UCD023
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Middle East CrimeA Combination Of Traditional And Ethnic Instrumentation Over Mysterious And Intense Synth Atmospheres Ranging From The Mysterious To The Sobering To The Action-Packed. |
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1. SAHARA SECRETS 00:01:34 EXOTIC ACTION SEQUENCES WITH DRIVING WORLD PERCUSSION, MOURNFUL CELLO AND OUD LINES, AND OMINOUS, STUTTERING ATMOSPHERIC SOUNDSCAPES.
21. SAHARA SECRETS 00:01:00 60 SECOND
41. SAHARA SECRETS 00:00:30 30 SECOND
61. SAHARA SECRETS 00:01:34 NO OUD; NO CELLO; NO TAR
62. SAHARA SECRETS 00:01:34 NO OUD; NO CELLO; NO TAR; HEARTBEAT
101. SAHARA SECRETS 00:01:00 NO OUD; NO CELLO; NO TAR 60 SECOND
102. SAHARA SECRETS 00:01:00 NO OUD; NO CELLO; NO TAR; HEARTBEAT 60 SECOND
141. SAHARA SECRETS 00:00:30 NO OUD; NO CELLO; NO TAR 30 SECOND
142. SAHARA SECRETS 00:00:30 NO OUD; NO CELLO; NO TAR; HEARTBEAT 30 SECOND
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2. BATTLE OVER OIL 00:01:45 A THUNDEROUS TOM DRUM PATTERN IS MIXED WITH MORPHING SYNTHS, MIDDLE EASTERN OUD PHRASES, AND DRAMATIC STRINGS FOR A TENSE SOUND.
22. BATTLE OVER OIL 00:01:00 60 SECOND
42. BATTLE OVER OIL 00:00:30 30 SECOND
63. BATTLE OVER OIL 00:01:45 NO STRINGS
64. BATTLE OVER OIL 00:01:45 NO STRINGS; NO OUD
103. BATTLE OVER OIL 00:01:00 NO STRINGS 60 SECOND
105. BATTLE OVER OIL 00:01:00 NO STRINGS; NO OUD 60 SECOND
143. BATTLE OVER OIL 00:00:30 NO STRINGS 30 SECOND
144. BATTLE OVER OIL 00:00:30 NO STRINGS; NO OUD 30 SECOND
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3. ARABESQUE 00:01:48 OMINOUS SYNTH PADS AND MIDDLE EASTERN PERCUSSION WITH A HAUNTING FEMALE VOCAL AND CELLO MELODY.
23. ARABESQUE 00:01:00 60 SECOND
43. ARABESQUE 00:00:30 30 SECOND
65. ARABESQUE 00:01:48 NO VOCAL
66. ARABESQUE 00:01:48 NO VOCAL; NO CELLO
106. ARABESQUE 00:01:00 NO VOCAL 60 SECOND
107. ARABESQUE 00:01:00 NO VOCAL; NO CELLO 60 SECOND
145. ARABESQUE 00:00:30 NO VOCAL 30 SECOND
146. ARABESQUE 00:00:30 NO VOCAL; NO CELLO 30 SECOND
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4. JIHADISTS 00:01:39 LIGHT ETHNIC NAY FLUTE LEADS INTO A HEAVY-HANDED PERCUSSION TRACK WITH CHOPPING STRINGS, ADDED HEAVY GUITAR AND MIDDLE EASTERN VOCALS.
24. JIHADISTS 00:01:00 60 SECOND
44. JIHADISTS 00:00:30 30 SECOND
67. JIHADISTS 00:01:39 NO GUITAR; NO VOCALS
68. JIHADISTS 00:01:39 NO GUITAR; NO VOCALS; NO STRINGS
108. JIHADISTS 00:01:00 NO GUITAR; NO VOCALS 60 SECOND
109. JIHADISTS 00:01:00 NO GUITAR; NO VOCALS; NO STRINGS 60 SECOND
147. JIHADISTS 00:00:30 NO GUITAR; NO VOCALS 30 SECOND
148. JIHADISTS 00:00:30 NO GUITAR; NO VOCALS; NO STRINGS 30 SECOND
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5. IN SEARCH OF TERRORISTS 00:01:39 FREAKISH FILTERING SYNTH ABNORMALITIES SWOOP OVER POUNDING PERCUSSION AND LEAD INTO A FLOWING STRING AND TAR MELODY.
25. IN SEARCH OF TERRORISTS 00:01:00 60 SECOND
45. IN SEARCH OF TERRORISTS 00:00:30 30 SECOND
69. IN SEARCH OF TERRORISTS 00:01:39 NO STRINGS
70. IN SEARCH OF TERRORISTS 00:01:39 NO STRINGS; NO RISE; NO WHOOSH; NO CLARINET; NO TAR
104. IN SEARCH OF TERRORISTS 00:01:00 NO STRINGS 60 SECOND
110. IN SEARCH OF TERRORISTS 00:01:00 NO STRINGS; NO RISE; NO WHOOSH; NO CLARINET; NO TAR 60 SECOND
149. IN SEARCH OF TERRORISTS 00:00:30 NO STRINGS 30 SECOND
150. IN SEARCH OF TERRORISTS 00:00:30 NO STRINGS; NO RISE; NO WHOOSH; NO CLARINET; NO TAR 30 SECOND
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6. SLEEPER CELL 00:01:35 ETHNIC HAND PERCUSSION, SYNTH ATMOSPHERES AND DYNAMIC STRINGS BUILD TO THUNDERING, EXCITEMENT WITH A CLIMACTIC HIT.
26. SLEEPER CELL 00:01:00 60 SECOND
46. SLEEPER CELL 00:00:30 30 SECOND
71. SLEEPER CELL 00:01:35 NO KEMENCHE; NO STRINGS
72. SLEEPER CELL 00:01:35 NO KEMENCHE; NO STRINGS; NO BRASS
111. SLEEPER CELL 00:01:00 NO KEMENCHE; NO STRINGS 60 SECOND
112. SLEEPER CELL 00:01:00 NO KEMENCHE; NO STRINGS; NO BRASS 60 SECOND
151. SLEEPER CELL 00:00:30 NO KEMENCHE; NO STRINGS 30 SECOND
152. SLEEPER CELL 00:00:30 NO KEMENCHE; NO STRINGS; NO BRASS 30 SECOND
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7. IRANIAN DEATH GROOVE 00:01:35 PERCUSSION HEAVY AND DARK WITH PERCOLATING HAND DRUMS, TRANSITIONING DUDUK MELODIES, AND SHARP STRING AND BRASS STABS.
27. IRANIAN DEATH GROOVE 00:01:00 60 SECOND
47. IRANIAN DEATH GROOVE 00:00:30 30 SECOND
73. IRANIAN DEATH GROOVE 00:01:35 NO STRINGS
74. IRANIAN DEATH GROOVE 00:01:35 NO STRINGS; NO BRASS; NO DUDUK
113. IRANIAN DEATH GROOVE 00:01:00 NO STRINGS 60 SECOND
114. IRANIAN DEATH GROOVE 00:01:00 NO STRINGS; NO BRASS; NO DUDUK 60 SECOND
153. IRANIAN DEATH GROOVE 00:00:30 NO STRINGS 30 SECOND
154. IRANIAN DEATH GROOVE 00:00:30 NO STRINGS; NO BRASS; NO DUDUK 30 SECOND
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8. CAMEL RACING 00:01:34 EXCITING AND DRAMATIC WITH REPETITIVE ETHNIC HAND PERCUSSION AND SYNTH SOUNDSCAPES SUPPORTING CELLO AND BRASS THEMES.
28. CAMEL RACING 00:01:00 60 SECOND
48. CAMEL RACING 00:00:30 30 SECOND
75. CAMEL RACING 00:01:34 NO STRINGS
76. CAMEL RACING 00:01:34 NO GRYPHON; NO TAR
115. CAMEL RACING 00:01:00 NO STRINGS 60 SECOND
116. CAMEL RACING 00:01:00 NO GRYPHON; NO TAR 60 SECOND
155. CAMEL RACING 00:00:30 NO STRINGS 30 SECOND
156. CAMEL RACING 00:00:30 NO GRYPHON; NO TAR 30 SECOND
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9. SMUGGLING A BOMB 00:01:38 MYSTERIOUS WITH A CURIOUS CLARINET MELODY LEADING INTO A DARK BUILD OF INTENSIFYING PERCUSSION, CHOPPING STRINGS, AND DISTORTED SOUNDSCAPES.
29. SMUGGLING A BOMB 00:01:00 60 SECOND
49. SMUGGLING A BOMB 00:00:30 30 SECOND
77. SMUGGLING A BOMB 00:01:38 NO DUDK; NO CLARINET; NO RABAB
78. SMUGGLING A BOMB 00:01:38 NO DUDK; NO CLARINET; NO RABAB; NO STRINGS
117. SMUGGLING A BOMB 00:01:00 NO DUDK; NO CLARINET; NO RABAB 60 SECOND
118. SMUGGLING A BOMB 00:01:00 NO DUDK; NO CLARINET; NO RABAB; NO STRINGS 60 SECOND
157. SMUGGLING A BOMB 00:00:30 NO DUDK; NO CLARINET; NO RABAB 30 SECOND
158. SMUGGLING A BOMB 00:00:30 NO DUDK; NO CLARINET; NO RABAB; NO STRINGS 30 SECOND
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10. HIDING OUT 00:01:38 HAUNTING AND MYSTERIOUS WITH CLICKY PERCUSSION AND ETHNIC SOUNDING CLARINET AND DUDUK MELODIES.
30. HIDING OUT 00:01:00 60 SECOND
50. HIDING OUT 00:00:30 30 SECOND
79. HIDING OUT 00:01:38 NO MELODY
80. HIDING OUT 00:01:38 NO MELODY; NO FRAME DRUM
119. HIDING OUT 00:01:00 NO MELODY 60 SECOND
120. HIDING OUT 00:01:00 NO MELODY; NO FRAME DRUM 60 SECOND
159. HIDING OUT 00:00:30 NO MELODY 30 SECOND
160. HIDING OUT 00:00:30 NO MELODY; NO FRAME DRUM 30 SECOND
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11. PREPARATION FOR WAR 00:01:34 PERCUSSION AND DRUM HITS SOUND OFF LIKE EXPLOSIONS THROUGH AN OMINOUS HAZE OF ATMOSPHERIC SYNTH TEXTURES, MELODIC FLUTE LINES, AND ETHNIC VOCALS.
31. PREPARATION FOR WAR 00:01:00 60 SECOND
51. PREPARATION FOR WAR 00:00:30 30 SECOND
81. PREPARATION FOR WAR 00:01:34 NO NAY; NO DUDUK; NO VOCAL
82. PREPARATION FOR WAR 00:01:34 NO NAY; NO DUDUK; NO VOCAL; NO OUD
121. PREPARATION FOR WAR 00:01:00 NO NAY; NO DUDUK; NO VOCAL 60 SECOND
122. PREPARATION FOR WAR 00:01:00 NO NAY; NO DUDUK; NO VOCAL; NO OUD 60 SECOND
161. PREPARATION FOR WAR 00:00:30 NO NAY; NO DUDUK; NO VOCAL 30 SECOND
162. PREPARATION FOR WAR 00:00:30 NO NAY; NO DUDUK; NO VOCAL; NO OUD 30 SECOND
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12. HACKING THE INTERNET 00:01:33 MOODY AND DARK WITH LONG EFFERVESCENT PADS CREATING A CALM DARKNESS WHILE ELECTRONIC SOUNDS AND GROWING PERCUSSION BUILD UP THE TENSENESS.
32. HACKING THE INTERNET 00:01:00 60 SECOND
52. HACKING THE INTERNET 00:00:30 30 SECOND
83. HACKING THE INTERNET 00:01:33 NO MELODY
84. HACKING THE INTERNET 00:01:33 NO MELODY; NO PERCUSSION; NO COMPUTER SOUNDS
123. HACKING THE INTERNET 00:01:00 NO MELODY 60 SECOND
124. HACKING THE INTERNET 00:01:00 NO MELODY; NO PERCUSSION; NO COMPUTER SOUNDS 60 SECOND
163. HACKING THE INTERNET 00:00:30 NO MELODY 30 SECOND
164. HACKING THE INTERNET 00:00:30 NO MELODY; NO PERCUSSION; NO COMPUTER SOUNDS 30 SECOND
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13. DEATH IN DAMASCUS 00:01:38 FLOWING AND AMBIENT SYNTH PADS AND SOUND EFFECTS WITH DARK CELLO AND CLARINET MELODIES.
33. DEATH IN DAMASCUS 00:01:00 60 SECOND
53. DEATH IN DAMASCUS 00:00:30 30 SECOND
85. DEATH IN DAMASCUS 00:01:38 NO CELLO; NO VOCALS
86. DEATH IN DAMASCUS 00:01:38 NO CLARINET; NO VOCAL
125. DEATH IN DAMASCUS 00:01:00 NO CELLO; NO VOCALS 60 SECOND
126. DEATH IN DAMASCUS 00:01:00 NO CLARINET; NO VOCAL 60 SECOND
165. DEATH IN DAMASCUS 00:00:30 NO CELLO; NO VOCALS 30 SECOND
166. DEATH IN DAMASCUS 00:00:30 NO CLARINET; NO VOCAL 30 SECOND
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14. HIDING PLACES 00:01:45 HAUNTING AND MYSTERIOUS WITH CLICKY PERCUSSION AND ETHNIC SOUNDING KEMENCHE AND TAR PHRASES.
34. HIDING PLACES 00:01:00 60 SECOND
54. HIDING PLACES 00:00:30 30 SECOND
87. HIDING PLACES 00:01:45 NO KEMENCHE
88. HIDING PLACES 00:01:45 NO KEMENCHE; NO TAR
127. HIDING PLACES 00:00:17 NO KEMENCHE 60 SECOND
128. HIDING PLACES 00:01:00 NO KEMENCHE; NO TAR 60 SECOND
167. HIDING PLACES 00:00:30 NO KEMENCHE 30 SECOND
168. HIDING PLACES 00:00:30 NO KEMENCHE; NO TAR 30 SECOND
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15. ARID LAND 00:01:39 FOREBODING SYNTH PADS CREATE A TENSE SOUNDSCAPE UNDER OUD MELODIC LINES, BUILDING PERCUSSION HITS AND ECHOING VOCALS.
35. ARID LAND 00:01:00 60 SECOND
55. ARID LAND 00:00:30 30 SECOND
89. ARID LAND 00:01:39 NO VOCAL
90. ARID LAND 00:01:39 NO VOCAL; NO CLARIENT; NO OUD; NO NAY
129. ARID LAND 00:01:00 NO VOCAL 60 SECOND
130. ARID LAND 00:01:00 NO VOCAL; NO CLARIENT; NO OUD; NO NAY 60 SECOND
169. ARID LAND 00:00:30 NO VOCAL 30 SECOND
170. ARID LAND 00:00:30 NO VOCAL; NO CLARIENT; NO OUD; NO NAY 30 SECOND
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16. SANDSTORM 00:01:37 EPIC WITH DYNAMIC STRINGS AND BRASS TWISTING AND TURNING OVER VARIOUS RHYTHMIC BEDS AND ETHNIC PERMUTATIONS.
36. SANDSTORM 00:01:00 60 SECOND
56. SANDSTORM 00:00:30 30 SECOND
91. SANDSTORM 00:00:12 NO STRINGS; NO OUD
92. SANDSTORM 00:01:37 NO STRINGS; NO BRASS; NO OUD
131. SANDSTORM 00:01:00 NO STRINGS; NO OUD 60 SECOND
132. SANDSTORM 00:01:00 NO STRINGS; NO BRASS; NO OUD 60 SECOND
171. SANDSTORM 00:00:30 NO STRINGS; NO OUD 30 SECOND
172. SANDSTORM 00:00:30 NO STRINGS; NO BRASS; NO OUD 30 SECOND
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17. AN EVIL PLAN 00:01:39 SLOWLY BUILDING WITH DUDUK FLUTE PHRASES OVER SYNTH PADS LEADING INTO A POWERFUL, POUNDING MARCH OF PERCUSSION.
37. AN EVIL PLAN 00:01:00 60 SECOND
57. AN EVIL PLAN 00:00:30 30 SECOND
93. AN EVIL PLAN 00:01:39 NO STRINGS
94. AN EVIL PLAN 00:01:39 NO DUDUK; NO TAR
133. AN EVIL PLAN 00:01:00 NO STRINGS 60 SECOND
134. AN EVIL PLAN 00:01:00 NO DUDUK; NO TAR 60 SECOND
173. AN EVIL PLAN 00:00:30 NO STRINGS 30 SECOND
174. AN EVIL PLAN 00:00:30 NO DUDUK; NO TAR 30 SECOND
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18. MUSLIM IN MOURNING 00:01:35 STRING SWELLS WITH A MOURNFUL SAXOPHONE MELODY, WEEPING VOCAL LINES AND LOW BOOMING PERCUSSION ECHOING IN THE BACKGROUND.
38. MUSLIM IN MOURNING 00:01:00 60 SECOND
58. MUSLIM IN MOURNING 00:00:30 30 SECOND
95. MUSLIM IN MOURNING 00:01:35 NO SAXOPHONE; NO VOCALS
96. MUSLIM IN MOURNING 00:01:35 NO STRINGS; NO SAXOPHONE; NO VOCALS
135. MUSLIM IN MOURNING 00:01:00 NO SAXOPHONE; NO VOCALS 60 SECOND
136. MUSLIM IN MOURNING 00:01:00 NO STRINGS; NO SAXOPHONE; NO VOCALS 60 SECOND
175. MUSLIM IN MOURNING 00:00:30 NO SAXOPHONE; NO VOCALS 30 SECOND
176. MUSLIM IN MOURNING 00:00:30 NO STRINGS; NO SAXOPHONE; NO VOCALS 30 SECOND
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19. SANDS OF SIROCCO 00:01:37 GRAINY SOUNDING SYNTHS AND CYMBAL SCRAPES COME TOGETHER TO CREATE AN EERIE OTHERWORLD OF MOODY, CREEPY TEXTURES.
39. SANDS OF SIROCCO 00:01:00 60 SECOND
59. SANDS OF SIROCCO 00:00:30 30 SECOND
97. SANDS OF SIROCCO 00:01:37 NO TAR; NO DUDUK; NO NAY
98. SANDS OF SIROCCO 00:01:37 NO TAR; NO DUDUK; NO NAY; NO ELECTRIC PULSE; NO METAL PERC
137. SANDS OF SIROCCO 00:01:00 NO TAR; NO DUDUK; NO NAY 60 SECOND
138. SANDS OF SIROCCO 00:01:00 NO TAR; NO DUDUK; NO NAY; NO ELECTRIC PULSE; NO METAL PERC
177. SANDS OF SIROCCO 00:00:30 NO TAR; NO DUDUK; NO NAY 30 SECOND
178. SANDS OF SIROCCO 00:00:30 NO TAR; NO DUDUK; NO NAY; NO ELECTRIC PULSE; NO METAL PERC
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20. MYSTERY IN THE DESERT 00:01:38 MYSTIFYING AND CURIOUS WITH PERCOLATING WORLD PERCUSSION AND AMBIENT TEXTURES CREATING A HAZY CLOUD AROUND DUDUK, BELL AND STRING SWELL MELODIES.
40. MYSTERY IN THE DESERT 00:01:00 60 SECOND
60. MYSTERY IN THE DESERT 00:00:30 30 SECOND
99. MYSTERY IN THE DESERT 00:01:33 NO BELLS; NO TAR; NO DUDUK
100. MYSTERY IN THE DESERT 00:01:33 NO BELLS; NO TAR; NO DUDUK; NO STRINGS
139. MYSTERY IN THE DESERT 00:01:00 NO BELLS; NO TAR; NO DUDUK 60 SECOND
140. MYSTERY IN THE DESERT 00:01:00 NO BELLS; NO TAR; NO DUDUK; NO STRINGS 60 SECOND
179. MYSTERY IN THE DESERT 00:00:30 NO BELLS; NO TAR; NO DUDUK 30 SECOND
180. MYSTERY IN THE DESERT 00:00:30 NO BELLS; NO TAR; NO DUDUK; NO STRINGS 30 SECOND