UCD029
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA PulsesForeboding and overwhelming to soft and sobering, dramatic, mysterious and horrific pulse based tracks with lots of cinematic flair. |
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1. DEATH STEP 00:01:38 AGGRESSIVE DISTORTED SYNTHESIZER TONES MORPH AND TWIST AROUND HEARTBEAT PERCUSSION THAT BUILDS WITH AN INCREASING PULSE.
21. DEATH STEP 00:01:00 60 SECOND
41. DEATH STEP 00:00:30 30 SECOND
61. DEATH STEP 00:01:38 NO HEARTBEAT
62. DEATH STEP 00:01:38 NO TRANCE SYNTHESIZER LEAD
101. DEATH STEP 00:01:00 NO HEARTBEAT 60 SECOND
102. DEATH STEP 00:01:00 NO TRANCE SYNTHESIZER LEAD 60 SECOND
141. DEATH STEP 00:00:30 NO HEARTBEAT 30 SECOND
142. DEATH STEP 00:00:30 NO TRANCE SYNTHESIZER LEAD 30 SECOND
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2. UNCOVERING THE VEIL 00:01:36 A FAST SYNTH LEAD CREATES AN URGENT FEEL LEADING INTO AMBIENT SOUNDSCAPES AND DRIVING ATMOSPHERIC PULSES AND FILTERS WITH AN OVERALL DARK, INVESTIGATIVE FEEL.
22. UNCOVERING THE VEIL 00:01:00 60 SECOND
42. UNCOVERING THE VEIL 00:00:30 30 SECOND
63. UNCOVERING THE VEIL 00:01:28 NO SYNTHESIZER LEADS
64. UNCOVERING THE VEIL 00:01:36 NO STRINGS; NO SYNTHESIZER SWELL
103. UNCOVERING THE VEIL 00:01:00 NO SYNTHESIZER LEADS 60 SECOND
104. UNCOVERING THE VEIL 00:01:00 NO STRINGS; NO SYNTHESIZER SWELL 60 SECOND
143. UNCOVERING THE VEIL 00:00:30 NO SYNTHESIZER LEADS 30 SECOND
144. UNCOVERING THE VEIL 00:00:30 NO STRINGS; NO SYNTHESIZER SWELL 30 SECOND
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3. MURDER ROOM 00:01:51 MYSTERIOUS BUILDING BASS SYNTHESIZER PULSES AND INDUSTRIAL SOUNDING PERCUSSION LEAD US DOWN A DARK HALLWAY INTO A ROOM OF AMBIENT PIANO, HITS AND SOUND EFFECTS.
23. MURDER ROOM 00:01:00 60 SECOND
43. MURDER ROOM 00:00:30 30 SECOND
65. MURDER ROOM 00:01:51 NO PERCUSSION
66. MURDER ROOM 00:01:51 NO REVERSE MELODY; NO PIANO
105. MURDER ROOM 00:01:00 NO PERCUSSION 60 SECOND
106. MURDER ROOM 00:01:00 NO REVERSE MELODY; NO PIANO 60 SECOND
145. MURDER ROOM 00:00:30 NO PERCUSSION 30 SECOND
146. MURDER ROOM 00:00:30 NO REVERSE MELODY; NO PIANO 30 SECOND
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4. IF ONLY 00:01:44 DRAMATIC SYNTHESIZERS PULSES CREATE A SOMBER ATMOSPHERE MULTIPLIED BE PERCOLATING KEYBOARD, LOW ECHOING PIANO TONES AND DISTORTED PIANO AMBIENCE.
24. IF ONLY 00:01:00 60 SECOND
44. IF ONLY 00:00:30 30 SECOND
67. IF ONLY 00:01:44 NO PIANO
68. IF ONLY 00:01:44 NO PIANO; NO SYNTHESIZER MELODY; NO REVERSE PULSES
107. IF ONLY 00:01:00 NO PIANO 60 SECOND
108. IF ONLY 00:01:00 NO PIANO; NO SYNTHESIZER MELODY; NO REVERSE PULSES 60 SECOND
147. IF ONLY 00:00:30 NO PIANO 30 SECOND
148. IF ONLY 00:00:30 NO PIANO; NO SYNTHESIZER MELODY; NO REVERSE PULSES 30 SECOND
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5. SCENT OF THE TRAIL 00:01:38 INTENSE AND FULL OF DARK ENERGY WITH LOW, AGGRESSIVE SYNTHESIZER PULSES AND FILTERING AMBIENT TEXTURES.
25. SCENT OF THE TRAIL 00:01:00 60 SECOND
45. SCENT OF THE TRAIL 00:00:30 30 SECOND
69. SCENT OF THE TRAIL 00:01:38 NO PIANO
70. SCENT OF THE TRAIL 00:01:38 NO HIGH MELODY
109. SCENT OF THE TRAIL 00:01:00 NO PIANO 60 SECOND
110. SCENT OF THE TRAIL 00:01:00 NO HIGH MELODY 60 SECOND
149. SCENT OF THE TRAIL 00:00:30 NO PIANO 30 SECOND
150. SCENT OF THE TRAIL 00:00:30 NO HIGH MELODY 30 SECOND
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6. THE OPERATION 00:01:48 UNCOMFORTABLY MYSTERIOUS WITH BUBBLING SYNTHESIZERS PERCOLATING SIMPLE MELODIES SURROUNDED BY AMBIENT PULSES, POPPY PERCUSSION AND SYNTHESIZED HORNS.
26. THE OPERATION 00:01:00 60 SECOND
46. THE OPERATION 00:00:30 30 SECOND
71. THE OPERATION 00:01:48 NO SYNTHESIZER HORNS
72. THE OPERATION 00:01:48 NO ECHO SYNTHESIZER; NO ECHO PERCUSSION
111. THE OPERATION 00:01:00 NO SYNTHESIZER HORNS 60 SECOND
112. THE OPERATION 00:01:00 NO ECHO SYNTHESIZER; NO ECHO PERCUSSION 60 SECOND
151. THE OPERATION 00:00:30 NO SYNTHESIZER HORNS 30 SECOND
152. THE OPERATION 00:00:30 NO ECHO SYNTHESIZER; NO ECHO PERCUSSION 30 SECOND
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7. KNICKED 00:01:35 A DRIVING BASS SYNTHESIZER PULSE PUSHES THROUGH CHOPPY EFFECTS AND DRAMATIC, INTENSE FILTERS.
27. KNICKED 00:01:00 60 SECOND
47. KNICKED 00:00:30 30 SECOND
73. KNICKED 00:01:35 NO SYNTHESIZER MELODY
74. KNICKED 00:01:35 NO CHOPPY SYNTHESIZER FALLS
113. KNICKED 00:01:00 NO SYNTHESIZER MELODY 60 SECOND
114. KNICKED 00:01:00 NO CHOPPY SYNTHESIZER FALLS 60 SECOND
153. KNICKED 00:00:30 NO SYNTHESIZER MELODY 30 SECOND
154. KNICKED 00:00:30 NO CHOPPY SYNTHESIZER FALLS 30 SECOND
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8. SPED UP 00:01:38 A BUILDING MAZE OF INTENSIFYING ELECTRONIC PULSES AND FREAKISH EXTRATERRESTRIAL SOUNDING SOUNDSCAPES.
28. SPED UP 00:01:00 60 SECOND
48. SPED UP 00:00:30 30 SECOND
75. SPED UP 00:01:38 NO MELODY
76. SPED UP 00:01:38 NO PERCUSSION; NO RISES
115. SPED UP 00:01:00 NO MELODY 60 SECOND
116. SPED UP 00:01:00 NO PERCUSSION; NO RISES 60 SECOND
155. SPED UP 00:00:30 NO MELODY 30 SECOND
156. SPED UP 00:00:30 NO PERCUSSION; NO RISES 30 SECOND
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9. DISTURBING OCCURRENCES 00:01:37 PECULIAR SYNTHESIZER SOUNDS AND MECHANICAL PULSES PERCOLATE THROUGH VINES OF HANGING REVERSE STRING AND GUITAR TONES FOR AN EERIE FEEL.
29. DISTURBING OCCURRENCES 00:01:00 60 SECOND
49. DISTURBING OCCURRENCES 00:00:30 30 SECOND
77. DISTURBING OCCURRENCES 00:01:37 NO REVERSE STRINGS; NO REVERSE GUITAR
78. DISTURBING OCCURRENCES 00:01:37 NO PIANO; NO SUPER LOW SYNTHESIZER
117. DISTURBING OCCURRENCES 00:01:00 NO REVERSE STRINGS; NO REVERSE GUITAR 60 SECOND
118. DISTURBING OCCURRENCES 00:01:00 NO PIANO; NO SUPER LOW SYNTHESIZER 60 SECOND
157. DISTURBING OCCURRENCES 00:00:30 NO REVERSE STRINGS; NO REVERSE GUITAR 30 SECOND
158. DISTURBING OCCURRENCES 00:00:30 NO PIANO; NO SUPER LOW SYNTHESIZER 30 SECOND
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10. CARDIAC ARREST 00:01:32 PULSES AND HEARTBEATS BEGIN TO BEAT AT IRREGULAR RHYTHM AND INTENSIFY TO AN UNTIMELY END.
30. CARDIAC ARREST 00:01:00 60 SECOND
50. CARDIAC ARREST 00:00:30 30 SECOND
79. CARDIAC ARREST 00:01:32 NO HEART MONITOR EFFECTS
80. CARDIAC ARREST 00:01:32 NO STRINGS; NO RISE
119. CARDIAC ARREST 00:01:00 NO HEART MONITOR EFFECTS 60 SECOND
120. CARDIAC ARREST 00:01:00 NO STRINGS; NO RISE 60 SECOND
159. CARDIAC ARREST 00:00:30 NO HEART MONITOR EFFECTS 30 SECOND
160. CARDIAC ARREST 00:00:30 NO STRINGS; NO RISE 30 SECOND
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11. HAPPY TO BE 00:01:38 OPTIMISTIC SOUNDING WITH SOFT PULSING SYNTHESIZER LINES, NOSTALGIC SOUNDING PIANO CHORDS AND A PERCOLATING GUITAR MELODY.
31. HAPPY TO BE 00:01:00 60 SECOND
51. HAPPY TO BE 00:00:30 30 SECOND
81. HAPPY TO BE 00:01:38 NO GUITAR MELODY
82. HAPPY TO BE 00:01:38 NO SYNTHESIZER FLUTTER MELODY
121. HAPPY TO BE 00:01:00 NO GUITAR MELODY 60 SECOND
122. HAPPY TO BE 00:01:00 NO SYNTHESIZER FLUTTER MELODY 60 SECOND
161. HAPPY TO BE 00:00:30 NO GUITAR MELODY 30 SECOND
162. HAPPY TO BE 00:00:30 NO SYNTHESIZER FLUTTER MELODY 30 SECOND
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12. UNREST 00:01:42 UNSETTLING AND FOREBODING WITH AN OMINOUS LOW BASS SYNTHESIZER CREATING A CONSTANT PULSE UNDER SWARMING TENSE SOUNDING SYNTHESIZER LEADS AND FILTERS.
32. UNREST 00:01:00 60 SECOND
52. UNREST 00:00:30 30 SECOND
83. UNREST 00:01:42 NO MELODY
84. UNREST 00:01:42 NO CHORDAL AMBIENCE
123. UNREST 00:01:00 NO MELODY 60 SECOND
124. UNREST 00:01:00 NO CHORDAL AMBIENCE 60 SECOND
163. UNREST 00:00:30 NO MELODY 30 SECOND
164. UNREST 00:00:30 NO CHORDAL AMBIENCE 30 SECOND
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13. BAD VIBES 00:01:36 EERIE AND INVESTIGATIVE SOUNDING WITH PULSING PADS, SPACIOUS ATMOSPHERES AND DEEP TONAL HITS.
33. BAD VIBES 00:01:00 60 SECOND
53. BAD VIBES 00:00:30 30 SECOND
85. BAD VIBES 00:01:36 NO REVERSE GUITAR
86. BAD VIBES 00:01:36 NO HITS
125. BAD VIBES 00:01:00 NO REVERSE GUITAR 60 SECOND
126. BAD VIBES 00:01:00 NO HITS 60 SECOND
165. BAD VIBES 00:00:30 NO REVERSE GUITAR 30 SECOND
166. BAD VIBES 00:00:30 NO HITS 30 SECOND
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14. DANGER CHANGER 00:01:48 LOW BASS SYNTHESIZER PULSES AND FILTERS CREATE A MYSTIFYING SOUNDSCAPE THAT SLOWLY BUILDS WITH INCREASING PERCUSSION AND ADDED PECULIAR TEXTURES.
34. DANGER CHANGER 00:01:00 60 SECOND
54. DANGER CHANGER 00:00:30 30 SECOND
87. DANGER CHANGER 00:01:48 NO PERCUSSION
88. DANGER CHANGER 00:01:48 NO SYNTHESIZER HORNS
127. DANGER CHANGER 00:01:00 NO PERCUSSION 60 SECOND
128. DANGER CHANGER 00:01:00 NO SYNTHESIZER HORNS 60 SECOND
167. DANGER CHANGER 00:00:30 NO PERCUSSION 30 SECOND
168. DANGER CHANGER 00:00:30 NO SYNTHESIZER HORNS 30 SECOND
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15. DEEP PULSE 00:01:43 DARK AND ATMOSPHERIC WITH EFFERVESCENT SYNTHESIZERS CLOUDING THE AIR AND MYSTERIOUS KEYBOARD TONES CREATING GHOSTLY, OTHER-WORLDLY TONES AND MELODIES.
35. DEEP PULSE 00:01:00 60 SECOND
55. DEEP PULSE 00:00:30 30 SECOND
89. DEEP PULSE 00:01:43 NO SYNTHESIZER MELODY
90. DEEP PULSE 00:01:43 NO SYNTHESIZER BASS PULSE
129. DEEP PULSE 00:01:00 NO SYNTHESIZER MELODY 60 SECOND
130. DEEP PULSE 00:01:00 NO SYNTHESIZER BASS PULSE 60 SECOND
169. DEEP PULSE 00:00:30 NO SYNTHESIZER MELODY 30 SECOND
170. DEEP PULSE 00:00:30 NO SYNTHESIZER BASS PULSE 30 SECOND
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16. PERSONAL DUNGEON 00:01:56 DARK AND DEMENTED WITH ECHOING METALLIC PERCUSSION AMIDST OVERWHELMING LOW DRONES, UNSETTLING SYNTHESIZER PULSES AND HORRIFIC PIANO THEMES.
36. PERSONAL DUNGEON 00:01:00 60 SECOND
56. PERSONAL DUNGEON 00:00:30 30 SECOND
91. PERSONAL DUNGEON 00:01:56 NO PERCUSSION
92. PERSONAL DUNGEON 00:01:56 NO PIANO; NO SYNTHESIZER MELODY
131. PERSONAL DUNGEON 00:01:00 NO PERCUSSION 60 SECOND
132. PERSONAL DUNGEON 00:01:00 NO PIANO; NO SYNTHESIZER MELODY 60 SECOND
171. PERSONAL DUNGEON 00:00:30 NO PERCUSSION 30 SECOND
172. PERSONAL DUNGEON 00:00:30 NO PIANO; NO SYNTHESIZER MELODY 30 SECOND
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17. CHURNER 00:01:35 MYSTERIOUS AND CELESTIAL WITH BELL-TONE PULSES OVER A MECHANICAL SYNTHESIZER PULSE LEADING INTO DARK SOUNDING STRING LINES.
37. CHURNER 00:01:00 60 SECOND
57. CHURNER 00:00:30 30 SECOND
93. CHURNER 00:01:35 NO KICK DRUM
94. CHURNER 00:01:35 NO STRINGS; NO SYNTHESIZER MELODY
133. CHURNER 00:01:00 NO KICK DRUM 60 SECOND
134. CHURNER 00:01:00 NO STRINGS; NO SYNTHESIZER MELODY 60 SECOND
173. CHURNER 00:00:30 NO KICK DRUM 30 SECOND
174. CHURNER 00:00:30 NO STRINGS; NO SYNTHESIZER MELODY 30 SECOND
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18. SKELETONS IN THE CLOSET 00:01:32 SOMBER STRINGS EASE INTO A LIGHT EFFECTED PIANO PULSE WITH LOW SYNTHESIZER BASS SWELLS, DARK AMBIENT EFFECTS, AND MELANCHOLY FEEL.
38. SKELETONS IN THE CLOSET 00:01:00 60 SECOND
58. SKELETONS IN THE CLOSET 00:00:30 30 SECOND
95. SKELETONS IN THE CLOSET 00:01:22 NO PIANO
96. SKELETONS IN THE CLOSET 00:01:32 NO BASS; PULSE; NO BASS MELODY
135. SKELETONS IN THE CLOSET 00:01:00 NO PIANO 60 SECOND
136. SKELETONS IN THE CLOSET 00:01:00 NO BASS; PULSE; NO BASS MELODY 60 SECOND
175. SKELETONS IN THE CLOSET 00:00:30 NO PIANO 30 SECOND
176. SKELETONS IN THE CLOSET 00:00:30 NO BASS; PULSE; NO BASS MELODY 30 SECOND
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19. THE BEAST 00:01:38 ALARMING SOUNDING WITH INTENSE ECHO-COVERED SYNTHESIZER BASS, BUILDING RISES AND EFFECTS LEADING INTO A TRIPPY MECHANICAL PERCUSSION BACKED RISE AND HIT.
39. THE BEAST 00:01:00 60 SECOND
59. THE BEAST 00:00:30 30 SECOND
97. THE BEAST 00:01:38 NO RISES
98. THE BEAST 00:01:38 NO RISES; NO PERCUSSION
137. THE BEAST 00:01:00 NO RISES 60 SECOND
138. THE BEAST 00:01:00 NO RISES; NO PERCUSSION 60 SECOND
177. THE BEAST 00:00:30 NO RISES 30 SECOND
178. THE BEAST 00:00:30 NO RISES; NO PERCUSSION 30 SECOND
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20. THINKING OUT LOUD 00:01:46 A LOW BASS SYNTHESIZER PULSES INTO PENSIVE AMBIENCE WITH BRIGHT, TICKING SYNTHESIZER TONES ECHOING IN THE BACKGROUND FOR A PUZZLING, PECULIAR SOUND.
40. THINKING OUT LOUD 00:01:00 60 SECOND
60. THINKING OUT LOUD 00:00:30 30 SECOND
99. THINKING OUT LOUD 00:01:46 NO ANALOG BELLS
100. THINKING OUT LOUD 00:01:46 NO BUBBLES; NO ECHO SYNTHESIZER
139. THINKING OUT LOUD 00:01:00 NO ANALOG BELLS 60 SECOND
140. THINKING OUT LOUD 00:01:00 NO BUBBLES; NO ECHO SYNTHESIZER 60 SECOND
179. THINKING OUT LOUD 00:00:30 NO ANALOG BELLS 30 SECOND
180. THINKING OUT LOUD 00:00:30 NO BUBBLES; NO ECHO SYNTHESIZER 30 SECOND