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UCD033
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Edgy Crime Vol. 2UCD033 Edgy Crime Vol. 2;True crime on the edge with electronic percussion elements mixed with modern ambience and anxious pulsing beats. |
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1. KNIFE'S EDGE 00:01:42 MOUNTING PRESSURE AND ANXIOUS TENSION RESIDE IN INTENSIFYING, PERCUSSIVE PULSES AND BUILDING DRUMS THAT TEAR THROUGH ANXIETY-RIDDEN AMBIENT SOUNDSCAPES AND EFFECTS.
21. KNIFE'S EDGE 00:01:00 60 SECOND
41. KNIFE'S EDGE 00:00:30 30 SECOND
61. KNIFE'S EDGE 00:01:42 NO PULSE; NO SPACE SYNTHESIZER
62. KNIFE'S EDGE 00:01:42 NO PULSE; NO SPACE SYNTHESIZER; NO PIANO
101. KNIFE'S EDGE 00:01:00 NO PULSE; NO SPACE SYNTHESIZER 60 SECOND
102. KNIFE'S EDGE 00:01:00 NO PULSE; NO SPACE SYNTHESIZER; NO PIANO 60 SECOND
141. KNIFE'S EDGE 00:00:30 NO PULSE; NO SPACE SYNTHESIZER 30 SECOND
142. KNIFE'S EDGE 00:00:30 NO PULSE; NO SPACE SYNTHESIZER; NO PIANO 30 SECOND
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2. ARMED AND DANGEROUS 00:01:33 POWERFUL, LOW SYNTHESIZER BLASTS ECHO OVER TICKING PERCUSSION WHILE HEAVY DRUMS AND AMBIENT SWELLS GRADUALLY ESCALATE TENSION THROUGHOUT.
22. ARMED AND DANGEROUS 00:01:00 60 SECOND
42. ARMED AND DANGEROUS 00:00:30 30 SECOND
63. ARMED AND DANGEROUS 00:01:33 NO SWELL EFFECTS
64. ARMED AND DANGEROUS 00:01:33 NO SWELL EFFECTS; NO LOW BLASTS
103. ARMED AND DANGEROUS 00:01:00 NO SWELL EFFECTS 60 SECOND
104. ARMED AND DANGEROUS 00:01:00 NO SWELL EFFECTS; NO LOW BLASTS 60 SECOND
143. ARMED AND DANGEROUS 00:00:30 NO SWELL EFFECTS 30 SECOND
144. ARMED AND DANGEROUS 00:00:30 NO SWELL EFFECTS; NO LOW BLASTS 30 SECOND
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23. SHOTS FIRED 00:01:00 60 SECOND
43. SHOTS FIRED 00:00:30 30 SECOND
65. SHOTS FIRED 00:01:40 NO PIANO; NO STRINGS
66. SHOTS FIRED 00:01:40 NO STRINGS; NO ARP SYNTHESIZER; NO DRIVING PERCUSSION
105. SHOTS FIRED 00:01:00 NO PIANO; NO STRINGS 60 SECOND
106. SHOTS FIRED 00:01:00 NO STRINGS; NO ARP SYNTHESIZER; NO DRIVING PERCUSSION 60 SECOND
145. SHOTS FIRED 00:00:30 NO PIANO; NO STRINGS 30 SECOND
146. SHOTS FIRED 00:00:30 NO STRINGS; NO ARP SYNTHESIZER; NO DRIVING PERCUSSION 30 SECOND
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4. ON THE LAM 00:01:44 DRAMATIC THROBBING SYNTHESIZER SWEEPS AND HYPNOTIC BASS RHYTHMS GO FOR AN AGGRESSIVE ESCAPE WITH EXPLOSIVE TAIKO DRUM PERCUSSION ERUPTING THROUGHOUT.
24. ON THE LAM 00:01:00 60 SECOND
44. ON THE LAM 00:00:30 30 SECOND
67. ON THE LAM 00:01:44 NO ECHO SYNTHESIZER
68. ON THE LAM 00:01:44 NO ECHO SYNTHESIZER; NO BASS SYNTHESIZER; NO TAIKO DRUMS
107. ON THE LAM 00:01:00 NO ECHO SYNTHESIZER 60 SECOND
108. ON THE LAM 00:01:00 NO ECHO SYNTHESIZER; NO BASS SYNTHESIZER; NO TAIKO DRUMS 60 SECOND
147. ON THE LAM 00:00:30 NO ECHO SYNTHESIZER 30 SECOND
148. ON THE LAM 00:00:30 NO ECHO SYNTHESIZER; NO BASS SYNTHESIZER; NO TAIKO DRUMS 30 SECOND
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5. DARK DEALINGS 00:01:46 HEAVY-HANDED LOW ORCHESTRAL STRINGS STAB OVER RHYTHMIC TENSION-BUILDING SYNTHESIZERS AND PERCUSSION EFFECTS WHILE DRAMATIC PIANO MELODIES CAST A MYSTERIOUS AIR OVERTOP.
25. DARK DEALINGS 00:01:00 60 SECOND
45. DARK DEALINGS 00:00:30 30 SECOND
69. DARK DEALINGS 00:01:46 NO MARIMBA; NO PIANO
70. DARK DEALINGS 00:01:46 NO MARIMBA; NO PIANO; NO STRINGS
109. DARK DEALINGS 00:01:00 NO MARIMBA; NO PIANO 60 SECOND
110. DARK DEALINGS 00:01:00 NO MARIMBA; NO PIANO; NO STRINGS 60 SECOND
149. DARK DEALINGS 00:00:30 NO MARIMBA; NO PIANO 30 SECOND
150. DARK DEALINGS 00:00:30 NO MARIMBA; NO PIANO; NO STRINGS 30 SECOND
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26. CLOSING IN ON A KILLER 00:01:00 60 SECOND
46. CLOSING IN ON A KILLER 00:00:30 30 SECOND
71. CLOSING IN ON A KILLER 00:01:44 NO PIANO
72. CLOSING IN ON A KILLER 00:01:44 NO PIANO; NO STRINGS
111. CLOSING IN ON A KILLER 00:01:00 NO PIANO 60 SECOND
112. CLOSING IN ON A KILLER 00:01:00 NO PIANO; NO STRINGS 60 SECOND
151. CLOSING IN ON A KILLER 00:00:30 NO PIANO 30 SECOND
152. CLOSING IN ON A KILLER 00:00:30 NO PIANO; NO STRINGS 30 SECOND
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27. FOR WHOM THE BELL TOLLS 00:01:00 60 SECOND
47. FOR WHOM THE BELL TOLLS 00:00:30 30 SECOND
73. FOR WHOM THE BELL TOLLS 00:01:42 NO PULSE BELLS
74. FOR WHOM THE BELL TOLLS 00:01:42 NO STRINGS
113. FOR WHOM THE BELL TOLLS 00:01:00 NO PULSE BELLS 60 SECOND
114. FOR WHOM THE BELL TOLLS 00:01:00 NO STRINGS 30 SECOND
153. FOR WHOM THE BELL TOLLS 00:00:30 NO PULSE BELLS 30 SECOND
154. FOR WHOM THE BELL TOLLS 00:00:30 NO STRINGS 30 SECOND
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8. A DANGEROUS MAN 00:01:42 PECULIAR AND INVESTIGATIVE, PERCUSSIVE SYNTHESIZER TEXTURES AND METALLIC TICKING BEAT UNDER TENSE ORCHESTRAL STRINGS AND SPINE-CHILLING ATMOSPHERIC SWELLS.
28. A DANGEROUS MAN 00:01:00 60 SECOND
48. A DANGEROUS MAN 00:00:30 30 SECOND
75. A DANGEROUS MAN 00:01:42 NO PIANO
76. A DANGEROUS MAN 00:01:42 NO PERCUSSION
115. A DANGEROUS MAN 00:01:00 NO PIANO 60 SECOND
116. A DANGEROUS MAN 00:01:00 NO PERCUSSION 60 SECOND
155. A DANGEROUS MAN 00:00:30 NO PIANO 30 SECOND
156. A DANGEROUS MAN 00:00:30 NO PERCUSSION 30 SECOND
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9. LURKING STRANGER 00:01:40 DARK, RHYTHMIC SYNTHESIZER PULSE MELODIES CONSTRUCT A MYSTERIOUS AIR WITH UNPREDICTABLE IMPACTS AND SINISTER STRING AND PIANO OVERTONES.
29. LURKING STRANGER 00:01:00 60 SECOND
49. LURKING STRANGER 00:00:30 30 SECOND
77. LURKING STRANGER 00:01:40 NO PIANO
78. LURKING STRANGER 00:01:40 NO PIANO; NO SYNTHESIZER MELODY
117. LURKING STRANGER 00:01:00 NO PIANO 60 SECOND
118. LURKING STRANGER 00:01:00 NO PIANO; NO SYNTHESIZER MELODY 60 SECOND
157. LURKING STRANGER 00:00:30 NO PIANO 30 SECOND
158. LURKING STRANGER 00:00:30 NO PIANO; NO SYNTHESIZER MELODY 30 SECOND
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10. A DARKENING CLOUD 00:01:39 FOREBODING BELLS TOLL INTO A HAZY MIST OF EERIE STRING AMBIENCE AND OMINOUS PERCUSSION WHILE A FREAKISH BOWED KEMENCHE MELODY SLOWLY STEMS FROM THE TERROR.
30. A DARKENING CLOUD 00:01:00 60 SECOND
50. A DARKENING CLOUD 00:00:30 30 SECOND
79. A DARKENING CLOUD 00:01:39 NO KEMENCHE
80. A DARKENING CLOUD 00:01:39 NO KEMENCHE; NO BELLS
119. A DARKENING CLOUD 00:01:00 NO KEMENCHE 60 SECOND
120. A DARKENING CLOUD 00:01:00 NO KEMENCHE; NO BELLS 60 SECOND
159. A DARKENING CLOUD 00:00:30 NO KEMENCHE 30 SECOND
160. A DARKENING CLOUD 00:00:30 NO KEMENCHE; NO BELLS 30 SECOND
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11. EVIL INTENTIONS 00:01:34 SINISTER ORCHESTRAL STRINGS AND THREATING BRASS HAUNTINGLY CANVAS LONG-DESERTED HALLS SEARCHING FOR A FRESH VICTIM TO UNLEASH THEIR TERROR UPON.
31. EVIL INTENTIONS 00:01:00 60 SECOND
51. EVIL INTENTIONS 00:00:30 30 SECOND
81. EVIL INTENTIONS 00:01:23 NO STRINGS; NO BRASS
82. EVIL INTENTIONS 00:01:34 NO LOW AMBIENCE
121. EVIL INTENTIONS 00:01:00 NO STRINGS; NO BRASS 60 SECOND
122. EVIL INTENTIONS 00:01:00 NO LOW AMBIENCE 60 SECOND
161. EVIL INTENTIONS 00:00:30 NO STRINGS; NO BRASS 30 SECOND
162. EVIL INTENTIONS 00:00:30 NO LOW AMBIENCE 30 SECOND
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12. BEGINNING OF THE END 00:01:43 ECHOING RETRO GUITAR-BELL TEXTURES CAST A DARK SHADOW OVER LOW BASS SYNTHESIZER PULSES AND BUILD WITH SYNTHESIZER BRASS BLASTS AND LOOMING PERCUSSIVE IMPACTS.
32. BEGINNING OF THE END 00:01:00 60 SECOND
52. BEGINNING OF THE END 00:00:30 30 SECOND
83. BEGINNING OF THE END 00:01:43 NO TAIKO DRUMS
84. BEGINNING OF THE END 00:01:43 NO TAIKO DRUMS; NO STRINGS
123. BEGINNING OF THE END 00:01:00 NO TAIKO DRUMS 60 SECOND
124. BEGINNING OF THE END 00:01:00 NO TAIKO DRUMS; NO STRINGS 60 SECOND
163. BEGINNING OF THE END 00:00:30 NO TAIKO DRUMS 30 SECOND
164. BEGINNING OF THE END 00:00:30 NO TAIKO DRUMS; NO STRINGS 30 SECOND
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33. ALL SIGNS POINT TO HIM 00:01:00 60 SECOND
53. ALL SIGNS POINT TO HIM 00:00:30 30 SECOND
85. ALL SIGNS POINT TO HIM 00:01:35 NO STRINGS
86. ALL SIGNS POINT TO HIM 00:01:35 NO PIANO; NO PAD
125. ALL SIGNS POINT TO HIM 00:01:00 NO STRINGS 60 SECOND
126. ALL SIGNS POINT TO HIM 00:01:00 NO PIANO; NO PAD 60 SECOND
165. ALL SIGNS POINT TO HIM 00:00:30 NO STRINGS 30 SECOND
166. ALL SIGNS POINT TO HIM 00:00:30 NO PIANO; NO PAD 30 SECOND
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14. BUBBLING TO THE SURFACE 00:01:42 GUITAR AND KALIMBA BELL PULSES LAUNCH AN INVESTIGATIVE PROBE INTO AN OMINOUS, FOREBODING LAIR OF DARK PERCUSSION AND TWISTED, DISORIENTING AMBIENCE.
34. BUBBLING TO THE SURFACE 00:01:00 60 SECOND
54. BUBBLING TO THE SURFACE 00:00:30 30 SECOND
87. BUBBLING TO THE SURFACE 00:01:42 NO GUITAR
88. BUBBLING TO THE SURFACE 00:01:42 NO GUITAR; NO KALIMBA
127. BUBBLING TO THE SURFACE 00:01:00 NO GUITAR 60 SECOND
128. BUBBLING TO THE SURFACE 00:01:00 NO GUITAR; NO KALIMBA 60 SECOND
167. BUBBLING TO THE SURFACE 00:00:30 NO GUITAR 30 SECOND
168. BUBBLING TO THE SURFACE 00:00:30 NO GUITAR; NO KALIMBA 30 SECOND
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15. THINGS TAKE A DARK TURN 00:01:32 A MISLEADING AND DECEPTIVE PIANO MELODY MISCHIEVOUSLY WINDS THROUGH A MAZE OF INVESTIGATIVE STRINGS, PECULIAR PULSES AND URGENT TIK-TOK PERCUSSION.
35. THINGS TAKE A DARK TURN 00:01:00 60 SECOND
55. THINGS TAKE A DARK TURN 00:00:30 30 SECOND
89. THINGS TAKE A DARK TURN 00:01:32 NO STRINGS
90. THINGS TAKE A DARK TURN 00:01:32 NO STRINGS; NO PIANO
129. THINGS TAKE A DARK TURN 00:01:00 NO STRINGS 60 SECOND
130. THINGS TAKE A DARK TURN 00:01:00 NO STRINGS; NO PIANO 60 SECOND
169. THINGS TAKE A DARK TURN 00:00:30 NO STRINGS 30 SECOND
170. THINGS TAKE A DARK TURN 00:00:30 NO STRINGS; NO PIANO 30 SECOND
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36. DARKNESS APPROACHING 00:01:00 60 SECOND
56. DARKNESS APPROACHING 00:00:30 30 SECOND
91. DARKNESS APPROACHING 00:01:42 NO MELODY
92. DARKNESS APPROACHING 00:01:42 NO MELODY; NO STRINGS
131. DARKNESS APPROACHING 00:01:00 NO MELODY 60 SECOND
132. DARKNESS APPROACHING 00:01:00 NO MELODY; NO STRINGS 60 SECOND
171. DARKNESS APPROACHING 00:00:30 NO MELODY 30 SECOND
172. DARKNESS APPROACHING 00:00:30 NO MELODY; NO STRINGS 30 SECOND
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17. BELLS UP, BODIES DOWN 00:01:47 STICK PERCUSSION, SWEEPING EFFECTS AND SYNTHESIZER PULSES SUPPORT MORBIDLY ENIGMATIC BELL MELODIES THAT LEAD TO A POWERFUL IMPACT.
37. BELLS UP, BODIES DOWN 00:01:00 60 SECOND
57. BELLS UP, BODIES DOWN 00:00:30 30 SECOND
93. BELLS UP, BODIES DOWN 00:01:47 NO PULSE SYNTHESIZER
94. BELLS UP, BODIES DOWN 00:01:38 NO BELLS
133. BELLS UP, BODIES DOWN 00:01:00 NO PULSE SYNTHESIZER 60 SECOND
134. BELLS UP, BODIES DOWN 00:01:00 NO BELLS 60 SECOND
173. BELLS UP, BODIES DOWN 00:00:30 NO PULSE SYNTHESIZER 30 SECOND
174. BELLS UP, BODIES DOWN 00:00:30 NO BELLS 30 SECOND
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18. HANG NAIL 00:01:45 INQUISITIVE AND PERPLEXING, ODD PERCUSSION RHYTHMS SAW IN THE BACKGROUND BEHIND OMINOUS SWELLING BRASS AND EERIE AMBIENT PIANO MELODIES.
38. HANG NAIL 00:01:00 60 SECOND
58. HANG NAIL 00:00:30 30 SECOND
95. HANG NAIL 00:01:45 NO PIANO
96. HANG NAIL 00:01:45 NO PIANO; NO BRASS
135. HANG NAIL 00:01:00 NO PIANO 60 SECOND
136. HANG NAIL 00:01:00 NO PIANO; NO BRASS 60 SECOND
175. HANG NAIL 00:00:30 NO PIANO 30 SECOND
176. HANG NAIL 00:00:30 NO PIANO; NO BRASS 30 SECOND
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39. RACE AGAINST THE CLOCK 00:01:00 60 SECOND
59. RACE AGAINST THE CLOCK 00:00:30 30 SECOND
97. RACE AGAINST THE CLOCK 00:01:40 NO HORROR EFFECTS
98. RACE AGAINST THE CLOCK 00:01:40 NO TOMS
137. RACE AGAINST THE CLOCK 00:01:00 NO HORROR EFFECTS 60 SECOND
138. RACE AGAINST THE CLOCK 00:01:00 NO TOMS 60 SECOND
177. RACE AGAINST THE CLOCK 00:00:30 NO HORROR EFFECTS 30 SECOND
178. RACE AGAINST THE CLOCK 00:00:30 NO TOMS 30 SECOND
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40. UNEASINESS 00:01:00 60 SECOND
60. UNEASINESS 00:00:30 30 SECOND
99. UNEASINESS 00:01:37 NO STRINGS
100. UNEASINESS 00:01:37 NO STRINGS; NO CHARANGO
139. UNEASINESS 00:01:00 NO STRINGS 60 SECOND
140. UNEASINESS 00:01:00 NO STRINGS; NO CHARANGO 60 SECOND
179. UNEASINESS 00:00:30 NO STRINGS 30 SECOND
180. UNEASINESS 00:00:30 NO STRINGS; NO CHARANGO 30 SECOND