 |
UCD026
WARNER CHAPPELL PM ULTIMATE CRIME & DRAMA Opens & EpiloguesFor every action, there is an equal and opposite reaction& musically speaking. |
-
1. BAD BEGINNINGS 00:01:48 OPEN 1: SERIOUS SOUNDING WITH AMBIENT PIANO SOUNDSCAPES AND SYNTHESIZER TEXTURES LEADING INTO A BUILD OF PULSING GUITARS, ADDED PERCUSSION AND ORCHESTRAL STRING FLOURISHES.
21. BAD BEGINNINGS 00:01:00 60 SECOND
41. BAD BEGINNINGS 00:00:30 30 SECOND
61. BAD BEGINNINGS 00:01:48 NO STRINGS
62. BAD BEGINNINGS 00:01:48 NO TOM DRUMS
101. BAD BEGINNINGS 00:01:00 NO STRINGS 60 SECOND
102. BAD BEGINNINGS 00:01:00 NO TOM DRUMS 60 SECOND
141. BAD BEGINNINGS 00:00:30 NO STRINGS 30 SECOND
142. BAD BEGINNINGS 00:00:30 NO TOM DRUMS 30 SECOND
-
2. BAD ENDINGS 00:01:42 EPILOGUE 1: DARK PADS AND AMBIENCE SHIFT INTO A PULSING, SOLEMN PIANO MELODY AND MOODY REVERSE EFFECTS.
22. BAD ENDINGS 00:01:00 60 SECOND
42. BAD ENDINGS 00:00:30 30 SECOND
63. BAD ENDINGS 00:01:42 NO PIANO MELODY
64. BAD ENDINGS 00:01:42 NO PERCUSSION
103. BAD ENDINGS 00:01:00 NO PIANO MELODY 60 SECOND
104. BAD ENDINGS 00:01:00 NO PERCUSSION 60 SECOND
143. BAD ENDINGS 00:00:30 NO PIANO MELODY 30 SECOND
144. BAD ENDINGS 00:00:30 NO PERCUSSION 30 SECOND
-
3. A DARK STORY BEGINS 00:01:42 OPEN 2: PULSING SYNTHESIZER AMBIENCE, DESOLATE PIANO PHRASES AND DRAMATIC STRING MOVEMENTS HAVE A SERIOUS STORY TO TELL.
23. A DARK STORY BEGINS 00:01:00 60 SECOND
43. A DARK STORY BEGINS 00:00:30 30 SECOND
65. A DARK STORY BEGINS 00:01:42 NO STRINGS
66. A DARK STORY BEGINS 00:01:42 NO SYNTHESIZER EFFECTS
105. A DARK STORY BEGINS 00:01:00 NO STRINGS 60 SECOND
106. A DARK STORY BEGINS 00:01:00 NO SYNTHESIZER EFFECTS 60 SECOND
145. A DARK STORY BEGINS 00:00:30 NO STRINGS 30 SECOND
146. A DARK STORY BEGINS 00:00:30 NO SYNTHESIZER EFFECTS 30 SECOND
-
4. IT ENDS IN MURDER 00:01:50 EPILOGUE 2: SOBERING AND SERIOUS SOUNDING WITH SPACIOUS PIANO PHRASES DESCENDING OVER LIGHT ORCHESTRAL STRING SWELLS AND AN AMBIENT, PERCOLATING BELL BACKGROUND.
24. IT ENDS IN MURDER 00:01:00 60 SECOND
44. IT ENDS IN MURDER 00:00:30 30 SECOND
67. IT ENDS IN MURDER 00:01:50 NO AMBIENT BELLS
68. IT ENDS IN MURDER 00:01:50 NO AMBIENT BELLS; NO PERCUSSION
107. IT ENDS IN MURDER 00:01:00 NO AMBIENT BELLS 60 SECOND
108. IT ENDS IN MURDER 00:01:00 NO AMBIENT BELLS; NO PERCUSSION 60 SECOND
147. IT ENDS IN MURDER 00:00:30 NO AMBIENT BELLS 30 SECOND
148. IT ENDS IN MURDER 00:00:30 NO AMBIENT BELLS; NO PERCUSSION 30 SECOND
-
5. IT'S A START 00:01:43 OPEN 3: CURIOUS AND WHIMSICAL WITH PERCOLATING MARIMBA PATTERNS PUNCTUATING MISCHIEVOUS PIANO AND ENGLISH HORN MELODIES.
25. IT'S A START 00:01:00 60 SECOND
45. IT'S A START 00:00:30 30 SECOND
69. IT'S A START 00:01:43 NO PIANO MELODY
70. IT'S A START 00:01:43 NO PIANO MELODY; NO ENGLISH HORN
109. IT'S A START 00:01:00 NO PIANO MELODY 60 SECOND
110. IT'S A START 00:01:00 NO PIANO MELODY; NO ENGLISH HORN 60 SECOND
149. IT'S A START 00:00:30 NO PIANO MELODY 30 SECOND
150. IT'S A START 00:00:30 NO PIANO MELODY; NO ENGLISH HORN 30 SECOND
-
6. IT'S THE END 00:01:35 EPILOGUE 3: MYSTERIOUS MARIMBA AND STRING MELODIES LEAD INTO AN AMBIENT PIANO THEME WITH DARK ORCHESTRAL STRINGS AND EFFECTED PERCUSSION RATTLING IN THE BACKGROUND.
26. IT'S THE END 00:01:00 60 SECOND
46. IT'S THE END 00:00:30 30 SECOND
71. IT'S THE END 00:01:35 NO STRINGS; NO ECHOING PERCUSSION
72. IT'S THE END 00:01:35 NO BELLS; NO PERCUSSION
111. IT'S THE END 00:01:00 NO STRINGS; NO ECHOING PERCUSSION 60 SECOND
112. IT'S THE END 00:01:00 NO BELLS; NO PERCUSSION 60 SECOND
151. IT'S THE END 00:00:30 NO STRINGS; NO ECHOING PERCUSSION 30 SECOND
152. IT'S THE END 00:00:30 NO BELLS; NO PERCUSSION 30 SECOND
-
7. A TYPICAL DAY 00:01:39 OPEN 4: LIGHT AND AIRY WITH MELODIOUS CELLO LINES OVER A SIMPLE PIANO AND ACOUSTIC GUITAR PROGRESSION AND SYNTHESIZER PADS.
27. A TYPICAL DAY 00:01:00 60 SECOND
47. A TYPICAL DAY 00:00:30 30 SECOND
73. A TYPICAL DAY 00:01:39 NO CELLO
74. A TYPICAL DAY 00:01:39 NO GUITAR
113. A TYPICAL DAY 00:01:00 NO CELLO 60 SECOND
114. A TYPICAL DAY 00:01:00 NO GUITAR 60 SECOND
153. A TYPICAL DAY 00:00:30 NO CELLO 30 SECOND
154. A TYPICAL DAY 00:00:30 NO GUITAR 30 SECOND
-
8. NOT A TYPICAL DAY 00:01:43 EPILOGUE 4: A MOODY, INTROSPECTIVE VIOLIN OVER BROKEN PIANO CHORDS AND DARK SYNTHESIZER PADS.
28. NOT A TYPICAL DAY 00:01:00 60 SECOND
48. NOT A TYPICAL DAY 00:00:30 30 SECOND
75. NOT A TYPICAL DAY 00:01:43 NO VIOLIN
76. NOT A TYPICAL DAY 00:01:43 NO GUITAR
115. NOT A TYPICAL DAY 00:01:00 NO VIOLIN 60 SECOND
116. NOT A TYPICAL DAY 00:01:00 NO GUITAR 60 SECOND
155. NOT A TYPICAL DAY 00:00:30 NO VIOLIN 30 SECOND
156. NOT A TYPICAL DAY 00:00:30 NO GUITAR 30 SECOND
-
9. STARTS IN THE '70S 00:01:45 OPEN 5: ODDBALL BELL MELODIES OVER QUIRKY BASS LINES AND ATMOSPHERIC EFFECTS CREATES A CREEPY, UNSETTLED FEELING INVESTIGATIVE EXCURSION.
29. STARTS IN THE '70S 00:01:00 60 SECOND
49. STARTS IN THE '70S 00:00:30 30 SECOND
77. STARTS IN THE '70S 00:01:45 NO BELLS
78. STARTS IN THE '70S 00:01:45 NO SYNTHESIZER EFFECTS
117. STARTS IN THE '70S 00:01:00 NO BELLS 60 SECOND
118. STARTS IN THE '70S 00:01:00 NO SYNTHESIZER EFFECTS 60 SECOND
157. STARTS IN THE '70S 00:00:30 NO BELLS 30 SECOND
158. STARTS IN THE '70S 00:00:30 NO SYNTHESIZER EFFECTS 30 SECOND
-
10. REVISIT THE '70S 00:01:38 EPILOGUE 5: MYSTERIOUS AND INVESTIGATIVE WITH A SPOOKY, MINOR SOUNDING BELL MELODY OVER SWELLING, GLASSY SYNTHESIZER EFFECTS AND ELECTRIC BASS
30. REVISIT THE '70S 00:01:00 60 SECOND
50. REVISIT THE '70S 00:00:30 30 SECOND
79. REVISIT THE '70S 00:01:38 NO BELLS
80. REVISIT THE '70S 00:01:38 NO PULSE; NO SYNTHESIZER EFFECTS
119. REVISIT THE '70S 00:01:00 NO BELLS 60 SECOND
120. REVISIT THE '70S 00:01:00 NO PULSE; NO SYNTHESIZER EFFECTS 60 SECOND
159. REVISIT THE '70S 00:00:30 NO BELLS 30 SECOND
160. REVISIT THE '70S 00:00:30 NO PULSE; NO SYNTHESIZER EFFECTS 30 SECOND
-
11. DARKNESS TO LIGHT 00:01:44 OPEN 6: MINIMALISTIC PIANO PHRASES WITH AMBIENT SYNTHESIZER PULSES CREATE MOODY, DRAMATIC SOUNDSCAPES IN THE BACKGROUND.
31. DARKNESS TO LIGHT 00:01:00 60 SECOND
51. DARKNESS TO LIGHT 00:00:30 30 SECOND
81. DARKNESS TO LIGHT 00:01:44 NO PERCUSSION HITS
82. DARKNESS TO LIGHT 00:01:44 NO PULSES; NO PAD
121. DARKNESS TO LIGHT 00:01:00 NO PERCUSSION HITS 60 SECOND
122. DARKNESS TO LIGHT 00:01:00 NO PULSES; NO PAD 60 SECOND
161. DARKNESS TO LIGHT 00:00:30 NO PERCUSSION HITS 30 SECOND
162. DARKNESS TO LIGHT 00:00:30 NO PULSES; NO PAD 30 SECOND
-
12. PLUNGE INTO DARKNESS 00:01:43 EPILOGUE 6: SLOWLY BUILDING, PIANO AND BELL THEMES EVOLVE INTO A DARK, TWISTED CLIMAX OF STRING FLOURISHES, PERCUSSION SLAMS AND SYNTHESIZER SOUNDSCAPES.
32. PLUNGE INTO DARKNESS 00:01:00 60 SECOND
52. PLUNGE INTO DARKNESS 00:00:30 30 SECOND
83. PLUNGE INTO DARKNESS 00:01:43 NO TOMS; NO EXPLOSION PERCUSSION
84. PLUNGE INTO DARKNESS 00:01:43 NO BELLS; NO HORNS
123. PLUNGE INTO DARKNESS 00:01:00 NO TOMS; NO EXPLOSION PERCUSSION 60 SECOND
124. PLUNGE INTO DARKNESS 00:01:00 NO BELLS; NO HORNS 60 SECOND
163. PLUNGE INTO DARKNESS 00:00:30 NO TOMS; NO EXPLOSION PERCUSSION 30 SECOND
164. PLUNGE INTO DARKNESS 00:00:30 NO BELLS; NO HORNS 30 SECOND
-
13. PEACEFUL SURROUNDINGS 00:01:43 OPEN 7: CALMING, SERENE SOUNDING PIANO AND ANGELIC, LIGHT SYNTHESIZER PAD SUPPORT SIMPLE VIOLIN AND CELLO MELODIES.
33. PEACEFUL SURROUNDINGS 00:01:00 60 SECOND
53. PEACEFUL SURROUNDINGS 00:00:30 30 SECOND
85. PEACEFUL SURROUNDINGS 00:01:43 NO VIOLIN; NO CELLO
86. PEACEFUL SURROUNDINGS 00:01:43 NO GUITAR HARMONICS
125. PEACEFUL SURROUNDINGS 00:01:00 NO VIOLIN; NO CELLO 60 SECOND
126. PEACEFUL SURROUNDINGS 00:01:00 NO GUITAR HARMONICS 60 SECOND
165. PEACEFUL SURROUNDINGS 00:00:30 NO VIOLIN; NO CELLO 30 SECOND
166. PEACEFUL SURROUNDINGS 00:00:30 NO GUITAR HARMONICS 30 SECOND
-
14. NOT SO PEACEFUL SURROUNDINGS 00:01:43 EPILOGUE 7: SAD AND MOROSE SOUNDING WITH AN AMBIENT GUITAR HARMONICS THEME LEADING INTO A MELANCHOLY CELLO MELODY.
34. NOT SO PEACEFUL SURROUNDINGS 00:01:00 60 SECOND
54. NOT SO PEACEFUL SURROUNDINGS 00:00:30 30 SECOND
87. NOT SO PEACEFUL SURROUNDINGS 00:01:43 NO VIOLIN; NO CELLO
88. NOT SO PEACEFUL SURROUNDINGS 00:01:43 NO GUITAR HARMONICS
127. NOT SO PEACEFUL SURROUNDINGS 00:01:00 NO VIOLIN; NO CELLO 60 SECOND
128. NOT SO PEACEFUL SURROUNDINGS 00:01:00 NO GUITAR HARMONICS 60 SECOND
167. NOT SO PEACEFUL SURROUNDINGS 00:00:30 NO VIOLIN; NO CELLO 30 SECOND
168. NOT SO PEACEFUL SURROUNDINGS 00:00:30 NO GUITAR HARMONICS 30 SECOND
-
15. PERFECT SUBURBIA 00:01:32 OPEN 8: A CHIPPER AND HAPPY DOSE OF FUN ORCHESTRAL STRING AND WOODWIND LINES TOPPED WITH SMIRKING, GLISTENING BELL PERCUSSION.
35. PERFECT SUBURBIA 00:01:00 60 SECOND
55. PERFECT SUBURBIA 00:00:30 30 SECOND
89. PERFECT SUBURBIA 00:01:32 NO WOODWINDS
90. PERFECT SUBURBIA 00:01:32 NO BELL PERCUSSION
129. PERFECT SUBURBIA 00:01:00 NO WOODWINDS 60 SECOND
130. PERFECT SUBURBIA 00:01:00 NO BELL PERCUSSION 60 SECOND
169. PERFECT SUBURBIA 00:00:30 NO WOODWINDS 30 SECOND
170. PERFECT SUBURBIA 00:00:30 NO BELL PERCUSSION 30 SECOND
-
16. LAMENT 00:01:36 EPILOGUE 8: MELANCHOLY ORCHESTRAL STRINGS WITH LIGHT EXPLOSIVE PERCUSSION HITS AND HARP AND WOODWIND MELODIC LINES CREATING A SOMBER RISE.
36. LAMENT 00:01:00 60 SECOND
56. LAMENT 00:00:30 30 SECOND
91. LAMENT 00:01:36 NO PERCUSSION HITS
92. LAMENT 00:01:36 NO HARP; NO WOODWINDS
131. LAMENT 00:01:00 NO PERCUSSION HITS 60 SECOND
132. LAMENT 00:01:00 NO HARP; NO WOODWINDS 60 SECOND
171. LAMENT 00:00:30 NO PERCUSSION HITS 30 SECOND
172. LAMENT 00:00:30 NO HARP; NO WOODWINDS 30 SECOND
-
17. DARK BEGINNINGS 00:01:44 OPEN 9: HARP GUITAR PHRASES CREATE AN ORGANIC TEXTURE AGAINST MELANCHOLY HARMONICA PHRASES AND MOROSE ORCHESTRAL VIOLIN AND CELLO LINES.
37. DARK BEGINNINGS 00:01:00 60 SECOND
58. DARK BEGINNINGS 00:00:30 30 SECOND
93. DARK BEGINNINGS 00:01:44 NO HARMONICA
94. DARK BEGINNINGS 00:01:44 NO CELLO; NO VIOLIN
133. DARK BEGINNINGS 00:01:00 NO HARMONICA 60 SECOND
134. DARK BEGINNINGS 00:01:00 NO CELLO; NO VIOLIN 60 SECOND
173. DARK BEGINNINGS 00:00:30 NO HARMONICA 30 SECOND
174. DARK BEGINNINGS 00:00:30 NO CELLO; NO VIOLIN 30 SECOND
-
18. DARK ENDINGS 00:01:46 EPILOGUE 9: VEILED AND ROMANTIC SOUNDING WITH A MYSTERIOUS AIR OF AMBIENT PAD EFFECTS UNDERNEATH HARP GUITAR CHORD STRUCTURES AND HARMONICA AND STRING FILLS.
38. DARK ENDINGS 00:01:00 60 SECOND
57. DARK ENDINGS 00:00:30 30 SECOND
95. DARK ENDINGS 00:01:46 NO HARMONICA
96. DARK ENDINGS 00:01:46 NO VIOLIN; NO PERCUSSION; NO BELLS
135. DARK ENDINGS 00:01:00 NO HARMONICA 60 SECOND
136. DARK ENDINGS 00:01:00 NO VIOLIN; NO PERCUSSION; NO BELLS 60 SECOND
175. DARK ENDINGS 00:00:30 NO HARMONICA 30 SECOND
176. DARK ENDINGS 00:00:30 NO VIOLIN; NO PERCUSSION; NO BELLS 30 SECOND
-
19. RURAL COMFORT 00:01:42 OPEN 10: PEACEFUL AND SERENE, LIGHT CONTINUOUS ACOUSTIC GUITAR STRUMMING WITH ACOUSTIC HARMONICS AND ORCHESTRAL STRINGS DANCING OVERTOP.
39. RURAL COMFORT 00:01:00 60 SECOND
59. RURAL COMFORT 00:00:30 30 SECOND
97. RURAL COMFORT 00:01:42 NO VIOLIN
98. RURAL COMFORT 00:01:42 NO ACOUSTIC HARMONICS; NO STRINGS
137. RURAL COMFORT 00:01:00 NO VIOLIN 60 SECOND
138. RURAL COMFORT 00:01:00 NO ACOUSTIC HARMONICS; NO STRINGS 60 SECOND
177. RURAL COMFORT 00:00:30 NO VIOLIN 30 SECOND
178. RURAL COMFORT 00:00:30 NO ACOUSTIC HARMONICS; NO STRINGS 30 SECOND
-
20. NO RURAL COMFORT 00:01:53 EPILOGUE 10: PENSIVE AND MELLOW WITH ACOUSTIC GUITAR HARMONICS LEADING INTO A DARK COLLAGE OF ORCHESTRAL STRINGS AND MELANCHOLY AMBIENCE.
40. NO RURAL COMFORT 00:01:00 60 SECOND
60. NO RURAL COMFORT 00:00:30 30 SECOND
99. NO RURAL COMFORT 00:01:53 NO VIOLIN
100. NO RURAL COMFORT 00:01:53 NO ACOUSTIC HARMONICS; NO STRINGS
139. NO RURAL COMFORT 00:01:00 NO VIOLIN 60 SECOND
140. NO RURAL COMFORT 00:01:00 NO ACOUSTIC HARMONICS; NO STRINGS 60 SECOND
179. NO RURAL COMFORT 00:00:30 NO VIOLIN 30 SECOND
180. NO RURAL COMFORT 00:00:30 NO ACOUSTIC HARMONICS; NO STRINGS 30 SECOND