UCD031
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Dark BedsCloaked in mystery and pulling from the abyss of suspense, dark underscore from foreboding and ominous to mysterious and ethereal. |
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1. 8 FEET UNDER 00:01:54 HEAVY SUB-BASS HITS AND BREATHING PERCUSSION PUNCTUATES MYSTERIOUS MARIMBA AND REVERSE GUITAR EFFECTS.
21. 8 FEET UNDER 00:01:00 60 SECOND
41. 8 FEET UNDER 00:00:30 30 SECOND
61. 8 FEET UNDER 00:01:54 NO MARIMBA; NO SHAKER
62. 8 FEET UNDER 00:01:54 NO DEEP PERCUSSION
101. 8 FEET UNDER 00:01:00 NO MARIMBA; NO SHAKER 60 SECOND
102. 8 FEET UNDER 00:01:00 NO DEEP PERCUSSION 60 SECOND
141. 8 FEET UNDER 00:00:30 NO MARIMBA; NO SHAKER 30 SECOND
142. 8 FEET UNDER 00:00:30 NO DEEP PERCUSSION 30 SECOND
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2. LOSING ONE'S MIND 00:01:41 DEMENTED EFFECTS, AIRY PERCUSSION CHOPS AND OMINOUS ETHEREAL SOUNDSCAPES LEAD TO INSANITY.
22. LOSING ONE'S MIND 00:01:00 60 SECOND
42. LOSING ONE'S MIND 00:00:30 30 SECOND
63. LOSING ONE'S MIND 00:01:39 NO BELL PERCUSSION
64. LOSING ONE'S MIND 00:01:41 NO TIMPANI; NO VIBES
103. LOSING ONE'S MIND 00:01:00 NO BELL PERCUSSION 60 SECOND
104. LOSING ONE'S MIND 00:01:00 NO TIMPANI; NO VIBES 60 SECOND
143. LOSING ONE'S MIND 00:00:30 NO BELL PERCUSSION 30 SECOND
144. LOSING ONE'S MIND 00:00:30 NO TIMPANI; NO VIBES 30 SECOND
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3. DARK MORPHING ATMOSPHERE 00:01:40 LONG DRONING ATMOSPHERES EVOLVE AND TWIST WITH INDUSTRIAL SOUND EFFECTS LOOMING IN THE DISTANCE.
23. DARK MORPHING ATMOSPHERE 00:01:00 60 SECOND
43. DARK MORPHING ATMOSPHERE 00:00:30 30 SECOND
65. DARK MORPHING ATMOSPHERE 00:01:40 NO WOODWINDS
66. DARK MORPHING ATMOSPHERE 00:01:40 NO PERCUSSION; NO INDUSTRIAL EFFECTS
105. DARK MORPHING ATMOSPHERE 00:01:00 NO WOODWINDS 60 SECOND
106. DARK MORPHING ATMOSPHERE 00:01:00 NO PERCUSSION; NO INDUSTRIAL EFFECTS 60 SECOND
145. DARK MORPHING ATMOSPHERE 00:00:30 NO WOODWINDS 30 SECOND
146. DARK MORPHING ATMOSPHERE 00:00:30 NO PERCUSSION; NO INDUSTRIAL EFFECTS 30 SECOND
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4. UNEARTHED 00:01:39 MELANCHOLY AND MYSTERIOUS WITH GHOSTLY EFFECTS SIFTING BETWEEN SOLEMN, REPETITIVE PIANO LINES AND LOW SYNTHESIZER BASS PULSES.
24. UNEARTHED 00:01:00 60 SECOND
44. UNEARTHED 00:00:30 30 SECOND
67. UNEARTHED 00:01:39 NO PERCUSSION LOOP
68. UNEARTHED 00:01:39 NO BELLS
107. UNEARTHED 00:01:00 NO PERCUSSION LOOP 60 SECOND
108. UNEARTHED 00:01:00 NO BELLS 60 SECOND
147. UNEARTHED 00:00:30 NO PERCUSSION LOOP 30 SECOND
148. UNEARTHED 00:00:30 NO BELLS 30 SECOND
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5. HELL'S BELLS 00:01:40 ETHEREAL GUITAR DRONES AND MYSTERIOUS SOUNDING EFFECTS FILTER THROUGH PERCOLATING BELL THEMES AND PERCUSSIVE PULSE BASS.
25. HELL'S BELLS 00:01:00 60 SECOND
45. HELL'S BELLS 00:00:30 30 SECOND
69. HELL'S BELLS 00:01:40 NO BELLS
70. HELL'S BELLS 00:01:40 NO LEAD SYNTHESIZER
109. HELL'S BELLS 00:01:00 NO BELLS 60 SECOND
110. HELL'S BELLS 00:01:00 NO LEAD SYNTHESIZER 60 SECOND
149. HELL'S BELLS 00:00:30 NO BELLS 30 SECOND
150. HELL'S BELLS 00:00:30 NO LEAD SYNTHESIZER 30 SECOND
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6. DRAMATIC AND DARK 00:01:40 SLOWLY MORPHING SYNTHESIZER PADS AND EFFECTS OMINOUSLY BUILD WITH INVESTIGATIVE PERCUSSION AND PULSING SOUNDSCAPE SWELLS INTO A TENSE KEYBOARD MELODY.
26. DRAMATIC AND DARK 00:01:00 60 SECOND
46. DRAMATIC AND DARK 00:00:30 30 SECOND
71. DRAMATIC AND DARK 00:01:40 NO CLAVINET
72. DRAMATIC AND DARK 00:01:40 NO CLAVINET; NO HARP; NO STRING PERCUSSION
111. DRAMATIC AND DARK 00:01:00 NO CLAVINET 60 SECOND
112. DRAMATIC AND DARK 00:01:00 NO CLAVINET; NO HARP; NO STRING PERCUSSION 60 SECOND
151. DRAMATIC AND DARK 00:00:30 NO CLAVINET 30 SECOND
152. DRAMATIC AND DARK 00:00:30 NO CLAVINET; NO HARP; NO STRING PERCUSSION 30 SECOND
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7. LONG DAY INTO NIGHT 00:01:48 LONG, WARM SOUNDING BRASS NOTES PLAY DRAMATIC PROGRESSIONS WITH MISLEADING STRING FLOURISHES AND LIGHT ORCHESTRAL PERCUSSION.
27. LONG DAY INTO NIGHT 00:01:00 60 SECOND
47. LONG DAY INTO NIGHT 00:00:30 30 SECOND
73. LONG DAY INTO NIGHT 00:01:48 NO BRASS
74. LONG DAY INTO NIGHT 00:01:48 NO TIMPANI; NO VIBRAPHONE
113. LONG DAY INTO NIGHT 00:01:00 NO BRASS 60 SECOND
114. LONG DAY INTO NIGHT 00:01:00 NO TIMPANI; NO VIBRAPHONE 60 SECOND
153. LONG DAY INTO NIGHT 00:00:30 NO BRASS 30 SECOND
154. LONG DAY INTO NIGHT 00:00:30 NO TIMPANI; NO VIBRAPHONE 30 SECOND
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8. BABY IN DANGER 00:01:39 MYSTERIOUS MELODIES PLAYED BY CHILDLIKE BELLS OVER CREEPY, DARK LOW STRINGS WITH SINISTER INTENTIONS.
28. BABY IN DANGER 00:01:00 60 SECOND
48. BABY IN DANGER 00:00:30 30 SECOND
75. BABY IN DANGER 00:01:37 NO BELLS
76. BABY IN DANGER 00:01:39 NO SYNTHESIZER; NO PERCUSSION BOOM
115. BABY IN DANGER 00:01:00 NO BELLS 60 SECOND
116. BABY IN DANGER 00:01:00 NO SYNTHESIZER; NO PERCUSSION BOOM 60 SECOND
155. BABY IN DANGER 00:00:30 NO BELLS 30 SECOND
156. BABY IN DANGER 00:00:30 NO SYNTHESIZER; NO PERCUSSION BOOM 30 SECOND
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9. BLACK CLOUDS 00:01:44 A LOW SYNTHESIZER BASS PULSE WITH MENACING PIANO PHRASES AND STRINGS ORCHESTRATING AN UNPROMISING FORECAST.
29. BLACK CLOUDS 00:01:00 60 SECOND
49. BLACK CLOUDS 00:00:30 30 SECOND
77. BLACK CLOUDS 00:01:44 NO STRINGS
78. BLACK CLOUDS 00:01:44 NO PIANO
117. BLACK CLOUDS 00:01:00 NO STRINGS 60 SECOND
118. BLACK CLOUDS 00:01:00 NO PIANO 60 SECOND
157. BLACK CLOUDS 00:00:30 NO STRINGS 30 SECOND
158. BLACK CLOUDS 00:00:30 NO PIANO 30 SECOND
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10. FEELING UNEASY 00:01:40 ELECTRIC PERCUSSION AND SINISTER AMBIENCE BUILD WITH ADDED STRINGS PULSES INTO A MYSTERIOUS AND DISSONANT PERCUSSION AND STRING THEME.
30. FEELING UNEASY 00:01:00 60 SECOND
50. FEELING UNEASY 00:00:30 30 SECOND
79. FEELING UNEASY 00:01:40 NO STRINGS
80. FEELING UNEASY 00:01:40 NO PERCUSSION
119. FEELING UNEASY 00:01:00 NO STRINGS 60 SECOND
120. FEELING UNEASY 00:01:00 NO PERCUSSION 60 SECOND
159. FEELING UNEASY 00:00:30 NO STRINGS 30 SECOND
160. FEELING UNEASY 00:00:30 NO PERCUSSION 30 SECOND
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11. INCESSANT MOTION 00:01:41 DRAMATIC AND BUILDING IN INTENSITY, ORCHESTRAL STRINGS AND WOODWINDS CREATE A BUBBLING BREW JOINED BY HAIR-RAISING HARP PLUCKS.
31. INCESSANT MOTION 00:01:00 60 SECOND
51. INCESSANT MOTION 00:00:30 30 SECOND
81. INCESSANT MOTION 00:01:41 NO HARP
82. INCESSANT MOTION 00:01:41 NO WOODWINDS
121. INCESSANT MOTION 00:01:00 NO HARP 60 SECOND
122. INCESSANT MOTION 00:01:00 NO WOODWINDS 60 SECOND
161. INCESSANT MOTION 00:00:30 NO HARP 30 SECOND
162. INCESSANT MOTION 00:00:30 NO WOODWINDS 30 SECOND
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12. A TWISTED STORY 00:01:38 DEMENTED AND UNCOMFORTABLE, A VIOLIN AND VIOLA DUET WITH DISJOINTED MELODIES COLLIDING OVER SLOWLY BUILDING LOW STRINGS.
32. A TWISTED STORY 00:01:00 60 SECOND
52. A TWISTED STORY 00:00:30 30 SECOND
83. A TWISTED STORY 00:01:38 NO STRING DELAY
84. A TWISTED STORY 00:01:38 NO LOW STRINGS
123. A TWISTED STORY 00:01:00 NO STRING DELAY 60 SECOND
124. A TWISTED STORY 00:01:00 NO LOW STRINGS 60 SECOND
163. A TWISTED STORY 00:00:30 NO STRING DELAY 30 SECOND
164. A TWISTED STORY 00:00:30 NO LOW STRINGS 30 SECOND
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13. NAGGING HEADACHE 00:01:46 UNCOMFORTABLE AND UNSETTLING WITH QUIRKY RUBBER BAND PULSES SURROUNDED BY AIRY, OMINOUS EFFECTS.
33. NAGGING HEADACHE 00:01:00 60 SECOND
53. NAGGING HEADACHE 00:00:30 30 SECOND
85. NAGGING HEADACHE 00:01:46 NO RUBBER BAND
86. NAGGING HEADACHE 00:01:46 NO RUBBER BAND; NO EFFECTS
125. NAGGING HEADACHE 00:01:00 NO RUBBER BAND 60 SECOND
126. NAGGING HEADACHE 00:01:00 NO RUBBER BAND; NO EFFECTS 60 SECOND
165. NAGGING HEADACHE 00:00:30 NO RUBBER BAND 30 SECOND
166. NAGGING HEADACHE 00:00:30 NO RUBBER BAND; NO EFFECTS 30 SECOND
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14. TURNING STOMACH 00:01:40 LOW, SUBDUED STACCATO ORCHESTRAL STRINGS CHURN AN UNSETTLING RHYTHMIC PULSE WHILE SOLO VIOLIN, BRASS EFFECTS AND LOW PERCUSSION RUMBLES INTENSIFY OVERTOP.
34. TURNING STOMACH 00:01:00 60 SECOND
54. TURNING STOMACH 00:00:30 30 SECOND
87. TURNING STOMACH 00:01:40 NO BRASS
88. TURNING STOMACH 00:01:40 NO SOLO VIOLIN; NO WOODWINDS
127. TURNING STOMACH 00:01:00 NO BRASS 60 SECOND
128. TURNING STOMACH 00:01:00 NO SOLO VIOLIN; NO WOODWINDS 60 SECOND
167. TURNING STOMACH 00:00:30 NO BRASS 30 SECOND
168. TURNING STOMACH 00:00:30 NO SOLO VIOLIN; NO WOODWINDS 30 SECOND
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15. SHOT IN THE DARK 00:01:34 LOW SYNTHESIZER BASS PULSES ARE SWARMED BY EFFECTED STRINGS AND EERIE CAVERNOUS BASS HITS.
35. SHOT IN THE DARK 00:01:00 60 SECOND
55. SHOT IN THE DARK 00:00:30 30 SECOND
89. SHOT IN THE DARK 00:01:34 NO GUITAR HITS
90. SHOT IN THE DARK 00:01:34 NO STRINGS
129. SHOT IN THE DARK 00:01:00 NO GUITAR HITS 60 SECOND
130. SHOT IN THE DARK 00:01:00 NO STRINGS 60 SECOND
169. SHOT IN THE DARK 00:00:30 NO GUITAR HITS 30 SECOND
170. SHOT IN THE DARK 00:00:30 NO STRINGS 30 SECOND
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16. NOT A PEACEFUL EASY FEELING 00:01:43 DRAMATIC AND DARK WITH ORCHESTRAL STRINGS AND BRASS PLAYING LONG, DRAWN OUT CHORDS WITH DARK MALLET PERCUSSION.
36. NOT A PEACEFUL EASY FEELING 00:01:00 60 SECOND
56. NOT A PEACEFUL EASY FEELING 00:00:30 30 SECOND
91. NOT A PEACEFUL EASY FEELING 00:01:43 NO VIBES
92. NOT A PEACEFUL EASY FEELING 00:01:43 NO BRASS
131. NOT A PEACEFUL EASY FEELING 00:01:00 NO VIBES 60 SECOND
132. NOT A PEACEFUL EASY FEELING 00:01:00 NO BRASS 60 SECOND
171. NOT A PEACEFUL EASY FEELING 00:00:30 NO VIBES 30 SECOND
172. NOT A PEACEFUL EASY FEELING 00:00:30 NO BRASS 30 SECOND
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17. TREMOLO TROUBLE 00:01:36 SINISTER ORCHESTRAL TREMOLO STRINGS CREEP MALICIOUS OVER DARK AND POWERFUL FRENCH HORN AND TROMBONE BLASTS.
37. TREMOLO TROUBLE 00:01:00 60 SECOND
57. TREMOLO TROUBLE 00:00:30 30 SECOND
93. TREMOLO TROUBLE 00:01:36 NO STRING MELODY
94. TREMOLO TROUBLE 00:01:36 NO PERCUSSION
133. TREMOLO TROUBLE 00:01:00 NO STRING MELODY 60 SECOND
134. TREMOLO TROUBLE 00:01:00 NO PERCUSSION 60 SECOND
173. TREMOLO TROUBLE 00:00:30 NO STRING MELODY 30 SECOND
174. TREMOLO TROUBLE 00:00:30 NO PERCUSSION 30 SECOND
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18. RETRO DARK 00:01:42 DETECTIVE-LIKE AND INVESTIGATIVE WITH A VINTAGE APPROACH, LOW ORCHESTRAL STRINGS, WOODWINDS AND PERCUSSION PLAY TIGHT RHYTHMS WITH LONG FLOWING STRINGS AND BRASS OVERTOP.
38. RETRO DARK 00:01:00 60 SECOND
58. RETRO DARK 00:00:30 30 SECOND
95. RETRO DARK 00:01:42 NO STRING MELODY; NO WOODWINDS
96. RETRO DARK 00:01:42 NO BRASS
135. RETRO DARK 00:01:00 NO STRING MELODY; NO WOODWINDS 60 SECOND
136. RETRO DARK 00:01:00 NO BRASS 60 SECOND
175. RETRO DARK 00:00:30 NO STRING MELODY; NO WOODWINDS 30 SECOND
176. RETRO DARK 00:00:30 NO BRASS 30 SECOND
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19. DARK MOVEMENT 00:01:37 EXTRA-TERRESTRIAL SOUNDING SYNTHESIZER SWELLS OVER AN OTHERWORLDLY, SPACIOUS AND SPACEY SOUNDSCAPE OF BASS PULSES, EFFERVESCENT PADS AND LIGHT PERCUSSION.
39. DARK MOVEMENT 00:01:00 60 SECOND
59. DARK MOVEMENT 00:00:30 30 SECOND
97. DARK MOVEMENT 00:01:37 NO LEAD SYNTHESIZER; NO RHYTHMIC LOOP
98. DARK MOVEMENT 00:01:37 NO STRINGS
137. DARK MOVEMENT 00:01:00 NO LEAD SYNTHESIZER; NO RHYTHMIC LOOP 60 SECOND
138. DARK MOVEMENT 00:01:00 NO STRINGS 60 SECOND
177. DARK MOVEMENT 00:00:30 NO LEAD SYNTHESIZER; NO RHYTHMIC LOOP 30 SECOND
178. DARK MOVEMENT 00:00:30 NO STRINGS 30 SECOND
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20. UNNERVING 00:01:39 GHOSTLY ORCHESTRAL STRING DRONES AND AMBIENT PIANO ARE BOTH HAUNTING AND MYSTERIOUS WITH LOW ORCHESTRAL STRINGS ADDING A RHYTHMIC PULSE.
40. UNNERVING 00:01:00 60 SECOND
60. UNNERVING 00:00:30 30 SECOND
99. UNNERVING 00:01:39 NO PIANO
100. UNNERVING 00:01:39 NO LOW STACCATO STRINGS
139. UNNERVING 00:01:00 NO PIANO 60 SECOND
140. UNNERVING 00:01:00 NO LOW STACCATO STRINGS 60 SECOND
179. UNNERVING 00:00:30 NO PIANO 30 SECOND
180. UNNERVING 00:00:30 NO LOW STACCATO STRINGS 30 SECOND