SS036
WARNER CHAPPELL PM SCORING STAGE Asian HybridsTraditional Asian instrumentation meets modern pop, rock, orchestral and rock styling with epic results and diverse emotional landscapes. |
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1. ANDONG 00:02:42 POWERFUL FRAME DRUMS RHYTHMS LEAD INTO A SOARING STRING MELODY BACKED BY ZHENG, KANTILAN AND DULCIMER.
13. ANDONG 00:01:00 60 SECOND
25. ANDONG 00:00:30 30 SECOND
37. ANDONG 00:02:42 NO STRING MELODY
38. ANDONG 00:02:42 NO LIGHT PERCUSSION
61. ANDONG 00:01:00 NO STRING MELODY 60 SECOND
62. ANDONG 00:01:00 LIGHT PERCUSSION 60 SECOND
85. ANDONG 00:00:30 NO STRING MELODY 30 SECOND
86. ANDONG 00:00:30 LIGHT PERCUSSION 30 SECOND
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2. JEONG 00:02:27 A DARK AND EFFERVESCENT INTRO WITH ASIAN FLUTE LEADS INTO DRIVING, PERCUSSION WITH SAWING MORIN STRINGS AND A BROODING FEELING.
14. JEONG 00:01:00 60 SECOND
26. JEONG 00:00:30 30 SECOND
39. JEONG 00:02:27 NO ASIAN FLUTE; NO DUDUK
40. JEONG 00:02:27 NO MORIN KHUUR
63. JEONG 00:01:00 NO ASIAN FLUTE; NO DUDUK 60 SECOND
64. JEONG 00:01:00 NO MORIN KHUUR 60 SECOND
87. JEONG 00:00:30 NO ASIAN FLUTE; NO DUDUK 30 SECOND
88. JEONG 00:00:30 NO MORIN KHUUR 30 SECOND
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15. PEASANT GIRL 00:01:00 60 SECOND
27. PEASANT GIRL 00:00:30 30 SECOND
41. PEASANT GIRL 00:02:28 NO MELODY
42. PEASANT GIRL 00:02:28 NO MELODY; NO STRINGS
65. PEASANT GIRL 00:01:00 NO MELODY 60 SECOND
66. PEASANT GIRL 00:01:00 NO MELODY; NO STRINGS 60 SECOND
89. PEASANT GIRL 00:00:30 NO MELODY 30 SECOND
90. PEASANT GIRL 00:00:30 NO MELODY; NO STRINGS 30 SECOND
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4. MAWASHI 00:03:00 EXCEPTIONALLY DYNAMIC WITH DRONING EFFECTS AND BELLS SLOWLY EVOLVING TO AN ERUPTION OF DRUMS, PERCUSSION AND EDGY PULSING SYNTHESIZERS.
16. MAWASHI 00:01:00 60 SECOND
28. MAWASHI 00:00:30 30 SECOND
43. MAWASHI 00:03:00 NO GUITARS; NO TECH PULSES
44. MAWASHI 00:03:00 NO GUITARS; NO TECH PULSES; NO MELODY
67. MAWASHI 00:01:00 NO GUITARS; NO TECH PULSES 60 SECOND
68. MAWASHI 00:01:00 NO GUITARS; NO TECH PULSES; NO MELODY 60 SECOND
91. MAWASHI 00:00:30 NO GUITARS; NO TECH PULSES 30 SECOND
92. MAWASHI 00:00:30 NO GUITARS; NO TECH PULSES; NO MELODY 30 SECOND
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5. STORYTELLER 00:02:39 DRAMATIC AND BUILDING WITH ZITHER AND ERHU MELODIES LEADING INTO HIP HOP BEATS, POUNDING PERCUSSION AND AMBIENT SYNTH TEXTURES COMBINED WITH ETHNIC BELL AND PIANO THEMES.
17. STORYTELLER 00:01:00 60 SECOND
29. STORYTELLER 00:00:30 30 SECOND
45. STORYTELLER 00:02:39 NO MELODY
46. STORYTELLER 00:02:39 NO MELODY; NO PERCUSSION
69. STORYTELLER 00:01:00 NO MELODY 60 SECOND
70. STORYTELLER 00:01:00 NO MELODY; NO PERCUSSION 60 SECOND
93. STORYTELLER 00:00:30 NO MELODY 30 SECOND
94. STORYTELLER 00:00:30 NO MELODY; NO PERCUSSION 30 SECOND
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6. SENJIN 00:02:50 SLOWLY EVOLVING DRONES AND KOTO THEMES LAUNCH INTO A POWERFUL PERCUSSION-HEAVY ACTION TRACK WITH DRAMATIC STRING AND BRASS SWEEPS OVER DRIVING BASS, GUITAR AND ETHNIC DRUMS.
18. SENJIN 00:01:00 60 SECOND
30. SENJIN 00:00:30 30 SECOND
47. SENJIN 00:02:50 NO KOTO; NO GUITARS
48. SENJIN 00:02:50 NO STRINGS; NO BRASS
71. SENJIN 00:01:00 NO KOTO; NO GUITARS 60 SECOND
72. SENJIN 00:01:00 NO STRINGS; NO BRASS 60 SECOND
95. SENJIN 00:00:30 NO KOTO; NO GUITARS 30 SECOND
96. SENJIN 00:00:30 NO STRINGS; NO BRASS 30 SECOND
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7. DAN DAN 00:02:34 EXCITING AND DRAMATIC WITH BOLD PERCUSSION AND ELECTRIC GUITAR HITS CREATING A RHYTHMIC GATEWAY FOR KOTO AND ASIAN STRING MELODIES.
19. DAN DAN 00:01:00 60 SECOND
31. DAN DAN 00:00:30 30 SECOND
49. DAN DAN 00:02:34 NO GUITARS
50. DAN DAN 00:02:34 NO ASIAN STRINGS; NO KOTO; NO ERHU
73. DAN DAN 00:01:00 NO GUITARS 60 SECOND
74. DAN DAN 00:01:00 NO ASIAN STRINGS; NO KOTO; NO ERHU 60 SECOND
97. DAN DAN 00:00:30 NO GUITARS 30 SECOND
98. DAN DAN 00:00:30 NO ASIAN STRINGS; NO KOTO; NO ERHU 30 SECOND
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20. YANGTZE 00:01:00 60 SECOND
32. YANGTZE 00:00:30 30 SECOND
51. YANGTZE 00:02:42 NO GUITARS
52. YANGTZE 00:02:42 NO GUITAR; NO MELODY
75. YANGTZE 00:01:00 NO GUITARS 60 SECOND
76. YANGTZE 00:01:00 NO GUITAR; NO MELODY 60 SECOND
99. YANGTZE 00:00:30 NO GUITARS 30 SECOND
100. YANGTZE 00:00:30 NO GUITAR; NO MELODY 30 SECOND
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9. BUKCHUM 00:02:37 AN OMINOUS SYNTHESIZER PAD WITH AGGRESSIVE ELECTRIC GUITAR AND PERCUSSION STABS MORPHS INTO A FRENZIED, DRAMATIC GAMELAN AND STRING MELODY WITH BUILDING DRUM PATTERNS.
21. BUKCHUM 00:01:00 60 SECOND
33. BUKCHUM 00:00:30 30 SECOND
53. BUKCHUM 00:02:37 NO GUITARS
54. BUKCHUM 00:02:37 NO STRINGS
77. BUKCHUM 00:01:00 NO GUITARS 60 SECOND
78. BUKCHUM 00:01:00 NO STRINGS 60 SECOND
101. BUKCHUM 00:00:30 NO GUITARS 30 SECOND
102. BUKCHUM 00:00:30 NO STRINGS 30 SECOND
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22. NAMINORI 00:01:00 60 SECOND
34. NAMINORI 00:00:30 30 SECOND
55. NAMINORI 00:03:02 NO PERCUSSION
56. NAMINORI 00:03:02 NO MELODY
79. NAMINORI 00:01:00 NO PERCUSSION 60 SECOND
80. NAMINORI 00:01:00 NO MELODY 60 SECOND
103. NAMINORI 00:00:30 NO PERCUSSION 30 SECOND
104. NAMINORI 00:00:30 NO MELODY 30 SECOND
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11. SEOUL EVENING 00:02:28 AN UPBEAT AND SLICK SOUNDING COMBINATION OF K-POP PROGRAMMING WITH TRADITIONAL KOTO, ETHNIC PERCUSSION AND MALLET INSTRUMENTATION.
23. SEOUL EVENING 00:01:00 60 SECOND
35. SEOUL EVENING 00:00:30 30 SECOND
57. SEOUL EVENING 00:02:28 NO PERCUSSION SLAMS
58. SEOUL EVENING 00:02:28 NO PERCUSSION SLAMS; NO ETHNIC LEADS
81. SEOUL EVENING 00:01:00 NO PERCUSSION SLAMS 60 SECOND
82. SEOUL EVENING 00:01:00 NO PERCUSSION SLAMS; NO ETHNIC LEADS 60 SECOND
105. SEOUL EVENING 00:00:30 NO PERCUSSION SLAMS 30 SECOND
106. SEOUL EVENING 00:00:30 NO PERCUSSION SLAMS; NO ETHNIC LEADS 30 SECOND
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12. URBAN TOKYO 00:02:25 A CHILL HIP-HOP FEEL WITH COOL, PROGRAMMED 808 DRUM BEATS PUNCTUATING A RELAXED TRACK WITH ETHNIC FLUTE MELODIES CLIMBING OVERTOP.
24. URBAN TOKYO 00:01:00 60 SECOND
36. URBAN TOKYO 00:00:30 30 SECOND
59. URBAN TOKYO 00:02:25 NO FLUTE
60. URBAN TOKYO 00:02:25 NO FLUTE; NO KOTO; NO PULSE MELODY
83. URBAN TOKYO 00:01:00 NO FLUTE 60 SECOND
84. URBAN TOKYO 00:01:00 NO FLUTE; NO KOTO; NO PULSE MELODY 60 SECOND
107. URBAN TOKYO 00:00:30 NO FLUTE 30 SECOND
108. URBAN TOKYO 00:00:30 NO FLUTE; NO KOTO; NO PULSE MELODY 30 SECOND