITS AND LOW PIANO TONES LEAD INTO A PIANO AND GUITAR DUET COVERED IN AIRY ATMOSPHERES AND DRAMATIC TENSION.
34. CONVERGING PATHS 00:01:00 60 SECOND
54. CONVERGING PATHS 00:00:30 30 SECOND
74. CONVERGING PATHS 00:00:20 20 SECOND
94. CONVERGING PATHS 00:00:15 15 SECOND
127. CONVERGING PATHS 00:01:39 NO GUITAR
128. CONVERGING PATHS 00:01:39 NO STRINGS
167. CONVERGING PATHS 00:01:00 NO GUITAR 60 SECOND
168. CONVERGING PATHS 00:01:00 NO STRINGS 60 SECOND
207. CONVERGING PATHS 00:00:30 NO GUITAR 30 SECOND
208. CONVERGING PATHS 00:00:30 NO STRINGS 30 SECOND
247. CONVERGING PATHS 00:00:20 NO GUITAR 20 SECOND
248. CONVERGING PATHS 00:00:20 NO STRINGS 20 SECOND
287. CONVERGING PATHS 00:00:15 NO GUITAR 15 SECOND
288. CONVERGING PATHS 00:00:15 NO STRINGS 15 SECOND
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15. PREDICAMENT 00:02:17 OMINOUS BELL TONES LAUNCH INTO A BROODING RHYTHMIC BED WITH METALLIC TICKING PERCUSSION MARKING OFF THE SECONDS TO A PRESSING CLIMACTIC HIT.
35. PREDICAMENT 00:01:00 60 SECOND
55. PREDICAMENT 00:00:30 30 SECOND
75. PREDICAMENT 00:00:20 20 SECOND
95. PREDICAMENT 00:00:15 15 SECOND
129. PREDICAMENT 00:02:17 NO TICKS
130. PREDICAMENT 00:02:17 NO TICKS; NO METALLIC PERCUSSION
169. PREDICAMENT 00:01:00 NO TICKS 60 SECOND
170. PREDICAMENT 00:01:00 NO TICKS; NO METALLIC PERCUSSION 60 SECOND
209. PREDICAMENT 00:00:30 NO TICKS 30 SECOND
210. PREDICAMENT 00:00:30 NO TICKS; NO METALLIC PERCUSSION 30 SECOND
249. PREDICAMENT 00:00:20 NO TICKS 20 SECOND
250. PREDICAMENT 00:00:20 NO TICKS; NO METALLIC PERCUSSION 20 SECOND
289. PREDICAMENT 00:00:15 NO TICKS 15 SECOND
290. PREDICAMENT 00:00:15 NO TICKS; NO METALLIC PERCUSSION 15 SECOND
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16. LOST SIGNAL 00:01:33 CHIRPING ELECTRONIC EFFECTS CREATE A SOUND DESIGN DRIVEN RHYTHMIC BED WITH A LONELY, SOMBER PIANO PLAYING MELLOW CHORDS UNDERNEATH.
36. LOST SIGNAL 00:01:00 60 SECOND
56. LOST SIGNAL 00:00:30 30 SECOND
76. LOST SIGNAL 00:00:20 20 SECOND
96. LOST SIGNAL 00:00:15 15 SECOND
131. LOST SIGNAL 00:01:33 NO WHISTLE
132. LOST SIGNAL 00:01:33 NO WHISTLE; NO HEARTBEAT
171. LOST SIGNAL 00:01:00 NO WHISTLE 60 SECOND
172. LOST SIGNAL 00:01:00 NO WHISTLE; NO HEARTBEAT 60 SECOND
211. LOST SIGNAL 00:00:30 NO WHISTLE 30 SECOND
212. LOST SIGNAL 00:00:30 NO WHISTLE; NO HEARTBEAT 30 SECOND
251. LOST SIGNAL 00:00:20 NO WHISTLE 20 SECOND
252. LOST SIGNAL 00:00:20 NO WHISTLE; NO HEARTBEAT 20 SECOND
291. LOST SIGNAL 00:00:15 NO WHISTLE 15 SECOND
292. LOST SIGNAL 00:00:15 NO WHISTLE; NO HEARTBEAT 15 SECOND
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37. LIFE AROUND DYING STAR 00:01:00 60 SECOND
57. LIFE AROUND DYING STAR 00:00:30 30 SECOND
77. LIFE AROUND DYING STAR 00:00:20 20 SECOND
97. LIFE AROUND DYING STAR 00:00:15 15 SECOND
133. LIFE AROUND DYING STAR 00:01:44 NO VOICES
134. LIFE AROUND DYING STAR 00:01:44 NO VOICES; NO NOISE
173. LIFE AROUND DYING STAR 00:01:00 NO VOICES 60 SECOND
174. LIFE AROUND DYING STAR 00:01:00 NO VOICES; NO NOISE 60 SECOND
213. LIFE AROUND DYING STAR 00:00:30 NO VOICES 30 SECOND
214. LIFE AROUND DYING STAR 00:00:30 NO VOICES; NO NOISE 30 SECOND
253. LIFE AROUND DYING STAR 00:00:20 NO VOICES 20 SECOND
254. LIFE AROUND DYING STAR 00:00:20 NO VOICES; NO NOISE 20 SECOND
293. LIFE AROUND DYING STAR 00:00:15 NO VOICES 15 SECOND
294. LIFE AROUND DYING STAR 00:00:15 NO VOICES; NO NOISE 15 SECOND
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18. CELLULAR EMPATHY 00:01:39 AIRY, ECHO-COVERED ELECTRONIC TEXTURES CREATE A REPETITIVE, TRANCE-LIKE RHYTHM OVER SOFT ATMOSPHERES AND DISTANT SOUND EFFECTS.
38. CELLULAR EMPATHY 00:01:00 60 SECOND
58. CELLULAR EMPATHY 00:00:30 30 SECOND
78. CELLULAR EMPATHY 00:00:20 20 SECOND
98. CELLULAR EMPATHY 00:00:15 15 SECOND
135. CELLULAR EMPATHY 00:01:39 NO CRYSTAL HITS
136. CELLULAR EMPATHY 00:01:39 NO SEQUENCE
175. CELLULAR EMPATHY 00:01:00 NO CRYSTAL HITS 60 SECOND
176. CELLULAR EMPATHY 00:01:00 NO SEQUENCE 60 SECOND
215. CELLULAR EMPATHY 00:00:30 NO CRYSTAL HITS 30 SECOND
216. CELLULAR EMPATHY 00:00:30 NO SEQUENCE 30 SECOND
255. CELLULAR EMPATHY 00:00:20 NO CRYSTAL HITS 20 SECOND
256. CELLULAR EMPATHY 00:00:20 NO SEQUENCE 20 SECOND
295. CELLULAR EMPATHY 00:00:15 NO CRYSTAL HITS 15 SECOND
296. CELLULAR EMPATHY 00:00:15 NO SEQUENCE 15 SECOND
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19. MEMORY LOSS 00:01:14 SPARSE PIANO CHORDS CREATE A SIMPLE EMOTIONAL BED WHILE ELECTRONIC PULSES PRODUCE A DATA STREAM BETWEEN LOW IMPACTS.
39. MEMORY LOSS 00:01:00 60 SECOND
59. MEMORY LOSS 00:00:30 30 SECOND
79. MEMORY LOSS 00:00:20 20 SECOND
99. MEMORY LOSS 00:00:15 15 SECOND
137. MEMORY LOSS 00:01:14 NO KICK DRUM
138. MEMORY LOSS 00:01:14 NO PIANO
177. MEMORY LOSS 00:01:00 NO KICK DRUM 60 SECOND
178. MEMORY LOSS 00:01:00 NO PIANO 60 SECOND
217. MEMORY LOSS 00:00:30 NO KICK DRUM 30 SECOND
218. MEMORY LOSS 00:00:30 NO PIANO 30 SECOND
257. MEMORY LOSS 00:00:20 NO KICK DRUM 20 SECOND
258. MEMORY LOSS 00:00:20 NO PIANO 20 SECOND
297. MEMORY LOSS 00:00:15 NO KICK DRUM 15 SECOND
298. MEMORY LOSS 00:00:15 NO PIANO 15 SECOND
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20. SUPER HIGHWAY BLACKOUT 00:02:10 POWERFUL SLAMS FILL THE GAPS FROM MECHANIZED RHYTHMIC PULSES FOR AN EERIE SOUND VOID OF HUMANITY.
40. SUPER HIGHWAY BLACKOUT 00:01:00 60 SECOND
60. SUPER HIGHWAY BLACKOUT 00:00:30 30 SECOND
80. SUPER HIGHWAY BLACKOUT 00:00:20 20 SECOND
100. SUPER HIGHWAY BLACKOUT 00:00:15 15 SECOND
139. SUPER HIGHWAY BLACKOUT 00:02:10 NO CLINK
140. SUPER HIGHWAY BLACKOUT 00:02:10 NO CLINK; NO PIANO
179. SUPER HIGHWAY BLACKOUT 00:01:00 NO CLINK 60 SECOND
180. SUPER HIGHWAY BLACKOUT 00:01:00 NO CLINK; NO PIANO 60 SECOND
219. SUPER HIGHWAY BLACKOUT 00:00:30 NO CLINK 30 SECOND
220. SUPER HIGHWAY BLACKOUT 00:00:30 NO CLINK; NO PIANO 30 SECOND
259. SUPER HIGHWAY BLACKOUT 00:00:20 NO CLINK 20 SECOND
260. SUPER HIGHWAY BLACKOUT 00:00:20 NO CLINK; NO PIANO 20 SECOND
299. SUPER HIGHWAY BLACKOUT 00:00:15 NO CLINK 15 SECOND
300. SUPER HIGHWAY BLACKOUT 00:00:15 NO CLINK; NO PIANO 15 SECOND