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UCD032
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Psycho PathWith a gentle nod to film noir, these eerie, ominous beds pulse with subtle urgency. An elegant blend of vintage synths, treated piano, vaguely metallic layers and edgy, racing strings, they speak to the taut, internal rhythms of a frantic mind. |
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1. BAD NEWS COMING 00:01:31 RETRO SOUNDING ELECTRIC PIANO AND GHOSTLY CHOIR CREATE A HEAVY WEIGHT TO THE AIR WHILE LOW, FOREBODING STRINGS FORESHADOW THE SINISTER EVENTS TO COME.
21. BAD NEWS COMING 00:01:00 60 SECOND
41. BAD NEWS COMING 00:00:30 30 SECOND
61. BAD NEWS COMING 00:01:31 NO ELECTRIC PIANO
62. BAD NEWS COMING 00:01:31 NO ELECTRIC PIANO; NO CHOIR
101. BAD NEWS COMING 00:01:00 NO ELECTRIC PIANO 60 SECOND
102. BAD NEWS COMING 00:01:00 NO ELECTRIC PIANO; NO CHOIR 60 SECOND
141. BAD NEWS COMING 00:00:30 NO ELECTRIC PIANO 30 SECOND
142. BAD NEWS COMING 00:00:30 NO ELECTRIC PIANO; NO CHOIR 30 SECOND
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2. WE FELT SOMETHING STRONG 00:01:39 A TENSE INTRO WITH LOW BASS SYNTHESIZER PULSES AND DARK STRINGS SWELLS LEADS INTO A MYSTERIOUS PIANO, VIOLIN AND CELLO INTERLUDE AND AN OMINOUS ENDING IMPACT.
22. WE FELT SOMETHING STRONG 00:01:00 60 SECOND
42. WE FELT SOMETHING STRONG 00:00:30 30 SECOND
63. WE FELT SOMETHING STRONG 00:01:39 NO PIANO; NO SHAKER; NO SYNTHESIZER PLUCKS
64. WE FELT SOMETHING STRONG 00:01:39 NO SOLO VIOLIN; NO SOLO CELLO
103. WE FELT SOMETHING STRONG 00:01:00 NO PIANO; NO SHAKER; NO SYNTHESIZER PLUCKS 60 SECOND
104. WE FELT SOMETHING STRONG 00:01:00 NO SOLO VIOLIN; NO SOLO CELLO 60 SECOND
143. WE FELT SOMETHING STRONG 00:00:30 NO PIANO; NO SHAKER; NO SYNTHESIZER PLUCKS 30 SECOND
144. WE FELT SOMETHING STRONG 00:00:30 NO SOLO VIOLIN; NO SOLO CELLO 30 SECOND
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23. IN A MELANCHOLY MOOD 00:01:00 60 SECOND
43. IN A MELANCHOLY MOOD 00:00:30 30 SECOND
65. IN A MELANCHOLY MOOD 00:01:32 NO GUITAR
66. IN A MELANCHOLY MOOD 00:01:32 NO PERCUSSION
105. IN A MELANCHOLY MOOD 00:01:00 NO GUITAR 60 SECOND
106. IN A MELANCHOLY MOOD 00:01:00 NO PERCUSSION 60 SECOND
145. IN A MELANCHOLY MOOD 00:00:30 NO GUITAR 30 SECOND
146. IN A MELANCHOLY MOOD 00:00:30 NO PERCUSSION 30 SECOND
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4. PROCESSING THE INEVITABLE 00:01:43 UNEMOTIONAL, MATTER OF FACT SOUNDING WITH AN INVESTIGATIVE FEEL, MELLOW PIANO MELODIES PLAY OVER LONG STRING SWELLS AND A LIGHT, LAID BACK PROGRAMMED DRUM LOOP.
24. PROCESSING THE INEVITABLE 00:01:00 60 SECOND
44. PROCESSING THE INEVITABLE 00:00:30 30 SECOND
67. PROCESSING THE INEVITABLE 00:01:43 NO PIANO
68. PROCESSING THE INEVITABLE 00:01:43 NO STRINGS
107. PROCESSING THE INEVITABLE 00:01:00 NO PIANO 60 SECOND
108. PROCESSING THE INEVITABLE 00:01:00 NO STRINGS 60 SECOND
147. PROCESSING THE INEVITABLE 00:00:30 NO PIANO 30 SECOND
148. PROCESSING THE INEVITABLE 00:00:30 NO STRINGS 30 SECOND
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5. DARK MATTER 00:01:35 A SUSPENSEFUL, MYSTERIOUS SEARCH UNCOVERS PULSING SYNTHESIZER TONES CASTING A HYPNOTIC GLOW OVER LOW, DARK STRING PHRASES, BUILDING BELL TONES AND ECHO-COVERED PIANO.
25. DARK MATTER 00:01:00 60 SECOND
45. DARK MATTER 00:00:30 30 SECOND
69. DARK MATTER 00:01:35 NO PIANO
70. DARK MATTER 00:01:35 NO STRINGS
109. DARK MATTER 00:01:00 NO PIANO 60 SECOND
110. DARK MATTER 00:01:00 NO STRINGS 60 SECOND
149. DARK MATTER 00:00:30 NO PIANO 30 SECOND
150. DARK MATTER 00:00:30 NO STRINGS 30 SECOND
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26. WEIGHT OF THE WORLD 00:01:00 60 SECOND
46. WEIGHT OF THE WORLD 00:00:30 30 SECOND
71. WEIGHT OF THE WORLD 00:01:35 NO HEARTBEAT PERCUSSION
72. WEIGHT OF THE WORLD 00:01:35 NO PERCUSSION; NO BELLS
111. WEIGHT OF THE WORLD 00:01:00 NO HEARTBEAT PERCUSSION 60 SECOND
112. WEIGHT OF THE WORLD 00:01:00 NO PERCUSSION; NO BELLS 60 SECOND
151. WEIGHT OF THE WORLD 00:00:30 NO HEARTBEAT PERCUSSION 30 SECOND
152. WEIGHT OF THE WORLD 00:00:30 NO PERCUSSION; NO BELLS 30 SECOND
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7. A VACANT STARE 00:01:39 A MOURNFUL CELLO MELODY POURS OUT A DEFEATED TUNE OVER SOMBER SYNTHESIZER PULSES AND SAD BELL PERCUSSION.
27. A VACANT STARE 00:01:00 60 SECOND
47. A VACANT STARE 00:00:30 30 SECOND
73. A VACANT STARE 00:01:39 NO CELLO
74. A VACANT STARE 00:01:39 NO CELLO; NO BUZZ SYNTHESIZER
113. A VACANT STARE 00:01:00 NO CELLO 60 SECOND
114. A VACANT STARE 00:01:00 NO CELLO; NO BUZZ SYNTHESIZER 60 SECOND
153. A VACANT STARE 00:00:30 NO CELLO 30 SECOND
154. A VACANT STARE 00:00:30 NO CELLO; NO BUZZ SYNTHESIZER 30 SECOND
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8. RURAL REALITY 00:01:30 AN INVESTIGATIVE SOUNDSCAPE WITH AN APPALACHIAN FEEL, LONG SYNTHESIZER AND HORN SWELLS BUILD OVER LIGHT PERCUSSION WITH A MANDOLIN CHIMING OVERTOP.
28. RURAL REALITY 00:01:00 60 SECOND
48. RURAL REALITY 00:00:30 30 SECOND
75. RURAL REALITY 00:01:30 NO SYNTHESIZER LEAD; NO SHAKER
76. RURAL REALITY 00:01:30 NO HORNS; NO SHAKER; NO CHOIR
115. RURAL REALITY 00:01:00 NO SYNTHESIZER LEAD; NO SHAKER 60 SECOND
116. RURAL REALITY 00:01:00 NO HORNS; NO SHAKER; NO CHOIR 60 SECOND
155. RURAL REALITY 00:00:30 NO SYNTHESIZER LEAD; NO SHAKER 30 SECOND
156. RURAL REALITY 00:00:30 NO HORNS; NO SHAKER; NO CHOIR 30 SECOND
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29. DISTURBING PROGRESSION 00:01:00 60 SECOND
49. DISTURBING PROGRESSION 00:00:30 30 SECOND
77. DISTURBING PROGRESSION 00:01:44 NO BELLS
78. DISTURBING PROGRESSION 00:01:44 NO PERCUSSION
117. DISTURBING PROGRESSION 00:01:00 NO BELLS 60 SECOND
118. DISTURBING PROGRESSION 00:01:00 NO PERCUSSION 60 SECOND
157. DISTURBING PROGRESSION 00:00:30 NO BELLS 30 SECOND
158. DISTURBING PROGRESSION 00:00:30 NO PERCUSSION 30 SECOND
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10. HE SEEMED LIKE A NICE BOY 00:01:34 SPELLBINDING PIANO PHRASES AND ODD, BULBOUS PERCUSSION COMBINE WITH AIRY SOUNDSCAPES WITH MYSTERIOUS RESULTS.
30. HE SEEMED LIKE A NICE BOY 00:01:00 60 SECOND
50. HE SEEMED LIKE A NICE BOY 00:00:30 30 SECOND
79. HE SEEMED LIKE A NICE BOY 00:01:34 NO PIANO
80. HE SEEMED LIKE A NICE BOY 00:01:34 NO PERCUSSION
119. HE SEEMED LIKE A NICE BOY 00:01:00 NO PIANO 60 SECOND
120. HE SEEMED LIKE A NICE BOY 00:01:00 NO PERCUSSION 60 SECOND
159. HE SEEMED LIKE A NICE BOY 00:00:30 NO PIANO 30 SECOND
160. HE SEEMED LIKE A NICE BOY 00:00:30 NO PERCUSSION 30 SECOND
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11. SHATTERED LIVES 00:01:41 PERCUSSIVE, SAWING ORCHESTRAL STRINGS FURIOUSLY SPIN A BUILDING WEB OF TENSION JUXTAPOSED WITH SOMBER, MELANCHOLY PIANO TONES.
31. SHATTERED LIVES 00:01:00 60 SECOND
51. SHATTERED LIVES 00:00:30 30 SECOND
81. SHATTERED LIVES 00:01:28 NO EFFECTED VIOLIN
82. SHATTERED LIVES 00:01:28 NO EFFECTED VIOLIN; NO PIANO MELODY
121. SHATTERED LIVES 00:01:00 NO EFFECTED VIOLIN 60 SECOND
122. SHATTERED LIVES 00:01:00 NO EFFECTED VIOLIN; NO PIANO MELODY 60 SECOND
161. SHATTERED LIVES 00:00:30 NO EFFECTED VIOLIN 30 SECOND
162. SHATTERED LIVES 00:00:30 NO EFFECTED VIOLIN; NO PIANO MELODY 30 SECOND
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32. DEEP THINKING 00:01:00 60 SECOND
52. DEEP THINKING 00:00:30 30 SECOND
83. DEEP THINKING 00:01:40 NO STRINGS
84. DEEP THINKING 00:01:40 NO STRINGS; NO BELLS; NO HARP
123. DEEP THINKING 00:01:00 NO STRINGS 60 SECOND
124. DEEP THINKING 00:01:00 NO STRINGS; NO BELLS; NO HARP 60 SECOND
163. DEEP THINKING 00:00:30 NO STRINGS 30 SECOND
164. DEEP THINKING 00:00:30 NO STRINGS; NO BELLS; NO HARP 30 SECOND
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13. HAUNTED MEMORIES 00:01:41 AIRY AND PENSIVE, GHOSTLY DRONES WITH ECHOING BELL EFFECTS FLOAT HAUNTINGLY WITH MYSTERIOUS INTENTIONS.
33. HAUNTED MEMORIES 00:01:00 60 SECOND
53. HAUNTED MEMORIES 00:00:30 30 SECOND
85. HAUNTED MEMORIES 00:01:41 NO HIGH BELLS
86. HAUNTED MEMORIES 00:01:41 NO BELLS
125. HAUNTED MEMORIES 00:01:00 NO HIGH BELLS 60 SECOND
126. HAUNTED MEMORIES 00:01:00 NO BELLS 60 SECOND
165. HAUNTED MEMORIES 00:00:30 NO HIGH BELLS 30 SECOND
166. HAUNTED MEMORIES 00:00:30 NO BELLS 30 SECOND
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34. THE LONGEST HOUR 00:01:00 60 SECOND
54. THE LONGEST HOUR 00:00:30 30 SECOND
87. THE LONGEST HOUR 00:01:41 NO TRUMPET
88. THE LONGEST HOUR 00:01:41 NO TRUMPET; NO STRINGS
127. THE LONGEST HOUR 00:01:00 NO TRUMPET 60 SECOND
128. THE LONGEST HOUR 00:01:00 NO TRUMPET; NO STRINGS 60 SECOND
167. THE LONGEST HOUR 00:00:30 NO TRUMPET 30 SECOND
168. THE LONGEST HOUR 00:00:30 NO TRUMPET; NO STRINGS 30 SECOND
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15. OH NO! 00:01:34 BACK TO BASICS SUSPENSE, PERCUSSIVE STRINGS DEVELOP AN INTENSIFYING INVESTIGATIVE THRILLER WITH THE ABSENCE OF PERCUSSION RAISING ITS ISOLATING FEAR FACTOR.
35. OH NO! 00:01:00 60 SECOND
55. OH NO! 00:00:30 30 SECOND
89. OH NO! 00:01:34 NO SOLO VIOLIN
90. OH NO! 00:01:27 NO CHAMBER ENSEMBLE
129. OH NO! 00:01:00 NO SOLO VIOLIN 60 SECOND
130. OH NO! 00:01:00 NO CHAMBER ENSEMBLE 60 SECOND
169. OH NO! 00:00:30 NO SOLO VIOLIN 30 SECOND
170. OH NO! 00:00:30 NO CHAMBER ENSEMBLE 30 SECOND
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16. INTROSPECTIVE NOIR 00:01:35 MYSTERIOUS SOUNDING STRINGS CONTROL THE ENVIRONMENT WITH LOW PULSES WHILE VIBRAPHONE, STRING AND WOODWIND MELODIES TIPTOE THROUGH THE CRIME SCENE.
36. INTROSPECTIVE NOIR 00:01:00 60 SECOND
56. INTROSPECTIVE NOIR 00:00:30 30 SECOND
91. INTROSPECTIVE NOIR 00:01:35 NO VIBRAPHONE; NO HARP PLUCK
92. INTROSPECTIVE NOIR 00:01:35 NO VIBRAPHONE; NO HARP PLUCK; NO WOODWINDS
131. INTROSPECTIVE NOIR 00:01:00 NO VIBRAPHONE; NO HARP PLUCK 60 SECOND
132. INTROSPECTIVE NOIR 00:01:00 NO VIBRAPHONE; NO HARP PLUCK; NO WOODWINDS 60 SECOND
171. INTROSPECTIVE NOIR 00:00:30 NO VIBRAPHONE; NO HARP PLUCK 30 SECOND
172. INTROSPECTIVE NOIR 00:00:30 NO VIBRAPHONE; NO HARP PLUCK; NO WOODWINDS 30 SECOND
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17. WE CALLED, NO ANSWER 00:01:40 SLOWLY GROWING DRONES AND OMINOUS BELL MELODIES ARE JOINED BY DARK, UNEASY STRINGS THAT HEIGHTEN FEELINGS OF SUSPICION AND FEAR.
37. WE CALLED, NO ANSWER 00:01:00 60 SECOND
57. WE CALLED, NO ANSWER 00:00:30 30 SECOND
93. WE CALLED, NO ANSWER 00:01:40 NO PIANO
94. WE CALLED, NO ANSWER 00:01:40 NO SPICCATO STRINGS
133. WE CALLED, NO ANSWER 00:01:00 NO PIANO 60 SECOND
134. WE CALLED, NO ANSWER 00:01:00 NO SPICCATO STRINGS 60 SECOND
173. WE CALLED, NO ANSWER 00:00:30 NO PIANO 30 SECOND
174. WE CALLED, NO ANSWER 00:00:30 NO SPICCATO STRINGS 30 SECOND
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18. IN A BAD WAY 00:01:42 EDGY, HAUNTING UNDERSCORE FEATURING SIMPLE PIANO, GHOSTLY CHOIR AND PULSING SYNTHESIZER AIDED BY EERIE LOW ORCHESTRAL STRINGS TO SPOOKY EFFECT.
38. IN A BAD WAY 00:01:00 60 SECOND
58. IN A BAD WAY 00:00:30 30 SECOND
95. IN A BAD WAY 00:01:42 NO CHOIR
96. IN A BAD WAY 00:01:42 NO STRINGS
135. IN A BAD WAY 00:01:00 NO CHOIR 60 SECOND
136. IN A BAD WAY 00:01:00 NO STRINGS 60 SECOND
175. IN A BAD WAY 00:00:30 NO CHOIR 30 SECOND
176. IN A BAD WAY 00:00:30 NO STRINGS 30 SECOND
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39. NAGGING FEELING 00:01:00 60 SECOND
59. NAGGING FEELING 00:00:30 30 SECOND
97. NAGGING FEELING 00:01:44 NO CELLO
98. NAGGING FEELING 00:01:44 NO CELLO; NO MALLET PERCUSSION
137. NAGGING FEELING 00:01:00 NO CELLO 60 SECOND
138. NAGGING FEELING 00:01:00 NO CELLO; NO MALLET PERCUSSION 60 SECOND
177. NAGGING FEELING 00:00:30 NO CELLO 30 SECOND
178. NAGGING FEELING 00:00:30 NO CELLO; NO MALLET PERCUSSION 30 SECOND
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20. TOO MUCH WAITING 00:01:44 OSCILLATING VINTAGE SYNTHESIZER PULSES AND CATACLYSMIC BELL TONES RATTLE INTO THE DARKNESS OF LOW SUB BASS AND LEAVE AN UNEASY, RESTLESS FEELING IN THEIR WAKE.
40. TOO MUCH WAITING 00:01:00 60 SECOND
60. TOO MUCH WAITING 00:00:30 30 SECOND
99. TOO MUCH WAITING 00:01:44 NO PLUCK MELODY
100. TOO MUCH WAITING 00:01:44 NO PLUCK MELODY; NO BELLS
139. TOO MUCH WAITING 00:01:00 NO PLUCK MELODY 60 SECOND
140. TOO MUCH WAITING 00:01:00 NO PLUCK MELODY; NO BELLS 60 SECOND
179. TOO MUCH WAITING 00:00:30 NO PLUCK MELODY 30 SECOND
180. TOO MUCH WAITING 00:00:30 NO PLUCK MELODY; NO BELLS 30 SECOND