SS034
WARNER CHAPPELL PM SCORING STAGE DEATHBLOWCataclysmic With Immense Hits, Resonating Impacts, Low Unearthly Rumbles And Odd Atmospheric Abnormalities. |
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1. TOYS IN THE ATTIC 00:01:12 UNCOMFORTABLE AND UNNERVING WITH CREEPY MUSIC BOX MELODIES TWISTING BETWEEN POWERFUL PERCUSSION SLAMS AND RISES.
16. TOYS IN THE ATTIC 00:01:00 60 SECOND
31. TOYS IN THE ATTIC 00:00:30 30 SECOND
46. TOYS IN THE ATTIC 00:00:20 20 SECOND
61. TOYS IN THE ATTIC 00:00:15 15 SECOND
76. TOYS IN THE ATTIC 00:01:12 NO TOM ROLLS
77. TOYS IN THE ATTIC 00:01:12 NO MUSIC BOX; NO SYNTH LEAD; NO RADIO STATIC
106. TOYS IN THE ATTIC 00:01:00 NO TOM ROLLS 60 SECOND
107. TOYS IN THE ATTIC 00:01:00 NO MUSIC BOX; NO SYNTH LEAD; NO RADIO STATIC 60 SECOND
136. TOYS IN THE ATTIC 00:00:30 NO TOM ROLLS 30 SECOND
137. TOYS IN THE ATTIC 00:00:30 NO MUSIC BOX; NO SYNTH LEAD; NO RADIO STATIC 30 SECOND
166. TOYS IN THE ATTIC 00:00:20 NO TOM ROLLS 20 SECOND
167. TOYS IN THE ATTIC 00:00:20 NO MUSIC BOX; NO SYNTH LEAD; NO RADIO STATIC 20 SECOND
196. TOYS IN THE ATTIC 00:00:15 NO TOM ROLLS 15 SECOND
197. TOYS IN THE ATTIC 00:00:15 NO MUSIC BOX; NO SYNTH LEAD; NO RADIO STATIC 15 SECOND
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2. DEFENSELESS 00:01:20 MILITARISTIC HITS COMBINE ELECTRIC EFFECTS AND ROCKET LAUNCHING WHOOSHES WITH INTENSE, SERIOUS SOUNDING BASS PULSES.
17. DEFENSELESS 00:01:00 60 SECOND
32. DEFENSELESS 00:00:30 30 SECOND
47. DEFENSELESS 00:00:20 20 SECOND
62. DEFENSELESS 00:00:15 15 SECOND
78. DEFENSELESS 00:01:20 NO SYNTHESIZER
79. DEFENSELESS 00:01:20 NO SYNTHESIZER; NO BASS
108. DEFENSELESS 00:01:00 NO SYNTHESIZER 60 SECOND
109. DEFENSELESS 00:01:00 NO SYNTHESIZER; NO BASS 60 SECOND
138. DEFENSELESS 00:00:30 NO SYNTHESIZER 30 SECOND
139. DEFENSELESS 00:00:30 NO SYNTHESIZER; NO BASS 30 SECOND
168. DEFENSELESS 00:00:20 NO SYNTHESIZER 20 SECOND
169. DEFENSELESS 00:00:20 NO SYNTHESIZER; NO BASS 20 SECOND
198. DEFENSELESS 00:00:15 NO SYNTHESIZER 15 SECOND
199. DEFENSELESS 00:00:15 NO SYNTHESIZER; NO BASS 15 SECOND
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18. A GRIM EXPRESSION 00:01:00 60 SECOND
33. A GRIM EXPRESSION 00:00:30 30 SECOND
48. A GRIM EXPRESSION 00:00:20 20 SECOND
63. A GRIM EXPRESSION 00:00:15 15 SECOND
80. A GRIM EXPRESSION 00:01:23 NO DISTORTED MELODY
81. A GRIM EXPRESSION 00:01:23 NO DRUM KIT
110. A GRIM EXPRESSION 00:01:00 NO DISTORTED MELODY 60 SECOND
111. A GRIM EXPRESSION 00:01:00 NO DRUM KIT 60 SECOND
140. A GRIM EXPRESSION 00:00:30 NO DISTORTED MELODY 30 SECOND
141. A GRIM EXPRESSION 00:00:30 NO DRUM KIT 30 SECOND
170. A GRIM EXPRESSION 00:00:20 NO DISTORTED MELODY 20 SECOND
171. A GRIM EXPRESSION 00:00:20 NO DRUM KIT 20 SECOND
200. A GRIM EXPRESSION 00:00:15 NO DISTORTED MELODY 15 SECOND
201. A GRIM EXPRESSION 00:00:15 NO DRUM KIT 15 SECOND
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4. DEMONIC ASSEMBLY 00:01:13 A HAUNTING BELL-LIKE HARMONICS MELODY AND LOW DRONES LEAD INTO A SINISTER SOUNDING, MECHANICAL COMBINATION OF LOW DRUM HIT PATTERNS AND OMINOUS SOUNDSCAPES.
19. DEMONIC ASSEMBLY 00:01:00 60 SECOND
34. DEMONIC ASSEMBLY 00:00:30 30 SECOND
49. DEMONIC ASSEMBLY 00:00:20 20 SECOND
64. DEMONIC ASSEMBLY 00:00:15 15 SECOND
82. DEMONIC ASSEMBLY 00:01:13 NO GUITAR FEEDBACK
83. DEMONIC ASSEMBLY 00:01:13 NO GUITAR FEEDBACK; NO DISTORTED BASS
112. DEMONIC ASSEMBLY 00:01:00 NO GUITAR FEEDBACK 60 SECOND
113. DEMONIC ASSEMBLY 00:01:00 NO GUITAR FEEDBACK; NO DISTORTED BASS 60 SECOND
142. DEMONIC ASSEMBLY 00:00:30 NO GUITAR FEEDBACK 30 SECOND
143. DEMONIC ASSEMBLY 00:00:30 NO GUITAR FEEDBACK; NO DISTORTED BASS 30 SECOND
172. DEMONIC ASSEMBLY 00:00:20 NO GUITAR FEEDBACK 20 SECOND
173. DEMONIC ASSEMBLY 00:00:20 NO GUITAR FEEDBACK; NO DISTORTED BASS 20 SECOND
202. DEMONIC ASSEMBLY 00:00:15 NO GUITAR FEEDBACK 15 SECOND
203. DEMONIC ASSEMBLY 00:00:15 NO GUITAR FEEDBACK; NO DISTORTED BASS 15 SECOND
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5. WINTER STORM 00:01:18 COLD AND ICY SOUNDING WITH SLOWLY EVOLVING SYNTH CLOUDS AND MELANCHOLY PIANO LEADING INTO POWERFUL PERCUSSION STRIKES AND DISTORTED, ELECTRICAL SOUNDING BASS LINES.
20. WINTER STORM 00:01:00 60 SECOND
35. WINTER STORM 00:00:30 30 SECOND
50. WINTER STORM 00:00:20 20 SECOND
65. WINTER STORM 00:00:15 15 SECOND
84. WINTER STORM 00:01:18 NO BASS PULSE
85. WINTER STORM 00:01:18 NO BASS PULSE; NO PIANO
114. WINTER STORM 00:01:00 NO BASS PULSE 60 SECOND
115. WINTER STORM 00:01:00 NO BASS PULSE; NO PIANO 60 SECOND
144. WINTER STORM 00:00:30 NO BASS PULSE 30 SECOND
145. WINTER STORM 00:00:30 NO BASS PULSE; NO PIANO 30 SECOND
174. WINTER STORM 00:00:20 NO BASS PULSE 20 SECOND
175. WINTER STORM 00:00:20 NO BASS PULSE; NO PIANO 20 SECOND
204. WINTER STORM 00:00:15 NO BASS PULSE 15 SECOND
205. WINTER STORM 00:00:15 NO BASS PULSE; NO PIANO 15 SECOND
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6. BEYOND THE WALL 00:01:29 LIGHT PIANO AND ATMOSPHERIC PADS LEAD INTO A DYNAMIC WAR OF HEAVY HITS AND EPIC SOUNDING STRINGS LINES.
21. BEYOND THE WALL 00:01:00 60 SECOND
36. BEYOND THE WALL 00:00:30 30 SECOND
51. BEYOND THE WALL 00:00:20 20 SECOND
66. BEYOND THE WALL 00:00:15 15 SECOND
86. BEYOND THE WALL 00:01:29 NO STRINGS
87. BEYOND THE WALL 00:01:29 NO PIANO
116. BEYOND THE WALL 00:01:00 NO STRINGS 60 SECOND
117. BEYOND THE WALL 00:01:00 NO PIANO 60 SECOND
146. BEYOND THE WALL 00:00:30 NO STRINGS 30 SECOND
147. BEYOND THE WALL 00:00:30 NO PIANO 30 SECOND
176. BEYOND THE WALL 00:00:20 NO STRINGS 20 SECOND
177. BEYOND THE WALL 00:00:20 NO PIANO 20 SECOND
206. BEYOND THE WALL 00:00:15 NO STRINGS 15 SECOND
207. BEYOND THE WALL 00:00:15 NO PIANO 15 SECOND
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7. THE SECOND COMING 00:01:16 OMINOUS SYNTHESIZER OVERTONES LEAD INTO A DISTORTED DRUM GROOVE WITH CATASTROPHIC NOISES AND DISTORTED LEADS EMANATING THE ATMOSPHERE.
22. THE SECOND COMING 00:01:00 60 SECOND
37. THE SECOND COMING 00:00:30 30 SECOND
52. THE SECOND COMING 00:00:20 20 SECOND
67. THE SECOND COMING 00:00:15 15 SECOND
88. THE SECOND COMING 00:01:16 NO DISTORTED BASS
89. THE SECOND COMING 00:01:16 NO DISTORTED BASS; NO GUITAR NOISE; NO SYNTHESIZER LEADS
118. THE SECOND COMING 00:01:00 NO DISTORTED BASS 60 SECOND
119. THE SECOND COMING 00:01:00 NO DISTORTED BASS; NO GUITAR NOISE; NO SYNTH LEADS 60 SECOND
148. THE SECOND COMING 00:00:30 NO DISTORTED BASS 30 SECOND
149. THE SECOND COMING 00:00:30 NO DISTORTED BASS; NO GUITAR NOISE; NO SYNTH LEADS 30 SECOND
178. THE SECOND COMING 00:00:20 NO DISTORTED BASS 20 SECOND
179. THE SECOND COMING 00:00:20 NO DISTORTED BASS; NO GUITAR NOISE; NO SYNTH LEADS 20 SECOND
208. THE SECOND COMING 00:00:15 NO DISTORTED BASS 15 SECOND
209. THE SECOND COMING 00:00:15 NO DISTORTED BASS; NO GUITAR NOISE; NO SYNTH LEADS 15 SECOND
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8. DRUGGED AND ABDUCTED 00:01:08 A FEAR-INSPIRING BLEND OF TORMENTED, DISTORTED SYNTHESIZER TONES AND TOWERING HITS WITH MECHANICAL TORTURE CHAMBER SOUNDS RAMPING UP TO A POWERFUL HIT.
23. DRUGGED AND ABDUCTED 00:01:00 60 SECOND
38. DRUGGED AND ABDUCTED 00:00:30 30 SECOND
53. DRUGGED AND ABDUCTED 00:00:20 20 SECOND
68. DRUGGED AND ABDUCTED 00:00:15 15 SECOND
90. DRUGGED AND ABDUCTED 00:01:08 NO SYNTHESIZER LEAD
91. DRUGGED AND ABDUCTED 00:01:08 NO SYNTHESIZER LEAD; NO PULSE
120. DRUGGED AND ABDUCTED 00:01:00 NO SYNTHESIZER LEAD 60 SECOND
121. DRUGGED AND ABDUCTED 00:01:00 NO SYNTHESIZER LEAD; NO PULSE 60 SECOND
150. DRUGGED AND ABDUCTED 00:00:30 NO SYNTHESIZER LEAD 30 SECOND
151. DRUGGED AND ABDUCTED 00:00:30 NO SYNTHESIZER LEAD; NO PULSE 30 SECOND
180. DRUGGED AND ABDUCTED 00:00:20 NO SYNTHESIZER LEAD 20 SECOND
181. DRUGGED AND ABDUCTED 00:00:20 NO SYNTHESIZER LEAD; NO PULSE 20 SECOND
210. DRUGGED AND ABDUCTED 00:00:15 NO SYNTHESIZER LEAD 15 SECOND
211. DRUGGED AND ABDUCTED 00:00:15 NO SYNTHESIZER LEAD; NO PULSE 15 SECOND
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9. NUCLEAR WINTER 00:01:13 ICY, MOLECULAR SOUNDING SYNTH SOUNDSCAPES COMBINED LOW RESONANT PERCUSSION SURGES INTO A HAILSTORM OF DYNAMIC HITS, SCRAPES AND RISES WITH A BLACK HOLE ENDING.
24. NUCLEAR WINTER 00:01:00 60 SECOND
39. NUCLEAR WINTER 00:00:30 30 SECOND
54. NUCLEAR WINTER 00:00:20 20 SECOND
69. NUCLEAR WINTER 00:00:15 15 SECOND
92. NUCLEAR WINTER 00:01:13 NO DISTORTED BASS
93. NUCLEAR WINTER 00:01:13 NO DISTORTED BASS; NO SYNTHESIZER
122. NUCLEAR WINTER 00:01:00 NO DISTORTED BASS 60 SECOND
123. NUCLEAR WINTER 00:01:00 NO DISTORTED BASS; NO SYNTHESIZER 60 SECOND
152. NUCLEAR WINTER 00:00:30 NO DISTORTED BASS 30 SECOND
153. NUCLEAR WINTER 00:00:30 NO DISTORTED BASS; NO SYNTHESIZER 30 SECOND
182. NUCLEAR WINTER 00:00:20 NO DISTORTED BASS 20 SECOND
183. NUCLEAR WINTER 00:00:20 NO DISTORTED BASS; NO SYNTHESIZER 20 SECOND
212. NUCLEAR WINTER 00:00:15 NO DISTORTED BASS 15 SECOND
213. NUCLEAR WINTER 00:00:15 NO DISTORTED BASS; NO SYNTHESIZER 15 SECOND
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10. BANE OF EXISTENCE 00:01:09 DISTORTED SYNTHESIZER AND BASS SWARM THROUGH HEAVY, SONOROUS HITS AND INTENSIFYING RISES.
25. BANE OF EXISTENCE 00:01:00 60 SECOND
40. BANE OF EXISTENCE 00:00:30 30 SECOND
55. BANE OF EXISTENCE 00:00:20 20 SECOND
70. BANE OF EXISTENCE 00:00:15 15 SECOND
94. BANE OF EXISTENCE 00:01:09 NO SYNTHESIZER
95. BANE OF EXISTENCE 00:01:09 NO BASS
124. BANE OF EXISTENCE 00:01:00 NO SYNTHESIZER 60 SECOND
125. BANE OF EXISTENCE 00:01:00 NO BASS 60 SECOND
154. BANE OF EXISTENCE 00:00:30 NO SYNTHESIZER 30 SECOND
155. BANE OF EXISTENCE 00:00:30 NO BASS 30 SECOND
184. BANE OF EXISTENCE 00:00:20 NO SYNTHESIZER 20 SECOND
185. BANE OF EXISTENCE 00:00:20 NO BASS 20 SECOND
214. BANE OF EXISTENCE 00:00:15 NO SYNTHESIZER 15 SECOND
215. BANE OF EXISTENCE 00:00:15 NO BASS 15 SECOND
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11. DECIMATION OF MANKIND 00:01:18 LOW RESONATING DRONES, POWERFUL PERCUSSION AND DISTORTED BASS LEAD INTO AN UNHINGED GROOVE WITH HEAVY GUITAR AND SHREDDED DRUM HITS.
26. DECIMATION OF MANKIND 00:01:00 60 SECOND
41. DECIMATION OF MANKIND 00:00:30 30 SECOND
56. DECIMATION OF MANKIND 00:00:20 20 SECOND
71. DECIMATION OF MANKIND 00:00:15 15 SECOND
96. DECIMATION OF MANKIND 00:01:18 NO FEEDBACK GUITAR LEAD
97. DECIMATION OF MANKIND 00:01:18 NO ROTO TOMS
126. DECIMATION OF MANKIND 00:01:00 NO FEEDBACK GUITAR 60 SECOND
127. DECIMATION OF MANKIND 00:01:00 NO ROTO TOMS 60 SECOND
156. DECIMATION OF MANKIND 00:00:30 NO FEEDBACK GUITAR LEAD 30 SECOND
157. DECIMATION OF MANKIND 00:00:30 NO ROTO TOMS 30 SECOND
186. DECIMATION OF MANKIND 00:00:20 NO FEEDBACK GUITAR LEAD 20 SECOND
187. DECIMATION OF MANKIND 00:00:20 NO ROTO TOMS 20 SECOND
216. DECIMATION OF MANKIND 00:00:15 NO FEEDBACK GUITAR LEAD 15 SECOND
217. DECIMATION OF MANKIND 00:00:15 NO ROTO TOMS 15 SECOND
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12. FUNERAL PACE 00:01:33 DEATH COMES UNINVITED IN THE MIDDLE OF RADIO EFFECTS WITH THUNDEROUS HITS AND SLAMS, CREEPY DISTORTED OVERTONES AND THE METALLIC METALS OF HELL.
27. FUNERAL PACE 00:01:00 60 SECOND
42. FUNERAL PACE 00:00:30 30 SECOND
57. FUNERAL PACE 00:00:20 20 SECOND
72. FUNERAL PACE 00:00:15 15 SECOND
98. FUNERAL PACE 00:01:29 NO RADIO EFFECTS; NO GUITAR
99. FUNERAL PACE 00:01:28 NO RADIO EFFECTS; NO BRASS
128. FUNERAL PACE 00:01:00 NO RADIO EFFECTS; NO GUITAR 60 SECOND
129. FUNERAL PACE 00:01:00 NO RADIO EFFECTS; NO BRASS 60 SECOND
158. FUNERAL PACE 00:00:30 NO RADIO EFFECT; NO GUITARS 30 SECOND
159. FUNERAL PACE 00:00:30 NO RADIO EFFECTS; NO BRASS 30 SECOND
188. FUNERAL PACE 00:00:20 NO RADIO EFFECTS; NO GUITAR 20 SECOND
189. FUNERAL PACE 00:00:20 NO RADIO EFFECTS; NO BRASS 20 SECOND
218. FUNERAL PACE 00:00:15 NO RADIO EFFECTS; NO GUITAR 15 SECOND
219. FUNERAL PACE 00:00:15 NO RADIO EFFECTS; NO BRASS 15 SECOND
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13. THEY'RE COMING FOR YOU 00:01:13 CREEPY SYNTH BASS TONES AND PERCUSSION HITS BUILD WITH DRAMATIC, ALARMING RISES AND SOUND EFFECTS TO A CLIMATIC HIT WITH LIGHT RESOLUTION.
28. THEY'RE COMING FOR YOU 00:01:00 60 SECOND
43. THEY'RE COMING FOR YOU 00:00:30 30 SECOND
58. THEY'RE COMING FOR YOU 00:00:20 20 SECOND
73. THEY'RE COMING FOR YOU 00:00:15 15 SECOND
100. THEY'RE COMING FOR YOU 00:01:13 NO BASS PULSE
101. THEY'RE COMING FOR YOU 00:01:13 PERCUSSION ONLY
130. THEY'RE COMING FOR YOU 00:01:00 NO BASS PULSE 60 SECOND
131. THEY'RE COMING FOR YOU 00:01:00 PERCUSSION ONLY 60 SECOND
160. THEY'RE COMING FOR YOU 00:00:30 NO BASS PULSE 30 SECOND
161. THEY'RE COMING FOR YOU 00:00:30 PERCUSSION ONLY 30 SECOND
190. THEY'RE COMING FOR YOU 00:00:20 NO BASS PULSE 20 SECOND
191. THEY'RE COMING FOR YOU 00:00:20 PERCUSSION ONLY 20 SECOND
220. THEY'RE COMING FOR YOU 00:00:15 NO BASS PULSE 15 SECOND
221. THEY'RE COMING FOR YOU 00:00:15 PERCUSSION ONLY 15 SECOND
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14. SECOND SIGHT 00:01:20 OMINOUS SYNTH DRONES AND LOW-END APOCALYPTIC HITS TRANSITION INTO HEAVY, DESTRUCTIVE SLAMS WITH FILTERING SYNTH TONES AND CATASTROPHIC RISES.
29. SECOND SIGHT 00:01:00 60 SECOND
44. SECOND SIGHT 00:00:30 30 SECOND
59. SECOND SIGHT 00:00:20 20 SECOND
74. SECOND SIGHT 00:00:15 15 SECOND
102. SECOND SIGHT 00:01:20 NO ELECTRIC DRONE
103. SECOND SIGHT 00:01:20 NO STINGER BASS
132. SECOND SIGHT 00:01:00 NO ELECTRIC DRONE 60 SECOND
133. SECOND SIGHT 00:01:00 NO STINGER BASS 60 SECOND
162. SECOND SIGHT 00:00:30 NO ELECTRIC DRONE 30 SECOND
163. SECOND SIGHT 00:00:30 NO STINGER BASS 30 SECOND
192. SECOND SIGHT 00:00:20 NO ELECTRIC DRONE 20 SECOND
193. SECOND SIGHT 00:00:20 NO STINGER BASS 20 SECOND
222. SECOND SIGHT 00:00:15 NO ELECTRIC DRONE 15 SECOND
223. SECOND SIGHT 00:00:15 NO STINGER BASS 15 SECOND
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15. LEFT IN PIECES 00:01:28 A TERRIFYING AMALGAMATION OF FREAKISH, MUTATED HITS, HUGE SWEEPING RISES AND GROSSLY EFFECTED SONIC ABNORMALITIES.
30. LEFT IN PIECES 00:01:00 60 SECOND
45. LEFT IN PIECES 00:00:30 30 SECOND
60. LEFT IN PIECES 00:00:20 20 SECOND
75. LEFT IN PIECES 00:00:15 15 SECOND
104. LEFT IN PIECES 00:01:28 NO ELECTRIC GUITAR
105. LEFT IN PIECES 00:01:28 NO ELECTRIC GUITAR; NO DISTORTED DRONE
134. LEFT IN PIECES 00:01:00 NO ELECTRIC GUITAR 60 SECOND
135. LEFT IN PIECES 00:01:00 NO ELECTRIC GUITAR; NO DISTORTED DRONE 60 SECOND
164. LEFT IN PIECES 00:00:30 NO ELECTRIC GUITAR 30 SECOND
165. LEFT IN PIECES 00:00:30 NO ELECTRIC GUITAR; NO DISTORTED DRONE 30 SECOND
194. LEFT IN PIECES 00:00:20 NO ELECTRIC GUITAR 20 SECOND
195. LEFT IN PIECES 00:00:20 NO ELECTRIC GUITAR; NO DISTORTED DRONE 20 SECOND
224. LEFT IN PIECES 00:00:15 NO ELECTRIC GUITAR 15 SECOND
225. LEFT IN PIECES 00:00:15 NO ELECTRIC GUITAR; NO DISTORTED DRONE 15 SECOND