UCD024
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Urban CrimeMysterious, Suspenseful And Investigative With Street-Credibility. |
-
1. MODERN KNICK 00:01:38 DARK HIP HOP WITH PUNCHY PROGRAMMED DRUMS UNDER A BUBBLING POT OF SYNTH TONES AND A FUZZED-OUT BASS LINES. VERSION - FULL MIX
21. MODERN KNICK 00:01:00 60 SECOND
41. MODERN KNICK 00:00:30 30 SECOND
61. MODERN KNICK 00:01:38 NO STRINGS
62. MODERN KNICK 00:01:38 NO STRINGS; NO BASS MELODY
101. MODERN KNICK 00:01:00 NO STRINGS 60 SECOND
102. MODERN KNICK 00:01:00 NO STRINGS; NO BASS MELODY 60 SECOND
141. MODERN KNICK 00:00:30 NO STRINGS 30 SECOND
142. MODERN KNICK 00:00:30 NO STRINGS; NO BASS MELODY 30 SECOND
-
2. 3AM IN THE HOOD 00:01:38 ATMOSPHERIC SYNTHS CREATE CLOUDLIKE MYSTERY WITH PERCOLATING MELODIES AND PUNCHY HIP HOP BEATS ADDING A PERCUSSIVE ELEMENT. VERSION - FULL MIX
22. 3AM IN THE HOOD 00:01:00 60 SECOND
42. 3AM IN THE HOOD 00:00:30 30 SECOND
63. 3AM IN THE HOOD 00:01:38 NO SAXOPHONE; NO VOCAL
64. 3AM IN THE HOOD 00:01:38 NO SAXOPHONE; NO VOCAL; NO SYNTH MELODY
103. 3AM IN THE HOOD 00:01:00 NO SAXOPHONE; NO VOCAL 60 SECOND
104. 3AM IN THE HOOD 00:01:00 NO SAXOPHONE; NO VOCAL; NO SYNTH MELODY 60 SECOND
143. 3AM IN THE HOOD 00:00:30 NO SAXOPHONE; NO VOCAL 30 SECOND
144. 3AM IN THE HOOD 00:00:30 NO SAXOPHONE; NO VOCAL; NO SYNTH MELODY 30 SECOND
-
3. THE SNAKE 00:01:44 WEIRD BASS SYNTH NOTES TWIST AND SLITHER OVER TOUGH BEATS WITH A GRAND AND MYSTERIOUS STRING THEME PLAYING OVERTOP. VERSION - FULL MIX
23. THE SNAKE 00:01:00 60 SECOND
43. THE SNAKE 00:00:30 30 SECOND
65. THE SNAKE 00:01:44 NO STRINGS
66. THE SNAKE 00:01:44 DRUMS AND BASS ONLY
105. THE SNAKE 00:01:00 NO STRINGS 60 SECOND
106. THE SNAKE 00:01:00 DRUMS AND BASS ONLY 60 SECOND
145. THE SNAKE 00:00:30 NO STRINGS 30 SECOND
146. THE SNAKE 00:00:30 DRUMS AND BASS ONLY 30 SECOND
-
4. GUN SHOT CITY 00:01:36 HEAVILY SYNCOPATED DRUM PROGRAMMING WITH OMINOUS SOUNDING SYNTHESIZERS PERCOLATING INTO DARK SYNTH-BASS, ORCHESTRAL STRINGS AND VOCAL MELODIES. VERSION - FULL MIX
24. GUN SHOT CITY 00:01:00 60 SECOND
44. GUN SHOT CITY 00:00:30 30 SECOND
67. GUN SHOT CITY 00:01:36 NO VOCALS
68. GUN SHOT CITY 00:01:36 NO VOCALS; NO STRINGS
107. GUN SHOT CITY 00:01:00 NO VOCALS 60 SECOND
108. GUN SHOT CITY 00:01:00 NO VOCALS; NO STRINGS 60 SECOND
147. GUN SHOT CITY 00:00:30 NO VOCALS 30 SECOND
148. GUN SHOT CITY 00:00:30 NO VOCALS; NO STRINGS 30 SECOND
-
5. NOT WORTH IT 00:01:35 OMINOUS LOW STRINGS, DISTANT SAX AND FUZZY LOW SYNTHESIZER ATTACK A BASS-HEAVY LOOP THAT WILL KEEP THE TRUNK RATTLING. VERSION - FULL MIX
25. NOT WORTH IT 00:01:00 60 SECOND
45. NOT WORTH IT 00:00:30 30 SECOND
69. NOT WORTH IT 00:01:35 NO VOCALS
70. NOT WORTH IT 00:01:35 NO VOCALS; NO SAXOPHONE; NO STRINGS; NO SYNTHESIZER MELODY
109. NOT WORTH IT 00:01:00 NO VOCALS 60 SECOND
110. NOT WORTH IT 00:01:00 NO VOCALS; NO SAXOPHONE; NO STRINGS; NO SYNTHESIZER MELODY 60 SECOND
149. NOT WORTH IT 00:00:30 NO VOCALS 30 SECOND
150. NOT WORTH IT 00:00:30 NO VOCALS; NO SAXOPHONE; NO STRINGS; NO SYNTHESIZER MELODY 30 SECOND
-
6. BELLS ON 00:01:36 A QUICK-MOVING ACTION TRACK WITH RAPID-FIRE HI-HAT DRIVING PUNCHY PROGRAMMED BEATS AND URGENT SOUNDING PULSE SYNTH MELODIES. VERSION - FULL MIX
26. BELLS ON 00:01:00 60 SECOND
46. BELLS ON 00:00:30 30 SECOND
71. BELLS ON 00:01:36 NO ORCHESTRAL ELEMENTS
72. BELLS ON 00:01:36 NO ORCHESTRA; NO SYNTHESIZER MELODY; NO RECORD SCRATCHES
111. BELLS ON 00:01:00 NO ORCHESTRAL ELEMENTS 60 SECOND
112. BELLS ON 00:01:00 NO ORCHESTRA; NO SYNTHESIZER MELODY; NO RECORD SCRATCHES 60 SECOND
151. BELLS ON 00:00:30 NO ORCHESTRAL ELEMENTS 30 SECOND
152. BELLS ON 00:00:30 NO ORCHESTRA; NO SYNTHESIZER MELODY; NO RECORD SCRATCHES 30 SECOND
-
7. DEATH IN THE HOOD 00:01:34 SOMBER, MELLOW STRINGS WITH A MELANCHOLY CELLO MELODY COMBINE WITH HIP HOP ELEMENTS AND SYNTHESIZER EFFECTS. VERSION - FULL MIX
27. DEATH IN THE HOOD 00:01:00 60 SECOND
47. DEATH IN THE HOOD 00:00:30 30 SECOND
73. DEATH IN THE HOOD 00:01:34 NO CELLO
74. DEATH IN THE HOOD 00:01:34 NO STRINGS
113. DEATH IN THE HOOD 00:01:00 NO CELLO 60 SECOND
114. DEATH IN THE HOOD 00:01:00 NO STRINGS 60 SECOND
153. DEATH IN THE HOOD 00:00:30 NO CELLO 30 SECOND
154. DEATH IN THE HOOD 00:00:30 NO STRINGS 30 SECOND
-
8. STREET WALKER 00:01:31 PERCOLATING SYNTH MELODIES AND ICY BELL TONES ECHOING OVER TOUGH BEATS, BUBBLING SOUNDSCAPES AND DISTANT SAX CALLS. VERSION - FULL MIX
28. STREET WALKER 00:01:00 60 SECOND
48. STREET WALKER 00:00:30 30 SECOND
75. STREET WALKER 00:01:31 NO SAXOPHONE; NO GUITAR
76. STREET WALKER 00:01:31 NO GUITAR; NO EFFECTED SYNTHESIZER
115. STREET WALKER 00:01:00 NO SAXOPHONE; NO GUITAR 60 SECOND
116. STREET WALKER 00:01:00 NO GUITAR; NO EFFECTED SYNTHESIZER 60 SECOND
155. STREET WALKER 00:00:30 NO SAXOPHONE; NO GUITAR 30 SECOND
156. STREET WALKER 00:00:30 NO GUITAR; NO EFFECTED SYNTHESIZER 30 SECOND
-
9. WARPED STREETS 00:01:34 TOUGH PROGRAMMED BEATS GIVE A STREET EDGE TO BUILDING STRINGS AND SYNTH PADS WITH A DRAMATIC HIT AT THE END. VERSION - FULL MIX
29. WARPED STREETS 00:01:00 60 SECOND
49. WARPED STREETS 00:00:30 30 SECOND
77. WARPED STREETS 00:01:34 NO STRINGS
78. WARPED STREETS 00:01:34 NO STRINGS; NO DROPS
117. WARPED STREETS 00:01:00 NO STRINGS 60 SECOND
118. WARPED STREETS 00:01:00 NO STRINGS; NO DROPS 60 SECOND
157. WARPED STREETS 00:00:30 NO STRINGS 30 SECOND
158. WARPED STREETS 00:00:30 NO STRINGS; NO DROPS 30 SECOND
-
30. RAGGA-MAN 00:01:00 60 SECOND
50. RAGGA-MAN 00:00:30 30 SECOND
79. RAGGA-MAN 00:01:52 NO ORCHESTRA
80. RAGGA-MAN 00:01:52 NO GUITAR; NO EFFECTED SYNTHESIZER
119. RAGGA-MAN 00:01:00 NO ORCHESTRA 60 SECOND
120. RAGGA-MAN 00:01:00 NO GUITAR; NO EFFECTED SYNTHESIZER 60 SECOND
159. RAGGA-MAN 00:00:30 NO ORCHESTRA 30 SECOND
160. RAGGA-MAN 00:00:30 NO GUITAR; NO EFFECTED SYNTHESIZER 30 SECOND
-
31. EPIC HOOD 00:01:00 60 SECOND
51. EPIC HOOD 00:00:30 30 SECOND
81. EPIC HOOD 00:01:43 NO VOCAL
82. EPIC HOOD 00:01:41 NO VOCAL; NO STRINGS; NO BRASS; NO EFFECTS
121. EPIC HOOD 00:01:00 NO VOCAL 60 SECOND
122. EPIC HOOD 00:01:00 NO VOCAL; NO STRINGS; NO BRASS; NO EFFECTS 60 SECOND
161. EPIC HOOD 00:00:30 NO VOCAL 30 SECOND
162. EPIC HOOD 00:00:30 NO VOCAL; NO STRINGS; NO BRASS; NO EFFECTS 30 SECOND
-
12. DELIVER THE PAIN 00:01:32 ECHOING, BUBBLE-LIKE SYNTH TONES POP OVER INTENSIFYING FILTERED SYNTH LINES, AMBIENT MELODIES AND BUILDING HIP-HOP BEATS. VERSION - FULL MIX
32. DELIVER THE PAIN 00:01:00 60 SECOND
52. DELIVER THE PAIN 00:00:30 30 SECOND
83. DELIVER THE PAIN 00:01:32 NO VOCAL
84. DELIVER THE PAIN 00:01:32 NO STRINGS
123. DELIVER THE PAIN 00:01:00 NO VOCAL 60 SECOND
124. DELIVER THE PAIN 00:01:00 NO STRINGS 60 SECOND
163. DELIVER THE PAIN 00:00:30 NO VOCAL 30 SECOND
164. DELIVER THE PAIN 00:00:30 NO STRINGS 30 SECOND
-
13. DANGEROUS COMPANY 00:01:53 DANGEROUS AND TENSE SOUNDING WITH RUGGED HIP HOP BEATS AND BASS COVERED BY AMBIENT PIANO AND ORCHESTRAL STRING MELODIES. VERSION - FULL MIX
33. DANGEROUS COMPANY 00:01:00 60 SECOND
53. DANGEROUS COMPANY 00:00:30 30 SECOND
85. DANGEROUS COMPANY 00:01:53 NO CELLO
86. DANGEROUS COMPANY 00:01:53 NO STRINGS; NO VOCAL EFFECT
125. DANGEROUS COMPANY 00:01:00 NO CELLO 60 SECOND
126. DANGEROUS COMPANY 00:01:00 NO STRINGS; NO VOCAL EFFECT 60 SECOND
165. DANGEROUS COMPANY 00:00:30 NO CELLO 30 SECOND
166. DANGEROUS COMPANY 00:00:30 NO STRINGS; NO VOCAL EFFECT 30 SECOND
-
14. BROKEN 00:01:38 BIG BASS DROPS LEAD INTO A DARK DETECTIVE TRACK WITH A CURIOUS, INQUISITIVE KEYBOARD THEME AND SHORT STRING PHRASES OVER URBAN DRUMS AND BASS. VERSION - FULL MIX
34. BROKEN 00:01:00 60 SECOND
54. BROKEN 00:00:30 30 SECOND
87. BROKEN 00:01:38 NO RECORD SCRATCHES
88. BROKEN 00:01:38 NO RECORD SCRATCHES; NO STRINGS
127. BROKEN 00:01:00 NO RECORD SCRATCHES 60 SECOND
128. BROKEN 00:01:00 NO RECORD SCRATCHES; NO STRINGS 60 SECOND
167. BROKEN 00:00:30 NO RECORD SCRATCHES 30 SECOND
168. BROKEN 00:00:30 NO RECORD SCRATCHES; NO STRINGS 30 SECOND
-
15. CAR JACK 00:01:37 URGENT AND SERIOUS WITH QUICK STRING STABS AND SWELLING LEADING INTO AN ELECTRONIC BASS LEAD OVER BUILDING PERCUSSION. VERSION - FULL MIX
35. CAR JACK 00:01:00 60 SECOND
55. CAR JACK 00:00:30 30 SECOND
89. CAR JACK 00:01:37 NO STRINGS; NO BRASS
90. CAR JACK 00:01:37 NO STRINGS; NO BRASS; NO LOW DRUMS
129. CAR JACK 00:01:00 NO STRINGS; NO BRASS 60 SECOND
130. CAR JACK 00:01:00 NO STRINGS; NO BRASS; NO LOW DRUMS 60 SECOND
169. CAR JACK 00:00:30 NO STRINGS; NO BRASS 30 SECOND
170. CAR JACK 00:00:30 NO STRINGS; NO BRASS; NO LOW DRUMS 30 SECOND
-
16. BACK ALLEY CHASE 00:01:36 EXCITING AND INTENSE WITH POWERFUL ORCHESTRA BLASTS DYNAMICALLY PLAYING OVER TOUGH PROGRAMMED BEATS AND DUB STEP BASS SYNTH. VERSION - FULL MIX
36. BACK ALLEY CHASE 00:01:00 60 SECOND
56. BACK ALLEY CHASE 00:00:30 30 SECOND
91. BACK ALLEY CHASE 00:01:36 NO ORCHESTRA
92. BACK ALLEY CHASE 00:01:36 DRUMS; BASS; AND PERCUSSION ONLY
131. BACK ALLEY CHASE 00:01:00 NO ORCHESTRA 60 SECOND
132. BACK ALLEY CHASE 00:01:00 DRUMS; BASS; AND PERCUSSION ONLY 60 SECOND
171. BACK ALLEY CHASE 00:00:30 NO ORCHESTRA 30 SECOND
172. BACK ALLEY CHASE 00:00:30 DRUMS; BASS; AND PERCUSSION ONLY 30 SECOND
-
17. CRUISE 00:01:42 MYSTERIOUS AND TENSE WITH PECULIAR, REPETITIVE KEYBOARD LINES, VOLUMINOUS LOW BASS, AND METALLIC, PUNCHY PROGRAMMED PERCUSSION. VERSION - FULL MIX
37. CRUISE 00:01:00 60 SECOND
57. CRUISE 00:00:30 30 SECOND
93. CRUISE 00:01:42 NO MELODY
94. CRUISE 00:01:42 DRUMS; BASS AND KEYBOARD ONLY
133. CRUISE 00:01:00 NO MELODY 60 SECOND
134. CRUISE 00:01:00 DRUMS; BASS AND KEYBOARD ONLY 60 SECOND
173. CRUISE 00:00:30 NO MELODY 30 SECOND
174. CRUISE 00:00:30 DRUMS; BASS AND KEYBOARD ONLY 30 SECOND
-
18. GANG BANG 00:01:31 SUB-WOOFER DESTROYING BASS VIBRATES INTO A DRAMATIC CRIME ORCHESTRAL MOVEMENT WITH FILTERED FUNK ELECTRIC GUITAR AND FUZZY SYNTH LINES. VERSION - FULL MIX
38. GANG BANG 00:01:00 60 SECOND
58. GANG BANG 00:00:30 30 SECOND
95. GANG BANG 00:01:31 NO GUITAR
96. GANG BANG 00:01:31 NO ORCHESTRA
135. GANG BANG 00:01:00 NO GUITAR 60 SECOND
136. GANG BANG 00:01:00 NO ORCHESTRA 60 SECOND
175. GANG BANG 00:00:30 NO GUITAR 30 SECOND
176. GANG BANG 00:00:30 NO ORCHESTRA 30 SECOND
-
19. UP TO NO GOOD 00:01:38 DARK AND SPACIOUS WITH ATMOSPHERIC PADS ATTEMPTING TO CONCEAL EERIE EFFECTS AND SOUNDSCAPE SWELLS WHILE A TOUGH PROGRAMMED BEAT CALMLY WALKS THROUGH. VERSION - FULL MIX
39. UP TO NO GOOD 00:01:00 60 SECOND
59. UP TO NO GOOD 00:00:30 30 SECOND
97. UP TO NO GOOD 00:01:38 NO STRINGS
98. UP TO NO GOOD 00:01:38 DRUMS AND BASS ONLY
137. UP TO NO GOOD 00:01:00 NO STRINGS 60 SECOND
138. UP TO NO GOOD 00:01:00 DRUMS AND BASS ONLY 60 SECOND
177. UP TO NO GOOD 00:00:30 NO STRINGS 30 SECOND
178. UP TO NO GOOD 00:00:30 DRUMS AND BASS ONLY 30 SECOND
-
20. THE HANG 00:01:38 ROUGH AND QUIRKY WITH A WEIRD SYNTH BASS LINE AND ODDBALL BRASS OVER TOUGH, BASS-HEAVY DRUM PROGRAMMING, RECORD SCRATCH EFFECTS, AND WAH-WAH GUITAR FILLS VERSION - FULL MIX
40. THE HANG 00:01:00 60 SECOND
60. THE HANG 00:00:30 30 SECOND
99. THE HANG 00:01:38 NO GUITAR
100. THE HANG 00:01:38 NO GUITAR; NO RECORD SCRATCHES
139. THE HANG 00:01:00 NO GUITAR 60 SECOND
140. THE HANG 00:01:00 NO GUITAR; NO RECORD SCRATCHES 60 SECOND
179. THE HANG 00:00:30 NO GUITAR 30 SECOND
180. THE HANG 00:00:30 NO GUITAR; NO RECORD SCRATCHES 30 SECOND