 |
SS033
WARNER CHAPPELL PM SCORING STAGE Chain ReactionSoft And Desolate. Grand And Monumental. Sweeping Orchestral Arrangements To Follow Every Mood. |
-
1. FORGE 00:02:58 POUNDING DRUMS LEAD INTO A PERCOLATING BASS GUITAR AND SYNTHESIZER GROOVE FOLLOWED BY DRAMATIC, ACTION-HEAVY ORCHESTRA.
11. FORGE 00:01:00 60 SECOND
21. FORGE 00:00:30 30 SECOND
31. FORGE 00:02:58 NO CHOIR
32. FORGE 00:02:58 NO CHOIR; NO EFFECTS
51. FORGE 00:01:00 NO CHOIR 60 SECOND
52. FORGE 00:01:00 NO CHOIR; NO EFFECTS 60 SECOND
71. FORGE 00:00:30 NO CHOIR 30 SECOND
72. FORGE 00:00:30 NO CHOIR; NO EFFECTS 30 SECOND
-
2. MEKHANIX TOWERS SURROUNDED 00:01:58 QUICK, DYNAMIC LOW STACCATO STRINGS ARE JOINED BY HIGHER STRING AND BRASS SWELLS AND LAUNCH INTO AN EPIC SOUNDING CHOIR WITH ORCHESTRA BACKBEAT.
12. MEKHANIX TOWERS SURROUNDED 00:01:00 60 SECOND
22. MEKHANIX TOWERS SURROUNDED 00:00:30 30 SECOND
33. MEKHANIX TOWERS SURROUNDED 00:01:58 NO CHOIR
34. MEKHANIX TOWERS SURROUNDED 00:01:58 NO CHOIR; NO SYNTH NO EFFECTS
53. MEKHANIX TOWERS SURROUNDED 00:01:00 NO CHOIR 60 SECOND
54. MEKHANIX TOWERS SURROUNDED 00:01:00 NO CHOIR; NO SYNTH NO EFFECTS 60 SECOND
73. MEKHANIX TOWERS SURROUNDED 00:00:30 NO CHOIR 30 SECOND
74. MEKHANIX TOWERS SURROUNDED 00:00:30 NO CHOIR; NO SYNTH NO EFFECTS 30 SECOND
-
3. REUNION 00:01:46 A GRANDIOSE ORCHESTRA WITH DRAMATICALLY DYNAMIC STRING AND BRASS, TRIUMPHANT MOVEMENTS AND AN OVERWHELMING FEELING OF GRANDEUR.
13. REUNION 00:01:00 60 SECOND
23. REUNION 00:00:30 30 SECOND
35. REUNION 00:01:46 NO CHOIR
36. REUNION 00:01:46 NO CHOIR; LIGHT PERCUSSION
55. REUNION 00:01:00 NO CHOIR 60 SECOND
56. REUNION 00:01:00 NO CHOIR; LIGHT PERCUSSION 60 SECOND
75. REUNION 00:00:30 NO CHOIR 30 SECOND
76. REUNION 00:00:30 NO CHOIR; LIGHT PERCUSSION 30 SECOND
-
4. TO THE FRONT 00:02:09 DARK, HEAVY AND AGGRESSIVE ORCHESTRA WITH THUNDEROUS PERCUSSION, ENERGETIC BRASS AND STRING SWELLS, AND A MASSIVE, OMINOUS CHOIR.
14. TO THE FRONT 00:01:00 60 SECOND
24. TO THE FRONT 00:00:30 30 SECOND
37. TO THE FRONT 00:02:09 NO CHOIR
38. TO THE FRONT 00:02:09 NO CHOIR; NO STRINGS
57. TO THE FRONT 00:01:00 NO CHOIR 60 SECOND
58. TO THE FRONT 00:01:00 NO CHOIR; NO STRINGS 60 SECOND
77. TO THE FRONT 00:00:30 NO CHOIR 30 SECOND
78. TO THE FRONT 00:00:30 NO CHOIR; NO STRINGS 30 SECOND
-
5. IN THE MIDST OF THE ARENA 00:02:46 FOREBODING BRASS OVER FAST-MOVING, LIGHT STRING FLOURISHES BURSTS INTO AN INTENSE, DYNAMIC ORCHESTRA, ECHOING CHOIR PHRASES, AND A HEAVY-HANDED DRUM BEAT.
15. IN THE MIDST OF THE ARENA 00:01:00 60 SECOND
25. IN THE MIDST OF THE ARENA 00:00:30 30 SECOND
39. IN THE MIDST OF THE ARENA 00:02:46 NO CHOIR
40. IN THE MIDST OF THE ARENA 00:02:46 NO CHOIR; NO SYNTH
59. IN THE MIDST OF THE ARENA 00:01:00 NO CHOIR 60 SECOND
60. IN THE MIDST OF THE ARENA 00:01:00 NO CHOIR; NO SYNTH 60 SECOND
79. IN THE MIDST OF THE ARENA 00:00:30 NO CHOIR 30 SECOND
80. IN THE MIDST OF THE ARENA 00:00:30 NO CHOIR; NO SYNTH 30 SECOND
-
16. A HELL OF A RIDE 00:01:00 60 SECOND
26. A HELL OF A RIDE 00:00:30 30 SECOND
41. A HELL OF A RIDE 00:02:08 NO CHOIR
42. A HELL OF A RIDE 00:02:08 NO CHOIR; NO GUITAR
61. A HELL OF A RIDE 00:01:00 NO CHOIR 60 SECOND
62. A HELL OF A RIDE 00:01:00 NO CHOIR; NO GUITAR 60 SECOND
81. A HELL OF A RIDE 00:00:30 NO CHOIR 30 SECOND
82. A HELL OF A RIDE 00:00:30 NO CHOIR; NO GUITAR 30 SECOND
-
7. STEEL HERO 00:04:26 PIANO AND SYNTHESIZER PAD ARE JOINED BY STEADILY BUILDING PERCUSSION, STRINGS AND BRASS AND LEAD INTO A TRIUMPHANT, VICTORIOUS ORCHESTRA.
17. STEEL HERO 00:01:00 60 SECOND
27. STEEL HERO 00:00:30 30 SECOND
43. STEEL HERO 00:04:26 NO PULSE SYNTH
44. STEEL HERO 00:04:26 NO PULSE SYNTH; LIGHT PERCUSSION
63. STEEL HERO 00:01:00 NO PULSE SYNTH 60 SECOND
64. STEEL HERO 00:01:00 NO PULSE SYNTH; LIGHT PERCUSSION 60 SECOND
83. STEEL HERO 00:00:30 NO PULSE SYNTH 30 SECOND
84. STEEL HERO 00:00:30 NO PULSE SYNTH; LIGHT PERCUSSION 30 SECOND
-
8. METAMORPHOSIS 00:02:16 A POWERFUL DESCENDING STRING THEME WITH HEAVY, LONG BRASS CHORDS AND EPIC CHOIR ERUPTS FROM A QUIET, CALM PIANO AND LIGHT STACCATO STRING INTRO.
18. METAMORPHOSIS 00:01:00 60 SECOND
28. METAMORPHOSIS 00:00:30 30 SECOND
45. METAMORPHOSIS 00:02:16 NO CHOIR
46. METAMORPHOSIS 00:02:16 NO CHOIR; NO SYNTH
65. METAMORPHOSIS 00:01:00 NO CHOIR 60 SECOND
66. METAMORPHOSIS 00:01:00 NO CHOIR; NO SYNTH 60 SECOND
85. METAMORPHOSIS 00:00:30 NO CHOIR 30 SECOND
86. METAMORPHOSIS 00:00:30 NO CHOIR; NO SYNTH 30 SECOND
-
9. LEAVING FOR THE BATTLEFIELD 00:02:58 ORCHESTRAL STRING TREMOLO MELODIES AND POWERFUL PERCUSSION HITS SWELL INTO A HUGE EPIC ORCHESTRA AND POWERFUL CHOIR VOCALS CREATING A DARK TRIUMPHANT SOUND.
19. LEAVING FOR THE BATTLEFIELD 00:01:00 60 SECOND
29. LEAVING FOR THE BATTLEFIELD 00:00:30 30 SECOND
47. LEAVING FOR THE BATTLEFIELD 00:02:58 NO CHOIR
48. LEAVING FOR THE BATTLEFIELD 00:02:58 NO CHOIR; NO SYNTH PULSE
67. LEAVING FOR THE BATTLEFIELD 00:01:00 NO CHOIR 60 SECOND
68. LEAVING FOR THE BATTLEFIELD 00:01:00 NO CHOIR; NO SYNTH PULSE 60 SECOND
87. LEAVING FOR THE BATTLEFIELD 00:00:30 NO CHOIR 30 SECOND
88. LEAVING FOR THE BATTLEFIELD 00:00:30 NO CHOIR; NO SYNTH PULSE 30 SECOND
-
10. AFTERMATH 00:02:28 TOUGH AND POWERFUL WITH A PERCUSSION DRUM BEAT ADDING A CONTEMPORARY FLAIR TO A REPETITIVE STRING THEME, HEROIC BRASS, AND A MONUMENTAL CHORAL ENSEMBLE.
20. AFTERMATH 00:01:00 60 SECOND
30. AFTERMATH 00:00:30 30 SECOND
49. AFTERMATH 00:02:28 NO CHOIR
50. AFTERMATH 00:02:28 NO CHOIR; NO IMPACT PERCUSSION
69. AFTERMATH 00:01:00 NO CHOIR 60 SECOND
70. AFTERMATH 00:01:00 NO CHOIR; NO IMPACT PERCUSSION 60 SECOND
89. AFTERMATH 00:00:30 NO CHOIR 30 SECOND
90. AFTERMATH 00:00:30 NO CHOIR; NO IMPACT PERCUSSION 30 SECOND